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THE MUSEUM gt" MUU~K'"AK.11 WEST 53 STREET, NEW YORK 19, N. Y.TELEPHONE: CIRCLE5·S900
50 - s-C./5 - me./ - mISC-.
117" t.Ol'TrYS
THEPHOTOGRAPHERANDTHEAMERICANLANDSCAPE-September 24 - November 28, 196:5
CHECKLIST
ADAMS.Ansel
All prints lent by the photographer unless otherwise indicated.
Glacier Bay, Alaska. 1948' ~ A
From I'.ortfolio Two. Print No. 10 of Set No. 41 't»U52.l~'\ (/u.-<,d ~£o/"t ~O, 19~;; Fol? OIl 5;;(5)
Aspens, Autumn, Colorado. 1~7 '$;<5.52.1072 ~ L.Lp-t3 j 195::< pelf I;XH5;(5)
T~e Tetons, and Snal's River, Wyoming. 19416:5.1221
Mt. Williamson, Sierra Nevada, California. 19446:5.1222
The Great Plains, View East, 19616:5.122:5
6. Coast Redwoods, California. 1961From l'ortfolio 1V63.1.221
7. Aspens, Northern NewMexico. 195863.1228
8. Ice and Cliffs, Kaweah Gap, California. 1~4In "Sierra Nevada and the JolIn Muir Trail"6:5.12:51
9. Gates of the Valley. Winter Storm. Yosemite, California. 1~6
63.1234
10. Lone Pine Pesk from Mt. Whitney, Sierra Nevada, California. 1944Gift of the PhotographeT504.59 m·v,
est Pace), ealifotcia. 193~
12. The Black Giant, Muir Pass, Sierra Nevsda, California. c.l~46:5.1241
13. Lake McDonald, Glacier National Park, Montana. 19416:5.1243
14. Surf Sequence No.3.ft. elevation. 1940.460.41,3 m.c.
Taken from Half~MoonBay Road, California, from 400 or 500Given anonymously, 1941, Purchased from the Photographer.
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AExh_0728_MasterChecklist
Prints listed below made from the original negatives by p. R. Petersen,Museumof Modern Art.
Courtesy of The H. H. Bennett Studio.
16. In and about the Dells of the Wisconsi; River on top of Stand Rock, Wisconsin 'Z':<5.Dells. Before 1887.
#iJJ1JJ35/VD'/ {tJUcC/7IJty17. Devils Lake, Wisconsin Dells. Probably 1874 "~5.
#I't.· sWOy cClLteQ7tJrt
All photographs lent by the photographer.
26. Detroit, 1941 (Grasses in water)
21. Detroit, 1943 (Grasses in snow - calligraphy)
28. Chicago, 1946 (Stones in sand)
29. Chicago, 1948 (Treee in snow)
30. Lake Michigan, 1949(Grasses in sand)
31. Wisconsin, 1959 (Rocks and grasses)
32. Michigan, 1959 (Turbulent grasses)
3 3 • Rhode Island, 1962 (Grasses)
34-. Maine, 1962 (Heavy grasses)
35. NewHampshire, 1961 (Trees)
18.
19.
20.
21.
22.
23.
24.
25.
1'1'" PlwtoEjrapher & the Americsn Landscape
-2-
BENNETT. H. H,
15. Panorama from the Overhanging Cliff, Wisconsin Dells. c.1891 or 1892.Print made any time up to the summerof 1907.Le.nt by The H, H. Bennett Studio,63.1153
$jlSuga;Bowl with Ro~boat, Wisconsln"Dells. <:.1889 /H.III ) 57Z1IJY CoLLeL/7od (e'!1l./fRGrmMT)
Phantom Chamber in Witches' Gulch, Wisconsin Dells. 1885-1890 1.:<5113'87 SWIJI COL.LLc/7~/YAmo::igthe Craga on Bluff, Wisconsin Dells, Possibly 1870 or 1873 $,;<.5 .:II Nf;2 SWOY CtJJJ..L.e...C77NY -JCave of Dark Waters, Wisconsin Dells. c.l880 <p,;l5..:I //tJ/ 57Voj (PUeCl7orl!sl.ands from Cliff at Gulch, Wisconsin Dells. Undated ~~...# /O():> 5 IV.£) Y C-bue.C77tJr1 iLooking out from Black Hawk's Cave, Wisconisn Dells. 1885-1895 ':<5",II //:(,/ S77/IJYceue.cl7tJrITwoWomenat Entrance to Witches' Gulch, Wisconsin Dells, c,1885 ';S;{-:J.
:#20';;'/ SWIJY CCi/..LeC77tJr!Canoeists in Boat Cave, Wisconsin Dells, c,1890-1895 <t;:l5,11;(0 j'l S IVO Y U;LL-ec../1 NI
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£&..LAHAN! Harn:
63.144363.1444
63.1445
63.1446
63.1447
63.1448
63.1449
63.1450
63.1451
63.1452
CAPONIGRO!Paul
36.
All prints lent by the photographer unless otherwise indicated.
Tva leaves, Brewster, N, Y, 196363.1319
31. Egg Rock, Nahant, Massachusetts. 195863·,1320 \38. Rocks and Tid.. Pool, Nahant, Massachusetta. 195863.1322
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rne rnoeogrspner & The American Landscape
CAPONIGRO.Pau1
39. Reflected Clouds, The Adirondacks, N. Y. 195863.1323
40. Tapered Rock, West Hartford, Connecticut. 196063.1324
41. Glacier National Park, Montana. 195963.1327
42. Mushroom, Ipswich, Massachusetts. 196263.1329
43. Rock Wall No.2, West Hartford, Connecticut. 195963.1332
44. Eroded Sand, Revere, Massachusetts. 195863.1333
45. Sequence One. Surf and Eroded Rock, Cape Kiwa:tda, Oregon. 195963.1334
46. Ice, Newton Center, Massachusetts. 1959 ;tBy Purchase, Museumof Modern Art (Study Collection) 5'5
CURRENT,William R.
All photographs lent by the ~hotographer.
47. California Sycamore No.2. 196063.1189
48. California Sycamore No.4. 196063.1190
4-9. Rock Hillside with River below. 196263.1191
50. R1)cks in River. 196~.63.1358California Sycamore #l. 1960
GARNETT, W!1Uam A.
63.11875l.
All prints lent by the photographer unless otherwise indicated,
MonumentValley, Utah. October, 1954By Purchase, Museumof Modern Art ( Study Collection) t 75".
53. SaroBars in the Colorado River north of Need1.es, California-Arizona Border. 1956By Purchase, Museumof Modern Art170.59/n{/.
52.
54-. Nude Dune, Death Va' ley, California. April 15, 1954By Purchase, Museumof Modern Art111.59 mc-.
55. Indian 1.end South of Marble Canyon, Arizona, from the Painted Desert. 1954 "'50.t.ent....by the l'hotogra her, )~6.54D ( fk1;'7)lQ58' FOR ti:.XH. 59'1
--------56. Erosion and Strip Farms. 195163.1361
51. \lnti.tled. 196363.1364
58. Dry 1.ake with Animal 'tracks. 195563.1365
59. Surf, vertical view. 195463.1366 more ....
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The Photographer & The American Landscape
-4-
G<\.'rnETT!William A.
!'ie. Badwater Area, Death Valley, California. 195~63.1367
61. Dry Wash with Alluvium, Death Valley, California. 195763.1372
6/i1. Alluvium with Hill, Death Valley, California. 195463.1374
65. Soda Lake, Carrizo Plain, California. 195563.1378
64. Temblor Mountains near Maricopa, California. 195663.1377
JACKSON!William Hgnry
65. Gray's and Torreys Peaks. Cclorado. After 1896.W. H. Jacl~on & Co., Denver, Col.Ler.~ by George&1sman House63.1280
66. Gray's Peak. Torreys Peak. Colorado. 1873Lent by George Eastman House63.1275
67. Cheyenne Falls. After 18961W. H. Jackson & Co. Photo. Denver, Col.Lent by Denver Public Library, vlestern Collection63.1110
68. North from Berthoud Pass, Colorado. 1874.(lkt1/denSurvey)Lent by George Eastman House63.1268
69. Lowp.rFire Hole. Crater of the Fountain. Yellowstone National Park, Wyoming.c.1872 (Haydeu Survey)Lent by George Eastman Housp.63.1211
Glacier Point, Yosemite, California. c.18:;5? $/','{'Enlargemen~ by Mode:r'"\sge Museun of Modern Art I. •
Courtesy of Denver ablic Library, Western Collection(c) ~ fJ5, }//~ STVIJ/ COLLcc:.-nOrrPikes Peak from Garden of the Gods. Colorado. After 1897W. R. Jackson & Co. Denver, Col.Lent by Denver Public Library, Western Collection63.-1111
72. The Upper Twin Lake, Colorado. 1875(Hayden Survey)Lent by George Eastman Rouse63.1.274
It r • J
70. ,
71.
73. La1m San Miguel. Co1.orado. 1875(Hayden Survey)Lent by George Eastman House63.1276
74-. Hell's Half Acre. Yellowstone National Park. Copyrighted 1892 by w. H. JacksonPhotography Co., Denver.Lent by The Library of Congress63.1258
75. The "W", Pike's Peak Carriage Road. Colorado. After 1891W. H. Jackson &Co., Denver.Lent by George Eastman House6:;.1278
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76.
The Pho~ogrDphcr & Th9 Am9rican LandscBce
.J1JACKSON,-WHHam Henry
Mt, Hood From Lost Lake. Oregon. c.1896W, H. Jackson & Co., Denver, Col.Lent by George Eastman House63,1279
77. Maumo,th !iDt Springs, Yellowstone National Park, Wyoming. 1876Lent by George Eastman House63,1273
78. Scenery Of The YelllXoi.tone National Park (WyOlll1ng)M8IlIllO".th!iDt Springs The Rostrum. c.1872Lent by Ceroge Eastman House63.1269
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81.
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84.
86.
KniSEY, Darius
All prints tIlade by .P. R. Petersen, Museumof Modern Art, from the original negative,
Felling a fir tree. Copyrighted 1906 ~/~.Enlargement by Mod.rnage Museum of Modern ArtCourtesy o~ Jesse E, E~ert#1PI (EJ S/VLJ! CtJtt.ec/7cqA close in view showing 15 cedar trees. Copyrighted 1913. ~~~Courtesy of Jesse E. Ebert-,111121 sn: o y C.OLLt:c/7CrlCedar, 20 feet in diameter. Washington. Undated. $;:(5.Courtesy of Jesse E. Ebert:It SWot COLLec../7 C FICedar, Copyright 1916t :<5.Museumof Modern ArtCourtesy of Je8ee E. Eber.t# 5~DY {OileC~OnWashington. Undated 't. ")5',Courtesy of Jesse E, Ebert-f c.>rvOj c.Oue c. /7tJ r1Homesteader's shake cabin. Washington. Copyrighted 1906 ~ /tftJ .Enlargement by Moderl ge Muaeum of Modern ArtCourtesy of Jesse E, Ebert .it' /57 IE) SWot COLLec:norrCrescent L CampNo. 1 Timber Vie~la Co. Seattle 1~6 1'.:<5:Courtell)r of Jesse E. Ebert!l /8fF 5TZ10f coicc.c '77hr 'JLog scaled 18,000 ft. English CampNo. 11 Washington 'c;(5.Timber Views Co., Seattle. Undated.Courtesy of Jesse E, Ebert .
-It 3/156 5"rVOY C<Juec..T70rY
O'SULLIVAN. Timothy H.
87. Ruby Valley Hot Springs. Ruby Valley, Nevada. 18'68Fortieth Parallel ExplorationLent by George Eastman House63.1284
88. Hot Spring Geyser, Ruby Valley, Nevada. 1868!i'ortiGth Pll1'alloal ExplorationLent by George Eastman House63.128)
89.
90.
Vermillion Creek Canon. Vermillion River, Colorado. 1869 or 18'12Fortieth Parallel ExplorationLent by The Library of Congress63.1252
RiverGreen I near Flaming ~orge, Utah. 1869 or 1872Fortieth Parallel ExplorationLent by The Library of Congress63.1256
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The 'pbot:ographer & The Atu"rican Landscape
-6-
O'SULLIVAN!Timothy H.
91. Tufa formation. Analio Island, Pyramid Lake, Nevada. 1867Fortieth Parallel ExplorationJ.ent by The Library of Congress63.1250
92. Sand Dunea. Carson DeI!Ci\~t,Nevsda. 1867Fortieth Parallel ~xplorationLent by The Library of Congress63.1244
93. Soda Lake. Carson Dersert, Nevada. 1867Fortieth Parallel ExplorationLent by George Eastman House63.1288
94. Wall In The Grand Canon, Colorado River. 1871Wheeler ExpeditiopEnlargement by ~Iodernage Museum of ~dern ArtCourtesy ~f George Eastman House
95. Shoshone Falls - Idaho. 1868.Fortieth Parsllel ExplorationLent by Georee Esstman House63.1290
96. Black Canon, Colorado River from CampS. Looking Above. 1871Whfleler ExpeditionLent by George Eastn'!"n House63.1291
97. Ancient Ruins In The Canon De Chelle, N. M. In a nt ch 50 feet above presentCanon bed. 1873
Wheeler E~editionLent by The Library of Congress63.1248
98. Snow Peaks. Bull Run Mining District, Nevada. 1871Wheeler ExpeditionLent by The Library of Congress63.1245
99. Canon De Chelle. Walls of the Grand Canon. 1873Wheeler ExpeditionLent by The Library of Congress63.1247
PORTER!Eliot
Unless othe~~ise indicated, all prints gift of phot0grapher.
These dye transfer prints are reproduced in Eliot Porter's books _* "IN WILDNESSIS THE PRESERVAT!ONOF THE ~IORLD"
San Francisco: Sierra Club, 1962
100.
** THEPLACENO ONEKNEW: Glen Canyon on the ColoradoEd;"ted by David BrowerSan Francisco: S~.erra Club, 1963
Pools, Aztec Creek. 1962" /~ .** Plate 40=fJ(9.;<":':;;J)j 5'nJ0 Y CtJI-L t?g e-n a rrEscalante River. 1962 /tnJ.** Plate 21.:If- . I 5'n!OY CoLLeC-'r7tJdWall detail, flaking 4esert varnish. 1962** Plate 19.:/I; G:2 - 86 S77J0Y cecc. ec...'r;orlSt-ream below Music Temple. 1961 '110-0** Plate 28::/I- ~/- 8/9 srvov C()Uec..110rY
101.
102.
103.
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104.
105.
106.
107.
108.
109.
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~:lot;ogrBP.her & The Amor.1cBn Landscape
PORTER.El1..,t
Pattern, wet rock and dry sand. 1961 .,i /t't:J ,- Plate 60#G/- glf 57V.tl,Ycoaecl7on'Evan's Notch, Maine. 1961 !i t'V 't-/-5"o 5/vP:! COL.-L£e-/7or/
Pond Brook. 1956 //1'1'.iE'l'itle pa e-.I- 'St- >;<8 STlII/! CiJL.t.-t'c77t?rIRed Ozier. 1945 Z/f7)
*)1.97- 415 <7IVtl! UlU ec.T7IN1Escalante River. 1962- Plate 43Ltf:'lf74 the Photographer
Dezd Grass and Sumac. 1956*Lent by the Photographer63.1470Tamarisk and grass, river's edge. 1961Lent by the Ph~tographer63.1469R1l0HOMAA! Ko'lti
All prints made from the original negative by p. R. Petersen, Museumof ModernArt. Courtesy of Black Star (with one exception, as noted below)
111. Horses in the Mohswk\lalley. 1945 '1~5From essay "MohawkVslley"5'TVoy co cce c-rro a
" at. 19115
112.
113.
OOT
IH.
\1.15.orrrr
From essay "MohawkValley". 1945«ss:S'rVOy Ct'LLe c'rllJ/fFrom essay "God Made the Country". 1948 «as,Swot COLLccHor!'From eliI'll' "Gall Malle the Cou.ntry." 1943
From essay "Winter, Frazer, Col." 1953 '1;<5',S'TV.tlY COUt:cHtJrY
FrClDessay "Poetry". 1957 ~,;;),srvOy COLLee..-7'7CJr!
pz em esea)' "Pee tl'Y". 1957
11~. From essay "Monhegan Island". Late 1950's '1,;)5,S 'TV0'1 Co/.t.£ c 'rrCJrr
117. Union, Knox County, Maine. Late 1950's 5/.25,Courtesy of Jim MooreS'rVO Y C.Ouec ..:-a a rI
SINSABAUGR,Art
All prints lent by the photographer unless otherwise indicated.
118, Landscape No. 10. 196163.1352
j
119. Lands~e No. 17. 113. 1961to?;.1 3
120. Landscape No. 34. 1/20. 1962 ft ItnJ .By PurchaseThe Museumof Modern Art ( Study Collection)
121. Landscape No. 70. 113. 196263.1354
122. Landscape No. 64. 1/3. 1962 rt ltv 'Enlargement by Modernage. Museumof Modern ArtCourtesy of the PhotographerS,upy COLI..ec-170rY more .•••
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The Pr~tographer & The Ameri~an Landscape
-8-SINSABAUGH,Art
123. Landscape No.1, 113. 196263,1351
~ICH2N, Edward
124. The Big White Cloud, Lake George, New York. 1903Lent by The Metropolitan Museumof Art, Gift of Alfred Stieglitz, lSB363,1180
1
125. The Pool - Evening. Milwaukee, 1899The Alfred Stieglitz CollectionThe Art Institute of Chicago63,1301
Landscspe - The Rivulet. Milwaukee, 1899 (;! .Print made by P; R, Peter n, !'t.s8~= of Modc::n ArtCourtes of Th Metropolitan Museumof Art"'-TV{) ctJLL.ecrytJrlVen rabI Tree Trunk. Connecticut, 1932. ':1 t~Print 0 de by P, R, ?eter&8a, Muaeumof Modern ArtTh usc of Modm Art, Gift of • Photographerrz-o r ct'LL.ec..nClfHold n Pood, 1934" atllr laves the shore 8 it did a thous8nd years 8g0." • ThoreauPo' The Limit d ditions Club-Edition of Thoreau" Wald n, 1936Print • by P. R. P tel's D, HuseUltlof ~ .m Art
H 10 of Mod rn Art, Gift of the Photog-=cpher.. r [y (~I c c r ll( IIWint r 1. n.d.cape. La G Tge 19:)4-19:)5St 1c OIS fir.t co or print.
se of Hodern flrt, GUt of th Photograph rOJ C.
.....
126.
127.
128.
130. 1010nth - Ma1ll4tooeck, N w York, 19:)4Th Metropolitan Mu eum of Art, Gift of Alfted Stieglitz, 193363·n&2
STIP.GLUZ. Alf~
All prints lent by Mrs. Dotothy S. Norman unless otherwise indicsted.
131. Lake George (with grass :l.n foregr.ound) 193163.1392
132. Equivalent. 1927The Museumof Modern Art. The Alfred Stieglitz Collection, Gift of Georgia
O'Keeffe21.50 m.c .
133. Clouds. Music No.6. 192263.1393
134. Equivalent (vertical clouds) Undated63.1394
135. Lilac and GrasB 193363.1395
136. An Equivalent in a Series of 7 Equivalents (1921-1938) A,B,C,D,E,F,G'Ihis 1s D Rainbow, Lake George 1920
The Museumof Modern Art AnonymousGift9'2.43.4 me-
137. Clouds. Music No. 1. 192263.1391
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138.
139.
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146.
14'7.
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149
150.
151.
152.
153.
154.
.!i,e PhotograJ?her & The American Landscape
STRAND,Paul
The Dark Forest Georgetown, Maine, USA. 1928The Muscumof Modern Art, Gift of the Photographer246.57 me-Cobweb in Rain,Georgetown, Maine, USA. 1927The Museun of ModernArt, Gift of the Photographer243.57 me:
Toadstool 4nd Grasses, Georgeto~m, !laine, USA. 1928The J1useumof Modern Art, Gift of the Photographer245.57 I?7G.
Leavas II. 1929The Museumof ModernArt, Gift of Georgia O'F'.eeffe236.54 /!J.G.
Driftwood, Dark Roots. 1928Lent by George ESRtmanHouse63.lQ40
Fern, Early Morning. 1927Lent by George Ea~tman House63.1441
VANDEF.Bn.T.Paul
All prints lent by The State HistoricalSociety of Wisconsin.
Beetown (vicinity) Wisconsin, 196263.1396
Long field near Spring Green. 196263.1344
Field Road. 196263.1338
~6lillconsinRiver Swampat Sunrise. 1961:).1:)41
Pasture nesr Marxville, Wisconsin, 196063.1336
Windy Field in the Coulse Country. 196263.1337I'ASHBURN.Bradford
All prints made from original negative by p. R. Petersen, Museumof Modern Art,with one exception indicated.
The amazing medial moraines of Barnard Glacier on the Alaskan-Canad!.:n frontier.1';;38.Enlargement by Modernege. Museumof Modern Art 1;()-{).C;lurtesy:of .the PhotographeriF 79-/35'5 (E. GB./35'S) 5!J1IJy COI-LeL.770rlPlastic flow in t e Great Bering Glacier - Alaska coast near Cape St. Elias.st~o:1938.Courtesy of the Photographer.
STUDY CfJU£C-'lmnPlastic flow and differential melting seen in the surface of the Great Bering <1:<5;Glacicr. 1938Courtesy of the Photographer
'7 HJIJ Y {'cJt.Lee-'r1tJl1/~lestern tip of Gdndle Islands. 1938 fI.':;5".Courtesy of the Photographer-# /o/r 57710y COtLec'r7NIThe SE face of Mt. McKinley seen from the Gateway of the Great; Gorge. Alaska, 8;(5",1955.Courtesy of the Photographer11 ?9- 3577 5'rVtJY COL-LeL.170rv'
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l55.
l56.
l57.
158.
159.
160.
161.
The Photographer & The Amerf~~ L~ndRcape
-10-
WA'"HBURN. B~adford
Mt. St. E.lias, Alaska, looking South. 1938 $;)~,enurte.sy of the Photographer11«oo 7 57VPY CtPUt'C/70/YThe Mooses Tooth· a 10,000' unclimbed peak just S.E. of Ht. McKinley, Alaska. t.:<5",April, 1955.Courtesy of the Photographer/1'11- 3576 477V1J1' coaee- /70/j
Vertical view of a hot spring near Copper Center, Alaska. 1937 Z2~Courtesy of the Photographer..179-/715 '5/lJPY CtlLLC:CT7lJrr
Pitted dead surface of the snout of Chitina Glacier on the Alaska-Canada j¢;(~.fron tier. 1938.
Courtesy of the PhotographerIi "'''-1:<1:9 S71.-l;;Y COLL'£C17tJr/
HESTON, Brett
With one exception, as noted, all photcgrap~a lent by the Photog~apher.
Glen Canyon. 195963.1167
MonoLake, California. 195463.1169
North Coast, California. 195863 1170
ron, gee8Do Buues, Cul1lotula. 1933~ ••• --,e"",r..1"U"'''1''I-Tt>tr:-
162.
163.
164.
165.
Oceano Dunes, California. 193463.-a74
Ol~en's Valley. 195463.1175
Foint Lobos rocks, California. 192963.1176
WisconGin. 195663.1179
166. Sand dune 4, Oceano, California. 1934The Museumof ModernArt, Gift of Albert M. Bende'r41,,9 »c:
"TESTON.Edward
All prints lent by Cole Weston unless otherwise indicated .•
161. White Sands, NewMexico. 194163.1313
168. Shell lind Rock Arrangelllent. 1931.231.35
The Museumof Modern Art. Gift of MerleArmitage.
169. Cypress, Foint Lobos, California. 193063.1305
1{0. Dunes, Oceano. 193663.1301
111. Oceano, 193663.1308
112. Hill and Telephone Poles. Solano, California. 193763.1383 Note: This is one of the group returned from MAGNUM,and at the
close of the Circulating Exh~b~t~on is to be kept at the Museumas aGrand CanyonRegion, 1941 loan from Cole Weston.63.1314
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174.
175·
176.
111·
118.
119.
180.
Tbe Phoe~grapbe~& Xhe Amer1csD Landscape-11-
HESTON.Edward
tfuite Sands, NewMedeo. 194163.1315
Point Lobos, California. 194663.1318
Dunes, Oceano, California. 1936The Museumof Moder.. Art, Gift of l1erle Armitage222.35 /77·0.
Eel River. 1931From Edward Weston 50th Anniversary Portfolio. 1902-1952, No.2. 1952Th, HuseullI of rlodern Art, Gift of Thomas J. Maloney12).52.2 IJ7 0.
Eroston, Point Lobos, California. 1938The Huseum of Mod.ernArt, Gift of David H. Mcalpin4;55.56 me.North Shore, Point Lobos, California. 194663.1327
Point Lobos, California. 1930~ This is from the Weston books on loan from ColeeWeston (5/18 50R) and tobe returned to book at the close of the exhibition.
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