О “мистической” природе советских массовых песен

16
Russian Literature XL V (1999) U-102 North-Holland www.elsevier.nl/locate/ruslit 0 “MklCTWIECKOii” IIPBPOAE COBETCIUX MACCOBbIX IIECEH E. IIETPYIIIAHCKAJI YepesropbI,sepespaccTombq Ha nm60ii gopore, B cTopoHe n1060ti l-hHt? TbI He CKaXWIIb--fiO CBmaHbEIn, lJecmHenpo~aeTcac~060ti. H3BeCTeH %IyY& MaCCOBOrO KZLKOrO-TO rHIIH03a)) E13 6yJIraKOBCKOrO poMaHa, npo~30memmd co cnyxaqMu ropogcKor0 3penmqHoro C@M- JImVIa B &WaHbKOBCKOM (6~~3 Knm6mqa) IIepeyJIKe, KOraa (LXOpHCTbI, paCCe5IHHbIe B pLWIbIXMeCTaX, I-IeJIElOYeHb CKJImHO,KaK 6yjJTO BeCb XOp CTOIIJI,HeCIIyCKUI IYILU C HeBklJ&iMOrO AEzpWKepd? He CTOJIbKOIIapO~WI Ha Torfiaumie xopoBbIe Kpym~~i(3aIIEicaTbc~I Tyna 6egwIx neBqoB 6ec IIODJ'TNI) 3AeCb CJIbILIIEITCII, CKOJIbKO 3aBOpOxeHHOe XOpOBOe COrJIaCHe mauemmx moei ~o~~q&wrmecK~ kfepmrxAylIl- comame,KoTopoe ~yJIIY%OB IIpeACTaBJISIeT KIK OflepXHMOCZ'b IIpOCTO ~WlBO.l7bCKJ'IO. kl MaCCOBUIIIeCHSI - a BbIpbIBaeTUI II3 yCT HeyIIpaBJIJIeMO H HeOTBpaTHMO, KaK B pOJJOBbIXCXBaTKaX,EI3BeCTHetiIIIHfiXOpOBOti HaI-IeB "CJIaBHOe Mope cBrrIqeHHbIPE;atiKa.JI"- CJIyXGITTeM "MaI'WIeCKHMKpEICTZi.l'IJIOM~,BepHee, TeM CpeACTBOM, C IIOMOLqbIO KOTOpOrO IIOKOpHbIe rOJIOCa TO 3BmaT, TO CTEI~~IOT, KaK "no mesny AHpmKepa", ynpasnmorqero pa3HomepcTHbIM KOJIJIeKTHBOM.2 AyMaeTUI, He CJIyWitiHO IIkICaTeJIb, BMeCTe C ((KJIeTUaTbIM" YepTOM ~3 Bona~cKoBrpymIHpoBKH, 3acTaBm Bcex, cornackIBmixc5I3anmaTb- C5IBKpymOKEI IIeTb B o6weMXOpe, %pIIHyTb)) HMCHHO %laBHOe Mope". n0 AaHHbIM My3bIKOBeAYeCKOrO aHaJIE13a cn;. %STOMHpCKOrO EI n. ne- 0304-3479/99/$ - see front matter 0 1999 Elsevier Science B.V. All rights reserved. PII: SO304-3479(99)00048-4

Upload: -

Post on 17-Sep-2016

240 views

Category:

Documents


4 download

TRANSCRIPT

Page 1: О “мистической” природе советских массовых песен

Russian Literature XL V (1999) U-102 North-Holland

www.elsevier.nl/locate/ruslit

0 “MklCTWIECKOii” IIPBPOAE COBETCIUX MACCOBbIX IIECEH

E. IIETPYIIIAHCKAJI

YepesropbI,sepespaccTombq Ha nm60ii gopore, B cTopoHe n1060ti l-hHt? TbI He CKaXWIIb--fiO CBmaHbEIn, lJecmHenpo~aeTcac~060ti.

H3BeCTeH %IyY& MaCCOBOrO KZLKOrO-TO rHIIH03a)) E13 6yJIraKOBCKOrO poMaHa, npo~30memmd co cnyxaqMu ropogcKor0 3penmqHoro C@M- JImVIa B &WaHbKOBCKOM (6~~3 Knm6mqa) IIepeyJIKe, KOraa (LXOpHCTbI, paCCe5IHHbIe B pLWIbIXMeCTaX, I-IeJIEl OYeHb CKJImHO,KaK 6yjJTO BeCb XOp CTOIIJI,HeCIIyCKUI IYILU C HeBklJ&iMOrO AEzpWKepd? He CTOJIbKOIIapO~WI Ha Torfiaumie xopoBbIe Kpym~~i(3aIIEicaTbc~I Tyna 6egwIx neBqoB 6ec IIODJ'TNI) 3AeCb CJIbILIIEITCII, CKOJIbKO 3aBOpOxeHHOe XOpOBOe COrJIaCHe mauemmx moei ~o~~q&wrmecK~ kfepmrxAylIl- comame,KoTopoe ~yJIIY%OB IIpeACTaBJISIeT KIK OflepXHMOCZ'b IIpOCTO ~WlBO.l7bCKJ'IO. kl MaCCOBUIIIeCHSI - a BbIpbIBaeTUI II3 yCT HeyIIpaBJIJIeMO H HeOTBpaTHMO, KaK B pOJJOBbIXCXBaTKaX,EI3BeCTHetiIIIHfiXOpOBOti HaI-IeB "CJIaBHOe Mope cBrrIqeHHbIPE;atiKa.JI"- CJIyXGITTeM "MaI'WIeCKHMKpEICTZi.l'IJIOM~,BepHee, TeM CpeACTBOM, C IIOMOLqbIO KOTOpOrO IIOKOpHbIe rOJIOCa TO 3BmaT, TO CTEI~~IOT, KaK "no mesny AHpmKepa", ynpasnmorqero pa3HomepcTHbIM KOJIJIeKTHBOM.2

AyMaeTUI, He CJIyWitiHO IIkICaTeJIb, BMeCTe C ((KJIeTUaTbIM" YepTOM ~3 Bona~cKoBrpymIHpoBKH, 3acTaBm Bcex, cornackIBmixc5I3anmaTb- C5IBKpymOKEI IIeTb B o6weMXOpe, %pIIHyTb)) HMCHHO %laBHOe Mope". n0 AaHHbIM My3bIKOBeAYeCKOrO aHaJIE13a cn;. %STOMHpCKOrO EI n. ne-

0304-3479/99/$ - see front matter 0 1999 Elsevier Science B.V. All rights reserved. PII: SO304-3479(99)00048-4

Page 2: О “мистической” природе советских массовых песен

88 E. IleTpymamxaa

6enHHCKOrO), ero M~THB (HapRAy co cTapoii cTygewrecKoii necHei4 “Meg- JIeHHO jJBIGKeTCZ4 BpeMd’) CTaJI OCHOBOii IIpOJIeTapCKOrO rHMHa “CMeJIO,

TOBapkImkI, B HOry”. Pa3yMeeTC2, HayYHbIX E13bICKaHElii 0 reHe3HCe IIeC-

HH, BXOAHBIIIeii B IIO=IeTHbIii pRH HeIIpHKaCaeMbIX CBIITbIHb TOTaJIH-

TapHOrO KJIaCCHI@i3Ma, EiyJIraKOB 3HaTb He MOr; OAHaKO y Her0 6brn OCTpbIii CJIyX, OCO6eHHO - Ha HpaBCTBeHHyIO @aJIbLUb. Tenepb BCe IICHee

CJIbIILIHO: B03MOxH0, 6eCCO3HaTenbH0, HO OH CHeJIaJI CTOJIb TO=IHbIii

BbI6Op IIeCHH-3aKJIHHaHEDI. %iTaTeJIEl YyBCTByIOT, HyCTb EI CMyTHO, =ITO

Eapry3kIH, IIOIIIeBeJIEiBaIOIl@i BaJI, EI BeCb CJIaBHbIfi KOpa6nb C OMyJIeBOfi

6OYKOti CMeIIIHO II HeOAH03Ha=IHO 3tUvfe~ZUOT HeYTO HeBbIpa3HMOe, Ka- KyKFTO yHOCIIIIlJ’I0 CHJIy, MyWiTeJIbHO 3aCTaBZUOIIJyIO CKB03b “CJIe3b1,

l-IbITaRCb CTHCHyTb 3y6br”, HO C KamyII&HMGI IIpOX03KkIM “BeCeJIbeM”, rOJIOCI?Tb “IIpOTEIB CBOerO ~eJIaH&lII” 6e3 OCTIHOBKH. XOpOBOfi IIpM3bIB K

“CBmqeHHoMy EaiiKany” (CJI~BH~ K ApeBHHM nyxah4 B~AH~H CTHXHH

osepa, Haxon5qeroca B reorpa@asecKoM UeHTpe PoccnH) BbI3bIBaeT K

2W3HEI MO~HetiIIIHe, R3bIYeCKOrO IIpOI?CXO~~eHEIB, IlMIIyJIbCbI. nOSki- HyIICb AeiiCTBMIO MeXaHH3MOB C@epbI 6eCCO3HaTeJIbHOr0, COrJIaCHO rHl-I-

H03y 3aKJIHHaHkIR, H BCe “TOBapHII&’ IIOiiplyT, y3K TeM 6onee 3allOIOT, “B

Hory”. HO Begb neHae XOPOM n3npeBne npegnonaraeT yH@niqkIpoBaH-

HOCTb IJ~HBEI~yaJIbHbIX TeMGpOB, IIOfiYHHeHHOCTb JIFiAepy EI COl-IOAYH-

HeHHOCTb BCeX nOIOI.JJHX. B POCCHEl Xe TaKOe XOpOBOe IIeHEle 6bIno

IIOBCeMeCTHO JHO6EiM0, B HeM IIpORBnRJICR IIpEipOAHbIfi IIpeCJIOByTbIti

“pasbfax”, CTpeMJIeHHe K IIDipOKOMaCIDTa6HbIM I-fpOCTpaHCTBaM, B TOM

=IHCJIe 3ByKOBbIM. He CeKpeT, 9TO 6OJIbI.UMHCTBO HaCeJIeHEiR JIIo6e3HOrO

OTeYeCTBa, He OTAaBasI OTYeT B MHCTHYeCKOfi yIIpaBJISIIO~eii CEiJIe “HeBH-

AElMOrO AHpEEKepa”, IIJIeHeHHbIe XCIIBOji M YaCTO IIOAJIHHHO TaJIaHTJIEIBOti

npenecTbIo MenogtiYecKoro MaTepHana, IIOJIHOCTbIO II0l-IaAa.W IIOA

BJIaCTb 06aRHEIR If y6exAaIOIJJeti CElJIbI COBeTCKHX MaCCOBbIX IIeCeH. BeAb

Aaxe CaMbIe 5IpKEle EiHAHBEIAyaJIHCTbI, He COrJIaCHbIe C TOJIIIOii, C OT-

BpameHEieM KO BCeMy, =ITO “XOpOM B YHEICOH”, IIpH3HaBaJIEi, YTO “ZlHOji

MOTEIBYEiK IIpHB5I3bIBaeTCSI CHJIbHeti, YeM CaMaSI HaCTOjiYHBa5I OKTaBa

MJIH Tepqa-puma, EI rInIHoTn3MpyeT noKpenYe 3ayMkI”.3 BOT IIOTOM~-TO II IIbITaeIIIbCR pa306paTbCSI, qaIQe TIQeTHO (1360

HeBbIpa3HMOe I?7 He BbIpa3HTb, CyTb OYapOBaHH5I He “BCKpbITb”, nIo6OBb

He 06’6RCHliTb), B YeM “MEiCTENeCKOe” BO3AefiCTBEle 3TOfi My3bIKH. non MkICTHKOti (B IIepeBOAe C rpe=IeCKOrO - TaHHCTBeHHOe) 3AeCb IIOHHMaeM

He CTOJIbKO “peJIHrEi03HyKI IJpaKTHKy, EIMelOIIJyKI I.JeJIbIO lIepexEiBaHHe B

3KCTa3e HeIIOCpeACTBeHHO ‘eAkIHeHHR’ C a6COJnOTOM”,4 CKOJILKO, B IIepe- HOCHOM CMbICJIe, “COBOKyTIHOCTb SIBJIeHdi H AeiiCTBEifi, OCO6bIM o6pa3oM

CBII3bIBaIOIIJEIX =IeJIOBeKa C TatiHbIM CyweCTBOM M CHJIaMEl MElpa, He3a-

BMCElMO OT yCJIOB@i IIpOCTpaHCTBa, BpeMeHH Ei C@3EIUeCKOti IIpWiHH- HOCTM”.’ 3. I;eHBeHEiCT CYEITaJI, YTO ,qpeBHe’S rpeYeCKOe CJIOBO kudos (OT

Page 3: О “мистической” природе советских массовых песен

0 “MHCTEiYeCKoii” lIpHpO,@3 COBeTCKHX MaCCOBljIX lIt?CeH 89

KOTOpOrO kI IIpOHCXOAElT “=IyJJO”) 03HaYaeT “HeOTpa3kIMyIO MarWIeCKyIO BnacTb, yAen 60r0~“, “ YapbI MOmeCTBa” H YaCTO CBII3aHO C “TaJIEICMa- HaMEl no6eAbI” H II3aHaMH - “JIkIKyIOLqHMH rHMHaMFl”, UaCTIFIHO - “CW

HOHE~MIFIHO kleos” (“cnasa”).6 M3ApeBJIe MaCCOBbIe 3aKJIHHaHWI, IIIaMaHCKEie AetiCTBa, KOJIJIeK-

TElBHbIe CBXmeHHbIe IIeCHOIIeHEIII 6bmi HeOT5eMJIeMO CB5i3aHbI He TOJIb-

KO C MarWIeCKOji, HO ki BepXOBHOii BJIaCTbIO, CTpeMSIIIJeiCSI yIIpaBJUITb

MaCCOBOii nCHXOJIOrHeti. 06IIJeH3BeCTH0, 6naroAapx TpyAaM K. mHra,

YTO B ElCKyCCTBe IIpzlCyTCTByeT JfIEIYHOe 6eCC03HaTeJIbHOe II CTOJIL OTJIFI-

HOe OT Her0 KOJIJIeKTHBHOe 6eCC03HaTeJIbHOe, Ha KOTOpOe OIIHpaeTCSi

CO3AaHlie MH~OJIOrHEI H “KOTOpOe IIpH HOpMaJIbHbIX yCJIOBWIX He IIOA-

AaeTCJI OC03HaHHd; 9TO “[. . .] AeiiCTBHe FiCKyCCTBa [. . .] CHMBOJIMYHO H kIMeeT HCTOKH He B JIIIYHOM 6eCC03HaTeJIbHOM n03Ta, a B C&epe 6ec-

CO3HaTeJIbHOfi MFi@OJIOITiH, Ybki MCKOHHbIe o6pasbI CyTb o6wee HaCJIeAHe

YenoBeYecTBa”. I He MMHyEi 06111,13x 3aKOHOMepHOCTeti TpaAHI@OHHbIX

CpeACTB MaCCOBOrO B03AetiCTBHB, aKTHBH0 yYaCTBya B C03AaHklEI

OTeYeCTBeHHOii MH&OJIOrMEI CTaJIHHCKOrO I-IepHOAa, COBeTCKaX IIeCHII

yKpeIIJIRJIa YyBCTBO MNCTNYeCKOfi IIpEiyaCTHOCTH H CBOElMli OCO~~IMH

CpeACTBaMH. CIIOCO6CTBOBaJIO YyAy EI TO, YTO AOHOCWIaCb YaCTO OHa C

noMoqbM Ka3aBuerocx MarwIecKkiM paAH - “Beqero” ronoca ~13

qeHTpa. *

Ee 3ByYaHIUI COOTBeTCTBOBaJIH EI IIOMOraJIEl OpraHkI3aIQiLI HeKElX

“6HOpHTMOB” COBeTCKOti AefiCTBHTeJIbHOCTM, ee HOBOMy 06paAOBO-npa3A-

HlFIHOMy KaJIeHAapIO. TaKEIM, BO-IIepBbIX, CTaJI rOAOBOti KaJIewapHbIZi

IJHKJI, CJIeJJyIOII@ O@H~H03HbIM 3HaMeHaTeJIbHbIM AaTaM (HLIIOMHIO,

YTO ejl@HbIe AJI5I BCeX 3ByKM p~HOpeIIpOAyKTOpa, OTKyAa IIOCTORHHO

JIkIJIMCb MaCCOBbIe IIeCHH, COIIpOBO~J&aJfH COBeTCKOrO rIeJIOBeKa AOMa, Ha

ynHqe, Ha pa6oTe). To 6bIna BeCHa, c BeCenbIMH necHxMEI 0 IOHOCTH, 06 OTpHHyBIIIeM IIpaX IIpOUIOrO CBexeM COBeTCKOM YeJIOBeKe, 0 MOJIOAOM

3HTy3EIa3Me paCJJBeTllIOZIJeti CTpaHbI, nepBOMa&KHMH IIpa3AHHKaMH;

l-IO3me - C pa,QOCTHO-BeCeHHklMEI o6pa3aMH no6enb1, YbIO CBeTJIyH> JIH-

KyIoIJ.JyIo CHJIy TOJIbKO OTTeHIIeT l-IesaJIb. neTy C03ByYHbI 6bmx-i l-IeCHEl C

MOWHO-MyCKyJIHCTbIMll HJIEl IIIyTOYHbIMEl 06pa3am “3AOpOBOfi @M3KyJIb-

TypbI EI CIIOpTa”, l-IOJIHOKpOBHbIe “ypOxa2iHbIe” El TpyAOBbIe-KOJIX03HbIe,

C COgHbIMH hQ’3bIKaJIbHbIMkI 3apkICOBKaMEI KaK 6bI HapOAHO-KpeCTbSIH-

CKOrO CJIaBHOrO TpyAa Ii 6bITa. OCeHb - BpeMR IIJIOAOB, OAHMM kI3 KOTO- pbIX IIpeACTaBaJI IIpa3AHHK OKTX6pR, IIJIOAa yCPUIHii OT~OB, C BJIHRHEleM

CTapOti CypOBOti, C aCKeTW-IeCKO&i HJIkI MHJIHTapH30BaHHOti MapIIIeBOC-

TbIO, peBOnK)qHOHHOti IIeCHH, IIeCeHHOrO HaCJIeAWI “KaTOprH 13 CCMJIKH”. rpa@i=IeCKO~ XOJIOAHOff YeTKOCTbfO 2i JIal-IkiqapHOCTbIO MapIIIeBbIX pHT-

MOB, C IIO3AHe3HMHefi 3aIIJHTOti JIeAaHOti Pi TaHKOBOii 6pOHH, IIpeHMy- UJeCTBeHHO C MyWZKEIMEI TeM6pam-i rOJIOCOB Pi OpKeCTpOBOfi MeAbIO,

OTJIEIYaIOTC5I IIeCHkI 0 COBeTCKOti APMEIH. B OTJIMPEIe OT IIOCBllIIJeHHOrO

Page 4: О “мистической” природе советских массовых песен

90 E. Ii’eTpymamKaa

apMHH IIpa3aHHKa, HOBOrOfiHHe 3EiMHHe TOpmeCTBa ,IJoJIrO 6bUII4 COBCeM

HeO@iqtIasIbHbIMFi, HX yIIOMI4HaHW-I AOIIyCKaJIEiCb CHaWJIa JIEiUIb B JfeT-

CKEle IIeCHH, a WIKkI y3aKOHeHbI TOJIbKO HaYEiHaR C 1937 l?O&3. To eCTb Ha-

CTO5IqaSI IIpa3aHHYHaR My3bIKa 3kIMbI AOJIrO OCTaBWaCb HelQeOJIOrH3H-

pOBaHHOii “30HOii” IIpIlBaTHOrO YeJIOBeKa.

ApyrOti IIeCeHHO-My3bIKaJIbHbIii qkIKJI IIOMOraJl OpraHE330BbIBaTb

CyTOYHbIH pHTM. YTpO paCqBe=lHBa.TIH IOHbIe 3BOHKEie XOpbI “nHOHepCKOti

3OpbKH” Ei XOJIOAHO-BHpTy03HbIe, KaK BOAHbIe l-IpOI$enypbI, pa3JIEiBbI

IIaCCa~eti “yTpeHHe8 IWMHaCTHKEi” (“38 pO5UIeM - IIEIaHEiCT POAHOHOB..

3a pa60Ty, TOBapHIIJH!“). AHeM 6brn yMeCTeH OpraHkISyIOII&HZi pHTM

neceH-MaprueH HJIH ~PHRTHO pa3BneKaIowiii MysbIKanbHbIZi 40~ c 3JIeMeHTaMH JIEipHKkI II pa3peIJIeHHOEi - “KJIaCCEiKEi”. npa3nHEnHbIli AeHb

eIIJe 6OJIee HaCbImeH IIaTpHOTWIeCKLI 3ByYaII&eii My3bIKO& XOpOBbIMH

CJIaBJIeHHRMH kl no6eJ&HbIhfM MapIUaMH. K BeYepy, IIOCJIe HeO6XO@iMbIX

llH@OpMaIJEiOHHO-H~eOJIorllYeCKHX I-Iepefia=I, 6brm BO3MOxHbI 6onbruue

l-IpOCTpaHCTBa 3ByYaHHR TaHqeBaJrbHOZi My3bIKI4, JIEipEiYeCKSiX H IIIy-

TOYHbIX l-IeCeH. 06paMneH BeCb O&i~HaJIbHbI~ AeHb l-OCyAapCTBeHHbIM

rkIMHOM, KOTOpbIii OTKpbIBaeT H CBepTbIBaeT “IJHBHJIbHOe” Bpem bOllI SOVietiCUS, KaK HeKHli MarWIeCKHii My3bIKaJIbHbIti TaJIHCMaH. Ero KJIKI-

YeBax pOJIb B “3aBOfle” aBTOMaTH3Ma AeRTeJIbHOCTII ny6nwworo YeJIO-

BeKa 14 CetiisaC 3aBopaxHBaeT ~O~TOB (BLIKTOP KOBaJIb, ‘&zHII 0 rklMHe’,

19951996 rona: “HrpaeT rElMH - RaBati, BCTaBati! / kIrpaeT rkiMH - IIopa

JIOmEiTbCII!“; qFiTHpyIo I-IO CJIyXy). Ho% xe - BpeMII MOJIYaHMII panHO-

JJEiHaMHKa, CJIOBHO BpeM5I OTCyTCTBWI TeX, KTO “BbICOKO CEiJJEIT, AaJreKO

rnrrjqEiT”, OTCyTCTBkIR O+)HIJH03HOrO CMbICJIa, a TaKxe - BpeMII IIpHBaT-

Hoe. nOCJIe BOZiHbI IIOCJIel-IOJIyHOYHasI TEIIUEIHa, KOrAa “B paAHOIIpHeM-

HHKaX CMOJIKaIOT I’HMHbI”, npeo6pamaeTcq KaK B Bonme6HOii CKa3Ke, II

,QJIR MHOrHX HaCbILLJaeTCSI 3aTIpeTHbIMEi 3ByKaMH ApyrOrO MElpa, B TOM

YEiCJIe 3ByKaMH ,lJxa3a, 3aIIaAHOii HeAOCTyUHOti, HeAOl-IylqeHHOti 9CTpa-

AbI. Ho I4 CaMbIe OT’bSIBJIeHHbIe “3aIIaAHHKH” He YypaJIkICb OTeUeCTBeH-

HOid MaCCOBOti l-IeCHEI, EIJIM, TO=IHee, Aaxe M OTTaJIKEIBaRCb OT ee HAeOJIO-

ni3kIpoBaHHOrO sep6anbHOrO COAep~aHEuI, 6mni IIpOllklTaHbI ee MenO-

j~ki~oti, ee AYX~M. Ecmi IIOIIbITaTbCII IIOH)ITb, KaKEiM o6pasoM 3TH IIOpO-wcAeHEVI CO-

BeTcKoB ~HOXH 3anonoHwni EI flyrueBrr0 3axBaTnnM HaceneHEie - Bonpe- KH, Ka3aJIOCb 6b1, CTOJIb IIpHMHTHBHOti aHrax%ipOBaHHOCTEI MaCCOBOti

IIeCHH (YTO, BIIpOYeM, CJIMIIIHO JIIHIIIb C 6JIarOCJIOBeHHOfi EICTOpHYeCKOti

AEiCTaHIJHEi) , - HaA0 I’IOrpy3HTbC5I B ee My3bIK&lIbHO-HHTOH~EiOHHbti

aHaJIEi3, HeMHOrO B IlCTOpHIO B03HHKHOBeHEiSI.

COBeTCKaR MaCCOBa5I IIeCKII @III KpaTKOCTEi Ha30BeM ee CMII) - HaCJIeAHliqa peBOJIIOUHOHHbIX TpaAElIJHfi, Cl-IyTHEfila AeMOHCTpaI@i EI

MaCCOBbIX ryJIIIHEll%, BlTHTaBIIIa5l 3JIeMeHTbI rOpOACKOr0, KpeCTbRHCKOrO, COJIAaTCKOrO @OJIbKJIOpa, OTrOJIOCKEi +OJIbKJIOpHbIX CKa3aHHii, AyXOBHOti

Page 5: О “мистической” природе советских массовых песен

0 %4EiCTWeCKOfi” IlpHpO@ COBeTCKIiX MaCCOBbIX ITeCeH 91

XOpOBOti My3bIKEI, 3lYIOCa BpeMeH rpaxjJaHCKOti BOtiHbI. npO@eCCHo- HaJIbHb1i-i ee I-IepElO~HaYaJWi C IIOIIBJIeHHeM MaCCOBbIX l-IeCeH Ei XOpOB& Bacmbesa-&ma, A. KacTamCKOro~ AM. norcpacca, a nosme c aerr- TeJIbHOCTbIO KOMlIOSHTOpOB-YJIeHOB PAllMa M IIPOKOJIJla (no Hneo- JIOrHEi BTHX o6aegmem2i CMII 6bIna "OCHOBHMM 3BeHOM TBOpYeCKOii pa60TbI")- A. AaBHgeHKO, B. BeJIOrO, E. meXTepa, M. KOB~JISI, A. Ka- 6aJIeBCKOrO EI JJp. Maccosaa rIeCHII I-lepHOAa npOJIeTKyJIbTa CTaJIa Bax- HbIM IIOJIeM tiOAeMbBHEiBaHIIR" My3bIKEI (yl-IpOII&eHWI B AyXe TOl-IOpHbIX arHToK AeMbaHa EefiHoro).

OJJH~KO 23 anpem 1932 rona Ha OcHoBaHm nocTaHoBneHm LI,K BKn(6) ‘0 rIepeCTpO&e nHTepaTypHo-xyAo~eecTseHHbDc. opraHmau,Hti' 3TEI EI aHa.TIOrWiHbIe EiM OpraHH3aqHH B o6nacTH Ei306pa3kITeJIbHOrO HCKyCCTBa H JIHTepaTypbI 6bm-i paClImeHb1. B 1933 rOny BbIfinyT ABa IIOCTaHOBJIeHEi5I~OJIHT6IOpO,6oJIeeBa~HOeE13KOTOpbIX,‘O COCTORHHM H MepaX II0 yJIyW.UeHElEo lIpOEi3BOJJCTBa rpaMMO&OHOB, rpaMMO+OHHbIX l-IJIaCTHHOK H MySbIKaJIbHbIX MHCTpyMeHTOB', 06paTEiB HaKOHeIJ Ha HHX BHHMaHHe KaK Ha %ICTpyMeHT, HakIdonee ,I&OCTyl-IHbIii MaCCaM TpyaII- WXCZJ [...I, B qeJI5TX l-IO~H5ITHSI IIOJIHTEIYeCKOrO EI XyaOxeCTBeHHOrO ypOBHII rpaMMO@OHHbIX 3aIIHCeii, BCWTOpOHHerO EiCl-IOJIb30BaHHS [...I AJIIIIIIElpOKOrO OTO6pa~eHWi TBOpYeCTBa HapOAOB CCCP"" B03bMeT HX l-IpOH3BOACTBO IIOA IIapTEiiiHbIti KOHTpOJIb,B IJeJI5IX IIOAIJeH3ypHOrO pyKO- BOACTBa %y3bIKaJIbHbIM @pOHTOM)). B XyAOxeCTBeHHbIji COBeT II0 rpaM- MO@OHHOZi 3aIIHCH He BOtiAeT yxe HH OAHH IIpeACTaBEiTeJIb PAnMa. CypOBaSI, aCKeTHYHaB, C ee IIp5IMOJIHHetiHbIM 3HTy3Ha3MOM XOpOBa5I MaCCOBaSI IIpOAyKqHSf,Ei HeKOHTpOJIMpyeMbIe IIJIaCTElHKEl "MeH.&aHCKOrO", H3IIMaHOBCKOrO (C TO=IKEI 3peHH5I HOBOii 3CTeTkIKEi H IIOJIHTHKH) CO- ~epmaHH~~OJI~HbI6bIJIEIBM~OEi3MeHEITbCII-HOKaK?

BpeMII Tpe6OBaJIO OTpaxeHm CO~MEi~OJIOrm Ha rmiXOJIOrEFreCKM my6oKonpOHnKamqeM ypOBHe JIO6NMOEiMaCCOBOti My3bIKH, BbITeCHe- HHR npexcaeti JIH~~HOCTH HOBO~I, c ~oti xe ueHmo@i B Poccm L'3a- AyLUeBHOCTbIO~, OIIOpOii Ha AaBHEie M Ha T&HbIe My3bIKaJIbHbIe IIpH- CTpaCTWI,HO-Hal-IpaBJIeHHOjiBHJ'~HOepyCJIO. npHHIJHlDEiJIbH0 HOBbIM 5IBJIeHEleM CMl-l CTaJIa IIOCJIe 3TOrO %OTeIIJIeHWI", B IIepMOA CYaCT- JIHBOrO COApy~eCTBaCO3ByKOBbIMKHHO,KaKB ~iiJUt,fOHEiki kl. CaBYeHKO M BeceJIbIx pe&?TaX r. krreKCaHApOBa (o6a @JIbMa - 1934; JIIO6OIIbITH0, YTO My3bIKa AyHaeBCKOrO, C rOJIJIHByACKOr0 OTJIHBa aMepHKaHH3MaMH, 6bIna CHaYaJIa 3aIIpeIIJeHa, HO llpO3OpJIHBO BbIBeAeHa Ef3-IIOA 3aIIpeTa CTaJIMHbIM). fl. CaB=IeHKO lIHCa.lI 0 HeO6XOAHMOCTH HeHaCHJIbCTBeHHOrO, GBHeyCTaBHOrOn 3aMeIqeHEiSf, KaK TOrna rOBOpHJIOCb, “6ypxya3Hoti H IIpOvefi XaJITypbI H aHTHCOBeTCKOti I-feCHH". OAHO~~ M3 XepTB CTaJIa COB- CeM 6e306HAHaqHa Ham KJIaCCOBOHepa36OpYZiBbIii CJIyx,neCHsr 0 %ep- HbIX masax",YTO Bcex 'LIIJIeHmIEi":

Page 6: О “мистической” природе советских массовых песен

92 E. IIeTpymaixxaa

BOT 3TM ?epHbIe IYIa3a” Mb1 I4 CO6HpaeMCrl OTTyAa BbIILWdIITb, M

He ajJMHHHCTPaTHBHbIM 3aIIpeII&eHEfeM, a XOpOUIeii YBJIeKaTeilb-

HO&i IIeCHeii, LLIyTOsHOii Pi JIkipHYeCKOti [. .], Ha KaxgbIii ,QeHb, TaK

CKa3aTb, JJJISI JIWIHOii ~H3HH. l1

~IpemHHii, HaCaxgaeMbIii PAIIMoM, My3bIKaJIbHbIii CTHJIb He BbI3bIBaJl

o6rqeti CElMIIaTEiEl EI 6bIJl3aKJIeiiMeH KaK

HHTOHa~SiOHHO-O~HOO6pa3HbIji, c$aH+apHbIi& TpeCKyWiii LIITaMrI,

KOTOPbIii CTOJIb xapaKTepeH J(JIs MHO~HX HaIlniX MaCCOBbIX necea,

C kiX HeIIpeMeHHOfi XO~yJlbHOii “repOHKOt”, Y30CTbIO COflepmaHEiR,

OTCYTCTBHeM MeJIOAW-leCKOli IIPOCTOTbI II BbIpa3HTeJIbHOCTEi, COS-

HOii H KpaCO~HOii JlEipEiKH, yBJleKtUOII@ POMBHTEIKH, 3AOpOBOrO mMopa.‘*

kICKOMbIe IlapaMeTpbI “yTeJIJIeHH5I” TOHa 6bIJIEI 06peTeHbI B IIeCH5IX

“~yHaeBCKOr0” THIIa, C HX 3aMeYaTeJIbHO OpraHHYHbIM COYeTaHEieM IIIEI-

pOKOr0 paCIIeBa EI CKpbITOfi NIti SBHOii MapIIIeBOCTH, CEIHTe3OM MHTO-

HaIJ& pyCCKOii, KasaYbeti, eBpeiiCKOii M yKpaHHCKOii HapOAHOZi JIHpH-

‘-IeCKOfi IIeCeHHOCTH, OIIepeTOYHO-UbIraHCKFiX, HeallOJIkITaHCKEIX, OgeC-

CKEiX @OJIbKnOpHbIX MeJIOJ@i, BJIEUIH& ~~a3OBOii Ei KpMMHHaJIbHOti “PO-

MaHTHKM”. TaK CO3naBaJIaCb, Ha He OC03HaBaeMOM MaCCOBbIM CJIyIIIa-

TeJIeM ypOBHe, KapTEIHa KOHlYIOM~paTa pa3JIWIHbIX HaIJHOHaJIbHbIX H

IIpOWX yCTpeMJIeHH& MyBbIKaJIbHbIe “CTklJIeBbIe CIIJIaBbI 6paTCKHx KyJIb-

Typ”. CMII poxqana y6efiEiTeJIbHyI.O - mamoe, y6enHTenbHyIO no My3bIKaJIbHO-XyAOxeCTBeHHbIM pe3yJIbTaTaM - EzJIJIIO3HIO CO~py~eCTBa,

Ml&OJIOreMy HHTHMHO-CIIJIOUeHHOti MICCOBOCTM. M60 Yepe3 BOCCO3JJaHHe

MJ’3liIK~~HOI’O eJJIlHCTBa BJIHsIHKZi IIpO5IBJUIJIC5I Ei CO~EUIbHbIti, Ha-

IJHOHaJIbHbIti, 06pa30BaTeJIbHbI@ 06rqeCOBeTCKEiii KOHrJIOMepaT. B 3TOM CMbICJIe HaITIa repOIlH5I CTaJIa YBJIeKaTeJIbHbIM H HeIIpOEi3BOJIbHbIM CpeJ&-

CTBOM IIOBepXHOCTHOfi Me?KHaI&ElOHaJIbHOti HHTerpaIJEIEI, BOkICTkIHy CO3-

AaB HeKHijI oco6bIti MeJIO~WIeCKHii Te3aJ’pyC - “COBeTCKHji EIHTOHIQMOH-

HbIZi CTpO@ (B er0 “HamHO pa3WICHeHHOM” Cj’IQeCTBOBaHHM, IIOCJIe

J(JIElTeJIbHOi% J(EiCKJ’CCMH, MJ’3bIKOBeAbI J’BepEIJIkICb HeCKOJIbKO ~eCSfTEine-

TH@~ Hasan). B “UIaBHbIX” IIeCHHX TIma ‘HeCeH 0 CTaJIEiHe’, ‘napTm - Ham

PyJIeBOti CJIbIIUHbI pa3MepeHHbIe IWMHHYeCKHe HHTOHa~EIH, yTZUKeJIeH- Ha5I IIOCTyIIb MaCCOBbIX IIIeCTBEiii EI I-IpMeMbI SaKJIHHaHHti, CXOXCKEle C Ma-

rWieCKHMEi XOpOBbIMH BbI3bIBaHHRMM CBIIIQeHHbIX HyXOB: “3ApaBCTB@,

Gynyqee, 3gpaBCTByti!“, “hbr 6yxeM XKMTb IIpkI KOMMyHEi3Me!“, “fleHm Bcerna rn~~oti, Jlemm Bcerga c T060W kimi “A - 3eMm! fl CBO~

IIpoBo~aIo l-IHTOMIJeB.. AoneTatiTe no caMor CoJIHqa ki EOMOti B03- BpaIqaHTecb crcopeti!”

Page 7: О “мистической” природе советских массовых песен

0 “MHCTHYWKOti” lTJUilpO,Lfe COBeTCKHX MaCCOBbIX IIt7CeI-I 93

ECT~ TaKEIe BbIpa3HTenaHbIe cpe,JJcTBa CMII, B KoTopbIX HeYTO CyIIJeCTBeHHOe OTKpbIBaeTCR TOJIbKO HbIHe, KOrga Mb1 yme ~OCTaTOYHO "PaCKOJIAOBaHbI", AaJIeKli OT aKTJWIbHOr0 IIepHOAa XKEISHEI 3TOl-0 IIBJIe- HWI,-lIO3TOMJ'li BmHee MeXaHEI3MbI IIpOsBJIeHWI KOJZJZeKTHBHOl-+O 6ec-

CO3HaTWIAHOI’O EI B03AetiCTBIGI Ha Hel-0 B IIeCeHHOii II03THKe. OTAeJIbHbIe "Mal?IFIeCKHen I-IpHeMbI HaXOwM B CJIeAJ'IOIIJeM (BbI6w

pEU0 J’IEIIIIb HeKOTOpbIe, XOTR CJ’IIJeCTBeHHbIe, Ha MO@ CJIJ’X): 1. flOBTOpeH.He CJIOB N iWJ’3bIKUIbHbZX &%?3. 3BJ’KOBilJI CJ’lTc?CT%IJl,

CBJI3aHHaB C JWiTMWfHbIMH, KtiK BOJlHOBbIC BI-i6piiL(TiEi, lIOBTOJWMH.

3aKnmIaTeJIbHbIi4 TOH rIpOHH3bIBaeT CMll,noA~ac11p~6n~maa EIX APeBHHM 3WOBOpaM” C HX MiUJFIeCKEi-II03TEFIeCKOti IIpEIpOAOi$ OIIOpOti Ha MH@OJIOW=IeCKOe MHpOB033peHlie, +OpMJVIbHOCTb, OrpaHWIeHHbti CeMaHTWIeCKti al-IIIapLtT, J’3KHii “HHBeHTapb” XJJepHbIX JIeKCeM kI T. A. klMeHH0 3TO Ei HaXOJ@M B I-IeCeHHbIX aHa@OpEi%CKHX 3ByKO@OpMyJIaX KaK “CT~JUTH -Hama CnaBa 6oeBax, / CT~JIHH - Ixarueti IOHOCTH rIoJ'IeT" HJrHB‘Map~eCOBeTCKOiiMO~O~e~~'(1951,~O~MaTOBCKki~-~~~~KOB):

Mar me 31 mfp! KJIXTBY Aam HapogbI. itfar BCB 38 MHP! nJ’CTb 3eJIeHeK)T BCXOALI. kfbx Bee 38 MNP! PeIoT sHaMeHa CBO6OAbI. MOJIO~OCTb IJBeTeT, Mom~ocTb 30BeT, MOJIO~OCTb HJJeT BIlepefi.

PHTJ’ilJfbHbIe I-IOBTOPbI Ei3AaBHa CYliTaJIElCb IIplieMaMEi, MHCTIFIWKH c6mxamOLqEIMM C BJIaCTHbIMEI, CBSIIIJeHHbIMH CEIJIaMEl HJIH lIepCOHaJIlu- IIMM:

[...I 3TO H eCTb IlyTb su6paq&i. 3TO TOT Xe IlJ’Tb, ST0 ki J’ ApeBHHX: C IIOMOIIJbH) 3ByKa OHEf IIOfll-OTaBJIEiBaJIH ce6a. [. . .] KaK ~OBOPHT 3e6-m-Hmca: “I’IoBTo~sI~~ IIOCTOIIHHO ~TO cssqemoe HMII, KOTOpOe CAeJIaeT Te6x CBsIWeHHbIM”. kIHAJ’Cb1 Ha3bIBaJIH 3TO MaInpa-fioroti. l4

CoTprrcalorqHe BOJAJ’X M AJ’UIH Bu6paqmi CMl-I E33 paAHOIIpHeMHHKOB

,lJedCTBOBaJI&i ElMeHHO TaKliM o6pa3oM. XapaKTepHO, YTO B 30-40-e FOALI, PaHHEiti IIepHOA CMII, IIOJJO6HbIe

aHa+OpWIeCKHe 3aKJIHHaHEIR o6bFIHo COeAHHRJIHCb B MJ'3bIKe I-IeCHEI C BOCXO,L(J-I~HMH M&IO~IFIc?CKNMN CeKBeHL(lLRMSi (BCIIOMHEiTe MHTOHaqkno IIOATbeMa B MeJIOAHH “HaM HeT IIpWpaA HEi B Mope, HEI Ha CJ’IIIe, / HaM He

CTPaIIIHbI HH JIbAM, HEI o6naKa"). Ho nosme, CJIOBHO 6yKBaJIbHO IIpeApeKa5I IIepHOJJ 3aCTOJI N 3WHHBiUU.Uf CkICTeMbI, MY3bIKaJIbHO-MeJlO- J&I=IeCKEIti peJIbe@ l-IOBTOpa CTaHOBEiTCR HHePTHO HNKHyLqNM, BbI,QaBaSI BbIhfJ’YeHHOCTb, ElCKJ’CCTBeHHOCTb 3aKJIHHaHMR. TaKoBa HHCXO,4%4Ul JIH-

Page 8: О “мистической” природе советских массовых песен

94 E. IleTpymaHcKax

HHR CeKBeHqPiii IIeCHM 60-x rOflOB 06 yMepIJ.IeM H,QOJIe (rae yHbIJI0 “HeHb

38 AHeM I?HYT rona”) Ha cnoBa “JileHkiH BcerAa xkIBoti, / JIeHEiH Bcerna c

T060k / .&HHH B TBOeii cynb6e, / B Ka*nOM CYaCTJIHBOM AHe. / JIewEiH B

Te6e Pi BO MHC”. B 3TOti IIOCJIeAHeii IIeCHe CTOJIb IIBHbI TeJ’plWYeCKHC

(CBSI3b C 60raMPi Pi AyXaMPi C IIOMOqbIO CBIImeHHbIX HeiiCTBEIti H CJIOB) M

HeKpOMaHTIfYWKEie (BbI3bIBaHHe TeHeii yMepILIHX JIKlgeii) MEiCT3FIeCKHe

nocbInbI CMII, ee cBx3b c coe,qwsiwe.nbHofi MHCTHKOB (mystica unitiva) - KaK B XOpOBOM yBepeHkiH, YTO “JIemm Bcerfla xmoji, JIemm BcerAa c

T060i$ neHHH B Te6e II BO MHd’.

TaK KKe, IIbITaRCb BbIBeCTH @OpMyJIbI MeJIO&i MaCCOBOrO yCI-IeXa,

nccnegoBaTenH o6HapymImH HeKHe o6qne, KaK npe~cTasj?aeTcx, II~HH-

IJHIIbI CTpOeHkiR MenO~aa-runxrepa. 06HapyxEinOCb, HaIIpHMep, YTO ‘Ta- Herr, MaJIeHbKHX ne6eneii’ M3 BarreTa YatiKOBCKOrO II ‘KaTIOIIIa’ &IaH-

Tepa-kkaKOBCKOr0 PiMeIOT, TaK CKa3aTb, OAHHaKOByIO “apXHTeKTOHW

KY “,l’ me BamHbI IIOBTOpbI IIJIaBHO IIO~HHMaIOII&PiXCSI 3ByKOBbIX “BOJIH”.

2. TeM6pOBO-KpaCOYmf “MarEid: Marm roJIoca.

~3nfO6JIeHHbIe TeM6pb1, o6asmie rOJIOCa, KaK II3BeCTH0, - MOwHaR

CHJIa, AeiiCTByIo~asI Ha CJIyJ.IIaTeJIII IIOMElMO C03HaHWI. OHEI o6naAawr BJIaCTbKI y6e@iTenbHOCTki, IIOA=IaC HeOTpa3MMOk TaK, nlo6bIe CJIOBa,

nponesaeMbIe 060maeMbIiw mxpoYaiizrreii ayzwropxieii nesqakfki (YTe- COBMM, IjepHeCOM, 3bIKMHOii) I-Ia&UIll Ha 6JIarOJJaTHyEO l-IO=IBy BOCXH-

qekmoro IIpHIITEW. CaM TeM6p 3BYWHHIir XOpa, a OCO6eHHO CJ’POBO-MO-

JIHTBeHHaR OKpaCKa MymCKOrO XOpa - 6JIE130K HapOAHOMy C03HaHMK).

BOSMOXHO, “CB5III&eHHaR OKpaCKa” nO~O6HOrO BOCIIpWITlUl yXOAMT KOp-

HIIMH B reHeTFIeCKyI0 IIaMIITb 0 nOpe4OpMeHHOM IJepKOBHOM IIpaBO-

CJIaBHOM XOpOBOM IIeHHH. npOCJIaBPUI2iCb OTe=IeCTBeHHbIe pyCCKIle 6acbI

EI “npo+yH~HcTbI” (basso profondo, rny6oKHii 6ac). B yeno+ IIPHCYTCT-

BHe yCPiJIeHHbIX HH3KEIX YaCTOT B SBflaHEIH, OCO6eHHO rOJIOCa, o6na,qaeT

CWIbHeiiIIIHM @I3liOJIOrH=IeCKRM B03HejiCTBHeM, 3aBOpamEIBaIOWHM H

IIO,QaBJI~IOIQfM “C03HaTeJIbHOe” BOCIIpMRTEle EI aKTEiBH3HpyIOIIJI4M CTH-

XI&HO-“HM30BbIe” SMOqElkI. H He CJImaeH, AyMaeTCII, AJrsI pOCC&CKHX

JIIlAepOB rOCyAapCTBeHHI& 6ac, - HaYHHaR OT “3aMeCTEITeJd rOJIOCa

OTqa HapogoB, nerewapHor0 AxKTopa paAH IO. JIeswraHa. EIHas “Marwx” wpbrra B TOM, 9~0 MenogHKa cnoco6Ha, Aaxe r10-

MEIMO BOJIli KOMII03MTOpa, BOCIIpOH3BOfiEITb pI4TOpkIYeCKEle @UypbI, IIPO-

C0,qHl-O CBOerO BpeMeHH. TaK, HeBepORTHaR y6e,qEiTeJIbHOCTb yCHJIHBaeTC5I

pHTMEl=IeCKOii pa3MepeHHOCTbIO - KaK, HaIIpPiMep, B IIpHl-IeBe ‘khlHa

CCCP’ lIOaYepKHyT0 BHRTHOe, MeXaHHCTHYHOe ,gpo6neHHe Ha MOTklBbI C

OJ@iHaKOBbIM PHTMOM B 3arIeBe, HHcxo~aIqaR MenojvfYecKaa CeKBeHqEix,

HeCKOJIbKO EIHepTHO-IIOyWTeJIbHaR, B IIpMIIeBe, HarIOMEiHaIOT, KaK MHe

lIpefiCTaBJEJeTC5I, MaHepy pa3MepeHHO-~H&iKTPFJHOti pe=IkI CTaJIEiHa C eI-0

CKJIOHHOCTbIO K =IeTKHM, A0 npHMHTHBHOCTH, KJIaCCJ&HKaIJHRM: “BO-

IIepBbIX.. BO-BTOpbIX.. B-TpeTbHX.. ”

Page 9: О “мистической” природе советских массовых песен

0 “MHCTIlYeCKO~” l7JWiJlO,4e COBeTCKFiX MaCCOBbIX IIWeH 95

~HTepeCHe%hmiti aCneKT- nOjJCnyAHa5I pOJIbTeM6pOBO-&aKTypHOti ~y3bnw1b~oSi apammpomrf~~0~rIpm~mi CMll.He cny~ai%~o B necea- HOii CeKqEni Cowsa KOMl-IO3HTOpOB CCCP TatiHoe, MouJHoe 3HaYeHEe EiMeJIM MaCTepOBEiTbIe,HO 06bIUHO aHOHEiMHbIe apaHlKHpOBLqEIKEI IIeCeH, 0 KOTOpbIX 3HaMeHHTOe BbICKa3bIBaHHe rJIHHKH IIepe&pa3HpOBaJIEi TaKHM o6pasoM: "My3bIKy COYHHIIIOT ‘KOMl-I03EITOpbI', a MbI, HapO& ee

apaHxHpyeM." HbIHe, B tipHM3tiKaXnnaBHHX CMII, coxpaHmoTcs CJIOBa, MeJIOfiHsI,obII&Ue KOHTypbI rapMOHEi'4eCKOti OCHOBLI. OnHaKO MHTepeCHO 6bmo 6bI I-IpOCJfe~liTb, KaK @OHFiYeCKaSI "aypa" aKO6bI HeO&iIJli03HO~, 6onee 6JIEi3KOZiHaIIIeMyBpeMeHEiMaHepbI BOKaJIHSa~HEi CTapbIXIIeCeH, B HOBbIX OjJexgaX rOJIOCOBOii OKPaCKEl CerO,JJH5IIIIIWiX KyMHpOB, B CBemeZi apaHxEipOBKe Ei B HHOijI MaHepe 3ByKO3aIIHCH (KCTaTH, KpaCOYHbIe EI IIpOCTpaHCTBeHHO-aKyCTkIYeCKMe CpeAcTBa 3ByK03aIIkICH cnoco6~~ COBepIIIeHHO YyaeCHbIM o6pa3oM MOJ&SlI@lpOBaTb My3bIKaJIbHOe 3ByqaHkIe H Hame BocnpmTHe ero!) - ananTEipyeT, aKTyam3npyeT IIpexHHe 3BwaHZUI H CMbICJIbI.

3. H B~HCTE~H~ HoBoe - onopa Ha 06LLfeynOTpe6menbHbIe NHT~-

HaqNN BCeX “YpaBHeHHIaIX” CLlOeB II HapOL(IiOCT& IUIIOC HeOnO6paeMbIe EI TatiHbIe 3aIIaHbIe BJIHRHHR. neCeHH3.S MeJfOAHR BMeqa.lIa B ce6x "Ma- rkIYeCKHe" HHTOHaqHOHHbIe 06OpOTbI, B KOTOpbIX IIOYTEI KamAbIii ee cnbImaI.@4 CM~THO ~I~BCTBOB~JI YTO-TO 6nmKoe. Bega OHa BrIHTaJIa IIIMpO~aiirukIZi Kpyr HaIJHOHaJIbHbIX H COIJElJIbHbIX 3ByKOBbIX ((3HaKOB)). H KOMl-I03liTOpbI-IIeCeHHKH (KOTOpbIe CaMM 3aYaCTyIO 6bmqKaK l-Ipem- HEle aHOHHMHbIe CO3fiaTeJfEi IIeCeHHOrO @OJIbKJIOpa,pOAOM C OKpaHH, Ei3 MeCTeYeK,BbIXOJ$IJaMEi II3 HEI3OB),TOxe Ha OCHOBe HHTyEiIJEiEI, 03apeHEISI, co3~asa.m o6o6qamqne Meno~mecme 4opMyJIb1, - BOEICTHH~ @onb- KlIOpHO-O6II(HTeJIbHbIe,MarH=IeCKOliMO~HB03,Qe~CTBHR.

kIHTOHaqHOHHbIii aHaJIEi3 IIOAYaC pa3JIHWiT B HEiX AO6aBKkI TaKHX ElHrpeAHeHTOB-li3IOMEfHOK, KOTOpbIe 06HapymHBaIOT (paso6na=IaIoT?) 3a- 6aBHbIe H MHOr03HaYHTelIbHbIe "TaZiHbf. npH BHHMaTeJIbHOM BCJIyIIIH- BaHHH BCKpb1BaeTCS-i uAHa.lIOr CKpbITOrO Ei 51BHOrOn I4 B CJIOBeCHOM, H B hfJ'3bIKaJIbHOM TeKCTe.

npORBHTeJIeM CKpbITbIX CMLICJIOB, l-IO IICHXOJlOrHYeCKHM 3aKOHaM, CTaHOBIITCII 6eCC03HaTeJIbHbIe "OrOBOpKH": “OHH BO3HHKaIOT 6narogapa B3akIMOAejiCTBEIIO,aJIyYIUe CKa3aTb, IIpOTEIBOAetiCTBkIIO AByX pa3JIEFIHbIX HaMepeHHB."16 TaK, TakiHCTBeHHbIM 06pa3oM,ywBnxeT IIpOCTOJQ'IIIHaSI, Ka3anOCb 6b1, IIeCHl "HapOAHOii IIeBHIJbI" 0. KOBaJIeBOfi 0 Bonre, rAe "B30IIIJIOCOJIHbIIIIKOOKTR6pbCKOe~ ki “TM OT CYaCTbZ& BOJIra-peYeHbKa, ! PacnnecKanacb,B3Becenmacs,/EI BonHa~~ox5wpmax~o Kpehmx KH~M AOKaTEiJIaC5I ,,.17 "K HaMn - 3T0 K KOMy? MOxeT, aBTOp l-IeCHH, XEiTeJIb- HHIJa BOJEKCKHX 6eperoB, KaK Ei BeCb IIpeACTaBJUIeMbIti eI0 HapOA, nepeceneHa B KpeMnb? kImI 3T0 - K HHM, 6bIBamqeMy B Kpeme HaYaJIbCTBy? A MOxeT, H AetiCTBHTeJIbHO - K HaM, EI TaK OTKpbIBaeTCR

Page 10: О “мистической” природе советских массовых песен

96 E. IIeTpymamKas

IIOAJIMHHOe IIepBOe JIEfI.JO “aBTOpOB”, 3aKa3aBukIx, opraHn30BaBunix nec-

HE0 “CBepXy”? CTpaHHO HCKaTb EICHOCTH CMbICJIa Ei B CTHXOTBOpHOM IIO-

XeJIaHEIH kICaKOBCKOr0, “9T06E.I BeYHO MOJIOJ&%El BeJIHKaR CTpaHa”:18 TaK

II ~0 cTapYecKor0 HH&aHTwni3Ma, MapasMa MOTHS ,qoji~k~. Qpyra5I MHO-

l703HaYEiTeJIbHaSI OrOBOpKa - B 06~eEi3BeCTHOti IIeCHe ‘MOCKsa MatiCKarr’

Ii3 KkIHO+HJIbMa AB&lJfli-fT&t M&i (1937; My3bIKa AM. EI AaH. HOKpaCCOB,

CTHXEl B. .JIeGegesa-KyMasa). TaM “yTp0 KpaCEiT HemHbIM CBeTOM / CTe-

HbI ApeBHerO KpeMncI”, EI COJIHqe CBeTHT, “YTO6 A0 BbIJIIKH MaB30Jlex /

HaJ.J.Iy paAOCTb AOHeCTH” Pi “YTO6bI PJ’KJ’ IIOAHJUI cT&‘IHH, / IIOCbIJIaSI HIM

IIpHBeT”. BOJMOWHO, HHKTO TOrna II He OC03HaBaJI 3TEi &pa3bI, IIpOIIy-

WeHHbIe qeH3ypO& KaK o6HaxaIoqHe CKpbITbIe, 6eCC03HaTeJIbHbIe aC-

COIJkIaIJEiH. H BkI@iILIb 3aJIHTyIO CBeTJIbIM yTpeHHIlM CUaCTbeM “BbIIIIKy

MaB30JIeR” H “IIOAHIITyIO Ha HapOn”, C IIpHBeTOM, “pyKy” CTaJIHHa..

FiHaR cKpbITaR IIpymHHa MarmecKkl npEsneKana K ‘BecenoMy Map-

IIIy MOHTaxHPiKOB’ C HpOHWIeCKOti My3bIKOZi P. UeApHHa. BO-nepBbIx,

CO6CTBeHH0, B CaMOH IIeCHe (a He HHCTpyMeHTaJIbHOM OTbIrpbIIIIe) -

BOBCe Pi He MaplII, a AaJIeKLlii OT OdpEIqkIO3a IIIyTO=IHbIii TaHeq, 6nawe K

pa36HTHOH nonesKe. EI B npEiroBopKax, cnosax-napa3nTax B KoHyax &pas

CJIbIILIHTCR, 6naroAapR MeJIOAWIeCKOti IIJIaCTHKe ki aKyeHTaM, CKpbITas

6exmo6Hax pyraHb, 3aMaCK&lpOBaHHaSl “HeHOpMaTHBHaR JIeKCHKa”, KaK

6bI CHEEKaIOIL@ff, a II0 CyTEl AeJIaIOqaR IIeCHIO TaKOfi eCTeCTBeHHO-

y6eAEiTeJIbHOti: “He KOYerapbI MbI, He l-IJIOTHHKH, Aa. / Ho CO~aJIeHHii

JIHI.LIHkIX HeT, KaK HeT. / A MM MOHTaxHHKH-BbICOTHHKH, Aa.” KpoMe

TOrO, B 110-pyCCKH JIkIXOti MeJIOAWieCKOii JIElHMM IIeCHH CIIp5ITaJIaCb 3Ha-

MeHHTaSI ‘YaTTaHyra’. 3TO yme BeAeT K CO6CTBeHHO My3bIKaJIbHbIM l-IO-

TaeHHbIM my6HHaM. BeAb KaK “l-IpOrOBapHBaeTCB” KOMIIOSHTOp? ECTecT-

BeHHO, B COdCTBeHHO MJ’36IKLiJIbHIX OrOBOpKaX, KOrAa HeO~HAaHHO Pi

Yaqe HeOC03HaHHO AJ’Ia CaMOrO aBTOpa B My3bIKe “BbIJle3aIOT” He3a-

KOHHbIji l?eHe311C, HeYaSIHHbIe nOATeKCTb1. PaCCJIbIIIIaTb TaKEle BOJIbHO-

HeBOJIbHbIe TaZiHbIe rJIy6HHbI Pi “HeCaHKqPiOHMpOBaHHbIe” FiHTOHaIJHOH-

HbIe CBII3H Ype3BbI4afiHO CO6na3HLITenbHO II IIOy=IEiTenbHO.

To, CKameM, MeKCHKaHCKHe pkITMb1 ‘YaHHTbI’ (BeCbMa IIOIIyJUIpHOii

B TO BpeM5I B HaI.IIeti CTpaHe) B 3HaMeHHTOM ‘CepAqe’, KOTOpOw “He

XOYeTCII IIOKOR”; IIOMHMO JIaTHHOaMepHKaHCKOti, K 3HOfiHOMy TaHrO

TaiiHO 30ByII@, TaM eCTb HHTOHaqHkI OAeCCKOI’O 6naTHOrO MHpa. B 3HaMeHHTOji ‘HeCHe 0 POAHHe’ AyHaeBCKOrO 3aIIeB “UPipOKa CTpaHa MOII

pOAHad’ 6JIE130K aHapXH=IeCKH-pOAHMOMy pa3MaXy CTeHbKEfHOti BOJIEl B

MeJIOAElEl “m3-3a OCTpOBa Ha CTpemeHb”, OAHaKO - CmaT, COKpaqeH, 60- nee opraHL330BaH, npowi3aH ynpyroii MapmeBocTbIo. Yme He pa3 3aMe-

=IeHO CXOACTBO C “HeMeIJKO-&aIIIMCTCKO@ MaCCOBOti My3bIKOii COBeTCKOrO

“l-IeCeHHOrO L’KCIIOpTa peBO~lO~Pd’ H “kIgeonorwrecKor0 opy~c~151” 3~y-

Yamefi COBeTCKOii MH~OJIOrEIH, a IIOA=IaC - EI 3aHMCTBOBaHHe. l9 “HeCaHK-

qHOHHpOBaHHbIM 06I.qeHHeM” C AyXaMEl BpamAe6HOrO KaIIEITaJUiCTENeC-

Page 11: О “мистической” природе советских массовых песен

0 “MHCTEiWCKOI?” lZplipO,@ COBeTCKHX MaCCOBbIX IECeH 97

KOrO 3aIIwa MOXHO 6bmo 6b1 CYHTaTb CBg3Ei CMII C paC@HHpOBaHHbIMEi +paHIJy3CKHMH chansons (name B ‘neCHe 0 BCTpeYHOM’, T. e. 0

BCTpeYHOM l-IJfaHe), C 3aII~HbIMH ~~a3OBbIMEi Ii 3CTpa,lJHbIMH BbIpasEi-

TeJIbHbIMEi CpeJJCTBaMH. CTpaIIIHbIM 06BHHeHkIeM MOrJIO 6br IIpeACTaTb

Torna HaGnmaemie m.xxe~osaTens JI. JlsaHoBoZt: B npmese “Comsa HepyIIIHMOrOn IIpOBOKaIJkIOHHO IIpFIyTC5I EIHTOHa~HH 3HaMeHHTOa ‘Ce-

peHwb1 COJIHeYHOii AOJIEiHbI’ rneHHa Mmmepa. noJqo6Has xe “PyCH-

@HKaIJHX” YyxEiX - aMepHKaHCKHX - HHTOHaL@ BpaxeCKH IIpOHElKJIa Ei

B MHlIIoTHHCKylO IIecHIO ‘fleHHHCKHe rOpb1’ (B 1948 I-OAY!). 3a6aBHO y3HaTb, UT0 He rge-HEi6ygb, a HMeHHO B ‘rUMHe AeMOKpa-

TWIeCKO@ MOJIO~emH’ A. HOBkIKOBa HalIIJIM TaiiHbIti IIpEIIOT CTapOnaBHHe

ElHTOHaQHH “~BOpSIHCKOrO” Pi “qbIraHCKOr0” ~OpeBOJIIOIJ%iOHHOrO

pOMaHCa. Menoj!wrecKax @pa3a “B pa3HbIX 3eMJIIIX EI CTpaHaX, Ha MOpSX,

OKeaHaX” CJIOBHO l-IO~CTeI?Q’JIa Ei BOeHEi3HpOBa.JIa MeJIOmIo pOMaHCa A.

ryqwia ‘HeT, He nm6m OH’ (“OH roBopkIn MHe: 6yAb TbI Moed). npEi-

IIeB xe (“3Ty necaro 3aneBaeT MOJIOAexb”) OCHOBaH Ha TOM xe MOTklBe,

YTO kl CTapEiHHblti RMI.I@iIJKHti pOMaHC “O,lJHOSB~HO 3BeHHT KOJIO-

KOJIbIHK”. ECTeCTBeHHO, YTO HHOii, l?HMHWIeCKEiii KOHTeKCT EIHTOHaQEI-

oHHor0 “penbe4a” IIUX-IH HOBEIKOBa, KaK BCerna B nO~O6HbIx IIepe-

ochmcnemmx H3BecTHor0, po;YcnaeT H 5fHoe cogepxanie. Ho Aaxe IIOYTEl He 3aMeTHbIe reHeTWIeCKUe CBII3EI C XOpOIIIO 3HaKOMbIM CO3aaIOT

paJJOCTb y3HaBaHHR B HOBO& KaK KameTC5I, MeJIO@iH, II 3Ty 3al-Ips- TaHHyKI 6Jni30CTb C ~OpeBOJIIO~HOHHO~ IIeBy=IeCTbIO “He 3afiyEIEiIIIb, He

ybberub”, OHa HeIIOaqeH3ypHa, ~160 B03AetiCTByeT Ha HaIUe 6ecco3Ha-

TeJIbHOe.

TaKEie IIpHMepbI B HCKyCCTBe eCTeCTBeHHb1 Pi XapaKTepHbI fiJI5l

MeTaCTILi&f, - KaK BeHCK& KJIaCCHIJH3M, CTpOrEifi CTEIJIb B l-IOJIH@OHHEi.

OAHaKO HHTOHaqHOHHbIe CIIJIaBbI B CMII o6pem HOBOe KaqeCTBO: B

My3bIKe He3aMbICJIOBaTbIX l-IeCeH MOrJIa TL&HO 3By’JaTb IIpOYHaS 3aIIpeT-

Hal reHeTwIecKax TpajqiqkIs Hacnewq2’ YTO r103~on~no cTonb MHOI’~IM

IIpOeqHpOBaTb Ha HHX JIyYIUHe AyXOBHbIe yCTpeMJIeHEi5I. KaK HEI CTpOr

6bIn 0~60~ an51 ‘kMHa CCCP’ (Ha KoHKypCe 1943 rona 6bIno pac-

CMOTpeHO MHOrO BapHaHTOB; Om ~OCTaKOBWI IIpe,QCTaBEiJI TpEi), HO

yfiHBHTeJIbH0, UT0 B BbIHl-paBLUe& npemHefi necHe, cnpaTa.nacb, EIH-

TyllTHBHO MJIEi l-IpOIl3BOJIbH0, IIOqTH Hepa3JIHWiMO paCTBOpeHHasI B Ha-

poaHor0 pa3nHsa pacnese “0coBpeMeHnBaIoqad’ HHToHaum, C~JIH- XaIOIQaR MyBbIKy AneKCaE&qpoBa C ‘CepeHaAOH COJIHeYHOti AOJIEiHbI’, - H

TaKxe, KaK yBHAZiM AaJfee, Pi rOpa3AO 6onee AaBHEie MOJIHTBeHHbIe HC-

TOKEI. A BeAb OTKJIOHeHHR OT KJIaCCOBOfi JIHHkM CTpOrO OTCeKaJIElCb (BOT H ~n06EiMyIO Ha @pOHTe ‘TeMHyIo HOYb’ H. EjOrOCJIOBCKOrO KpEiTHYeCKa%

qeH3ypa PiJIli qeH3ypHaR KpHTliKa 3a6paKOBa.iIa KaK “YHbIJIbIti 6nw3”; a B

nonynapHbIx ‘MOCKOBCKHX 6yJIbBapaX’ A. JIenEiHa, ‘necHa nocsarqaewa MOII’ I% MoKpOyCOBa 6brnH OCyxgeHbI OT3ByKH “l-ICeBAOL@IraHCKOrO Ca-

Page 12: О “мистической” природе советских массовых песен

98 E. IleTpymamKas

JIOHHOrO pOMaHCa I4 yJIElYHOti IIeCHPi;“” IIOAO6HbIx IIpPiMepOB 6onee, YeM

AOCTITOYHO).

klHOe, “TeMHOe UepKOBHOe IIpOILIJIOe” CJIbILUHO B reHMaJIbHOii LUOC-

TaKOBHYeCKOii “PO~HHa CJIbIIIIHT, POAHHa 3HaeT” (TO YIICTbIii, CBeTO-

3apHbrii XOpan) 14 B MaCCMBaX Tma yIIo~5IHy~oro rEMHa CCCP. ABTOP

3ByKOBOr0 CMMBOJIa, A. B. AneKCaHapOB, B IIpOIIIJIOM 6bm pereHTOM,

IIOTOM IIpO($eCCOpOM KOHCepBaTOpEiH, OCHOBaTeJIeM AHcaM6m TIeCHH k~ ~~RCKH CoBeTcKoZi APMHH (c 1943 rona reaepan-MaSlop), zz BeporrTHo,

KaK Pi OJ&iH I?3 pOAOHaYaJIbHkIKOB -iKaHpa CMl-l A. KaCTaJIbCKHti, TOme

6bIBmkIji pereHT CHHOAaJIbHOrO XOpa, IIpeKpaCHO 3HaR 0613x0~ I-i CTpOti

AyXOBHOii XOpOBOZi My3bIKkl, IIOHEiMaJI IICTOKM, reHe3RC CBOEIX TBOpeHElli.

Ho rJIaBHOe, YTO MOJIHTBeHHylO BJIaCTb, CO6OJWfOCTlj STOti My3bIKH rIyBCT-

BOBaJIkI - He OTgaBasI pa3yMHOrO OTZIeTa, a HyTpoM, Komeii - ZJKCl-IepTbI Ii

IIpoCTbIe CJIyIIIaTeJIki. CBOA CMII, BO rJIaBe C BbIILIeyIIOMRHyTbIMki IIIe-

AeBpaMki A.JIeKCaHjJpOBa, ~OCTaKOBW-ia, AyHaeBCKOrO, EJIaHTepa, CTaJI

CBOAOM HOBhIX MOJfHTB COBeTCKOrO IIepHOAa.

OTCIoAa - CyIQHOCTHax YepTa CMI-I: CMbICJIbI ee CJIOBeCHOrO H

My3bIKanbHOrO TeKCTOB IIOg=IaC CIIOpRT Pi He CoBl-IaAaIoT Kap~EiHaJIbHO.

My3bIKa, JIElIIIeHHaR OTKpbITOH aHra-WCHpOBaHHOCTH Bep6aJIbHOrO TeKCTa,

06~9~0 B CMII ryhtamee, mor03Hamee ero, I-i ee BosjqeWrme KOJIAOBCKPi IIpMMEipReT CO CJIOBIMII, HppaIJHOHaJIbHO BbIIIBJIIIII (MJIIi

,qo6asnm) B HElX CKpbITbIe rJIy6EIHb1, 3MOIJHOHaJIbHO-l-ICEiXOJIOrH=IeCKHe

IIO~TeKCTbI. CKameM, B MJ’3bIKe ~OCTaKOBHYa 3ByWiT ElHaR AyXOBHaR

“p OAHHa”, Hemem B c.noBax ero necmi 1950 roga ‘Ponma cnbImfT’.

ApyraR, He COBeTCKOrO IIpOHCXO~~eHEl5I CBIITOCTb EI aCKeTI13M, B IIIOCTI-

KOBlNeCKOM BbICOKOM CJIbII.IIaHElM JIbIOT CBOii HeHSWICHHMbIti CBeT, 3a-

raAOYHylO, IIOJIHyIO CBSIWeHHOrO CMEipeHPU IIpeJIeCTb Ha CTMXkI AOJI-

MaTOBCKOrO, I? TOrga, I-Ion 06amHeM 6JIarOrOBetiHOrO 3By=IaHMR, COBCeM

HeOJJH03HaYHO =IEITaIOTCII CJIOBa (“POJJHHa CJIbIIIIkIT, / POAElHa 3HaeT, /

KaK HenerKo ee CbIH no6emnaeT, / Ho He cnaeTcq / npaBbIii H CMeJIbIti! /

Bcelo cynb6oii cBoei4 TbI yTBepm&aemb, / TbI 3awHwaemb / Mnpa

BeJIHKOe AeJIO. /! PoAEiHa CJIbIIIIHT, / POAHHa 3HaeT, / YTO ee CbIH Ha AO- pore BCTpeuaeT, / KaK TbI CKB03b TyWi I-IyTb IIpO6FiBaemb, / CKOJIbKO 661 sepHaR Gyp51 HH 3JIMJIaCb, / YTO 6 HH CJIyYHJIOCb, / fiyJJb HelIpeKJIOHHbIM,

TOBapEiI.I&!“).

“06HkIMaIOII@‘, 06ae,qmxmorqa~ MHOrEiX aTMOC+epa MaCCOBOZi IIeCHH, 3ByYaIIJeii 3M6JIeMbI HOBOB “paCIJBeTalOIIJeti COBeTCKOii POHEiHbI”,

JJaeT OCHOBaHllle IIOCJIe~OBaTeJIbHOMy HeMemOMy HCCJIe~OBaTeJIIG TpaK- TOBaTb ee KaK BbIpameHMe apXeTHIIa Mi?l’epki.2 OAHaKO, JQ’MaeTUI, JIKF

6ax HapOgHo-IIeCeHHaR TpaAHqkIR, a BHe oco6bIx yCJIOBElii peBonroqn- OHHOti 3IIOXEI I4 TOTaJIHTapH3Ma, COAepxHT B ce6e YepTbI 3TOrO apxe-

TMIIa. HoBoe xe B CMII - HepyIIIllMbIiir COm3 I-OCJ’,,apCTBeHHbIiWH OTqa-

rmr Hanpamaebfoti, HacaxnaeMoti “MarMd’ MaCCOBOfi MyBbIKFi II l-IO-

Page 13: О “мистической” природе советских массовых песен

0 “M-lZTIfUeCKOti” IIJWipOfle COBeTCKNX MaCCOBbIX LVCeH 99

BCeMeCTHOrO CHJIOBOrO TeXHEneCKH-“MalIIEIHHOrO” ee paCIIpOCTpaHeHHS C

IIOMO~bIO CpeACTB MaCCOBOii KOMMylWKaqliH - CHJIOBOrO, BIIpOYeM, A0

TeX IIOp, IIOKa He BXOAEiT B Tf.lIOTb EI KpOBb, He CTaHOBElTCII emCTBeHH0

QeHEIMbIM, nm6mibIM. BHHMaTeJIbHOe BCJIyIIIliBaIGie B My3bIKy l-IeCeH 3aCTaBJIIIeT IIOA=IaC

OmyTElTb CKpbITbIii HX IICHXOJIOIFIeCKHti IIOATeKCT - *eCTKyIO “Myx-

CKyd pyIcy rOCyAapCTBa. HeAapOM OTeUeCTBeHHbIe “IIeCHll 0 MHpe” B

CeMaHTHKe My3bIKaJIbHOrO pSIAa EOJIHbI HaCTyIIaTeJIbHOH arpeCCEiH. To lTpO5IBJIReTCs B IIOCTORHHO CBOiiCTBeHHbIX COBeTCKHM lIeCH5IM MagureBbIX

pHTMaX (Aaxe CKBO3b BaJIbCOBOCTb), IIyHKTEipHbIX JIal-IliAapHO-BOeHH-

3EipOBaHHbIX pHTMH=IeCKHX pEiCyHKaX, B CaMOM TEil-Ie My3bIKaJIbHOrO

pa3BepTbIBaHHSI EI ABEKeHHR, XOpOIIIO nprmroco6neHHorO &JIR MaCCOBbIX

IIIeCTBElti kI AeMOHCTpaqHti (KaK B AO6pOii IIpHBOJIbHOii “mPipOKa CTpaHa

MO5I pOgHa5f”). TaKxe Pi - B TatiHbIX, HO BCe 6onee OTKpbIBaIOIQHXCSI

PiHTOHaIQDIX @OJIbKJIOpa KpHMHHaJIbHOrO MMpa (KaK H3HaYaJIbHO B

COKpOBeHHO-JIHpHYeCKOti, IIOJIHOii paAOCTEi xH3HEf ‘neCHe 0 CepAqe’).

BeAb BCS COBeTCKaR l-IeCeHHO-@OJIbKJIOpHaR “MarMa” C ee apXaWIeCKOii

MaTejWIHCKOti l-IOpO~&%OII&ii TeIIJIOii IIJIOTbIO HeceT CTOJIb CHJIbHyIO

IIeYaTb rOCyAapCTBeHHO-OTqOBCKOl-0 AaBJIeHWI Pi IIOCJIeOKT5I6pbCKOrO

“OAeMbRHMBaHHR” My3bIKEi. kl HeEl36emHbIe CJIeAbI My3bIKaJIbHOrO TeMa-

TkI3Ma CMII EI 6opb6a C HEiMkI IIpOHH3bIBaIOT COYHHeHHR “BbICOKEIX”

XaHpOB BIIJIOTb A0 mHHTKC Ei @IIee.

npOTHBOpeWie 3T0 IIpeOAOJIeBaJrM TaJIaHTbI, BAbIXa5I H3 “BO3AyXa

BpeMeHH”, Pi BHe BCRKHX AaB5IqEiX AEIpeKTEIB, OpraHEFIeCKkle HOBbIe

CTEiMyJIbI TBOpYeCTBa - KaK I-fpexAe HeB03MOxHOe HHTOHaIViOHHOe Cpa-

LU$iBaHHe, I-IJIaKaTHbIii CTHJIL, - BOl-IJIO~as HOByIO “BOJIIO K XWi3HEi”, HO-

Bylo repOMKy H JIEipHYHOCTb, CTEiXHtiHyIO “IIpOCTOTy”. PO~JJaJIEiCb l-IeCHEi-

LIIeACBpbI, rAe CKB03b HeH36emHbIe R3bIKOBbIe (My3bIKaJIbHbIe Ei l-IO!+

TWIeCKEie) LUTaMl-IbI CBOerO BpeMeHEi l-IpOpe3aJIOCb IIpOH3EiTeJIbHOe 3By-

YaHHe HeHCTpe6HMOti YeJIOBeYHOCTEi. MomeT, IIOBTOMy M Ceii=IaC, B

KOHIJe 1998 rona, MM npOAOJDKaeM OTHOCHTbCII K CMI-I C “3aMe’-IaTenb-

HOji CMeCbIO OTBpaqeHHSf H 6JIarOrOBeHEiII”,23 KaK K TaiiHbIM CHaM.

MoxeT, Ii l-IOSTOMy B IIOCTCOBeTCKHti IIepHOA OHkI aKTyaJIM3kIpylOTCR, - Ei

KaK AaHb ‘HeKOzi HOCTaJIbrHEl II0 IIpemHElM “UeHHOCTIIM”, B -HcamJ&

yCTOtiYEiBOCTH, MarHYeCKli 3aBOpaXGiBaIOIIJeti BJILCTHOCTH, IJeJIbHOCTH, B

TOM YHCJIe MeJIOAEFIeCKOti, “AOCTyIIHOCTd BbIpa3EITeJIbHbIX CpeACTB. A rJIaBHOe, BepOIITHO, - B l-IOElCKaX HOBOii 06qeIIOHSITHOti Ei 06LIJerfpEiH5ITOfi

HAeOJIOrHH. CBHAeTeJlbCTByK)T 06 3TOM TaKxe l-IOl-IyJIRpHeiiIIIHe

TeJIeBEf3HOHHbIe IIeCeHHbIe l-IpOrpaMMbI, KOTOpbIe BKJIIOYaIOT pElMBjiKEi

CMI-I IIpOIIIJIbIX JIeT. CyASr II0 CTaTkICTEFIWKHM ,QaHHbIM-p&THHraM,

PEIM~~~KEI CT~JIH nklAepaMn MaccoBoro ycnexa, B “HOBO~~C~KO~~” ~n~no~oii

SCTeTEIKe, B HeCKOJIbKHX HOBOrOAHElX BbIIIyCKaX “CTapbIX IIeCeH 0

rJIaBHOM”; OHH EiJIPi IIOAO6HbIe EIM IIOCTORHHO IIOIIBJI5IIOTCII B 9@ip’2,

Page 14: О “мистической” природе советских массовых песен

100 E. IleTpyzuamms

OJIM~eTBOpRR COBpeMeHHOe IIpeACTaBJIeHkIe 0 IJIaBHbIX, - lIpemHIlX He-

3bIfkIeMbIX njqeanax. TaM Hafi@Te BCe: MaHPIIIyJIHpOBaHHe Pi MpOHEUO, YAO6HbIii 06%eKT

@R OCMeRHklR, epHWIaHb’2 - 13 nI060BaHue, OCBexeHHe 3BYYaHHti Pi CMbI-

CJIOB El - JDKKeOCBe~eHMe. ti XOTIi BHeILIHeMJ’ 06HOBneHmO IIO~BepraIOTCa

B OCHOBHOM apaHxEIpOBKa II HCIIOJIHEiTeJIbCKLlti CTHJIb JEipHYeCKMX IIe-

CeH, BMeCTe C HMMM TatiHO l-IOeT Pi KOJIAJ’eT HX BpeM5I, CO BCeMli el-0

06MaHaME3, Pi l-IO,lJCTaHOBK;LMH ~eHHOCTf28. HaAo 6bIno 6b1, I-IO CJ’TH, Anx

HOBO&i KJIEmOBOti xEi3HI.l CMII MeHJITb HX CJIOBeCHbIii pRJ& KaK AeJIaIoT

HepeAK B OlEpeTTaX, KOrna MJ’3bIKa, B OTJIPiW5e OT Bep6anbHbIX TBK-

CTOB, B IIOTepsIJIa aKT)WIbHOCTEi. To WTb MeWIT NiWI, KaK AJIR HHOrO

CJ’~eCTBOBaHH5I MHC@FIeCKMX l-epOeB B NHbIX MPipaX. Ecm x He MeHIITb

CJIOBa, IFilTH MeJIO,I&iH MOxeT j@tCTBOBaTb, H MH@OJIOI’ENeCKaR CEICTe-

Ma SIIOXH, BOIIJIOIQeHHaa B MaCCEiBe CMII, - IIpO~OJI~aTb XEITb.

IIPkIMEYAHWI

M. EynraKoB, MacTep H Maprapma, MocKBa 1989, c. 189. MomeT, II He CJIyWi%HO JIeYHTb OT “MaCCOBOrO rEllSH03a” Be3yT 38 I’OpO& B

KJIHHMKy CTplBHHCKOrO, OfiHO@aMHSIbqa KOMll03HTOpa - “OTIIeTOrO UH-

fiHBURya.JIEICTa”, “c$OpMaJIHCTa”, 3MHrpaHTa, Bl-lOCJIe~CTBHH Hll3BWHOrO

KOCMOIIONITOM?

IT E;~OJWKH#, 113 KHkIrH: E. Pet&, IIPOTHB cTpenKH Y~COBOJ?, Tenafly, N. J. 1991: qnTHpyeTcx no npe~HcnoBHIo K C6OpHEIKy E. P&Ha Ris6pamoe, MOCKBa-nap&UK-HbIO-8OpK 1993, c. 7.

dhIOC0~$CKlfif c.rroBapb, MOcKsa 1983, c. 376, CTaTbSi c. ABepHHIJeBa.

[email protected]~~JiyeCKIiti CJIOBapb @. IjpOKraJ’3a Id ki. E@poHa, T. XIX,

CaHKT-neTep6ypr 1896, C. 454. CTaTbR IIpHH~JIWKEiT Bn. COJIOBbeBy.

3. EeHBeHUCT, CJIOBapb HHJfOeL3pOlZeZfCKHX COZ(HaJIbHbIX TepMHHOB, Moc- KBB 1995, cc. 277,281. K. r. KhIr, ‘06 OTHOIHeHHH aH&IIHT&iYeCKOii IICIlXOJIOIWH K l-I03TkIKO-Xy-

,QOmeCTBeHHOMy TBOpWCTBy’, CJIOBllpb H~OeBpOlT&CKHX COJJWl.IIbHbIX TepMmoB, MocKsa 1995, cc. 116,118. CJIeA TOrO, K&K BOCIIpEIHHMiiJIOCb IIOHSIUIy BCe, YTO HeCJIll p&I(HOBOJIHbI,

HaXOAHM B CTSiXOTBOpeHHW 1925 rO,JJa ‘PWEIOMOCT’; C IIOMOIQLKI “pa-

J&iOMOCTa”:

Page 15: О “мистической” природе советских массовых песен

0 “MHCTNTleCKOfi” IlJ.WiJ)OJfe COBeTCKHX MaCCOBbIX IIeCeH 101

9

10 11

12

13

14

15 16 17

18 19

BerepoM~OKna,q&i3COBHapKOMa CnYILlanEI,CTOnnEIBLZIkICb,My~KEIKEI. rpy,lJbIIOJIHaBOCTOpmeHHOrO I'yJIa, Ho KpJ'rOM-TaKiUITHUIHHa, EYATO Bcex BHe3aIIHO sax.necTHyna rony6ax pa$&HOBOJIHa.

A~oraa HeBW~HMbIeCKpHIIKH 3a3BeHena CTpyHaMH BflaJIH, TennbIeruapoKHeynbI6KH Ha KOpSIBbIXJIHIJax3a~BeJIEi. (M.kICaKOBCKHti, H36paHHOe, MOCKBa 1950,C.21)

K C03AaHFiIO MaCCOBbIX peBOJIIO4HOHHbIX XOpOB EI IIeCeH A. KaCT&lIbCKkIfi (1856-1926) npuIen nocne npeKpacHofi npo~eccHoIwIbHo~ IIIKonbI n. %&KOBCK~~~ B C. TaHeeBa, AeRTenbHocTn B CHHoxanbHoM ywnniue, MHOrOUHCJIeHHbIMo6pa60TKaMHapO~HbIX IIeCeH H pa6OTbI l-IO CO3,lJaHEiIo, ewe B IIepBbIe roHb1 XX BeKa, +oHonopTpeTa neTep6ypra: TO 6bInn 3aIIUCH Ha +OHOrpa& U3ByKOBbIXKapTHHOKn6bITa rOpOHaC HaTypbI. PqXBJJHEi. @. 17. On. 163. A. 987.JI. 13-16. kl. CaBYeHKO, ‘HpaBO 3al-IeTb. K IIOCTaHOBKe KHHOOIIepeTT "rapMOHb" Pi “kip~~~~~peKop,$",CO~e~c~oe KHHO,1934,NQ 5,c.59. r. XY~OB, ‘3a MaCCOBJW IIeCHlO, 38 MaCCOByIo CHMI#)OHlDO!', C0BeTCKa-S rqy3brKa, 1934, NQ 2,c.4. "3aI'OBOpbI - oco6bIe TeKCTbI +OpM)'JIbHOI-0 XapaKTepa, KOTOpbIM IIpH- IIHCbIBaJIaCb Mal-FIeCKaR CEIJIa, CIIOCObHa5I BbI3BaTb XeJIaeMOe COCTOR- me” (M&br Hapo,qoB huipa, MocKsa 1980, c. 450). T. B. Toponosa omfe- SaeT, YTO IIoTpebHocTH 6bIcTpOrO 3aIIOMHHaHWI, %$+eKTHBHOrO BJIKII- HELII BbIpa6OTUIH TaKHe XapaKTepHbIe IIpHeMbI II03TFiKkl 3arOBOpOB, KaK IIpHeMbI "CIIe~HalIbHOZi 3BYKOBOti apaH2GipOBKE1, peaJIEi3j'IO~PieCsI IIpH IIOMOWH annuTepaunn, pw$MbI, 3ByKoBbIx II~BT~POB, aHarpaMMn (Ji3arK N CTIfli’b ApeBHeI-epMaHCKHX 3arOBOpOB,h'fOcKBa 1996,c.126). X. klHailraT XaH, kfIiCTHI(H3M 3ByKa, hhxsa 1998, c. 169. B. !hK,O3aKOHOMepHOCT~Xl7eCc%'HOiltMeJIOANKN, h'iOCKBa 1990,C.201. 3.@peti& BBe~eHHe~IiwrxoaHam3. ~eKLw&i, MOCKBa1991,c.25. qtlTaTa II0 KHHre: H. ~eM=I)WiHa, @CCKaSHapOJHaJI IIeCHR COBeTCKOl-0 Bpeiwem, JIeHHHrpan 1955,~~. 17-18. M.k3ca~o~c~uZi,~Y~assonea JewHa', li36paHHoe, MOCKBal%o,c. 132. “Pycc~~ii OpKecTp 6ananaeK ‘kZcKpa' 6bIn HCKJIIoYHTeJIbHO IIoIIyJnIpeH cpe,qkI repMaHCKElX pa6osHx 30-e l-OAbI. CBIlJJeTeJIbCTBO TOMJ' - ay,lJkiO- 3KCIIOHaT BbICTaBKH MOCKsa-EepJIHH: ‘Mapru KpacHoH APMHH' A. no- KpaCCa, 3allEiCaHHbIti B MCIIOJIHeHMH OpKeCTpa‘&Kpa'OKOJIO 1930 I’.” (kl. Eapcosa, ‘MEI& 0 MocKBe-CTonHIJe', My3blKaIIbHax AKweMHx, 1997, NQ 2, C. 177). c BTHM CBII3aH "HHTepeC", BepOSlTHO, EI HaBlf3aHHbIti, HeMeU- KOii~paMMO&OHHOZi~ElpMOii‘OMe~a'K CMI-I30-X rO,QOB. B 1949 I-. B rnp

Page 16: О “мистической” природе советских массовых песен

102 E. IleTpyruawcKaa

HaYHHaeT BblXo~aTb CepMR IIJIaCTHHOK Liedderzeit (necHH moxtf), HO c BeCbMa HHTepeCHOti IICHXOJIOIWIeCKOii~eTaJIbIO My3bIKaJIbHOti apaHxH- POBKM. Pi. EapcoBa OTMeYaeT: “Bee HaHbonee IIOIIyJIRpHbIe COBeTCKHe IIeCHH [...],BTOpIYWCb B %$Hp TAP, OAHaKO He B O@HqH03HOM XOpOBOM BapHaHTe, a B npmwpmowerd B noTemamqeM yxo 3ByqaHwi ‘Balalaika- Orchester’. ." (TaM xe).

20 COBpeMeHHHKy, HCCJIeAOBaTeJIfO I4 @aHaTy My3bIKH CKpR6HHa, 3aMeTHbI IIpUMHTHBHO-ByJIbrapHbIe HCTOKIl3TOti 06~eAOCTyIIHOCTH:

rpOMaAHOe 6OJIbJ.IIHHCTBO[MaCCOBbIX IIeCeH] OCyIIJeCTBJD?eT HAeIO 60~pO~THAyxa B II~HMHTHBH~M Maplueeohf puTMe, a Bee HaneBbI OT3bIBaIOTC5I IIepeIIeBaMH H3 6. UapCKOZi ((BOeHHOii My3bIKMv, KO- TopaR B c~ofo ogepegb - yBbI! - cahfa HMeeT reHe3kIc x3... one- peTKn. (JI. CaBaHeeB, 1926, c. 29)

21 A. Coxop, Pycc~aa~accosm necm, fieHaHrpaA 1959, c. 437. HbIHe Ka- XeTCII TaHHCTBeHHO-H~HOTWIeCKOti IIpHWHa, IlO KOTOpOii qeH3ypa H KpEiTHKa He o,qo6psuIaYyAeCHyH) IIeCHK) M. @pmKEiHa Ha CJIOBa E. AOJI- MaTOBCKOrO ‘CJIy=IatiHbIii BaJIbC' (“Ho% KOpOTKa, CIISIT o6naKa", 1943): OHa-Ae BOCXBaJIRJI~II033HIOCJI~aiiHbIX BCTpe=I Ha +pOHTe.

22 x. rIOHTep, ‘nOIOQW POAElHa (COBeTCKaR MaCCOBU IIeCHII KaK BbIpa- xeme apxenma MaTepkI)‘, Bonpom mueparypbr, 1997, NQ 4, cc. 46-61.

23 II. E~oAcKHZI,‘~~OTEIB CT~~JIKE~Y~COBO~~',I.V~T. no IIpeAHcnoBHIO K c6. E. PetiHa, &kdpaHHoe, ~ocKBa-~apli~-~bIo-~opK1993,C.7.