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Page 1: ¨ ± Ìhomepage.ntu.edu.tw/~artcy/info/10/artsinfo-20151204...2.!The Metropolitan Museum of Art 3.!Nelson-Atkins Museum of Art 4.!Newark Museum 5.!Cleveland Museum of Art 6.!Getty

/ /

ArtsInfo

12/ 04/2015

1. ん MeiMei Rado, Hui-wen Lu, Joyce Tsai す Jungeun Lee,

Susan Huang, Peggy Ho, Kevin McLoughlin, Joseph Scheier-Dolberg け

Nixi Cura Arts of China Consortium

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3. づ

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Page 2: ¨ ± Ìhomepage.ntu.edu.tw/~artcy/info/10/artsinfo-20151204...2.!The Metropolitan Museum of Art 3.!Nelson-Atkins Museum of Art 4.!Newark Museum 5.!Cleveland Museum of Art 6.!Getty

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1. Freer and Sackler Galleries

2.! The Metropolitan Museum of Art

3.! Nelson-Atkins Museum of Art

4.! Newark Museum

5.! Cleveland Museum of Art

6.! Getty Center

7.! Princeton University Art Museum

8.! Staatliche Museen zu Berlin

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Kyujanggak, Embracing the Knowledge of the World

□ Duration: Oct. 16 (Fri.), 2015 ~ Jan. 16 (Sat.), 2016

□ Venue: Exhibition Room (B1), Kyujanggak Institute for Korean Studies (Bldg. 103), SNU

っ る ち わ らつ

1725 ふ

Books contain years of accumulated human wisdom and play a vital role in allowing readers to become

aware of the world around them. During the Joseon Dynasty, great efforts were made to assimilate and

absorb new knowledge and culture from the outside world. This fact is made evident by the diversity of

Chinese books held at Kyujanggak.

While keeping the time-honored traditions of the Joseon Dynasty, King Jeongjo established Kyujanggak

as a repository of numerous books, But he also wanted Kyujanggak to become a place where wisdom

and knowledge could be created in abundance. Future generations also kept King Jeongjo’’s spirit and

continued to gather and study books that contained new knowledge. In this way, Jibokjaeふ , which

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was established under the reign of King Gojong, also collected books rich in modern scholarship and

culture.

This special exhibition, Kyujanggak: Embracing the Knowledge of the World, has been conceived as a

reconstruction of the efforts of Joseon people to use books as windows to the world and opportunities

for groth. King Jeongjo thus always emphasized that nothing compares to books when it comes to

breaking away from antiquated knowledge and fostering new ways of thinking. Despite the difficulty of

accepting new ideas and ways of thinking, the people of the Joseon Dynasty made great efforts and

succeeded in connecting with the outside world. This spirit of wisdom continues even to this day.

http://e-kyujanggak.snu.ac.kr/LANG/en/introduction/6_current_exhibition.jsp?type=41&lang=en&

pageno=1&curtype=curr

1.! Freer Gallery of Art

1 Promise of Paradise: Early Chinese Buddhist Sculpture

Opens December 1, 2012- Indefinitely

2 Chinese Ceramics: 13th-14th Century

December 20, 2014 – January 3, 2016

Location: Gallery F15

http://www.si.edu/Exhibitions/Details/Chinese-Ceramics-13th-14th-Century-5533

Ceramic production during the Yuan dynasty (1279-1368) reflects the strength of the international

market demand for Chinese wares. Notably, celadon-glazed vessels from Longquan competed with

porcelain objects from Jingdezhen, painted with innovative decoration in cobalt pigment. A dozen

Chinese ceramics from the Freer collection show highlights of Yuan ceramic styles and complement

the exhibition Style in Chinese Landscape Painting: The Yuan Legacy.

3) Enigmas: The Art of Bada Shanren (1626–1705)

June 20, 2015 - January 3, 2016

http://www.asia.si.edu/bada-shanren/

Born a prince of the Ming imperial house, Bada Shanren (1626–1705) lived a storied life, remaking

himself as a secluded Buddhist monk and, later, as a professional painter and calligrapher. Featured in

this exhibition are examples of his most daring and idiosyncratic works, demonstrating his unique

visual vocabulary. The selection of painting and calligraphy includes some of Bada Shanren's best

work, dating from the 1660s through his peak professional years in the 1680s and 1690s. Also

represented is his late period in the early 1700s, when he sought solitude and harmony with the

natural order.

2.! The Metropolitan Museum of Art

1 A Passion for Jade The Heber Bishop Collection

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March 14, 2015–June 19, 2016

http://www.metmuseum.org/exhibitions/listings/2015/passion-for-jade

Heber R. Bishop's collection of carved jades was formed in the last quarter of the nineteenth

century and bequeathed to the Metropolitan Museum in 1902. Consisting of over one thousand

pieces—primarily Chinese jades of the eighteenth and nineteenth centuries, as well as jades from

Mughal India—it was the first major collection of its kind in the country. This exhibition features a

selection of the finest examples from this renowned collection and celebrates the hundredth

anniversary of the Department of Asian Art.

2 Chinese Textiles Eight Centuries of Masterpieces from the Met Collection

September 12, 2015–June 19, 2016

http://www.metmuseum.org/exhibitions/listings/2015/chinese-textiles

This installation, which explores the cultural importance of silk in China, will showcase the most

important and unusual textiles from the Museum's collection. In addition to three rare pieces dating

from the Tang dynasty (618–906), when China served as a cultural hub linking Korea and Japan to

Central and West Asia, and, ultimately to the Mediterranean world, the exhibition also includes

eleventh- and twelfth-century tapestries from Central Asia, as well as contemporaneous Chinese

examples of this technique.

Spectacular embroideries—including an imperial fourteenth-century canopy decorated with

phoenixes and flowers, and a monumental late seventeenth- or early eighteenth-century panel

showing phoenixes in a garden—will also be on view, together with theatrical garments, court

costumes, and early examples of badges worn at court to designate rank.

3 Chinese Lacquer Treasures from the Irving Collection, 12th–18th Century

September 12, 2015–June 19, 2016

http://www.metmuseum.org/exhibitions/listings/2015/chinese-lacquer

Lacquer, the resin of a family of trees found throughout southern China—as well as in Southeast

Asia, Korea, and Japan—is an amazing material. When exposed to oxygen and humidity, lacquer

hardens or polymerizes, becoming a natural plastic and an ideal protective covering for screens,

trays, and other implements. Mixed with pigments, particularly cinnabar (red) and carbon (black),

lacquer has been also used as an artistic media for millennia.

This installation, which features all of the most important examples of Chinese lacquer in the

Museum's collection, explores the laborious techniques used to create scenes based on history and

literature, images of popular gods and mythical and real animals, and representations of landscapes

and flowers and birds.

4 Masterpieces of Chinese Painting from the Metropolitan Collection

October 31, 2015–October 11, 2016

http://www.metmuseum.org/exhibitions/listings/2015/masterpieces-of-chinese-painting

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http://mp.weixin.qq.com/s?__biz=MzA3MTUxMzEzNw%3D%3D&mid=217305488&idx=1

&sn=275e62d512416c4ec9ae7e534ce0f4b3&scene=0#rd

This exhibition, presented in two rotations, will highlight the gems of the permanent collection in a

chronological display, with an emphasis on works from the Song (960–1279) and Yuan (1271–1368)

dynasties.

( と )

3.! Nelson-Atkins Museum of Art

Flowers to Frost: Four Seasons in East Asian Art

July 18, 2015–July 17, 2016

http://www.nelson-atkins.org/art/exhibitions/flowers-to-frost.cfm

4.! Newark Museum

1 China's China Porcelain, Earthenware, Stoneware & Glazes

Now on View

http://www.newarkmuseum.org/china.html

Over 2,000 years of ceramic excellence are showcased with meaningful selections to feature a range

of different techniques through both figural and practical forms. Dating from seven different

dynastic periods—stretching from the second century BC to contemporary works—this

installation provides a profound rationale for why the name of the country became a synonym for

the ceramic arts while demonstrating an abridged introduction of some of the most significant and

celebrated ceramic types in Chinese history.

2 Red Luster Lacquer & Leatherworks of Asia

Ongoing

http://www.newarkmuseum.org/red-luster

For the past two thousand years—far before the development of plastic laminations and

modern-day adhesives—lacquer was (and remains) a superior material. Red Luster: Lacquer and

Leatherworks of Asia demonstrates the aesthetic impact of red lacquer and its faux imitators in

leatherworks and other materials. The glossy sheen, slick texture and deep colors of lacquer have

long been a prized material throughout Asia but the materials to create “true lacquers” do not exist

in all of Asia.

Different raw materials originating from different types of trees and even insects distinguish East

Asian lacquers (China, Japan and Korea) from those of Central and South Asia (Turkey, Iran, India

and Tibet) or Southeast Asia (Myanmar). The relatively slow construction process, coupled with

regionally restricted supplies of raw material, made production relatively exclusive. Thus all of Asia

also developed imitation or faux lacquers created by an even greater variety of materials and

techniques. Many faux lacquers became important forms of art in their own right. This is the first

lacquer exhibition to span the vastly different cultural and historical legacies of Asia from the Near

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to Far East.

5.! Cleveland Museum of Art

Silent Poetry: Masterpieces of Chinese Painting

11/14/2015-04/24/2016

http://www.clevelandart.org/events/exhibitions/silent-poetry-masterworks-chinese-painting

6.! Getty Center

Cave Temples of Dunhuang: Buddhist Art on China's Silk Road

May 7–September 4, 2016, GETTY CENTER

The Mogao caves, located near the town of Dunhuang in the Gobi Desert of northwest China,

comprise some 500 decorated Buddhist cave temples dating from the 4th to the 14th century. Filled

with exquisite wall paintings and sculptures, the caves bear witness to the intense religious, artistic,

and cultural exchanges along the Silk Road, the trade routes linking East and West. Cave Temples of

Dunhuang: Buddhist Art on China's Silk Road features numerous objects originally from the site—such

as paintings and manuscripts that have rarely, if ever, traveled to the United States, as well as three

spectacular full-size cave replicas. The exhibition celebrates more than 25 years of collaboration

between the Getty Conservation Institute and the Dunhuang Academy to preserve this UNESCO

World Heritage Site.

7.! Princeton University Art Museum

Sacred Caves of the Silk Road: Ways of Knowing and Recreating Dunhuang

2015-10-4-2016-1/10

A sacred complex of more than seven hundred primarily Buddhist cave-grottoes located in the western

province of Gansu near the city of Dunhuang preserves an astonishing trove of early styles and periods

of art that rarely survive elsewhere in China. Strategically located at the crossroads of the northern and

southern routes of the ancient Silk Road, the caves were built and rebuilt over the course of a

millennium beginning in the mid-fourth century. They were filled with brilliantly colored paintings and

sculptures that covered the walls, ceilings, and floors. The physical site and its artistic riches reveal shifting

artistic influences and ritual practices, attesting to a long and varied history of political, religious, and

private patronage as well as local, court, and foreign military protection.

Sacred Caves of the Silk Road: Ways of Knowing and Recreating Dunhuang brings together paintings, calligraphy,

and sculpture discovered at Dunhuang along with travelogues, early photo archives, present-day photos,

and artist renderings and copies. Each source forms a kind of cultural archive that emphasizes certain

types of information while omitting others. Independently or in combination, these archives permit

different recreations of how the art of Dunhuang may be seen and understood. The exhibition will

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feature Dunhuang objects from the Princeton University Art Museum and from Princeton’s East Asian

Library as well as two paintings on loan from the British Museum.

http://artmuseum.princeton.edu/art/exhibitions/1639

8.! Staatliche Museen zu Berlin

1 Collection of East Asian Art in the Museum für Asiatische Kunst

http://www.smb.museum/en/exhibitions/detail.html?tx_smb_pi1%5BexhibitionUid%5D=27&c

Hash=a8ada49c1599c10a16533dd3f187140f

1. ざ

ん Shih-shan Susan Huang

2015 12 7 う 10:00

な に ら

2.

2015 12 8 ( )

14:30-17:30

Shih-shan Susan Huang

Associate Professor, Department of Art History, Rice University

3. Landscape Painting and Cartography in the Song Dynasty

2015 12 9

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1. な 2015

: 2015/12/10-11

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http://mingqing.sinica.edu.tw/conference/2015/2015CF_home.html

( と )

2. Versailles in the World, 1660–1789

New York University, 29 January 2016

Organized by Jeffrey Collins, Meredith Martin, and Robert Wellington

Versailles is often seen as the epitome of ‘Frenchness’, yet the palace and its contents were profoundly

shaped by encounters with people and objects from around the world. This symposium builds upon

recent colloquia and exhibitions such as La Chine a Versailles: art et diplomatie au XVIIIe sie cle (2014)

and Voyageurs etrangers a la cour de France, 1589–1789 (2014) to emphasize the international character of

Versailles between the reigns of Louis XIV and Louis XVI and to situate its art and architecture in a

global context.

The day-long public event at the Washington Square Campus of NYU brings together an international

group of scholars to explore connections between Versailles and a wide variety of geographical regions

and cultures, from Thailand to Tunisia to Dutch Brazil. Papers focus on a range of visual and material

culture that relates to cross-cultural exchanges at Versailles in the late seventeenth and eighteenth

centuries, including the depiction of ambassadorial visits to the palace; gifts to and from the French

Court; objects and images made for Versailles and its inhabitants that depict non-European cultures or

reveal cross-cultural resonances; exoticism and fashion; and examples of art and architecture made

outside of Europe that were inspired by Versailles.

Versailles in the World, 1660–1789 is timed to coincide with the preparation of a major exhibition on the

foreign visitor at Versailles that will open at the Metropolitan Museum of Art in May 2017. It has been

made possible through the generous support of New York University, Bard Graduate Center, and The

Metropolitan Museum of Art.

P R O G R A M

10:00 Welcome and Opening Remarks: Versailles as a Site of Global Exchange, Meredith Martin, New

York University

10:15 Curators Danielle Kisluk-Grosheide (Metropolitan Museum) and Bertrand Rondot (Musee

National des Chateaux de Versailles et de Trianon) discuss their upcoming exhibition Visitors to

Versailles, 1682–1789

11:00 Session I. Diplomatic Gifts and the French Court

• Mediating Spaces: Dutch Brazil at the French Court, Carrie Anderson, Middlebury College

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• From Versailles to Nouvelle France: French ‘Indian Peace Medals’ of the Eighteenth Century, Robert

Wellington, Australian National University

• Versailles, Beijing and the Eighteenth-Century Global Imaginary, Kristel Smentek, Massachusetts

Institute of Technology

12:30 Lunch

1:45 Session 2. International Trade, Collecting, and Display

• From Ancient Carthage to Modern Tunis: The Cultural and Political Reception of Tunisia at the

French Court of Versailles, Ridha Moumni, Institut de recherche sur le Maghreb contemporain (IRMC)

• Mercantilism, Entrepreneurship, and the French Silk Corridors to Persia, Junko Takeda, Syracuse

University

• Native American Objects at Versailles, Noemie Etienne, Getty Research Institute

3:15 Break

3:30 Session 3. Fashion and Exoticism

• Fashion Will Travel: Dress and Diplomacy at the Court of Louis XVI and Marie-Antoinette, Kimberly

Chrisman-Campbell, Independent scholar

4:15 Roundtable discussion led by Jeffrey Collins, Bard Graduate Center

5:15 Closing Reception

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Scrolling Paintings Project

University of Chicago

https://lucian.uchicago.edu/blogs/caea/scrolling-paintings/

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Handscroll paintings, painted horizontally on a pieces of silk or sheets of paper and mounted as scrolls,

are a major type of traditional East Asian painting, distinctive in their format and method of viewing.

Their creation is based on special principles that differ from those of painting single-framed pictures as

they are continuous pictures that progress in space and time. Handscroll paintings are meant to be

handled as well as seen–unrolled for viewing and rolled up for storage. Viewing section by section calls

for particular kinds of engagement or participation on the part of the viewer moving forward (from left

to right) stopping and going back. In addition to painted images, the scrolls often include handwritten

text, artists’ signatures and seals, and the seals of later owners of the painting. The texts might include

narrative and descriptive passages on the painting itself and colophons added at the end, including

comments by of the painters’ associates and later viewers, including owners of the paintings. These can

provide a social history of the painting.

Because of the rare and fragile nature of these paintings, however, they are rarely shown. They cannot be

handled by the public or exposed to light for extended periods in exhibitions. Therefore our center

created this interactive site to simulate the experience of viewing handscrolls in ways that published

photographs in books and projected slides cannot and to make them more widely accessible for teaching

and research.

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2015 中央研究院明清研究國際學術研討會

議 程

Agenda

時 間 12 月 10 日(四)

8:30- 9:00

報到 中央研究院人文社會科學館北棟 3 樓

9:00- 9:10

開幕式

中央研究院人文社會科學館北棟 3 樓第一會議室 主持人:黄進興(中央研究院歷史語言研究所特聘研究員兼所長&明清研究推動

委員會召集人) 致辭人:王汎森(中央研究院副院長&中央研究院歷史語言研究所特聘研究員)

時 間 12 月 11 日(五)

8:30- 9:00

報到 中央研究院人文社會科學館北棟 3 樓

16:40- 17:00

閉幕式 中央研究院人文社會科學館北棟 3 樓第一會議室 主持人:呂妙芬(中央研究院近代史研究所研究員兼所長)

第 一 會 議 室

2015.12.10 (週四 Thursday)

時間 Time 議程 Agenda

9:15-10:45 第一場

Session 1.1

清代的物質消費與觀念變遷

主持人 Chair

發表人 Presenter

題目 Title

評論人 Discussant

賴惠敏(中央研究院近代史研究所研究員)

雲 妍(中國社會科學院近代史研究所助理研究員)

十八世紀中國官紳的私人物品與文化收藏——1782 年閩浙總督陳輝祖的家產清單研究

賴惠敏(中央研究 院 近 代 史 研究所研究員)、巫仁恕(中央研究 院 近 代 史 研究所研究員)

巫仁恕(中央研究院近代史研究所研究員)

乾隆朝地方物品消費與收藏的初步研究:以四川省巴縣為例

阿 風(中國社會科學院歷史研究所研究員)

清代徽州人的日常消費——以徽州文書為中心

Margherita Zanasi (Associate Professor, Department of History, Louisiana State University)

Luxury and Frugality: County’s Level Prescriptions of Consumption in Qing China 奢侈與節約:清朝時期的縣層觀念

10:45-11:00 茶敘 Tea Break

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時間 Time 議程 Agenda

11:00-12:30 第二場

Session 1.2

清代社會資訊與知識傳播中的媒介與人

主持人 Chair

發表人 Presenter

題目 Title

評論人 Discussant

錢 雲(復旦大學文史研究院博士生)

陳 喆(中山大學歷史系副教授)

1700 年巴黎外方傳道會上教宗書與「禮儀之爭」在法國

錢 雲(復旦大學文史研究院博士生)、 陳 喆(中山大學歷史系副教授)、鄭冰瑜 (Ph.D. Candidate, History Department, Princeton University)、 趙 瑩(山西大學歷史文化學院近代中國研究所講師)

鄭 冰 瑜 (Ph.D. Candidate, History Department, Princeton University)

Manchu Experts and the Pedagogy of the National Language in Early Nineteenth Century Qing China

趙 瑩(山西大學歷史文化學院近代中國研究所講師)

光緒初年「丁戊奇荒 」中《京報》議介傳播的國際影響

蔡燕梅(東京大學人文社會系研究科修士)

明末清初尺牘選本中的文人交遊網絡

12:30-13:30 午餐 Lunch Break

13:30-15:00第三場

Session 1.3

滿蒙藏文地圖中的大地肖像

主持人 Chair

發表人 Presenter

題目 Title

評論人 Discussant

烏雲畢力格(中國人民大學國學院教授)

烏雲畢力格(中國人民大學國學院教授)

清代蒙古手繪地圖及其歷史地理學價值

烏雲畢力格(中國人民大學國學院教授)、承 志(日本追手門學院大學國際教養學部准教授)

才讓加(中國西藏自治區檔案館編譯研究室主任)

清代西藏《多康地區地圖》的繪製及其特點

烏雲格日勒(中國內蒙古大學蒙古學研究中心 研究員)

地圖所見清代-民國蒙旗政治地理變遷——以紮魯特二旗為例

承 志(日本追手門學院大學國際教養學部准教授)

《皇輿全覽圖》東北大地測繪考——以滿文檔案為中心

15:00-15:20 茶敘 Tea Break

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15:20-16:50第四場

Session 1.4

明清運河的城鎮發展與行旅文化

主持人 Chair

發表人 Presenter

題目 Title

評論人 Discussant

王鴻泰(中央研究院歷史語言研究所副研究員)

Luca Gabbiani (Associate Professor, EFEO, Paris)

A Wilderness of Marshes? The Late Imperial Shandong Grand Canal and Its Urban Communities as Seen by Travelers 荒澤之野?──過客眼中的明清山東運河城鎮

衣若蘭(國立臺灣大學歷史系副教授)

邱仲麟(中央研究院歷史語言研究所研究員)

上京趕考──明清旅行史的一個側面

陳熙遠(中央研究院歷史語言研究所副研究員)

從江湖到廟堂:明清之際臨清保標考

簡錦松(中山大學中文系特聘教授兼韓國研究中心主任)

現地研究下由明代大運河行程看屠隆夜行的經驗意義

16:50-17:00 休息 Break

17:00-18:30

第五場Session 1.5

Making Things Visible: Networks of Material Culture in the Canton Trade

主持人 Chair

發表人 Presenter

題目 Title

評論人 Discussant

陳國棟(中央研究院歷史語言研究所研究員)

施靜菲(臺灣大學藝術史研究所副教授兼所長)

The Channel for New Crafts: Bright Colours of Canton Enamelware

陳國棟(中央研究院歷史語言研究所研究員)

唐 慧 (Ph.D. Candidate, The Global History and Culture Center, University of Warwick)

‘The Finest of Earth’: Enamelled Porcelain Trade at Canton 1729-1742

Roslyn Lee Hammers (Associate Professor, Department of Fine Arts, The University of Hong Kong)

Trading Places: Images of Chinese Farmers Working Overseas

Yeewan Koon (Associate Professor, Department of Fine Arts, The University of Hong Kong)

Marketing Memories: Nostalgia in 19th Century Export Painting

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2015.12.11 (週五 Friday)

時間 Time 議程 Agenda

9:00-10:30 第六場

Session 1.6

明清江南的政治變動與社會發展

主持人 Chair

發表人 Presenter

題目 Title

評論人 Discussant

馮賢亮(復旦大學歷史學系教授)

張海英(復旦大學 歷 史 學 系 教授)

明清政府對雙林鎮的管理 張海英(復旦大學歷史學系教授)、馮賢亮(復旦大學歷史學系教授)、黃敬斌(復旦大學歷史學系副教授)、王志明(上海財經大學人文學院歷史學教授)

馮賢亮(復旦大學 歷 史 學 系 教授)

明末清初江南的政治與社會——以《武塘野史》的記述為中心

黃敬斌(復旦大學歷史學系副教授)

郡邑之盛:明清松江的城市形態與經濟職能

楊 茜(復旦大學歷史學系博士生)

聚落與家族:明代紫隄村的權勢演替與地域形塑

10:30-10:50 茶敘 Tea Break

10:50-12:20 第七場

Session 1.7

明清時期的山西區域社會

主持人 Chair

發表人 Presenter

題目 Title

評論人 Discussant

邱仲麟(中央研究院歷史語言研究所研究員)

胡英澤(山西大學中國社會史研究中心教授兼副主任)

宗藩與宗教:明代山西宗藩的宗教活動與地方社會

胡英澤(山西大學中國社會史研究中心教授兼副主任)、張俊峰(山西大學中國社會史研究中心教授)、周 亞(山西大學歷史文化學院副教授)、李 嘎(山西大學中國社會史研究中心副教授)

張俊峰(山西大學中國社會史研究中心教授)

明清山西水利社會中的「大姓望族」

周 亞(山西大學歷史文化學院副教授)

誰主沉浮:明清以來汾河流域的水利秩序

李 嘎(山西大學中國社會史研究中心副教授)

水域空間與城市生活:明清民國時期山陝黃土高原城市中的公共水域

12:20-13:20 午餐 Lunch Break

13:20-14:50第八場

Session 1.8

醫療與社會

主持人 Chair

發表人 Presenter

題目 Title

評論人 Discussant

張哲嘉(中央研究院近代史研究所副研究員)

陳秀芬(政治大學歷史學系副教授)

徐渭的狂與病:一個理解晚明社會的新取徑

馮玉榮(華中師範大學歷史文化學院副教授)

上醫醫國:一位晚明醫家日常生活中的醫療與政治

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時間 Time 議程 Agenda

蔣竹山(東華大學歷史學系副教授)

藥物、商業與文化相遇:明清時期《燕行錄》中的中朝醫事交流

林宜蓉(臺灣師範大學國文系專任副教授)

妖異、魑魅與鼠孽──明清易代攸關家國之疾病隱語與身分認同

張雪洋(北京外國語大學中國海外漢學研究中心碩士研究生)

明清之際的歐洲中醫研究

14:50-15:10 茶敘 Tea Break

15:10-16:40第九場

Session 1.9

文化與建構

主持人 Chair

發表人 Presenter

題目 Title

評論人 Discussant

黃克武(中央研究院近代史研究所特聘研究員)

陳 瑤(廈門大學歷史系助理教授)

船差與宗族——明清以來湖南漣水陳氏宗族的建構

Canton, Jose A. (Ph.D. Student, University of Granada, Spain)

Opium Poppy And Opium in the Global Spread of Pharmacological Knowledge in Early Modern China: The Case of Ming Dynasty (1368-1644).

五味知子(日本學術振興會特別研究員)

清代審判史料當中的鞋子:性別和規範

羅曉翔(南京大學歷史學院副教授)

歷史、文本與記憶之建構:以無錫顯應橋事件為中心

唐欣玉(重慶郵電大學外語學院講師)

「普救主」、「國民母」與「女國民」:南丁格爾(Florence Nightingale)在晚清的形象再造

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第 二 會 議 室

2015.12.10 (週四 Thursday)

時間 Time 議程 Agenda

9:15-10:45 第一場

Session 2.1

近世漢文/圖像的東亞流轉

主持人 Chair

發表人 Presenter

題目 Title

評論人 Discussant

廖肇亨(中央研究院中國文哲研究所研究員)

金文京(日本鶴見大學文學部教授)

十八世紀朝鮮燕行使、通信使與中日文人之交流

廖肇亨(中央研究院中國文哲研究所研究員)

沈慶昊(韓國高麗大學漢文學科敎授)

朝鮮後期對明清文學與學術思想的選擇性接受

毛文芳(中正大學中國文學系教授兼系主任)

畫像禮物:盛清及朝鮮文人交遊墨緣一隅

郭 劼(美國南卡羅萊那大學語言文學文化系比較文學副教授)

明清及江戶時代艷情作品之繼承與回傳:以《春夢瑣言》為例

10:45-11:00 茶敘 Tea Break

11:00-12:30 第二場

Session 2.2

戰亂時期的典範再創造

主持人 Chair

發表人 Presenter

題目 Title

評論人 Discussant

曹淑娟(臺灣大學中國文學系教授)

王學玲(暨南國際大學中國語文學系副教授)

從以杜甫詩入帖論仕清後之王鐸及其書寫

王學玲(暨南國際大學中國語文學系副教授)、許暉林(臺灣大學中國文學系助理教授)、李 瑄(四川大學中國俗文化研究所副教授)、Corey Lee Bell (Ph.D. Candidate, University of Melbourne, Australia)

許暉林(臺灣大學中國文學系助理教授)

難以歸類的遺民:明遺民董說再探

李 瑄(四川大學中國俗文化研究所副教授)

袁宏道著作的刊刻流傳與其文壇影響力的擴張

Corey Lee Bell (Ph.D. Candidate, Faculty of Arts, University of Melbourne, Australia)

初探清初遺民僧團詩論對朱熹「動靜互涵」觀念的容納與轉化

12:30-13:30 午餐 Lunch Break

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13:30-15:00第三場

Session 2.3

複製:明清視覺文化中的媒材、風格與視覺性

主持人 Chair

發表人 Presenter

題目 Title

評論人 Discussant

林麗江(臺灣師範大學藝術史研究所專任教授兼所長)

賴毓芝(中央研究院近代史研究所副研究員)

與元本不爽錙銖:點石齋之書畫複製事業

馬孟晶(清華大學通識中心與歷史研究所合聘副教授)、梅韻秋(清華大學通識教育中心助理教授)

盧慧紋(臺灣大學藝術史研究所副教授)

Ancient Monuments Re-envisioned: Antiquarian Aesthetics and Transmedia Narratives in Nineteenth-Century China

王靜靈 (Curator of Ancient Chinese Art, Museum für Asiatische Kunst, Staatliche Museen zu Berlin)

Dutch Images in a Chinese Woodcut: An 18th Century Chinese Suzhou Print and Its Personal, Domestic and Global Context

王廉明(德國海德堡大學東亞藝術史學研究所中國美術史教席助理教授)

Painted or Printed? Crossing Pictorial Boundaries in the Narratives of Ming-Qing Export Porcelain

15:00-15:20 茶敘 Tea Break

15:20-16:50第四場

Session 2.4

Submitting to the Throne: Writing for the Imperial Gaze in the Kangxi and Qianlong Reigns

主持人 Chair

發表人 Presenter

題目 Title

評論人 Discussant

劉瓊云(中央研究院中國文哲研究所助研究員)

Ariel Fox (Assistant Professor, Department of East Asian Languages and Civilizations, University of Chicago)

Plays of Heavenly Peace: Negotiating the Immortal and the Imperial in a Palace Edition of Taiping Qian

劉瓊云(中央研究院中國文哲研究所助研究員)

曹官力(清華大學中國文學系博士候選人)

《長生殿》的清宮重現:論洪昇的創作意識與民間伶官的進呈改寫

Einor Keinan-Segev (Ph.D. Candidate, Department of East Asian Languages and Civilisations, Harvard University)

Fit for an Emperor? Qianlong and the Paradox of Waterborne Spectacle

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張淨秋(首都醫科大學講師)

清代宮廷演劇文本類型芻議

16:50-17:00 休息 Break

17:00-18:30 第五場

Session 2.5

文藝傳播

主持人 Chair

發表人 Presenter

題目 Title

評論人 Discussant

胡曉真(中央研究院中國文哲研究所研究員兼所長)

李嘯非(北京印刷學院設計藝術學院講師)

書中的「主人像」:環翠堂與十六世紀書籍中的圖像消費

潘汝端(臺北藝術大學傳統音樂學系專任副教授)

大小牌:一類流傳在臺灣與日本傳統音樂中的明清歌樂遺響

徐 芃 (Assistant Professor, Department of Modern Languages and Cultures, Virginia Military Institute)

Finding the “Singing Hermit”: A Case Study of Commercial Drama Publishing in Early Seventeenth-Century China

蕭麗玲 (Associate Professor, Department of Asian Studies, The University of North Carolina of Chapel Hill)

Picturing Music: Min Qiji’s Illustration of “Yingying Listens to Zither” for Xixiang Ji

羅莞翎(日本東北大學文學研究科歷史學科比較文化史學研究室博士生)

江戶時期明清艶情小説之傳入及其閱讀性質——以《如意君傳》和刻本、通俗本、考證本為例

2015.12.11 (週五 Friday)

時間 Time 議程 Agenda

9:00-10:30 第六場

Session 2.6

書籍環流與知識互動——近代中日士人的西學閱讀

主持人 Chair

發表人 Presenter

題目 Title

評論人 Discussant

潘光哲(中央研究院近代史研究所研究

韓承樺(臺灣大學歷史學系博士候選人)

詞彙、概念的相遇和互釋:晚清時際的「群學」和「社會學」

韓承樺(臺灣大學歷史學系博士候選人)、

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時間 Time 議程 Agenda

員) 陳建守(臺灣大學歷史學系博士候選人)

從「啟蒙」到「啟蒙運動」:近代中國“Enlightenment”的概念史

陳建守(臺灣大學歷史學系博士候選人)、宋 雪(北京大學中國語言文學系博士生)、葉楊曦(香港中文大學中國語言及文學系哲學博士候選人)

宋 雪(北京大學中國語言文學系博士生)

西學閱讀與清學復古——清末民初「文藝復興」比附下的學術互動

葉楊曦(香港中文大學中國語言及文學系哲學博士候選人)

書籍環流與知識轉型——以岡千仞漢譯西史為中心

10:30-10:50 茶敘 Tea Break

10:50-12:20 第七場

Session 2.7

明淸文學與朝鮮文學的交涉樣相

主持人 Chair

發表人 Presenter

題目 Title

評論人 Discussant

金文京(日本鶴見大學文學部教授)

鄭雨峰(韓國高麗大學國文學科敎授)

19 世紀朝鮮文人對《呻吟語》的受容及其意義

金文京(日本鶴見大學文學部教授)、曾天富(政治大學韓國語文學系教授)

曾天富(政治大學韓國語文學系教授)

明清擬話本小說與韓國開化期新聞連載小說的關係研究

朴英敏(韓國高麗大學民族文化硏 究 院 硏 究 敎授)

朝鮮後期才女的寫作活動與明清文人的影響

朴京男(韓國高麗大學民族文化硏究院 HK 敎授)

16-17 世紀明朝和朝鮮文人王世貞與金昌協的《史記》理解

12:20-13:20 午餐 Lunch Break

13:20-14:50第八場

Session 2.8

翻譯、重寫、想像:晚清文學的文化交流和融匯

主持人 Chair

發表人 Presenter

題目 Title

評論人 Discussant

童元方(東海大學講座教授暨文學院院長)

汪詩珮(臺灣大學中國文學系副教授)

擇選眼光、翻譯視角、域外想像:從晚清漢學家的中國戲劇書單說起

童元方(東海大學講座教授暨文學院院長)

余文章(香港大學中文學院副教授)

從《霍小玉傳》到《黃衫客傳奇》:論陳季同的中國文化性別觀

潘少瑜(臺灣大學中國文學系助理教授)

晚清時期的西洋情書翻譯及其影響:以〈古情書〉和通俗言情小說為例

張雅媚(臺灣師範大學翻譯研究所博士生)

索隱有道──十九世紀《神仙通鑑》的中西閱讀史

14:50-15:10 茶敘 Tea Break

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15:10-16:40第九場

Session 2.9

圖像與詩文

主持人 Chair

發表人 Presenter

題目 Title

評論人 Discussant

王正華(中央研究院近代史研究所副研究員)

黃莘瑜(佛光大學中國文學與應用學系副教授)

化機:草木類譜錄中的蟲魚鳥獸

杜 娟(中央美術學院人文學院美術史系副教授)

從明代書畫題跋與著錄看上層士大夫階層的書畫鑒藏活動——以王世貞、嚴嵩為例

王建國(臺南大學國語文學系副教授)

清初臺灣堂構園林書寫之時代語境──兼論臺灣八景詩的濫觴

張寅彭(上海大學文學院中文系教授)

《隨園詩話》「古英雄初無大志」說與乾嘉時期士的詩生活

王鵬惠(中央研究院中國文哲研究所博士後研究人員)

眾聲喧「畫」:《欽定書經圖說》的苗蠻圖繪

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遠 距 會 議 室

2015.12.10 (週四 Thursday)

時間 Time 議程 Agenda

9:15-10:45 第一場

Session 3.1

勝國議論與追憶

主持人 Chair

發表人 Presenter

題目 Title

評論人 Discussant

鍾彩鈞(中央研究院中國文哲研究所研究員)

洪麗珠(科技部人文社會科學研究中心博士後研究員)

明人對勝國人物的議論與追憶

鍾彩鈞(中央研究 院 中 國 文 哲研究所研究員)

林勝彩(中央研究院歷史語言研究 所 博 士 後 人員)

清初浙西遺民理學的流衍──以「楊園學派」為中心

徐維里(美國加州大學洛杉磯分校亞洲語文與文化系博士生)

元明易代名僧的士人化與政治化

楊正顯(海洋大學海洋中心助理研究員)

「明亡之因」的追論與議定

10:45-11:00 茶敘 Tea Break

11:00-12:30 第二場

Session 3.2

經學和西學之碰撞與對話

主持人 Chair

發表人 Presenter

題目 Title

評論人 Discussant

林月惠(中央研究院中國文哲研究所研究員)

潘鳳娟(臺灣師範大學東亞學系副教授)

翻譯「聖人」:馬若瑟與韓國英的比較經學 林月惠(中央

研究院中國文哲研究所研究員)、潘鳳娟(臺灣師範大學東亞學系副教授)、徐光台(清華大學通教育中心暨歷史研究所教授)

魏綵瑩(中央研究院中國文哲研究所博士後研究人員)

當經學碰上西學:廖平的災異觀與近代今文學史上的意義

曹 琦(彰化師範大學國文學系博士候選人)

丁韙良《天道溯原》引儒經探析

徐光台(清華大學通教育中心暨歷 史 研 究 所 教授)

十七世紀傳統自然知識辨偽者熊明遇 (1579-1649)

12:30-13:30 午餐 Lunch Break

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13:30-15:00第三場

Session 3.3

晚明清初理學與史學的對話

主持人 Chair

發表人 Presenter

題目 Title

評論人 Discussant

李紀祥(佛光大學歷史學系教授)

陳 暢(同濟大學人文學院哲學系副教授)

在性理學與經史學之間——論劉宗周「物即是知,非知之所照」格物思想及黃宗羲之闡發

李紀祥(佛光大學歷史學系教授)、陳 暢(同濟大學人文學院哲學系副教授)、朱浩毅(佛光大學歷史學系助理教授)

許佩玉(宜蘭大學國文組兼任助理教授)

王門心學視閾的外延與傳承──由泰州學派道經觀談起

黃聖修(中央研究院近代史研究所博士後研究人員)

國史之傳:中晚明官私修史中的「儒林」纂述

傅范維(臺灣師範大學歷史學系博士生)

《明史》折射出的「東林」圖像

15:00-15:20 茶敘 Tea Break

15:20-16:50第四場

Session 3.4

明清佛教的多元開展

主持人 Chair

發表人 Presenter

題目 Title

評論人 Discussant

陳玉女(成功大學歷史學系教授)

柳幹康(日本學術振興會海外特別研究員)

永明延壽形象的變遷 柳幹康(日本學術振興會海外特別研究員)、吳孟謙(中山大學中國文學系助理教授)、簡凱廷(清華大學中國文學系博士生)

吳孟謙(中山大學中國文學系助理教授)

明代伏牛山鍊磨法門考論

簡凱廷(清華大學中國文學系博士生)

月川鎮澄及其《攝大乘論修 釋》研究

楊 煦(香港中文大學建築學院 博士候選人)

十六至十八世紀藏傳佛寺之「都綱法式」在華北與蒙古的本地化再造

16:50-17:00 休息 Break

17:00-18:30 第五場

Session 3.5

理學與教化

主持人 Chair

發表人 Presenter

題目 Title

評論人 Discussant

黃進興(中央研究院歷史語言研究所特聘研究員兼所長)

陳時龍(中國社會科學院歷史研究所副研究員)

聖諭的演繹——明清士大夫對太祖六諭的詮釋

吳銘輝(臺灣大學中國文學系博士生)

驗幽覈明——論王廷相的鬼神觀

王 健(上海社會科學院歷史研究所副研究員)

毀欲何為?——明代嘉靖朝毀淫祠問題研究

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楊自平(中央大學中文系教授兼文學院儒學研究中心主任)

黃宗羲《易學象數論》新探

李慶龍(韓國霞穀學硏究院院長)

韓國鄭齊鬥 (1649-1736) 的心學思想與陽明學辯護

2015.12.11 (週五 Friday)

時間 Time 議程 Agenda

9:00-10:30 第六場

Session 3.6

「文本」與重塑:政治文化與明清史的歷史

主持人 Chair

發表人 Presenter

題目 Title

評論人 Discussant

林志宏(中央研究院近代史研究所助研究員)

郭嘉輝(香港理工大學人文學院項目員)

再論太祖——《大明太祖皇帝御製集》中的「敕」、「序」考析

林志宏(中央研究院近代史研究所助研究員)

戰蓓蓓(倫敦亞非學院漢學博士候選人)

禮典與政事——《皇明典禮》之性質及其所內涵的建文朝皇家構造理念

莊興亮(香港理工大學中國文化學 系 博 士 候 選人)

論《皇明通紀》中的明代宗藩「篡統」問題

區志堅(香港樹仁大學歷史系助理教授)

民族語境下「再生產」的知識:抗戰時期中國學者整理明清史料的意蘊

10:30-10:50 茶敘 Tea Break

10:50-12:20 第七場

Session 3.7

經解的變異:明清思想詮釋的新視角書寫

主持人 Chair

發表人 Presenter

題目 Title

評論人 Discussant

楊儒賓(清華大學中國文學系教授)

楊儒賓(清華大學中國文學系教授)

王船山論「形而上」

楊儒賓(清華大學中國文學系教授)、林啟屏(政治大學中國文學系教授)

魏月萍(新加坡南洋理工大學中文系助理教授)

悟道之機:晚明儒者「屢空」、「屢中」的詮釋特色

林啟屏(政治大學中國文學系教授)

「夫子自道?」:以明清解者對於「吾十有五而志於學」章的討論為中心

呂妙芬(中央研究院近代史研究所 研 究 員 兼 所長)

聖人處兄弟之變:明清儒者對《孟子》舜象故事的討論

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時間 Time 議程 Agenda

12:20-13:20 午餐 Lunch Break

13:20-14:50第八場

Session 3.8

宗教文化

主持人 Chair

發表人 Presenter

題目 Title

評論人 Discussant

謝國興(中央研究院臺灣史研究所研究員兼所長)

談生廣(浙江大學文化遺產研究院研究員)

從《蓬萊仙弈圖》看明代中後期江南文人的道教信仰和對於道教傳說的圖像建構

王坤利(新加坡國立大學中文系博士生)

明清時期漳州地區的「三公」信仰與地方社會文化

蔡濬廷(中央大學中國文學系博士生)

不信與不迷:舊題郭璞《葬書》在明末清初至清中葉的反響

高振宏(政治大學中國文學系助理教授級專案教學人員)

太乙月孛法研究──從道教經典到通俗文學

孔 勇(中國人民大學清史研究所博士生)

清代皇帝祭孔與衍聖公陪祀之制研究

14:50-15:10 茶敘 Tea Break

15:10-16:40第九場

Session 3.9

知識與交流

主持人 Chair

發表人 Presenter

題目 Title

評論人 Discussant

祝平一(中央研究院歷史語言研究所研究員)

郭 亮(上海大學美術學院史論系副教授)

風景與透視:耶穌會製圖圖示對晚明時期國家景觀之影響

白莉民 (Senior Lecturer, School of Languages and Cultures, Victoria University of Wellington, New Zealand)

清初文人的生存環境、機遇與命運──以梅文鼎 (1633-1721) 和金埴 (1663-1740) 為中心的考察

張 瓊 (Associate Professor, Department of History, Wake Forest University)

Catching the Phantoms in the Sky: New Discourses on Qi and Wangqi in the Fang School

伍 國 (Associate Professor, Department of History, Allegheny College)

The Rise of Han Learning and Confucian Intellectualism in Late Qing Guizhou

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時間 Time 議程 Agenda

新居洋子(日本東京大學大學院人文社會系研究科研究員)

十八世紀入華耶穌會士所撰寫的中國古代史:其思想特徵及意義

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臺 史 所 802 會 議 室

2015.12.10 (週四 Thursday)

時間 Time 議程 Agenda

9:15-10:45 第一場

Session 4.1

明清社會文化和行政機制對法律運作的影響

主持人 Chair

發表人 Presenter

題目 Title

評論人 Discussant

邱澎生(香港中文大學歷史系教授)

尤陳俊(中國人民大學法學院副教授)

明清基層官僚體制運作的變化趨勢與「健訟之風」的內在關聯

邱澎生(香港中文 大 學 歷 史 系教授)

陳惠馨(政治大學法學院專任教授)

從《刑案匯覽》看清朝官吏制度的運作

Thomas Buoye (Associate Professor and Department Chair, Department of History, University of Tulsa)

Elite Ideals and Ethnic Sovereignty: The Ideological Predicament of Qing Criminal Justice 菁英理想與滿族威權:清代刑事法的意識形態困境

潘敏德 (Associate Professor, Department of History, Oswego State University of New York)

天理抑或情理:論「理」在清代刑事審判中所起的作用

10:45-11:00 茶敘 Tea Break

11:00-12:30 第二場

Session 4.2

明清時期海外華人社會

主持人 Chair

發表人 Presenter

題目 Title

評論人 Discussant

康培德(東華大學臺灣文化學系教授兼主任)

康培德(東華大學臺灣文化學系教授兼主任)

十八、十九世紀巴達維亞華人對殖民地行政體系的文化認知賦予與重塑:以《公案簿》中的外來語為例

康培德(東華大學臺灣文化學系教授兼主任)、查 忻(臺北大學歷史學系專任助理教授)、李毓中(清華大學歷史研究所助理教授)

查 忻(臺北大學歷史學系專任助理教授)

十七至十八世紀之巴達維亞華人美色甘──以《荷印告令集》為中心的考察

沈玉慧(中央研究院人文社會科學研究中心博士後研究人員)

清代往來於中日兩國間的久米村人

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時間 Time 議程 Agenda

李毓中(清華大學歷史研究所助理教授)

為虎作倀:以 1644 年菲律賓卸任總督「留審」案中的華人控訴為例

12:30-13:30 午餐 Lunch Break

13:30-15:00第三場

Session 4.3

法制與社會的互動關係:從明清律例修訂出發的觀察

主持人 Chair

發表人 Presenter

題目 Title

評論人 Discussant

鄭振滿(廈門大學民間歷史文獻研究中心主任)

吳靜芳(東海大學歷史系助理教授)

當醫療進入法律:清律「原毆傷輕,因風身死」例的成立與變化

邱澎生(香港中文大學歷史系教授)

李仁淵(中央研究院歷史語言研究所助研究員)

從成化年間走私相關律例的變化看明代中葉的沿海秩序與官方回應

曾美芳(長庚大學通識教育中心專案助理教授)

監守盜與枉法贓:明清倉庫管理與地方社會

李朝凱(暨南國際大學歷史學系博士候選人)

禁海與封山:律例形塑下的清代台灣法律空間

15:00-15:20 茶敘 Tea Break

15:20-16:50第四場

Session 4.4

明清西南地區的治理與控制

主持人 Chair

發表人 Presenter

題目 Title

評論人 Discussant

連瑞枝(交通大學人文社會學系暨族群與文化研究所副教授)

張 寧 (Associate Professor, Department of East Asian Studies, University of Geneva)

清代苗疆控制中的苗例研究:以整飭跨省人口交易為例

連瑞枝(交通大學人文社會學系暨族群與文化研究所副教授)、汪前進(中國科學院自然科學史研究所二級研究員)

汪前進(中國科學院自然科學史研究所二級研究員)

《殿粵要纂》:明代萬曆年間廣西兵力佈局與民族分佈圖

毛傳慧(清華大學歷史研究所副教授)

清代蠶桑政策在西南地區的推廣

姜照中(國立清華大學歷史研究所博士班研究生)

雲土固邊:晚清雲南鴉片產銷研究

16:50-17:00 休息 Break

17:00-18:30 第五場

Session 4.5

身分與次序

主持人 Chair

發表人 Presenter

題目 Title

評論人 Discussant

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時間 Time 議程 Agenda

劉錚雲(中央研究院歷史語言研究所研究員)

任建敏(香港中文大學歷史系博士候選人)

移居、守隘與招墾——明清廣西桂林族群的立籍敘事

吳佩林(西華師範大學歷史文化學院特聘教授)

有序與無序之間:清代州縣衙門的分房與串房

孔令偉(哥倫比亞大學歷史與東亞語文聯合項目博士生)

國法與教法之間:清朝前期對蒙古僧人的禁限及懲處 ──以《理藩院滿蒙文題本》中蒙古僧人坐罪案例為核心

蔡名哲(中正大學歷史學系博士生)

盛京內務府檔案中的旗人身分

陳玉美(崑山科技大學通識教育中心講師)

番割在邊區社會的角色與法律處置:以乾、嘉、道年間發生的案例為分析

2015.12.11 (週五 Friday)

時間 Time 議程 Agenda

9:00-10:30 第六場

Session 4.6

區域社會史視角下的鹽與地方社會

主持人 Chair

發表人 Presenter

題目 Title

評論人 Discussant

黃國信(廣州中山大學歷史系教授兼系副主任)

葉錦花(蘭州大學經濟學院副教授)

制度變革與百姓「套利」——明中後期福建泉州鹽場地區一族多籍多役現象研究

黃國信(廣州中山大學歷史系教授兼系副主任)

李曉龍(中國社會科學院近代史研究所助理研究員)

清代鹽場家族的賦役分配與運作實態——以廣東靖康場鳳岡陳氏為例

徐靖捷(廣東財經大學人文與傳播學院社會學系講師)

清代兩淮鹽場的蕩地管理——以鹽場和州縣為中心

黃凱凱(廣東中山大學歷史系博士生)

清代四川鹽稅與地方行政——專商引岸制度下「鹽課歸丁」問題研究

10:30-10:50 茶敘 Tea Break

10:50-12:20 第七場

Session 4.7

清代財經史

主持人 Chair

發表人 Presenter

題目 Title

評論人 Discussant

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時間 Time 議程 Agenda

李今芸(暨南國際大學歷史系副教授兼主任)

烏仁其其格(內蒙古財經大學科研處副處長)

清代四柱清冊檔案中的蒙旗經濟與管理

李今芸(暨南國際大學歷史系副教授兼主任)、烏仁其其格(內蒙古財經大學科研處副處長)、寶音朝克圖(中國人民大學清史研究所副教授)、賴惠敏(中央研究院近代史研究所研究員)

寶音朝克圖(中國人民大學清史研究所副教授)

晚清喀爾喀四部屯牧賦役研究

張繼瑩(中央研究院歷史語言研究所博士後研究人員)

偏重之累:乾隆朝對耗羨歸公的再改革

王振忠(復旦大學中國歷史地理研究所教授)

清代祁門「安茶」之運銷及相關問題研究

12:20-13:20 午餐 Lunch Break

13:20-14:50第八場

Session 4.8

帝國內與外

主持人 Chair

發表人 Presenter

題目 Title

評論人 Discussant

許文堂(中央研究院近代史研究所副研究員)

阮友心(前越南史學院圖書館館長)

越南從十五世紀至十九世紀國史編撰情況

武維綿(越南史學院越南中古代史研究室主任)

關於十九世紀末二十世紀初越南北部村社組織管理中的鄉約

張 建(中國社會科學院近代史研究所助理研究員)

內監梁九功與康雍之際的儲位鬥爭

馬德斌(倫敦政治經濟學院副教授)、袁為鵬(中國社會科學院經濟研究所中國近代經濟史研究室研究員)

The Use of Copper and Silver in Northern China on the Eve of the Opium War: Evidences from Tong Taisheng Account Books (1800-1850)

魏文享(華中師範大學中國近代史研究所教授)

晚清江南製造局的財務奏銷與管理

14:50-15:10 茶敘 Tea Break

15:10-16:40第九場

Session 4.9

交通與衝突

主持人 Chair

發表人 Presenter

題目 Title

評論人 Discussant

詹素娟(中央研究院臺灣史研究所副研究

劉詩古(上海交通大學歷史學系博士生)

明代鄱陽湖區的漁課制度及其演變——以《嘉靖二十一年都昌縣漁米課冊》為中心

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時間 Time 議程 Agenda

員) 陳賢波(廣東省社會科學院歷史研究所副研究員兼副所長)

《三省備邊圖記》所見隆慶年間閩廣的海寇經略

周 琳(四川大學歷史文化學院講師)

暴力與城市商業秩序──清代乾嘉道時期《巴縣檔案》中的重慶腳夫幫

周 健(華東師範大學歷史系講師)

庫儲與漕務:道咸之際江蘇的漕糧海運

李 洋(北京大學歷史學系博士生)

再論 1874 年的日本出兵臺灣事件──基於海軍史的考察

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 北山汲古:碑帖銘刻拓本

The Bei Shan Tang Legacy:Rubbings of Stone Engraving and Model Calligraphy  

展品清單   List  of  Exhibits    

   

預展期  Soft  Opening  

25/9-­‐7/10/2015  

第一期  First  Rotation  

17/10-­‐29/11/2015  

第二期  Second  Rotation  

7/12/2015-­‐31/1/2016  

  北山十寶 Ten  Treasures  of  Bei  Shan  Tang  

1 東漢 西嶽華山廟碑(馬氏小玲瓏山館本/順德本) The  Stele  of  Huashan  Temple       *    

2  東漢 夏承碑(華氏真賞齋本)

The  Stele  for  Xia  Cheng       *  

3  唐 歐陽詢九成宮醴泉銘(汪氏孝經堂本)

Inscription  on  the  Sweet  Spring  in  the  Jiucheng  Palace     *  

4  

唐   懷仁集王羲之聖教序(孔氏嶽雪樓本)  

Stele  of  the  Preface  to  the  Sacred  Teaching  (composed  by  the  

Buddhist  Monk  Huairen)  

  *    

5  唐   李邕   雲麾將軍李思訓碑(吳榮光舊藏本)  Stele  for  Li  Sixun       *  

6  唐 顏真卿 大字麻姑仙壇記 (何紹基舊藏本)

Record  of  the  Altar  of  the  Goddess  Magu     *    

7  宋刻東晉王羲之十七帖(孔氏嶽雪樓本)  On  the  Seventeenth  Day  (Shiqi  tie)   *    

8  宋刻淳化閣帖泉州本卷六至八集王書(陸恭舊藏本)

Model  Calligraphies  from  the  Chunhua  Era  (Chunhua  ge  tie)    Quanzhou  version

    *  

9  宋刻汝帖(吳榮光舊藏本)  Model  Calligraphies  Engraved  in  Ruzhou  (Ru  tie)       *  

10  宋刻米芾英光堂帖(徐渭仁舊藏本)

Model  Calligraphies  of  Yingguang  Hall  (Yingguangtang  tie)   *    

  游相蘭亭 The  Lanting  Preface  from  the  Grand  Councillor  You  Collection

1  

甲之二 御府領字從山本蘭亭序  

Lanting  Preface,  Imperial  Court  version  with  the  ling  character  

topped  by  a  shan  radical  (Yufu  lingzicongshan  ben)  (No.  2)

   

*    

2  

甲之四 中山王氏家藏本蘭亭序  

Lanting  Preface,  version  collected  by  the  Wang’s  family  of  

Zhongshan  (No.  4)

     

*  

3  甲之五   御府本蘭亭序  

Lanting  Preface,  Imperial  Court  version  (Yufu  ben)  (No.  5)   *    

4  甲之八   括蒼劉涇本蘭亭序    

Lanting  Preface,  The  Kuocang  Liu  Jing  version  (No.  8)     *    

5  乙之一 雙鉤部分字本蘭亭序  

Lanting  Preface,  Partial  double-­‐outlined  tracing  version  (No.  11)       *  

6  乙之五 錢塘許氏本蘭亭序  

Lanting  Preface,  Qiantang  Xu’s  version  (No.  15)       *  

7  丙之八   會稽本蘭亭序  Lanting  Preface,  Huiji  version  (No.  38)   *    

8  庚之三 莫知所出本蘭亭序  

Lanting  Preface,  unknown  origin  version  (No.  73)     *  

9  

□之四 湯舍人本蘭亭序  

Lanting  Preface,  version  engraved  by  Tang  Hong’s  Family  (No.  44  

or  84)

  *    

10  臨川本蘭亭序  Lanting  Preface,  Linchuan  version     *  

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  豐碑古韻 Stelae  and  Mountainside  Inscriptions  

1  東漢 祀三公山碑

Stele  Inscription  Commemorating  Sacrifices  at  Sangong  Shan     *  

2  東漢 石門頌 Eulogy  of  Shimen

*   *    

3  東漢 孔宙碑 Stele  for  Kong  Zhou *   *    

4  東漢 張遷碑 Stele  for  Zhang  Qian       *  

5  東漢 甘陵相碑殘石 Stele  for  the  Minister  of  Ganling  (Fragmentary)     *  

6  南朝宋 爨龍顏碑 Stele  for  Cuan  Longyan *   *    

7  北魏 鄭道昭 雲峰山題字 Mountainside  Inscriptions  from  Yunfeng  Shan     *  

8  南朝梁 瘞鶴銘 Eulogy  on  Burying  a  Crane     *  

9  東魏 天平三年(五三六)銘文造像碑殘石 Buddhist  Votive  Tablet  (Fragmentary)     *    

10  北齊 臨淮王像碑 Buddhist  Votive  Stele  by  the  Prince  of  Linhuai

*   *    

11  唐 歐陽詢 皇甫誕碑 Stele     for  Huangfu  Dan *   *    

12  唐 褚遂良 雁塔聖教序 Stele  of  the  Preface  to  the  Sacred  Teaching     *  

13  武周 薛曜 夏日遊石淙詩 Poems  on  the  Summer  Excursion  in  Shicong *   *    

14  唐 顏真卿 多寶塔碑 Stele  for  the  Prabhūtaratna  Buddha  Stupa       *  

15  唐 顏真卿 郭氏家廟碑碑陰 Stele  for  the  Guo’s  Clan  Temple  (Verso)

*   *    

16  高麗 蔡忠順 大慈恩玄化寺碑陰 Stele  for  the  Daci’en  Xuanhua  Monastery  (Verso)     *  

  法帖流風 Model  Calligraphies  

1  孫過庭 書譜

Manual  on  Calligraphy  (Shupu) *   *    

2  顏真卿 爭座位帖

Letter  on  the  Controversy  over  Seating  Protocol       *  

3  潁上黃庭經

Huangting  Jing,  Yingshang  version *   *    

4  潁上蘭亭序

Lanting  Preface,  Yingshang  version *   *    

5  定武蘭亭翻刻本

Lanting  Preface,  Recut  of  Dingwu  version   *     *  

6  淳化閣帖(肅王重刻本)

Model  Calligraphies  from  the  Chunhua  Era  (Chunhua  Ge  tie)     *  

7  蘭亭圖(益定王重刻本)

Illustrated  Scroll  of  the  Lanting  Gathering *   *   *  

8  

孝女曹娥碑、小字麻姑仙壇記合冊

a.  Stele  for  the  Filial  Daughter  Cao  E  

b.  Record  of  the  Altar  of  the  Goddess  Magu

*     *  

9  

阮元 重刻石鼓文

Recut  of  the  Inscriptions  of  Stone  Drums  by  Ruan  Yuan  

(1764-­‐1849)

    *  

10  

葉夢龍 刻貞隱園法帖

Model  Calligraphies  of  Zingyin  Garden  engraved  by  Ye  Menglong  

(1775-­‐1833)  

*   *    

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  銘記平生 Tomb  Epitaphs  1   西晉 趙氾墓表 Tomb  Stele  of  Zhao  Fan *   *   *  2   北魏 元思墓誌     Tomb  Epitaph  of  Yuan  Si   *   *    3   北魏 楊無醜墓誌並蓋 Tomb  Epitaph  of  Yang  Wuchou     *  4   北魏 楊珍墓誌 Tomb  Epitaph  of  Yang  Zhen   *   *    5   北魏 劉阿素墓誌     Tomb  Epitaph  of  Liu  Asu       *  6   北魏 趙邕墓誌並蓋     Tomb  Epitaph  of  Zhao  Yong       *  7   隋 趙章墓誌並蓋     Tomb  Epitaph  of  Zhao  Zhang     *  8   唐 李徹墓誌     Tomb  Epitaph  of  Li  Che *   *    

9  唐 長孫仁暨妻陸氏墓誌 Tomb  Epitaph  of  Zhangsun  Ren  and  His  Wife  née  Lu  

*   *    

10   唐 張寶墓誌並蓋 Tomb  Epitaph  of  Zhang  Bao   *   *    11   唐 阿史那忠墓誌並蓋 Tomb  Epitaph  of  Ashina  Zhong   *   *  12   唐 梁師亮墓誌 Tomb  Epitaph  of  Liang  Shiliang       *    13   唐 崔文仲墓誌並蓋 Tomb  Epitaph  of  Cui  Wenzhong         *  14   唐 牛景墓誌並蓋 Tomb  Epitaph  of  Niu  Jing   *   *    15   唐 王洛客墓誌並蓋 Tomb  Epitaph  of  Wang  Luoke       *  16   唐 李翽墓誌並蓋 Tomb  Epitaph  of  Li  Hui   *   *    17   唐 范儉墓誌並蓋 Tomb  Epitaph  of  Fan  Jian       *  18   唐 李貞墓誌並蓋 Tomb  Epitaph  of  Li  Zhen   *   *    19   唐 靳恪墓誌並蓋 Tomb  Epitaph  of  Jin  Ke   *   *    20   唐 趙惠忠墓誌並蓋     Tomb  Epitaph  of  Zhao  Huizhong   *   *    21   唐 慕容讓墓誌並蓋 Tomb  Epitaph  of  Murong  Rang         *  22   唐 崔沇墓誌並蓋 Tomb  Epitaph  of  Cui  Yan   *   *    23   五代 潘景厚墓誌並蓋 Tomb  Epitaph  of  Pang  Jinghou     *    24   北宋 馮訥墓誌並蓋 Tomb  Epitaph  of  Feng  Na       *  

 

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Masterpieces of Chinese Painting from the Metropolitan Collection Rotation 1: 10/31/2015–4/17/2016 Rotation 2: 5/7/2016–10/11/2016 During the last forty years, the Metropolitan’s collection of Chinese painting and calligraphy has grown to be one of the greatest in the world. With masterpieces dating from the Tang dynasty (608–917) to the Qing (1644–1911), the collection encompasses the vast historical sweep of the brush arts of China, from meticulous court painting to fiercely brushed dragons to lyrical paintings by scholars. The exhibition is part of a yearlong celebration marking the centennial of the Department of Asian Art. This exhibition, presented in two rotations, will highlight the gems of the permanent collection in a chronological display, with an emphasis on works from the Song (960–1279) and Yuan (1271–1368) dynasties.

大都会馆藏中国书画精品特展 一期: 10/31/2015–4/17/2016 二期: 5/7/2016–10/11/2016

过去四十年中,大都会博物馆逐渐发展成世上最重要的中国书画收藏機構之一。馆藏囊括唐朝

(618–907) 到當今的历代笔墨精華,從祥和的佛经,到浮夸的宫廷肖像,再到遣興的文人画。展览

将馆藏珍品按時代陈列,对宋 (960–1279)、元 (1271–1368) 两朝尤有侧重。

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Rotation 1 一期: 10/31/2015–4/17/2016

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MASTERPIECES OF CHINESE PAINTING FROM THE METROPOLITAN COLLECTION, Rotation 1

(10/31/2015-4/17/2016)

唐 韓幹 照夜白圖 卷

Han Gan, Chinese, active ca. 742–756

Night-Shining White

China

Handscroll

ca. 750

Handscroll; ink on paper

1977.78

唐 傳鍾紹京 楷書靈飛經 冊

Zhong Shaojing, Chinese, active ca. 713–41

Spiritual Flight Sutra

China

Album

ca. 738

Album of nine leaves; ink on paper

1989.141.1a–i

南宋 佚名 明皇幸蜀圖 軸

Unidentified Artist

Emperor Xuanzong's Flight to Shu

China

Hanging scroll

mid-12th century

Hanging scroll; ink, color, and gold on silk

41.138

五代/北宋 佚名 乞巧圖 軸

Unidentified Artist

Palace Banquet

China

Hanging scroll

Hanging scroll; ink and color on silk

2010.473

北宋 佚名 倣范寬山水圖 軸

Unidentified Artist

Fan Kuan, Chinese, active ca. 990–1030

Landscape in the Style of Fan Kuan

China

Hanging scroll

early 12th century

Hanging scroll; ink and color on silk

56.151

1

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MASTERPIECES OF CHINESE PAINTING FROM THE METROPOLITAN COLLECTION, Rotation 1

(10/31/2015-4/17/2016)

北宋 黃庭堅 草書廉頗藺相如傳 卷

Huang Tingjian, Chinese, 1045–1105

Biographies of Lian Po and Lin Xiangru

China

Handscroll

ca. 1095

Handscroll; ink on paper

1989.363.4

北宋 李公麟 孝經圖 卷

Li Gonglin, Chinese, ca. 1041–1106

The Classic of Filial Piety

China

Handscrolls

ca. 1085

Three handscrolls: a) painting, ink on silk; b) colophons, ink on paper;

c) modern copy preserving seventeenth century silk restorations, ink on paper

and silk

1996.479a–c

北宋 佚名 睢陽五老, 畢世長像 冊頁

Unidentified Artist

Portrait of Bi Shichang, from the set Five Old Men of Suiyang

China

Album leaf

before 1056

Album leaf; ink and color on silk

17.170.1

南宋 高宗 草書天山陰雨七絕詩 團扇

Emperor Gaozong, Chinese, 1107–1187, r. 1127–1162

Quatrain on Heavenly Mountain

China

Fan mounted as an album leaf

after 1162

Round fan mounted as album leaf; ink on silk

1989.363.6

2

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MASTERPIECES OF CHINESE PAINTING FROM THE METROPOLITAN COLLECTION, Rotation 1

(10/31/2015-4/17/2016)

南宋 楊皇后 楷書瀹雪凝酥七絕 團扇

Empress Yang Meizi, Chinese, 1162–1232

Quatrain on Yellow Roses

China

Fan mounted as an album leaf

Fan mounted as an album leaf; ink on silk

1989.363.13

南宋 馬遠 月下賞梅圖 團扇冊頁 絹本

Ma Yuan, Chinese, active ca. 1190–1225

Viewing Plum Blossoms by Moonlight

China

Folding fan mounted as an album leaf

early 13th century

Fan mounted as an album leaf; ink and color on silk

1986.493.2

南宋 夏珪 山市晴嵐圖 冊頁

Xia Gui, Chinese, active ca. 1195–1230

Mountain Market, Clear with Rising Mist

China

Album leaf

early 13th century

Album leaf; ink on silk

13.100.102

南宋 理宗趙昀 行書北宋梅堯臣 依韻和資政侍郎雪後登看山亭詩

團扇

Emperor Lizong, Chinese, 1205–64, r. 1224–64

Quatrain on Snow-covered West Lake

China

Fan mounted as an album leaf

Fan mounted as an album leaf; ink on silk

1989.363.18

3

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MASTERPIECES OF CHINESE PAINTING FROM THE METROPOLITAN COLLECTION, Rotation 1

(10/31/2015-4/17/2016)

南宋 趙孟堅 水仙圖 卷

Zhao Mengjian, Chinese, 1199–before 1267

Narcissus

China

Handscroll

mid-13th century

Handscroll; ink on paper

1973.120.4

南宋 趙孟堅 行書梅竹詩譜 卷

Zhao Mengjian, Chinese, 1199–before 1267

Poems on Painting Plum Blossoms and Bamboo

China

Handscroll

dated 1260

Handscroll; ink on paper

1989.363.28

元 耶律楚材 行書贈別劉滿詩 卷

Yelü Chucai, Khitan, 1190–1244

Poem of Farewell to Liu Man

China

Handscroll

dated 1240

Handscroll; ink on paper

1989.363.17

北宋 傳黃宗道 舊傳李贊華 獵鹿圖 卷

Huang Zongdao, Chinese, active ca. 1120

Li Zanhua, Chinese, 899–936

Stag Hunt

China

Handscroll

Handscroll; ink and color on paper

1982.3.1

北宋 傳楊邦基 聘金圖 卷

Yang Bangji, Chinese, ca. 1110–1181

A Diplomatic Mission to the Jin

China

Handscroll

ca. late 1150s

Handscroll; ink and color on silk

1982.1.1

4

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MASTERPIECES OF CHINESE PAINTING FROM THE METROPOLITAN COLLECTION, Rotation 1

(10/31/2015-4/17/2016)

南宋 傳陳居中 胡騎春獵圖 團扇

Chen Juzhong, Chinese, active 1200–1230

Nomads Hunting with Falcons

China

Fan mounted as an album leaf

early 13th century

Fan mounted as an album leaf; ink and color on silk

47.18.32

元 佚名 蓮花圖 軸

Unidentified Artist

Lotus and Water Birds

China

Hanging scrolls

ca. 1300

Pair of hanging scrolls; ink and color on silk

1988.155a, b

南宋 佚名 阿彌陀如來圖 軸

Unidentified Artist

Buddha Amitabha Descending from His Pure Land

China

Hanging scroll

13th century

Hanging scroll; ink and color on silk

1980.275

元 李堯夫 蘆葉達摩圖 軸

Li Yaofu, Chinese, active ca. 1300

Bodhidharma Crossing the Yangzi River on a Reed

China

Hanging scroll

before 1317

Hanging scroll; ink on paper

1982.1.2

5

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MASTERPIECES OF CHINESE PAINTING FROM THE METROPOLITAN COLLECTION, Rotation 1

(10/31/2015-4/17/2016)

南宋 傳直翁 藥山李翱問道圖 軸

Zhiweng, Chinese, active first half of the 13th century

Meeting between Yaoshan and Li Ao

China

Album leaf mounted as a hanging scroll

before 1256

Album leaf mounted as a hanging scroll; ink on paper

1982.2.1

南宋 佚名 騎驢圖 軸

Unidentified Artist

Chan Master Riding a Mule

China

Hanging scroll

before 1249

Hanging scroll; ink on paper

1989.363.24

元 趙蒼雲 劉晨阮肇入天台山圖卷

Zhao Cangyun, Chinese, active late 13th–early 14th century

Liu Chen and Ruan Zhao Entering the Tiantai Mountains

China

Handscroll

Handscroll; ink on paper

2005.494.1

元 趙孟頫, 趙雍, 趙麟 吳興趙氏三世人馬圖 卷

Zhao Mengfu, Chinese, 1254–1322

Zhao Yong, Chinese, 1289–after 1360

Zhao Lin, Chinese, active second half of the 14th century

Horses and Grooms

China

Handscroll

1296 and 1359

Handscroll; ink and color on paper

1988.135

元 張羽材 霖雨圖 卷

Zhang Yucai, Chinese, active 1295–1316

Beneficent Rain

China

Handscroll

late 13th–early 14th century

Handscroll; ink on silk

1985.227.2

6

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MASTERPIECES OF CHINESE PAINTING FROM THE METROPOLITAN COLLECTION, Rotation 1

(10/31/2015-4/17/2016)

元 周東卿 漁樂圖 卷

Zhou Dongqing, Chinese, active late 13th century

The Pleasures of Fishes

China

Handscroll

dated 1291

Handscroll; ink and color on paper

47.18.10

元 方從義 雲山圖 卷

Fang Congyi, Chinese, ca. 1301–after 1378

Cloudy Mountains

China

Handscroll

second half of 14th century

Handscroll; ink and color on paper

1973.121.4

元 倪瓚 秋林野興圖 軸

Ni Zan, Chinese, 1306–1374

Enjoying the Wilderness in an Autumn Grove

China

Hanging scroll

dated 1339

Hanging scroll; ink on paper

1989.363.38

元 張遜 石上松花圖 軸

Zhang Xun, Chinese, ca. 1295–after 1349

Rocky Landscape with Pines

China

Hanging scroll

before 1346

Hanging scroll; ink on silk

2008.673

元 陸廣 丹臺春曉圖 軸

Lu Guang, Chinese, ca. 1300–after 1371

Spring Dawn Over the Elixir Terrace

China

Hanging scroll

ca. 1369

Hanging scroll; ink on paper

1982.2.2

7

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MASTERPIECES OF CHINESE PAINTING FROM THE METROPOLITAN COLLECTION, Rotation 1

(10/31/2015-4/17/2016)

元 盛懋 秋林漁隱圖 團扇

Sheng Mou, Chinese, active ca. 1310–1360

Recluse Fisherman, Autumn Trees

China

Fan mounted as an album leaf

dated 1349

Fan mounted as an album leaf; ink and color on silk

1973.121.13

元 盛著 秋江垂釣圖 團扇

Sheng Zhu, Chinese, active late 14th century

Angling in the Autumn River

China

Fan mounted as an album leaf

ca. 1370

Fan mounted as an album leaf; ink and color on silk

1973.121.14

元 吳鎮 老松圖 軸

Wu Zhen, Chinese, 1280–1354

Crooked Pine

China

Hanging scroll

dated 1335

Hanging scroll; ink on silk

1985.120.1

元 王冕 墨梅圖 軸

Wang Mian, Chinese, 1287–1359

Fragrant Snow at Broken Bridge

China

Hanging scroll

Hanging scroll; ink on silk

1973.121.9

8

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MASTERPIECES OF CHINESE PAINTING FROM THE METROPOLITAN COLLECTION, Rotation 1

(10/31/2015-4/17/2016)

元 唐棣 摩詰詩意圖 軸

Tang Di, Chinese, ca. 1287–1355

Landscape after a Poem by Wang Wei

China

Hanging scroll

dated 1323

Hanging scroll; ink and color on silk

1985.214.147

元 羅稚川 古木寒鴉圖 軸

Luo Zhichuan, Chinese, active ca. 1300–30

Old Trees, Pheasants, and Crows in Winter

China

Hanging scroll

Hanging scroll; ink and color on silk

1973.121.6

明 傳謝環 杏園雅集圖 卷

Xie Huan, Chinese, 1377–1452

Elegant Gathering in the Apricot Garden

China

Handscroll

ca. 1437

Handscroll; ink and color on silk

1989.141.3

元/明 佚名 竹鶴雙清圖 軸

Unidentified Artist

Crane in a Bamboo Grove

China

Hanging scroll

14th–early 15th century

Hanging scroll; ink and color on silk

1991.378

9

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MASTERPIECES OF CHINESE PAINTING FROM THE METROPOLITAN COLLECTION, Rotation 1

(10/31/2015-4/17/2016)

明 林良 二鷹圖 軸

Lin Liang, Chinese, ca. 1416–1480

Two Hawks in a Thicket

China

Hanging scroll

15th century

Hanging scroll; ink and pale color on silk

1993.385

明 劉俊 納諫圖 軸

Liu Jun, Chinese, active ca. 1475–ca. 1505

Remonstrating with the Emperor

China

Hanging scroll

Hanging scroll; ink and color on silk

2005.494.3

明 佚名 鳥販圖 軸

Unidentified Artist

Bird Peddler

China

Hanging scroll

late 15th–early 16th century

Hanging scroll; ink and color on silk

1998.48

明 陳子和 古木酒仙圖 軸

Chen Zihe, Chinese, active late 15th–early 16th century

Drunken Immortal beneath an Old Tree

China

Hanging scroll

early 16th century

Hanging scroll; ink on silk

2005.494.4

10

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MASTERPIECES OF CHINESE PAINTING FROM THE METROPOLITAN COLLECTION, Rotation 1

(10/31/2015-4/17/2016)

清 王原祁 輞川圖 卷

Wang Yuanqi, Chinese, 1642–1715

Wangchuan Villa

China

Handscroll

dated 1711

Handscroll; ink and color on paper

1977.80

清 王翬等 康熙南巡圖,第三卷: 濟南至泰山

Wang Hui, Chinese, 1632–1717

The Kangxi Emperor's Southern Inspection Tour, Scroll Three: Ji'nan to

Mount Tai

China

Handscroll

datable to 1698

Handscroll; ink and color on silk

1979.5a–d

清 朱耷(八大山人) 魚石圖 軸

Bada Shanren (Zhu Da), Chinese, 1626–1705

Fish and Rocks

China

Hanging scroll

dated 1699

Hanging scroll; ink on paper

1989.363.137

清 朱耷(八大山人) 蓮塘戲禽圖 卷

Bada Shanren (Zhu Da), Chinese, 1626–1705

Birds in a Lotus Pond

China

Handscroll

ca. 1690

Handscroll; ink on satin

1989.363.135

清 朱耷 (八大山人) 二鷹圖 軸

Bada Shanren (Zhu Da), Chinese, 1626–1705

Two Eagles

China

Hanging scroll

dated 1702

Hanging scroll; ink on paper

2014.721

11

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MASTERPIECES OF CHINESE PAINTING FROM THE METROPOLITAN COLLECTION, Rotation 1

(10/31/2015-4/17/2016)

清 徐揚等 乾隆南巡圖, 第六卷﹕大運河至蘇 州

Xu Yang, Chinese, active ca. 1750–after 1776

The Qianlong Emperor's Southern Inspection Tour, Scroll Six: Entering

Suzhou along the Grand Canal (Qianlong nanxun, juan liu: Dayunhe zhi

Suzhou)

China

Handscroll

dated 1770

Handscroll; ink and color on silk

1988.350a–d

12

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Rotation 2 二期: 5/7/2016–10/11/2016

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MASTERPIECES OF CHINESE PAINTING FROM THE METROPOLITAN COLLECTION, Rotation 2

(5/7/2016-10/11/2016)

北宋 傳屈鼎 夏山圖 卷

Qu Ding, Chinese, active ca. 1023–ca. 1056

Summer Mountains

China

Handscroll

mid-11th century

Handscroll; ink and color on silk

1973.120.1

北宋 郭熙 樹色平遠圖 卷

Guo Xi, Chinese, ca. 1000–ca. 1090

Old Trees, Level Distance

China

Handscroll

ca. 1080

Handscroll; ink and color on silk

1981.276

北宋 徽宗 竹禽圖 卷

Emperor Huizong, Chinese, 1082–1135; r. 1100–25

Finches and Bamboo

China

Handscroll

Handscroll; ink and color on silk

1981.278

北宋 黃庭堅 草書廉頗藺相如傳 卷

Huang Tingjian, Chinese, 1045–1105

Biographies of Lian Po and Lin Xiangru

China

Handscroll

ca. 1095

Handscroll; ink on paper

1989.363.4

五代 傳董元 溪岸圖 軸

Dong Yuan, Chinese, active 930s–960s

Riverbank

China

Hanging scroll

Hanging scroll; ink and color on silk

L.1997.24.1

1

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MASTERPIECES OF CHINESE PAINTING FROM THE METROPOLITAN COLLECTION, Rotation 2

(5/7/2016-10/11/2016)

宋 佚名 倣李成 寒林策驢圖 軸

Unidentified Artist

Li Cheng, Chinese, 919–967

Travelers in a Wintry Forest ("Hanlin celü")

China

Hanging scroll

early 12th century

Hanging scroll; ink and color on silk

1972.121

北宋 米芾 草書吳江舟中詩 卷

Mi Fu, Chinese, 1052–1107

Poem Written in a Boat on the Wu River

China

Handscroll

ca. 1100

Handscroll; ink on paper

1984.174

南宋 米友仁 雲山圖 卷

元 鮮于樞 題米友仁雲山圖

Mi Youren, Chinese, 1074–1151

Cloudy Mountains

China

Handscroll

colophon dated to 1200

Handscroll; ink on paper

1973.121.1

南宋 傳李唐 晉文公復國圖 卷

Li Tang, Chinese, ca. 1070s–ca. 1150s

Duke Wen of Jin Recovering His State

China

Handscroll

datable to early 1140

Handscroll; ink and color on silk

1973.120.2

南宋 高宗 草書天山陰雨七絕詩 團扇

Emperor Gaozong, Chinese, 1107–1187, r. 1127–1162

Quatrain on Heavenly Mountain

China

Fan mounted as an album leaf

after 1162

Round fan mounted as album leaf; ink on silk

1989.363.6

2

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南宋 楊皇后 楷書瀹雪凝酥七絕 團扇

Empress Yang Meizi, Chinese, 1162–1232

Quatrain on Yellow Roses

China

Fan mounted as an album leaf

Fan mounted as an album leaf; ink on silk

1989.363.13

南宋 傳閻次于 松壑隱棲圖 團扇

Yan Ciyu, Chinese, act. ca. 1164–81

Yan Ciping, Chibese, active 12th century

Hermitage by a Pine-covered Bluff

China

Fan mounted as an album leaf

Fan mounted as an album leaf; ink and color on silk

1973.121.12a, b

南宋 梁楷 澤畔行吟圖 團扇

Liang Kai, Chinese, active first half of the 13th century

Poet Strolling by a Marshy Bank

China

Fan mounted as an album leaf

Fan mounted as an album leaf; ink on silk

1989.363.14

南宋 佚名 舊傳五代周文矩 琉璃堂人物圖 卷

Unidentified Artist

Scholars of the Liuli Hall

China

Handscroll

late 13th century

Handscroll; ink and color on silk

1977.49

宋 傳趙克敻 藻魚圖 冊頁

Zhao Kexiong, Chinese, active early 12th century

Fish at Play

China

Album leaf

Album leaf; ink and color on silk

13.100.110

3

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南宋 佚名 竹梅小禽圖 團扇

Unidentified Artist

Sparrows, Plum Blossoms, and Bamboo

China

Fan mounted as an album leaf

late 12th century

Fan mounted as an album leaf; ink and color on silk

24.80.487

南宋 馬和之 詩經豳風圖 卷

Ma Hezhi, Chinese, ca. 1130–ca. 1170

Odes of the State of Bin

China

Handscroll

Handscroll; ink, color, gold and silver on silk

1973.121.3

南宋 李結 西塞漁社圖 卷

Li Jie, Chinese, ca. 1124– after 1191

Fisherman's Lodge At Mount Xisai

China

Handscroll

ca. 1170

Handscroll; ink and color on silk

1989.363.10a, b

南宋 傳劉松年 倣高克明 溪山雪意圖 卷

Liu Songnian, Chinese, active ca 1175–after 1195

Streams and Mountains Under Fresh Snow

China

Handscroll

Handscroll; ink and color on silk

1984.274

南宋 佚名 寒江釣雪圖 軸

Unidentified Artist

Fishing on a Snowy River

China

Hanging scroll

Hanging scroll; ink and color on silk

L.1980.74

4

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南宋 金處士 十王圖 軸(之二)

Jin Chushi, Chinese, active late 12th century

Ten Kings of Hell

China

Hanging scroll

before 1195

One of five of a set of ten hanging scrolls; ink and color on silk

30.76.291

南宋 金處士 十王圖 軸(之五)

Jin Chushi, Chinese, active late 12th century

Ten Kings of Hell

China

Hanging scroll

before 1195

One of five of a set of ten hanging scrolls; ink and color on silk

30.76.294

南宋 佚名 阿彌陀如來圖 軸

Unidentified Artist

Buddha Amitabha Descending from His Pure Land

China

Hanging scroll

13th century

Hanging scroll; ink and color on silk

1980.275

北宋 維摩詰經 卷

Unidentified Artist

Vimalakirti Sutra

China

Handscroll

dated January 13, 1119

Handscroll; gold and silver on purple silk

47.18.2

南宋/元 顏庚 鍾馗嫁妹圖 卷

Yan Geng, active late 13th century

The Demon Queller Zhong Kui Giving His Sister Away in Marriage

China

Handscroll

Handscroll; ink on silk

1990.134

5

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元 錢選 王羲之觀鵝圖 卷

Qian Xuan, Chinese, ca. 1235–before 1307

Wang Xizhi Watching Geese

China

Handscroll

ca. 1295

Handscroll; ink, color, and gold on paper

1973.120.6

元 趙孟頫 雙松平遠圖 卷

Zhao Mengfu, Chinese, 1254–1322

Twin Pines, Level Distance

China

Handscroll

ca. 1310

Handscroll; ink on paper

1973.120.5

元 趙孟頫 行書右軍四事 卷

Zhao Mengfu, Chinese, 1254–1322

Four Anecdotes from the Life of Wang Xizhi

China

Handscroll

datable to ca. 1310

Handscroll; ink on paper

1989.363.30

元 王振鵬 維摩不二圖 卷

Wang Zhenpeng, Chinese, active ca. 1275–1330

Vimalakirti and the Doctrine of Nonduality

China

Handscroll

dated 1308

Handscroll; ink on silk

1980.276

元 唐棣 滕王閣圖 卷

Tang Di, Chinese, ca. 1287–1355

The Pavilion of Prince Teng

China

Handscroll

dated 1352

Handscroll; ink on paper

1989.363.36

6

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元 夏永 黃樓圖 冊頁

Xia Yong, Chinese, active mid-14th century

The Yellow Pavilion

China

Album leaf

ca. 1350

Album leaf; ink on silk

1991.438.3

元 鮮于樞 草書石鼓歌 卷

Xianyu Shu, Chinese, 1246–1302

Song of the Stone Drums

China

Handscroll

dated 1301

Handscroll; ink on paper

1989.363.29

元 姚彥卿 (廷美) 雪山行旅圖 軸

Yao Yanqing (Tingmei), Chinese, ca. 1300–after 1360

Traveling through Snow-Covered Mountains

China

Hanging scroll

Hanging scroll; ink on silk

2011.573

元 張羽 松軒春靄圖 軸

Zhang Yu, Chinese, 1333–1385

Spring Clouds at the Pine Studio

China

Hanging scroll

dated 1366

Hanging scroll; ink and color on paper

1980.426.3

元 趙原 (元) 晴川送客圖 軸

Zhao Yuan, Chinese, active ca. 1350–75

Farewell by a Stream on a Clear Day

China

Hanging scroll

early 1370s

Hanging scroll; ink on paper

1973.121.8

7

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元 吳鎮 蘆灘釣艇圖 卷

Wu Zhen, Chinese, 1280–1354

Fisherman

China

Handscroll

ca. 1350

Handscroll; ink on paper

1989.363.33

元/明 宋克 草書負郭堂成七律詩 卷

Song Ke, Chinese, 1327–1387

Poem on Retirement

China

Handscroll

Handscroll; ink on gold-flecked paper

1989.363.40

元 趙原 (元) 倣燕文貴范寬山水圖 卷

Zhao Yuan, Chinese, active ca. 1350–75

Landscape in the Style of Yan Wengui and Fan Kuan

China

Handscroll

Handscroll; ink on paper

1981.285.15

元/明 沈巽 竹石圖 卷

Shen Xun, (active ca. 1370–1400)

Bamboo Grove

China

Handscroll

Handscroll; ink and color on paper

1981.285.16

元 倪瓚 江渚風林圖 軸

Ni Zan, Chinese, 1306–1374

Wind among the Trees on the Riverbank

China

Hanging scroll

dated 1363

Hanging scroll; ink on paper

1989.363.39

8

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元 倪瓚 虞山林壑圖 軸

Ni Zan, Chinese, 1306–1374

Woods and Valleys of Mount Yu

China

Hanging scroll

dated 1372

Hanging scroll; ink on paper

1973.120.8

元 王蒙 素庵圖 軸

Wang Meng, Chinese, ca. 1308–1385

The Simple Retreat

China

Hanging scroll

ca. 1370

Hanging scroll; ink and color on paper

2012.526.2

元 鄧宇 竹石圖 軸

Deng Yu, Chinese, ca. 1300–after 1378

Bamboo and Rock

China

Hanging scroll

ca. 1360–67

Hanging scroll; ink on paper

1991.438.1

元 李衎 竹石圖 軸二幅

Li Kan, Chinese, 1245–1320

Bamboo and Rocks

China

Hanging scrolls

dated 1318

Pair of hanging scrolls; ink and color on silk

1973.120.7a, b

9

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明 沈周 溪山秋色圖 卷

Shen Zhou, Chinese, 1427–1509

Autumn Colors among Streams and Mountains

China

Handscroll

ca. 1490–1500

Handscroll; ink on paper

1979.75.1

元/明 吳伯理 龍松圖 軸

Wu Boli, Chinese, active late 14th–early 15th century

Dragon Pine

China

Hanging scroll

ca. 1400

Hanging scroll; ink on paper

1984.475.3

明 夏昶 清風高節圖 軸

Xia Chang, Chinese, 1388–1470

Bamboo in Wind

China

Hanging scroll

ca. 1460

Hanging scroll; ink on paper

1989.235.1

明 戴進 雪歸圖 軸

Dai Jin, Chinese, 1388–1462

Returning Home Through the Snow

China

Hanging scroll

ca. 1455

Hanging scroll; ink and color on silk

1992.132

10

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明 鍾禮 觀瀑圖 軸

Zhong Li, Chinese, active ca. 1480–1500

Scholar Looking at a Waterfall

China

Hanging scroll

late 15th century

Hanging scroll; ink and color on silk

1991.438.4

明 杜堇 伏生授經圖 軸

Du Jin, Chinese, active ca. 1465–1509

The Scholar Fu Sheng Transmitting the Book of Documents

China

Hanging scroll

15th–mid-16th century

Hanging scroll; ink and color on silk

1991.117.2

明 文徵明 樓居圖 軸

Wen Zhengming, Chinese, 1470–1559

Living Aloft: Master Liu's Retreat

China

Hanging scroll

dated 1543

Hanging scroll; ink and color on paper

L.2001.85.2

明 陸治 種菊圖 軸

Lu Zhi, Chinese, 1495–1576

Planting Chrysanthemums

China

Hanging scroll

mid-16th century

Hanging scroll; ink and pale color on paper

1986.266.3

11

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明 董其昌 溪山樾館圖 軸 紙本

Dong Qichang, Chinese, 1555–1636

Shaded Dwellings among Streams and Mountains

China

Hanging scroll

ca. 1622–25

Hanging scroll; ink on paper

1979.75.2

清 王鑑 仿古山水圖 冊 紙本

Wang Jian, Chinese, 1609–77 or 1688

Wang Shimin, Chinese, 1592–1680

Landscapes in the styles of old masters

China

Album

dated 1668

Album of ten paintings; ink and color on paper

1979.439a–o

清 吳歷 墨井草堂消夏圖 卷

Wu Li, Chinese, 1632–1718

Whiling Away the Summer

China

Handscroll

dated 1679

Handscroll; ink on paper

1977.81

清 徐揚等 乾隆南巡圖, 第六卷﹕大運河至蘇 州

Xu Yang, Chinese, active ca. 1750–after 1776

The Qianlong Emperor's Southern Inspection Tour, Scroll Six: Entering

Suzhou along the Grand Canal (Qianlong nanxun, juan liu: Dayunhe zhi

Suzhou)

China

Handscroll

dated 1770

Handscroll; ink and color on silk

1988.350a–d

清 石濤 (朱若極) 十六羅漢圖 卷

Shitao (Zhu Ruoji), Chinese, 1642–1707

The Sixteen Luohans

China

Handscroll

dated 1667

Handscroll; ink on paper

1985.227.1

12

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