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1 100
: Special Issue: Special Issue on Film Music EDITOR'S INTRODUCTION
: Reyland, N (Reyland, Nicholas)
: MUSIC ANALYSIS: 37: 1: SI: 3-6DOI: 10.1111/musa.12112: MAR 2018
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2 100
: Chariots of Fire, The Magnificent Seven or Psycho
: Lehman, F (Lehman, Frank)
: MUSIC ANALYSIS: 37: 1: SI: 7-46DOI: 10.1111/musa.12107: MAR 2018
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3 100
: 'We All Go a Little Mad Sometimes. Haven't You?' Musical Empathy in Hitchcock's PSYCHO
: Clifton, K (Clifton, Kevin)
: MUSIC ANALYSIS: 37: 1: SI: 47-67DOI: 10.1111/musa.12108: MAR 2018
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4 100
: VERTIGO
: Smith, KM (Smith, Kenneth M.)
: MUSIC ANALYSIS: 37: 1: SI: 68-102DOI: 10.1111/musa.12109: MAR 2018
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5 100
: Vertigo
: Heine, E (Heine, Erik)
: MUSIC ANALYSIS: 37: 1: SI: 103-132DOI: 10.1111/musa.12106: MAR 2018
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6 100
: Meaning and Interpretation of Music in Cinema
: Davison, A (Davison, Annette)
: MUSIC ANALYSIS: 37: 1: SI: 133-138DOI: 10.1111/musa.12111: MAR 2018
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7 100
: Music and Levels of Narration in Film: Steps Across the Border
: Reyland, N (Reyland, Nicholas)
: MUSIC ANALYSIS: 37: 1: SI: 139-146DOI: 10.1111/musa.12110: MAR 2018
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8 100
: Song and the Music of Poetry
: Rodgers, S (Rodgers, Stephen)
: MUSIC ANALYSIS: 36: 3: 315-349DOI: 10.1111/musa.12091: OCT 2017
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9 100
: Tonal Problems as Agents of Narrative in Brahms's Unbewegte laue Luft, Op. 57 No. 8
: Terrigno, L (Terrigno, Loretta)
: MUSIC ANALYSIS: 36: 3: 350-371DOI: 10.1111/musa.12100: OCT 2017
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10 100
: Linear and Linguistic Syntax in Brahms's O Kuhler Wald, Op. 72 No. 3
: Snarrenberg, R (Snarrenberg, Robert)
: MUSIC ANALYSIS: 36: 3: 372-383DOI: 10.1111/musa.12101: OCT 2017
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11 100
: (Post-)Tonal Key Relationships in Scriabin's Late Music
: Yunek, JS (Yunek, Jeffrey Scott)
: MUSIC ANALYSIS: 36: 3: 384-418DOI: 10.1111/musa.12095: OCT 2017
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12 100
: Scriabin's Prelude Op. 67 No. 1: Pitch Orthography, Musical Climax and Form
: Wu, YCD (Wu, Yi-Cheng Daniel)
: MUSIC ANALYSIS: 36: 3: 419-450DOI: 10.1111/musa.12090: OCT 2017
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13 100
: INVENTING TRADITION: WEBERN'S PIANO VARIATIONS IN EARLY RECORDINGS
: Cook, N (Cook, Nicholas)
: MUSIC ANALYSIS: 36: 2: 163-215DOI: 10.1111/musa.12094: JUL 2017
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14 100
: TIME-SPACE EXPERIENCE IN WORKS FOR SOLO CELLO BY LACHENMANN, XENAKIS AND FERNEYHOUGH: A PERFORMANCE-SENSITIVE APPROACH TO MORPHOSYNTACTIC MUSICAL ANALYSIS
: Utz, C (Utz, Christian)
: MUSIC ANALYSIS: 36: 2: 216-256DOI: 10.1111/musa.12076: JUL 2017
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: WOS:000406937500002
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15 100
: Formal Functions in Perspective: Essays on Musical Form from Haydn to Adorno
: Hyland, AM (Hyland, Anne M.)
: MUSIC ANALYSIS: 36: 2: 257-267: JUL 2017
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: WOS:000406937500003
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16 100
: What is a Cadence? Theoretical and Analytical Perspectives on Cadences in the Classical Repertoire
: Hyland, AM (Hyland, Anne M.)
: MUSIC ANALYSIS: 36: 2: 257-267: JUL 2017
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17 100
: Bach's Numbers: Compositional Proportion and Significance
: Wells, RL (Wells, Robert L.)
: MUSIC ANALYSIS: 36: 2: 268-281DOI: 10.1111/musa.12092: JUL 2017
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18 100
: Becoming Heinrich Schenker: Music Theory and Ideology
: Drabkin, W (Drabkin, William)
: MUSIC ANALYSIS: 36: 2: 282-295: JUL 2017
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: 0
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19 100
: Beethoven's Last Piano Sonatas: an Edition with Elucidation
: Drabkin, W (Drabkin, William)
: MUSIC ANALYSIS: 36: 2: 282-295: JUL 2017
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: 0
: WOS:000406937500007
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20 100
: Music Theory, Analysis, and Society: Selected Essays
: Drabkin, W (Drabkin, William)
: MUSIC ANALYSIS: 36: 2: 282-295: JUL 2017
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: 0
: WOS:000406937500008
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21 100
: Dapha: Sacred Singing in a South Asian City: Music, Meaning and Performance in Bhaktapur, Nepal
: Markham, EJ (Markham, Elizabeth J.)
: MUSIC ANALYSIS: 36: 2: 296-309DOI: 10.1111/musa.12096: JUL 2017
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: 0
: WOS:000406937500012
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22 100
: Special Issue on Popular Music Guest edited by Kenneth Smith
: Griffiths, D (Griffiths, Dai)
: MUSIC ANALYSIS: 36: 1: SI: 2-3DOI: 10.1111/musa.12088: MAR 2017
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: 0
: WOS:000397971600001
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23 100
: AN INTRODUCTION TO FRANK ZAPPA'S 'CHORD BIBLE'
: Clement, B (Clement, Brett)
: MUSIC ANALYSIS: 36: 1: SI: 4-36DOI: 10.1111/musa.12083: MAR 2017
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: WOS:000397971600002
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24 100
: TWO APPROACHES TO TONAL SPACE IN THE MUSIC OF MUDDY WATERS
: Curry, B (Curry, Ben)
: MUSIC ANALYSIS: 36: 1: SI: 37-58DOI: 10.1111/musa.12084: MAR 2017
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: WOS:000397971600003
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ResearcherID
ORCID
Curry, Ben
0000-0003-3557-7566
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25 100
: ROCK HARMONY RECONSIDERED: TONAL, MODAL AND CONTRAPUNTAL VOICE-LEADING SYSTEMS IN RADIOHEAD
: Osborn, B (Osborn, Brad)
: MUSIC ANALYSIS: 36: 1: SI: 59-93DOI: 10.1111/musa.12085: MAR 2017
Web of Science "": 2
: 2
: WOS:000397971600004
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26 100
: THE PUMP-UP IN POP MUSIC OF THE 1970S AND 1980S
: Ricci, A (Ricci, Adam)
: MUSIC ANALYSIS: 36: 1: SI: 94-115DOI: 10.1111/musa.12086: MAR 2017
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: 0
: WOS:000397971600005
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27 100
: SEXUAL SUBVERSION AND THE SUBDOMINANT: THE CASE OF SUEDE
: Smith, KM (Smith, Kenneth M.)
: MUSIC ANALYSIS: 36: 1: SI: 116-137DOI: 10.1111/musa.12087: MAR 2017
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: 0
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28 100
: FILLING IN: SYNCOPATION, PLEASURE AND DISTRIBUTED EMBODIMENT IN GROOVE
: Witek, MAG (Witek, Maria A. G.)
: MUSIC ANALYSIS: 36: 1: SI: 138-160DOI: 10.1111/musa.12082: MAR 2017
Web of Science "": 2
: 2
: WOS:000397971600007
:
ResearcherID
ORCID
Witek, Maria
0000-0002-4369-4570
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29 100
: Coarticulation and Gesture: an Analysis of Melodic Movement in South Indian Raga Performance
: Pearson, L (Pearson, Lara)
: MUSIC ANALYSIS: 35: 3: 280-313DOI: 10.1111/musa.12071: OCT 2016
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: 1
: WOS:000385699800001
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30 100
: Harmony without Voice Leading? The Challenge of Interpreting Exact Leaping Transpositions
: Goldenberg, Y (Goldenberg, Yosef)
: MUSIC ANALYSIS: 35: 3: 314-340DOI: 10.1111/musa.12072: OCT 2016
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: 0
: WOS:000385699800002
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31 100
: Multi-Temporality: an Analytical Approach to Contemporary Music, Embracing Concepts of Gilles Deleuze and Felix Guattari
: Coulembier, K (Coulembier, Klaas)
: MUSIC ANALYSIS: 35: 3: 341-372DOI: 10.1111/musa.12074: OCT 2016
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: 0
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32 100
: The Music of Frank Bridge
: Banfield, S (Banfield, Stephen)
: MUSIC ANALYSIS: 35: 3: 373-382: OCT 2016
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: 0
: WOS:000385699800005
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33 100
: British Musical Modernism: The Manchester Group and their Contemporaries
: Banfield, S (Banfield, Stephen)
: MUSIC ANALYSIS: 35: 3: 373-382: OCT 2016
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: 0
: WOS:000385699800004
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34 100
: Metaphysical Materials: Schoenberg in Our Time
: Whittall, A (Whittall, Arnold)
: MUSIC ANALYSIS: 35: 3: 383-406DOI: 10.1111/musa.12075: OCT 2016
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: 0
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35 100
: Beyond the Score: Music as Performance
: Hooper, G (Hooper, Giles)
: MUSIC ANALYSIS: 35: 3: 407-416DOI: 10.1111/musa.12077: OCT 2016
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: 0
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36 100
: HISTORICAL HYPERMETRICAL HEARING: UNCERTAINTY, FLOORS AND TRAPDOORS
: Love, SC (Love, Stefan Caris)
: MUSIC ANALYSIS: 35: 2: 142-170DOI: 10.1111/musa.12058: JUL 2016
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: 0
: WOS:000379799900001
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37 100
: VOICE-LEADING ENERGETICS IN WAGNER'S "TRISTAN IDIOM'
: Monahan, S (Monahan, Seth)
: MUSIC ANALYSIS: 35: 2: 171-232DOI: 10.1111/musa.12055: JUL 2016
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: 0
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38 100
: DALLAPICCOLA'S SECOND THOUGHTS: THE EPILOGUE TO THE CONCERTO PER LA NOTTE DI NATALE DELL'ANNO 1956
: Alegant, B (Alegant, Brian)
: MUSIC ANALYSIS: 35: 2: 233-257DOI: 10.1111/musa.12057: JUL 2016
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: 0
: WOS:000379799900003
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39 100
: RESISTING CLOSURE: THE PASSACAGLIA FINALE FROM GYoRGY LIGETI'S LE GRAND MACABRE
: Edwards, P (Edwards, Peter)
: MUSIC ANALYSIS: 35: 2: 258-278DOI: 10.1111/musa.12056: JUL 2016
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: 0
: WOS:000379799900004
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40 100
: Editor's Introduction
: [Anonymous] ([Anonymous])
: MUSIC ANALYSIS: 35: 1: 3-3DOI: 10.1111/musa.12067: MAR 2016
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: 0
: WOS:000371534600001
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41 100
: The "Continuous Exposition' and the Concept of Subordinate Theme
: Caplin, WE (Caplin, William E.); Martin, NJ (Martin, Nathan John)
: MUSIC ANALYSIS: 35: 1: 4-43DOI: 10.1111/musa.12060: MAR 2016
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: 1
: WOS:000371534600002
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42 100
: Sonata Theory, Secondary Themes and Continuous Expositions: Dialogues with Form-Functional Theory
: Hepokoski, JA (Hepokoski, James A.)
: MUSIC ANALYSIS: 35: 1: 44-74DOI: 10.1111/musa.12061: MAR 2016
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: 0
: WOS:000371534600003
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43 100
: Mutual Deformity: Ignaz Moscheles's Seventh and William Sterndale Bennett's Fourth Piano Concertos
: Taylor, B (Taylor, Benedict)
: MUSIC ANALYSIS: 35: 1: 75-109DOI: 10.1111/musa.12062: MAR 2016
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: 0
: WOS:000371534600004
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44 100
: Skryabin, Philosophy and the Music of Desire
: Klein, ML (Klein, Michael L.)
: MUSIC ANALYSIS: 35: 1: 110-118DOI: 10.1111/musa.12053: MAR 2016
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: 0
: WOS:000371534600005
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45 100
: After the Rite: Stravinsky's Path to Neoclassicism (1914-1925)
: McKay, NP (McKay, Nicholas P.)
: MUSIC ANALYSIS: 35: 1: 119-126DOI: 10.1111/musa.12065: MAR 2016
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: 0
: WOS:000371534600006
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46 100
: Mahler's Symphonic Sonatas
: Holden, D (Holden, Daniel)
: MUSIC ANALYSIS: 35: 1: 127-133DOI: 10.1111/musa.12066: MAR 2016
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: 0
: WOS:000371534600007
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47 100
: ON HEXATONIC POLES
: Cohn, R (Cohn, Richard)
: MUSIC ANALYSIS: 35: 1: 134-136DOI: 10.1111/musa.12063: MAR 2016
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: 0
: WOS:000371534600008
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: ON HEXATONIC POLES Reply
: Holloway, R (Holloway, Royal)
: MUSIC ANALYSIS: 35: 1: 136-138: MAR 2016
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: 0
: WOS:000371534600009
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49 100
: RETHINKING HANSLICK
: Grimes, N (Grimes, Nicole); Donovan, S (Donovan, Siobhan); Marx, W (Marx, Wolfgang)
: MUSIC ANALYSIS: 35: 1: 139-139DOI: 10.1111/musa.12064: MAR 2016
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: 0
: WOS:000371534600010
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: RETHINKING HANSLICK Reply
: Hooper, G (Hooper, Giles)
: MUSIC ANALYSIS: 35: 1: 139-139: MAR 2016
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: 0
: WOS:000371534600011
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: Triple Counterpoint and Six-Four Chords in Bach's Sinfonia in F Minor
: Stoia, N (Stoia, Nicholas)
: MUSIC ANALYSIS: 34: 3: 305-334DOI: 10.1111/musa.12041: OCT 2015
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: 0
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: Cortot's Berceuse
: Leech-Wilkinson, D (Leech-Wilkinson, Daniel)
: MUSIC ANALYSIS: 34: 3: 335-363DOI: 10.1111/musa.12054: OCT 2015
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: 1
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53 100
: New World, Old World: Schoenberg Now and Then
: Street, A (Street, Alan)
: MUSIC ANALYSIS: 34: 3: 364-409DOI: 10.1111/musa.12052: OCT 2015
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: 1
: WOS:000362407000003
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: Death in Winterreise: Musico-Poetic Associations in Schubert's Song Cycle
: Guez, J (Guez, Jonathan)
: MUSIC ANALYSIS: 34: 3: 410-424DOI: 10.1111/musa.12059: OCT 2015
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: 1
: WOS:000362407000004
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: Editor's Introduction
: [Anonymous] ([Anonymous])
: MUSIC ANALYSIS: 34: 2: SI: 151-154DOI: 10.1111/musa.12044: JUL 2015
Web of Science "": 0
: 0
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: Schenker and Bach's French Suite in E major
: Bent, I (Bent, Ian)
: MUSIC ANALYSIS: 34: 2: SI: 155-174DOI: 10.1111/musa.12051: JUL 2015
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: 0
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: Schenker, Cube and Schubert's 'Der Doppelganger'
: Bretherton, D (Bretherton, David)
: MUSIC ANALYSIS: 34: 2: SI: 175-199DOI: 10.1111/musa.12048: JUL 2015
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: 0
: WOS:000358694600003
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: Schenker's Theory of Criticism, circa 1911
: Burgstaller, G (Burgstaller, Georg)
: MUSIC ANALYSIS: 34: 2: SI: 200-220DOI: 10.1111/musa.12047: JUL 2015
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: 0
: WOS:000358694600004
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: Heinrich Schenker and the Photogram Archive
: Deisinger, M (Deisinger, Marko)
: MUSIC ANALYSIS: 34: 2: SI: 221-243DOI: 10.1111/musa.12046: JUL 2015
Web of Science "": 0
: 0
: WOS:000358694600005
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: Heinrich Schenker and the Radio
: Hewlett, K (Hewlett, Kirstie)
: MUSIC ANALYSIS: 34: 2: SI: 244-264DOI: 10.1111/musa.12050: JUL 2015
Web of Science "": 0
: 0
: WOS:000358694600006
:
ResearcherID
ORCID
Hewlett, Kirstie
0000-0001-5853-0432
ISSN: 0262-5245
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61 100
: Schenker at the Piano
: Siegel, H (Siegel, Hedi)
: MUSIC ANALYSIS: 34: 2: SI: 265-279DOI: 10.1111/musa.12049: JUL 2015
Web of Science "": 1
: 1
: WOS:000358694600007
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: A Literary Perspective on Schenker's Jewishness
: Reiter, A (Reiter, Andrea)
: MUSIC ANALYSIS: 34: 2: SI: 280-303DOI: 10.1111/musa.12045: JUL 2015
Web of Science "": 0
: 0
: WOS:000358694600008
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: ALLEN FORTE (1926-2014)
: Street, A (Street, Alan)
: MUSIC ANALYSIS: 34: 1: 1-2DOI: 10.1111/musa.12043: MAR 2015
Web of Science "": 0
: 0
: WOS:000350638300001
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: PITCH ORGANISATION IN SCRIABIN'S TENTH SONATA
: Kallis, V (Kallis, Vasilis)
: MUSIC ANALYSIS: 34: 1: 3-46DOI: 10.1111/musa.12039: MAR 2015
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: 1
: WOS:000350638300002
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: FORM AND PROCESS IN MORTON FELDMAN'S SPRING OF CHOSROES
: Paynter, T (Paynter, Terrence)
: MUSIC ANALYSIS: 34: 1: 47-90DOI: 10.1111/musa.12040: MAR 2015
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: 0
: WOS:000350638300003
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: TWELVE-NOTE MUSIC AS MUSIC: AN ESSAY IN TWO PARTS
: Earle, B (Earle, Ben)
: MUSIC ANALYSIS: 34: 1: 91-149DOI: 10.1111/musa.12042: MAR 2015
Web of Science "": 2
: 2
: WOS:000350638300004
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: COMPARING COMPOSITIONAL PROCESS IN TWO THIRTEENTH-CENTURY MOTETS: PRE-EXISTENT MATERIALS IN DEUS OMNIUM/REGNAT AND NE M'OUBLIEZ MIE/DOMINO
: Bradley, CA (Bradley, Catherine A.)
: MUSIC ANALYSIS: 33: 3: 263-290DOI: 10.1111/musa.12029: OCT 2014
Web of Science "": 0
: 0
: WOS:000342754800001
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: OFF-TONIC CULMINATION IN RACHMANINOFF'S RHAPSODY ON A THEME OF PAGANINI
: Johnston, B (Johnston, Blair)
: MUSIC ANALYSIS: 33: 3: 291-340DOI: 10.1111/musa.12035: OCT 2014
Web of Science "": 1
: 1
: WOS:000342754800002
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: STATISTICAL FORM AMONGST THE DARMSTADT SCHOOL
: Iverson, J (Iverson, Jennifer)
: MUSIC ANALYSIS: 33: 3: 341-387DOI: 10.1111/musa.12037: OCT 2014
Web of Science "": 5
: 5
: WOS:000342754800003
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: Tonality 1900-1950: Concept and Practice
: Harper-Scott, JPE (Harper-Scott, J. P. E.)
: MUSIC ANALYSIS: 33: 3: 388-405DOI: 10.1111/musa.12036: OCT 2014
Web of Science "": 1
: 1
: WOS:000342754800004
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: MUSIC ANALYSIS: 33: 3: 406-416DOI: 10.1111/musa.12034: OCT 2014
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: MUSIC ANALYSIS: 33: 2: SI: 130-155DOI: 10.1111/musa.12025: JUL 2014
Web of Science "": 2
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: MUSIC ANALYSIS: 33: 2: SI: 156-167DOI: 10.1111/musa.12027: JUL 2014
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Web of Science "": 0
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Web of Science "": 2
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: Bretherton, D (Bretherton, David)
: MUSIC ANALYSIS: 33: 2: SI: 257-261DOI: 10.1111/musa.12030: JUL 2014
Web of Science "": 0
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: Newton, N (Newton, Neil)
: MUSIC ANALYSIS: 33: 1: 1-31DOI: 10.1111/musa.12018: MAR 2014
Web of Science "": 1
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: Stoecker, P (Stoecker, Philip)
: MUSIC ANALYSIS: 33: 1: 32-64DOI: 10.1111/musa.12019: MAR 2014
Web of Science "": 2
: 2
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: Venn, E (Venn, Edward)
: MUSIC ANALYSIS: 33: 1: 65-98DOI: 10.1111/musa.12020: MAR 2014
Web of Science "": 2
: 2
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Web of Science "": 0
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: MUSIC ANALYSIS: 33: 1: 113-120DOI: 10.1111/musa.12022: MAR 2014
Web of Science "": 0
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: Thomas, H (Thomas, Helen)
: MUSIC ANALYSIS: 33: 1: 121-127: MAR 2014
Web of Science "": 0
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: Thomas, H (Thomas, Helen)
: MUSIC ANALYSIS: 33: 1: 121-127DOI: 10.1111/musa.12024: MAR 2014
Web of Science "": 0
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ResearcherID
ORCID
guo, iris
P-3439-2015
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: Thomas, H (Thomas, Helen)
: MUSIC ANALYSIS: 33: 1: 121-127: MAR 2014
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: MUSIC ANALYSIS: 32: 3: 291-331DOI: 10.1111/musa.12016: OCT 2013
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: Marston, N (Marston, Nicholas)
: MUSIC ANALYSIS: 32: 3: 332-362DOI: 10.1111/musa.12017: OCT 2013
Web of Science "": 2
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: MUSIC ANALYSIS: 32: 3: 363-403DOI: 10.1111/musa.12013: OCT 2013
Web of Science "": 1
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: MUSIC ANALYSIS: 32: 3: 404-431DOI: 10.1111/musa.12015: OCT 2013
Web of Science "": 4
: 4
: WOS:000325467400004
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: Ramirez, M (Ramirez, Miguel)
: MUSIC ANALYSIS: 32: 2: 155-209DOI: 10.1111/musa.12008: JUL 2013
Web of Science "": 2
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: Fankhauser, G (Fankhauser, Gabriel)
: MUSIC ANALYSIS: 32: 2: 210-250DOI: 10.1111/musa.12012: JUL 2013
Web of Science "": 1
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: Ferris, D (Ferris, David)
: MUSIC ANALYSIS: 32: 2: 251-282DOI: 10.1111/musa.12014: JUL 2013
Web of Science "": 0
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: MUSIC ANALYSIS: 32: 2: 283-290DOI: 10.1111/musa.12009: JUL 2013
Web of Science "": 0
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: [Anonymous] ([Anonymous])
: MUSIC ANALYSIS: 32: 1: 1-2DOI: 10.1111/musa.12010: MAR 2013
Web of Science "": 0
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: Richards, M (Richards, Mark)
: MUSIC ANALYSIS: 32: 1: 3-45DOI: 10.1111/musa.12011: MAR 2013
Web of Science "": 2
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: MUSIC ANALYSIS: 32: 1: 46-79DOI: 10.1111/musa.12007: MAR 2013
Web of Science "": 1
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: Gates, B (Gates, Bernard)
: MUSIC ANALYSIS: 32: 1: 80-153DOI: 10.1111/j.1468-2249.2012.00340.x: MAR 2013
Web of Science "": 1
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: Byros, V (Byros, Vasili)
: MUSIC ANALYSIS: 31: 3: 273-346DOI: 10.1111/j.1468-2249.2012.00344.x: OCT 2012
Web of Science "": 8
: 8
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: Clarke, M (Clarke, Michael)
: MUSIC ANALYSIS: 31: 3: 347-380DOI: 10.1111/j.1468-2249.2012.00339.x: OCT 2012
Web of Science "": 5
: 5
: WOS:000314179400002
ISSN: 0262-5245