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www.u.tt/fashion

THE UNIVERSITY OF TRINIDAD AND TOBAGO (UTT)

The underlying philosophy of the Government of Trinidad and Tobago with respect to tertiary education as articulated in its Vision 2020 Action Plan 2002 - 2007 is to embark on a radical programme in support of post-secondary and tertiary education. Government envisages enrolment in tertiary institutions tripled within the next five to seven years and has identified the need for new universities and post secondary institutions with a different focus from the traditional tertiary level institutions. UTT finds itself in the vanguard of this revolution of tertiary education.

The University of Trinidad and Tobago will provide a different focus to that which presently obtains. Drawing on the experiences of the various institutions which will fall under its ambit, and the fostering and maintenance of alliances with Centres of Excellence and private companies of distinction, the University has accepted its leadership role in education, research and innovation, pillars of a developed society.

CARIBBEAN ACADEMY OF FASHION AND DESIGN (CAFD)

The goal of CAFD is to educate and train aspiring designers and managers in the art and business of fashion with an eye toward developing a Caribbean fashion industry. Currently the Academy offers a four-year B.A. (Honours) Degree in Fashion Design, two-year Diploma programmes in Fashion Design and Fashion Management.

The Board of Governors of the University of Trinidad and Tobago (UTT) and the Academic Council have agreed to introduce an academic programme, in support of all aspects of the Fashion Industry of Trinidad and Tobago. It is proposed that the umbrella unit of the UTT which would accommodate these activities, be established as “The Caribbean Academy of Fashion and Design at UTT (CAFD)” with a clear objective of becoming a Centre of Excellence in this field.

The Caribbean Academy of Fashion and Design at UTT hopes to do its part in supporting the development of the regional fashion industry. UTT will ensure that courses of study are relevant to industry needs and that the quality of learning and training remains equal to noted fashion programmes in fashion capitals around the world.

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THE CARIBBEAN ACADEMY OF FASHION & DESIGN at

THE UNIVERSITY OF TRINIDAD & TOBAGO

John Donaldson Technical Institute CampusWrightson Road

Port of Spain

Tel: (868) 623-8214

Fax: (868) 627-0540

Website: http//www.u.tt/fashion orhttp://www.utt.edu.tt

Email: [email protected]

Please address inquiries to:

Mr. Stephen SheppardSenior Manager - Student Affairs

The University of Trinidad & TobagoO'Meara Campus

O'MearaTrinidad, West Indies


Tel.: (868) 642-8888 ext. 21054Fax: (868) 643-5615

For more specific details please contact:

Mr. Christopher Anthony NathanProgramme Administrator

The Caribbean Academy of Fashion and Design at UTTAdministrative Office

Room #306UTT at John Donalson Campus

Wrightson RoadPort of Spain

Trinidad, West IndiesE-mail: [email protected]

Tel: (868) 642-8888 ext. 26434Fax: (868) 627-0540

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CAFD ENTRANCE REQUIREMENTS AND FEES

BA (Honours) Degree in Fashion Design:

Two (2) passes at GCE Advanced Level or CAPE I and II and passes in a minimum of three (3) CXC (CSEC)

General Proficiency Level or equivalent GCE O-Levels which must include either CXC grade 1 or GCE grade A in Mathematics and English; or

Successful completion of the CAFD Diploma in Fashion Design programme or related studies; or

Passes in a minimum of five (5) CXC (CSEC) General Proficiency Level or equivalent GCE O- Level which must include CXC grade 1 or GCE grade A in Mathematics and English Language.

Additional Requirements:

A letter of intent stating why the applicant desires to study fashion;A self portrait drawn from a mirror; andSubmission of 10 drawings illustrating 10 garments for a man or woman travelling to Tobago on vacation.

Diploma in Fashion Design :

Passes in a minimum of five (5) CXC (CSEC) General Proficiency Level (Grades I or II and from 1998 Grade III) or equivalent GCE O-Levels, which must include Mathematics and English Language; orSuccessful completion of UTT’s Pre-university Programme.



Diploma in Fashion Management:

Passes in a minimum of five (5) CXC (CSEC) General Proficiency Level (Grades I or II and from 1998 Grade III) or equivalent GCE O-Levels, which must include Mathematics, English Language and a business subject; or

Successful completion of UTT’s Pre-university Programme.

Additional Requirements:Choose two advertisements of fashion products; one you determine to be effective, the other, less persuasive. Write

a 500-word essay as to why you believe one is more effective than the other.

A letter of intent explaining why the student desires to study Fashion Management.

The admissions panel will only consider applicants who satisfy all entry requirements.The portfolio and essay submission will help the admissions panel to evaluate the level of dedication of the candidate, as well as their natural creativity. Please note: Applicants with equivalent qualifications, as determined by UTT, will also be considered for admission. Students writing examinations in June 2009 may also submit applications. For both diploma programmes, a minimum CXC I Proficiency level grade III from 1998, will be accepted.

PROJECTED STUDENT FEES (2008-2009)

B.A. (Honours) Degree in Fashion Design-Full Time

Registration Fee $ 225Caution Fee 500Student Guild Fee 175Insurance Fee 40Reprographic License Fee 159Total Fees $1090

Estimated Cost of SuppliesYear 1 $ 1000Year 2 4000Year 3 5300Year 4 TBA

Diploma Programmes (Fashion Design / Management)


Estimated Cost of Supplies for Diploma Fashion DesignYear 1 $1000Year 2 4000

DEADLINE for 2009-2010 Academic Year Submissions is March 31, 2009.For further information, contact us at (868) 642 8888 ext. 26434, (868) 643 515 ext. 21077, (868) 623 8214 or download application forms from the UTT website: http://www.utt.edu.tt.

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IMAGINE THE POSSIBILITIES…..

The increasingly complexity of the fashion industry along with a highly competitive globalized marketplace require highly trained individuals with specific knowledge of apparel design, research and planning as well as marketing, management and product development.

In collaboration with industry professionals from Paris, New York and London, CAFD is the first dedicated fashion school in the region offering tertiary education to undergraduates from around the Caribbean who wish to pursue studies in fashion design and management. Students opting for studies in fashion design will learn all aspects of apparel design encountered in a professional workroom from market research, croquis sketching and pattern making to collection planning and the construction of the final garment. The fashion management programme will integrate a basic marketing foundation with comprehensive knowledge of realities in the global fashion industry. Courses include fashion marketing, merchandising, public relations, fashion presentation, product development and international trade.

Facilities at CAFD are ideally suited to realize the creative endeavours of its students and include three spacious design ateliers equip with Wolf dress forms and an assortment of industrial power machines, two drawing studios, three lecture rooms, a textile arts laboratory and a dedicated fashion computing lab. The campus library is currently being stocked with a wide variety of fashion books and periodicals.

The instructors, a number of them alumni from the world’s prestigious design schools as well as those from respected regional educational institutions, pledge a high level of instruction.

Visiting instructors and lecturers as well as interaction with the local industry via “client driven” projects provide students with a real world experience of challenges that lie ahead.

With your talent and our expertise, the possibilities are limitless…..

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(France). Fashion clients: Carven Golf, Renato Nucci, Frederic Castet, Toi du Monde, Jean Chancel, S. Zimmerman Leather Design, Theater Staatshteather Weis-baden. BTS, Elise Topelle Haute Couture. Studied at L’Ecole de la Chambre Syndicale de Couture. Lesage.

MONGO, Carol Fashion Education Consultant. Former Director and former Fashion Design Chair, Parsons Paris. Fashion writer: Paris Voice magazine; Associated Press; Essence Magazine; Paris Passion magazine; Detroit News; Auto Gallery Magazine; Emirates Inflight, CAAC (China Airways), Harris Publications; Bantam Books. Fashion Illustrations featured in: Cosmopolitan Magazine (NY-Paris), Simon & Shuster publishers (NY), Revlon ad campaign (NY-Paris), Dior Cosmetics. Exhibitions: “Paris on the Potomac” Washington DC. American Chambre of Commerce (Paris), Parsons Paris Gallery. BFA in Fashion Design, Pratt Institute. Post grad studies: FIT, Parsons, School of Visual Arts (NY).

NICKSON, JackVisual Artist. Lecturer and instructor for the Centre for Creative and Festival Arts (University of West Indies); Art Institute of Chicago. Part-time Artist in Residence: Rush Children’s Hospital; Department of Education for the Government of the Turks and Caicos Islands. Department of Education of Trinidad & Tobago. Four-year diploma (now BA) Edna Manley School of Visual & Performing Arts; M.A. in Art Education: Art Institute of Chicago, USA.

ROULLEAU, ElizabethHaute Couture Embroiderer. Worked for Koji Nihommatsu. Created “REves de Broderie,” promotion for the French embroidery profession. Exhibitions: “Respiration” with the Trame de Soi association; Haute Couture embroidery exhibition at the Cour des Loges (France). Studied Haute Couture and Interior Decoration Embroidery at Lesage, Paris France.

ST. CYR, ToniaArtist. Commissions include: Prestige Holdings, Trinidad & Tobago Postal Corporation Ltd., British West Indies Airways, Sandy Lane Hotel , Barbados, Colonial Life Insurance Company. Featured exhibitions at galleries including: Artpeach Gallery, Burbank CA; Art Creator's Gallery, Trinidad; Kunstwerk Gallery, Mannheim Germany; Artists' Museum, Washington DC; Commonwealth Institute, London UK. Gallery 1234, Trinidad; Art Gallery, Tobag; Kirby Gallery , Barbardos; Trinidad Art Society, Trinidad. Junior Graphic Artists, Christiansen and Belgrave Advertising Agency, T&T. BA (Hons) in Textile Design Central St. Martin's School of Art and Design, London UK.

RAMGOOLAM, RiaInstructor for Ministry of Education (T&T). MBA International Business Administration. BA. Literatures in English.

SAMUEL, PatrickAgricultural Assistant III, Lecturer at School of Accounting and Management (SAM). MBA in Marketing, University of Lincolnshire UK. BSc Business Studies, State University of New York College (USA); National Diploma in Management, Ciprani Labour College.

SINANAN, LisaManager (MG02) The Royal Bank of Trinidad and Tobago Limited. Administrative Officer II, First Citizens Mortgage & Trust Company. Business Reporter, Trinidad Express Newspapers Limited. MBA, Andrews University MI, USA. ABE Advanced Diploma in Business Management, Association of business Executives (UK). BXc Economics in Social Sciences, University of West Indies.

SINGH, ShaliniArt lecturer. Centre for Creative and Festival Arts, UWI St. Augustine TT. Artist. Exhibitions include “A Nation United Women Who Paint July Exhibition,” Art Creators Carifesta Contingent Exhibition; Women in Art Annual Art Exhibition Group. B.A. History/Visual Arts U.W.I ST. Augustine TT. MPhil, UWI.

TYSON, Herlene.Handbag Designer. Entrepreneur and Owner of Herlene Tyson Leatherworks. Manufacturers of an exclusive line of leather belts and handbags. Manager of Mt. Hope Export Centre and Design Centre in Santa Cruz for the Programme for the Ministry of Community Development. B.S. Clothing, Textile and Design/Business Administration: University of Wisconsin USA. Post Graduate Diploma:

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BENJAMIN, Dr. ErrollPhD Literatures in English, University of the West Indies (UWI). MA. English UWI. BA (Lower Second Class) Literature, History, UWI.

BLACKMAN DICK, HilarieEntrepreneur and owner of HIliarie's School of Fashion. Clothing and textile instructor for Ministry of Education (T&T). Professional Development Consultant. AAS in Fashion Technology, Warner's Fashion Instutute PA, USA; BS Human Ecology, University of the West Indies; MS, Human Resource Management, Troy State University GA, USA.

BOWEN, EddieArtist/Fine Art Consultant.. Over 20 one man shows locally, numerous studio shows, and international group shows at galleries including the Gallery 1234 (Normandie Hotel), Awuarella Galleries; CCA7; Santo Domingo Bienale, Sao Paulo Bienale 2002; Documenta; Lasd Politicas de la Differencia.

BRIZAN, JesselDesign assistant for Macy's Merchandising Group (MMG) NYC; Solo Licensing Corporation, NYC. Corporate Communications Manager Laqtel, T&T. Sales Associate, BAP, Inc. (Old Navy Clothing Co. and The GAP) MA, USA. Staff Writer, Union News/Sunday Republican, MA, USA. Editor in Chief, The Yellow Jacket, MA, USA. BA in Communications, American International College. Attended Fashion Institute of Technology (FIT), NYC.

CARR, SandraFashion Designer. Outerwear designer (coats, jackets) for Alexandre Fur Co. NYC (Calvin Klein Valentino, Carolyn Rhome divisions). Sample hand, JC Penney Stores, NYC.

Pattern Maker, Ladies Leisure Company, NYC. Entrepreneur and owner of Shass Designs NYC AAS in Fashion Design, Fashion Institute of Technology (FIT), NYC.

CELESTINE, Nekelle LaToyaBSc Computing and Information Systems, University of London External Program. Matriculation to MSC Infromation Systems Management, University of Greenwich External Programme. Cisco Certified Network Associate. CompTIA Network+

CHISHOLM, ValerieDesigner: Clients have included: Henri Bendel, Barney’s Ann Taylor, Charaviri, Broadway Babies (NYC; Garfinckel, Toast & Strawberries, Nikki Young, Diane’s Boutique (Wash. DC; Chlon (Detroit). Public Relations Rep: The Black Fashion Museum, Washington DC; Nelson Jackson; Cowboy (Oklahoma) MTG Media Properties; Organization of Black Designer. Consultant: World Bank Group (Wash. DC, Rome IT)

GLENN CYRUS, MichelleCertified Textile Lab Technician. Trinidad & Tobago Bureau of Standards. BSc in Human Ecology Consumer Science. Science Laboratory Technical Diploma, John Donaldson Technical Institute.

HAMID, Sajjad.Marketing Consultant. Columnist for Newsday Business Day, “Entrepreneurs Row.” Corporate Retail Manager for TTPost. Business Development Manager for Federal Mogul, Marketing Specialist: Hilo Food Stores; Marketing Assistant: Cannings. Marketing Officer for Amin’s Footwear Manufacturer.

HARRIS, AntonJewellery Designer. Clients include: Lousaing’s Jewellers, Caribbean Jewell Works. Lecturer at John S. Donaldson Technical Institute. Works exhibited at CANBAIA (Candian Black Artists in Action) exhibition. Invited by Mayor of New Amsterdam to introduce and teach the art of copper repousse to Guyana. Diploma in Jewelly Craft: John s. Donaldson Technical Institute.

JOCHUM, ClaireTextile Designer. In charge of textile arts at Parsons Paris (France). Former clients include: Christian Lacroix, Sic Amor, Miss China, University of St. Quentin-en-Yveline. Studied at Ecole des Beaux Arts de STrasvourg; Atelier d’Art Arc-en-Ciel, Chambre des Metiers (France).

KOEHNE, MartinaFashion Designer, Couture Pattern Maker. Former Fashion design chair, Parsons Paris. Consultant, LVHM. CEITH

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B.A. (Hons) Fashion Design

Today’s fashion designer must not only bear witness to the industrial, political and socio-economical conditions around them, they must interpret those trends into clothing that respond to the aesthetic and functional needs of an ever complex and expansive marketplace.

The B.A (Hons) degree in Fashion Design programme is offered as a four year course of study. Originality and flair are emphasized within a framework of good design and sound production techniques. In their first year, students learn the basics of art and design from which to project their own creative talent. On the second level, they learn all areas of garment production encountered in a professional atelier: pattern drafting, draping, fashion drawing, colour story development, presentation, illustration, and the realization of the finished garment.

On the third and fourth levels, students learn advanced studio skills as well as designing for specific markets, textile arts, fashion computing and basic marketing principals. Participation with local designers and manufacturers in client driven projects prepare students for thechallenges faced in the real world of design. The programme culminates in a fashion show of fourth-year student work presented before fashion professionals and the press.

1st LevelFashion Fundamentals: The Fashion IndustryFashion Fundamentals: Apparel ConstructionTextile Identification I & IIDrawing from ObservationLife DrawingColour & Design I & IIBasic Computing: Office ApplicationsBasic Computing: Graphic ApplicationsCritical ThinkingEnglish Literature & CompositionArt History I &II

3rd LevelDesign Studio I & IIAdvanced Intermediate Model DrawingAdvanced Model DrawingDesign Concepts I & IICAD Systems for Garment DesignCAD Systems for Pattern DraftingSurface Treatments I & IICultural Studies Elective or Language

CAREER PATHS: Fashion Designer of womenswear, childrenswear, menswear, lingerie, knitwear, sports apparel, maternity wear, bridal wear, swimwear, urbanwear. Accessories Designer of shoes, bags, jewellery. Design Director; Fashion Coordinator; Fashion Consultant; Product Manager; Collections Director; Patternmaker; Pattern Grader; Technical Designer; Fashion Educator.

2nd LevelBeginning Fashion DrawingIntermediate Fashion DrawingPattern Drafting I & IIDraping I & IIFashion Design/Illustration I & IIDigital Workshop I: PhotoshopDigital Workshop II: IllustratorHistory of Costume and TextilesFashion in the Modern World

4th LevelCollections DevelopmentConcepts Workshop I & IIThesis CollectionFashion Product DevelopmentLogistics in Fashion ManagementInternship or Fashion Management Elective

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Import/Export ManagementDiscussions involve methods, practices, and reasons for importation and exportation as well as the important factors in developing import programs, distribution of products, market sources, financing, and aspects associated with apparel and other imported and exported products

Merchandise Planning and BuyingA study of market sources, fashion buying techniques, vendor relationships, practices and approaches as a function of assortment planning and vendor selection.

Merchandising StrategiesWorking as a team, students simulate working for a fashion manufacturer or retailer and develop, refine goals and create strategies to enhance market strength, market penetration and build relationships among internal and external customers

MacroeconomicsThis course introduces the student to general theories and principles of macroeconomics and the economy in aggregate terms. It investigates the interaction of government, business and consumers as agents in the pursuit of growth, employment and stability of prices, interest rates and exchange rates.

MicroeconomicsAn introduction to general theories and principles of micro-economics, this course examines how small and individual

firms, and consumers make decisions with respect to the allocation of scarce resources and factors of production

Principles of MarketingExamination of fashion producers and retailer’s roles in marketing communications. Analysis of consumer motivation to develop sales strategies in relationship to marketing strategies

Principles of Public RelationsExplores strategic role and function of public relations in the fashion business. Students how to plan and prepare materials for various types of media.

Strategic Fashion ManagementIdentification of mission and strategies in the garment industry serves as the underlying theme for this course which looks at fashion in the context of its related global environment. Students are presented with a model of the strategic control process used in fashion firms, characteristics of strategic control elements, and methods of analyzing the fashion environment.

ELECTIVE:

Environmental Studies in Health and Safety for the Fashion IndustryThis course provides the students with basic knowledge required to identify and control Environmental, Health and Safety hazards associated with the fashion industry. The health effects related to the use of materials, routes of entry, dose-response relationship, personal hygiene, interaction of toxic agents, prevention and control techniques, ergonomics, and the use, storage, and disposal of hazardous materials are all topics for discussion.

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Brand IdentityThe fundamentals of branding is the basis of this course which focuses on concepts for fashion brand equity including the establishment of elements, personality and identity, all of which are a vital part of today’s fashion entities.

Business EthicsThrough readings in classic and contemporary ethical literature and through case studies of real ethical dilemmas, this course examines the moral considerations that one may encounter in management situations, business and creative pursuits.

Business LawThis course examines the structures and responsibilities of being in business, with emphasis on and practical applications of contract negotiations, business activity, and commercial liability.

Business WritingWriting effectively is an important skill that contributes to success in business. This course teaches the way to increase the clarity and impact of on-the-job documents.

Computer Systems for Retail ManagementThe application and use of the computer to solve problems in assortment planning, merchandise management, trading area site analysis, store planning and media planning are all explored.

Consumer BehaviourThis course explores the factors impacting consumers’ perceptions, decisions and purchases. Discussions focus on consumer research, geographical distribution, income, education, purchasing power, lifestyle and consumerism as influences.

Fashion Distribution and LogisticsThis course presents the basic concepts of fashion distribution and its interrelationship with marketing. Students learn about all of the stages within the production to manufacture structure from conception and creation to retailing, manufacturing and distribution of goods presented from a logistics’ perspective.

Fashion Fabrics and FibresIdentification of textile fibers and fabrics provides a basic knowledge of their range and how they are applied to the special requirements of clothing production.

Fashion Fundamentals: The Fashion Industry(See listing under Fashion Design)

Fashion Fundamentals: The Retail BusinessA study of retail organizations and structures within the fashion industry are topics for discussion. Analysis of supervision, organization and operations management of fashion retail institutions are also covered.

Fashion PresentationsStudents learn the fundamentals of presenting fashion information through visual presentations including trade shows, exhibitions, fashion shows and written communiqués for the purpose of promotion and sales.

Fashion Product DevelopmentResearching, planning, developing and presenting a fashion product line for an identified target market with regard to prices, styling and timing.

Fashion Retail BuyingBasic concepts of retail buying along with an overview of this industry are examined as students learn the planning and control of merchandise assortment, seasonal sales, plans, ordering and replenishment process. Sourcing as well as the relationships and negotiations between the buyer and vendor are also analyzed.

Fashion Visual MerchandisingThis course looks at the importance of fashion visual merchandising from its early roots as simple “window dressing” to modern strategies of corporate imaging, merchandising, and the strategic use and deployment of display props, signage, backdrops, graphics, colour and light systems in a way to gain a competitive edge in the marketplace.

Finance and AccountingStudents study the accounting cycle through financial statements, understanding inventory controls, tangible and intangible assets, and budgets. This course covers the role accounting plays in business forecasting and decision making.

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DIPLOMA in Fashion Design

The intensive nature of the CAFD Diploma in Fashion Design Programme caters to students with busy workday schedules, providing them with a part-time option to refresh existing skills or learn new ones with the intent of working as a skilled technician in the local industry. The programmeIs delivered over two years (six semesters).

This option exposes students to both the traditional hands-on studies in studio methods, drawing, textiles and design concepts as well as cutting edge digital computing in the fields of design and pattern drafting technology.

After successful completion of the Diploma in Fashion Design programme, students in good academic standing may opt to further their studies by reapplying for acceptance directly into the third year of the B.A. (Hons) in Fashion Design programme.

1st SemesterFashion Fundamentals: Apparel ConstructionStudio Methods & Techniques IFashion Fibres & FabricsFashion Fundamentals: The Fashion IndustrySurface Treatments on Fabric I

2nd SemesterStudio Methods & Techniques IIFashion Sketching IBasic Computing: Graphics ApplicationsArt HistorySurface Treatments on Fabric II

3rd SemesterStudio Methods & Techniques IIIFashion Sketching IIDesign IllustrationArt History IIDesign Electives

4th SemesterStudio Methods & Techniques IVFashion Sketching IIIDesign Illustration IIHistory of Costume & TextilesDesign Elective

5th SemesterStudio Methods & Techniques VTechnical IllustrationDesign Lab IDesign Elective

6th SemesterStudio Methods VICAD Systems for Garment DesignCAD Systems for Pattern DraftingDesign Lab IIDesign Elective

DESIGN ELECTIVES:Urban Jewellery Design; French Embroidery Techniques; Handbag & Belt Design; Knitting & Knotting; Silkscreen Techniques.

CAREER PATHS:Pattern maker; Seamstress; Dressmaker's assistant; Production Assistant; Technical Designer;Trend Researcher; Sample maker.

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objects and surroundings. Students learn the basics of composition and perspective using a variety of methods and materials.

Fashion Design Illustration I,IIA core fashion design course, students develop rendering and technical drawing skills used within the context of a design workroom. The second semester concentrates on the design skills of the student.

Fashion Fundamentals: Basics of Garment ConstructionStudents learn basic construction methods and a wide range of hand and machine sewing stitches employed in the assembly and finishing of a garment.

Fashion Fundamentals: The Fashion IndustryAn introduction to the global fashion industry. Analysis of the various levels within the market and the production chain from conception to retail sales. An overview of fashion capitals, important resources, companies and personnel who impact the industry is discussed.

Life DrawingThe study of the human anatomy, its planes, movement in space. The semester begins with the use of gestures and structural, academic drawing. then proceeds analytically through line, plane and volume.

Fashion Sketching I,IIFrom two-minute quick sketches to a studied drawing of the clothed figure, students learn the basics of fashion drawing from a live model. Movement, perspective, volume and silhouette of are emphasized.

Pattern Drafting I,IIBy learning to measure the body accurately, students develop basic “slopers,” the manipulation of which is used to develop paper patterns for bodices, skirts, sleeves, collars , shirts, jackets and trousers.

Textile Identification I,IIThe identification of textile fibers and fabrics provides a basic knowledge of their range and how they are applied to the special requirements of clothing production. The first semester’s focus is on natural fibres, Semester two examines synthetics and methods for quality control.

Thesis CollectionIn their last year of school, students produce a capsule collection of garments based on a personally selected theme. They build their “thesis” by designing “licensee” products and accessories and work on their “brand image,”

portfolio, and visual presentation in preparation for their entry into the professional world of fashion design.

Studio Methods & Techniques I, II, IIIIn this class which combines two different techniques for creating patterns for women’s apparel, students learn rudimentary methods of flat pattern drafting and three-dimensional draping.

Surface Treatments I,IIAn introduction to fabric patterning using traditional hand decoration, revitalized with new results and applications. Students learn basic techniques including batik resists, wax etching, lino-printing, stencelling, foiling, bonding, permanent pleating and puckering, devore, watercolour and direct painting with dyes and pigment paints.

CULTURAL STUDIES / ART HISTORY

Critical ThinkingDesigned to foster independent thinking, this course strengthens students’ capacity to reason clearly, critically and creatively including the ability to analyse the arguments of others, synthesize effective arguments of their own and solve problems skillfully. Students acquire skills in conducting purposeful, imaginative research skill essential to the examination of demanding social, moral, political and personal issues.

English Literature & CompositionStudents explore the differences between speech and writing. They analyse writing characteristics, conventions and principles for a variety of writing functions in a range of personal and public situations. No prerequisite.

History of Art I,IILectures and research covering the major schools of art from ancient Greece and Rome through contemporary paintings and sculpture.

History of CostumeThis history of fashion course is designed to introduce students to the different garments worn in ancient Egypt, Greece and Rome as well as those worn by Europeans during the Middle Ages up to the present. An understanding of the evolution of the society through the clothes people once work is promoted in a given sociological, economical and religious context.

History of Contemporary FashionFrom its origins in the mid-19th century to the makers and shakers in the contemporary world of style, this history of fashion course focuses on contemporary fashion from its origins with Charles Worth through today’s cutting edge young designers.

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Basic Computing: Graphics ApplicationsIntroduction to Adobe Photoshop and Illustrator.

Basic Computing: Office ApplicationsPractical application of Microsoft Office: Word, Excel and Powerpoint for use in illustrated reports, business letters, outlines, charts, research papers and spreadsheets and visual presentations.

Beginning Fashion DrawingIntermediate Fashion DrawingBasic drawing skills are taught from a live fashion model to help the student define movement, proportion, and perspective. Students learn through observation how various garments hang in relation to the body. Exploration of media and the styles of professional illustrators helps students develop a fashion signature.

CAD Systems for Fashion DesignThe use of professional computer software for apparel collections planning and presentation is presented.

CAD Systems for Pattern DraftingUsing professional grade software, students learn cutting edge technology in the creation and gradation of the pattern.

Collections DevelopmentWorking in tandem with the Concepts Workshop class, students are faced with creative problem solving via couture techniques, tailoring and experimental methods of draping or pattern making.

Colour and Design I,IIThe elements, principles and factors of design in black, white and gray values are explored. The second semester delves into the nature of colour: hue, value, light, tonal mixtures, systems of colour.

Concepts Workshop I

In this final year of study, focus is placed on research and development of personal style as the student prepares to enter the workforce. Students interface with the fashion industry through designer and industry driven projects.

Concepts Workshop IIStudents devote their attention to the realization and fabrication of their “thesis” collection, comprising up to six garments. Faculty and outside professionals provide invaluable critiques and guidance.

Design Concepts I,IIA study of various fashion markets with an eye on designing within imposed constraints. The use of the croquis book, the “story board,” colour and fabric boards are imposed as essential working tools. The second semester is devoted to students’ involvement in a professional designer driven project.

Design LabStudents learn to research, collect information and sharpen their skills of observation while learning to prepare reports and presentations, visually and orally.

Design Studio I,II Advanced studio techniques with an emphasis on design aesthetics and a focus on the process and procedure of executing a design concept to layout, cutting, construction, fitting and finishing. The second semester works in tandem with Design Concepts for the designer driven project.

Digital Workshop: Adobe PhotoshopA digital imaging course tailored to fit the needs of the fashion designer, Adobe Photoshop is used as the ultimate tool for Fashion Visual Presentations.

Digital Workshop: Adobe IllustratorAdobe Illustrator is used to construct technical drawings (otherwise known as flats or specs).

Draping I,IIDraping techniques through fitting muslin on the dress form is a method used to achieve basic shapes and interesting volumes from which design concepts emanate. Students learn to make basic patterns and to achieve balance in three dimensional form. In semester two, they work with a variety of patterns, layouts, cutting, and construction techniques with an emphasis on individual design aesthetics.

Drawing From ObservationBoth perceptual and analytical in nature, this basic drawing course is designed to help the student to train the hand to mind to eye coordination through direct observation of

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DIPLOMA in Fashion Management

Fashion managers are the movers and shakers behind he glitzy world of red-carpet gowns, 24-carat baubles, designer cosmetics and even luxury home furnishing. For they are the individuals responsible for bringing must-have items directly from the designer’s workshop right down onto the retail sales floor.

The increasing complexity of this sector, along with a highly competitive globalized marketplace and expansive “2020 Vision” of the Trinidad and Tobago government, will require individuals with specific knowledge of fashion marketing strategies, retail savvy and visual merchandising savoir-faire.

The aim of the Diploma in Fashion Management programme is to develop professionals in fashion marketing, merchandising and in product development. The programme addresses the business aspect of the industry. Students are imprinted with a basic marketing foundation while gaining comprehensive knowledge of the fashion industry and its product life cycles.

1st SemesterFashion Fundamentals: The Fashion IndustryFashion Fabrics and FibresPrinciples of MarketingBasic Computing: Office ApplicationsCritical Thinking

2nd SemesterFashion Fundamentals: The Retail BusinessFinance and AccountingBusiness WritingConsumer Behaviour

3rd SemesterFashion Retail BuyingMerchandise Planning and BuyingMicroeconomicsFashion Presentations

4th SemesterMerchandising StrategiesMacroeconomicsFashion Product DevelopmentBrand Identity

5th SemesterStrategic Fashion ManagementComputer Systems for Retail ManagementFashion Distribution and LogisticsBusiness EthicsLiberal Studies Elective or Language

6th SemesterFashion Visual MerchandisingImport/ExportBusiness LawPrinciples of Public Relations

CAREER PATHS: Fashion Buying, Retail Merchandising, Management, Public Relations, Events Organizer, Product Sourcing, Product Development, Fashion Marketing, Promotion and Communications, Fashion Stylist.

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CULTURAL STUDIES

CULTURAL STUDIES at the CARIBBEAN ACADEMY of FASHION & DESIGN

Fashion trends are often impacted by world events: major art and music movements, geopolitical crisis, socioeconomic factors and environmental concerns. Though not directly related to fashion studies per se, cultural studies play an essential role at CAFD in providing students the necessary intellectual and cultural cognizance needed to compete in the ever complex, global world of design.

Cultural studies in the first year, serve as an initiation to the world of art. Critical Thinking helps students develop research and analytical skills, problem solvingabilities and an awareness of the world around them. English Literature and Composition inspire creative thinking and provides the tools necessary to transmitideas in written form. Art history classes force the student to reflect back on the rootsof colour, design, shape, form and expression then reinterpret them for use in our modern society.

Classes in History of Costume and History of Contemporary Fashion provide a solid background in both the past and present modes of apparel which are essential for creating innovative designs for the twenty-first century.

As the programme advances, future course offerings may include foreign languages, regional art, literary studies, and music appreciation.

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Basic Computing: Graphics ApplicationsIntroduction to Adobe Photoshop and Illustrator.

Basic Computing: Office ApplicationsPractical application of Microsoft Office: Word, Excel and Powerpoint for use in illustrated reports, business letters, outlines, charts, research papers and spreadsheets and visual presentations.

Beginning Fashion DrawingIntermediate Fashion DrawingBasic drawing skills are taught from a live fashion model to help the student define movement, proportion, and perspective. Students learn through observation how various garments hang in relation to the body. Exploration of media and the styles of professional illustrators helps students develop a fashion signature.

CAD Systems for Fashion DesignThe use of professional computer software for apparel collections planning and presentation is presented.

CAD Systems for Pattern DraftingUsing professional grade software, students learn cutting edge technology in the creation and gradation of the pattern.

Collections DevelopmentWorking in tandem with the Concepts Workshop class, students are faced with creative problem solving via couture techniques, tailoring and experimental methods of draping or pattern making.

Colour and Design I,IIThe elements, principles and factors of design in black, white and gray values are explored. The second semester delves into the nature of colour: hue, value, light, tonal mixtures, systems of colour.

Concepts Workshop I

In this final year of study, focus is placed on research and development of personal style as the student prepares to enter the workforce. Students interface with the fashion industry through designer and industry driven projects.

Concepts Workshop IIStudents devote their attention to the realization and fabrication of their “thesis” collection, comprising up to six garments. Faculty and outside professionals provide invaluable critiques and guidance.

Design Concepts I,IIA study of various fashion markets with an eye on designing within imposed constraints. The use of the croquis book, the “story board,” colour and fabric boards are imposed as essential working tools. The second semester is devoted to students’ involvement in a professional designer driven project.

Design LabStudents learn to research, collect information and sharpen their skills of observation while learning to prepare reports and presentations, visually and orally.

Design Studio I,II Advanced studio techniques with an emphasis on design aesthetics and a focus on the process and procedure of executing a design concept to layout, cutting, construction, fitting and finishing. The second semester works in tandem with Design Concepts for the designer driven project.

Digital Workshop: Adobe PhotoshopA digital imaging course tailored to fit the needs of the fashion designer, Adobe Photoshop is used as the ultimate tool for Fashion Visual Presentations.

Digital Workshop: Adobe IllustratorAdobe Illustrator is used to construct technical drawings (otherwise known as flats or specs).

Draping I,IIDraping techniques through fitting muslin on the dress form is a method used to achieve basic shapes and interesting volumes from which design concepts emanate. Students learn to make basic patterns and to achieve balance in three dimensional form. In semester two, they work with a variety of patterns, layouts, cutting, and construction techniques with an emphasis on individual design aesthetics.

Drawing From ObservationBoth perceptual and analytical in nature, this basic drawing course is designed to help the student to train the hand to mind to eye coordination through direct observation of

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DIPLOMA in Fashion Management

Fashion managers are the movers and shakers behind he glitzy world of red-carpet gowns, 24-carat baubles, designer cosmetics and even luxury home furnishing. For they are the individuals responsible for bringing must-have items directly from the designer’s workshop right down onto the retail sales floor.

The increasing complexity of this sector, along with a highly competitive globalized marketplace and expansive “2020 Vision” of the Trinidad and Tobago government, will require individuals with specific knowledge of fashion marketing strategies, retail savvy and visual merchandising savoir-faire.

The aim of the Diploma in Fashion Management programme is to develop professionals in fashion marketing, merchandising and in product development. The programme addresses the business aspect of the industry. Students are imprinted with a basic marketing foundation while gaining comprehensive knowledge of the fashion industry and its product life cycles.

1st SemesterFashion Fundamentals: The Fashion IndustryFashion Fabrics and FibresPrinciples of MarketingBasic Computing: Office ApplicationsCritical Thinking

2nd SemesterFashion Fundamentals: The Retail BusinessFinance and AccountingBusiness WritingConsumer Behaviour

3rd SemesterFashion Retail BuyingMerchandise Planning and BuyingMicroeconomicsFashion Presentations

4th SemesterMerchandising StrategiesMacroeconomicsFashion Product DevelopmentBrand Identity

5th SemesterStrategic Fashion ManagementComputer Systems for Retail ManagementFashion Distribution and LogisticsBusiness EthicsLiberal Studies Elective or Language

6th SemesterFashion Visual MerchandisingImport/ExportBusiness LawPrinciples of Public Relations

CAREER PATHS: Fashion Buying, Retail Merchandising, Management, Public Relations, Events Organizer, Product Sourcing, Product Development, Fashion Marketing, Promotion and Communications, Fashion Stylist.

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objects and surroundings. Students learn the basics of composition and perspective using a variety of methods and materials.

Fashion Design Illustration I,IIA core fashion design course, students develop rendering and technical drawing skills used within the context of a design workroom. The second semester concentrates on the design skills of the student.

Fashion Fundamentals: Basics of Garment ConstructionStudents learn basic construction methods and a wide range of hand and machine sewing stitches employed in the assembly and finishing of a garment.

Fashion Fundamentals: The Fashion IndustryAn introduction to the global fashion industry. Analysis of the various levels within the market and the production chain from conception to retail sales. An overview of fashion capitals, important resources, companies and personnel who impact the industry is discussed.

Life DrawingThe study of the human anatomy, its planes, movement in space. The semester begins with the use of gestures and structural, academic drawing. then proceeds analytically through line, plane and volume.

Fashion Sketching I,IIFrom two-minute quick sketches to a studied drawing of the clothed figure, students learn the basics of fashion drawing from a live model. Movement, perspective, volume and silhouette of are emphasized.

Pattern Drafting I,IIBy learning to measure the body accurately, students develop basic “slopers,” the manipulation of which is used to develop paper patterns for bodices, skirts, sleeves, collars , shirts, jackets and trousers.

Textile Identification I,IIThe identification of textile fibers and fabrics provides a basic knowledge of their range and how they are applied to the special requirements of clothing production. The first semester’s focus is on natural fibres, Semester two examines synthetics and methods for quality control.

Thesis CollectionIn their last year of school, students produce a capsule collection of garments based on a personally selected theme. They build their “thesis” by designing “licensee” products and accessories and work on their “brand image,”

portfolio, and visual presentation in preparation for their entry into the professional world of fashion design.

Studio Methods & Techniques I, II, IIIIn this class which combines two different techniques for creating patterns for women’s apparel, students learn rudimentary methods of flat pattern drafting and three-dimensional draping.

Surface Treatments I,IIAn introduction to fabric patterning using traditional hand decoration, revitalized with new results and applications. Students learn basic techniques including batik resists, wax etching, lino-printing, stencelling, foiling, bonding, permanent pleating and puckering, devore, watercolour and direct painting with dyes and pigment paints.

CULTURAL STUDIES / ART HISTORY

Critical ThinkingDesigned to foster independent thinking, this course strengthens students’ capacity to reason clearly, critically and creatively including the ability to analyse the arguments of others, synthesize effective arguments of their own and solve problems skillfully. Students acquire skills in conducting purposeful, imaginative research skill essential to the examination of demanding social, moral, political and personal issues.

English Literature & CompositionStudents explore the differences between speech and writing. They analyse writing characteristics, conventions and principles for a variety of writing functions in a range of personal and public situations. No prerequisite.

History of Art I,IILectures and research covering the major schools of art from ancient Greece and Rome through contemporary paintings and sculpture.

History of CostumeThis history of fashion course is designed to introduce students to the different garments worn in ancient Egypt, Greece and Rome as well as those worn by Europeans during the Middle Ages up to the present. An understanding of the evolution of the society through the clothes people once work is promoted in a given sociological, economical and religious context.

History of Contemporary FashionFrom its origins in the mid-19th century to the makers and shakers in the contemporary world of style, this history of fashion course focuses on contemporary fashion from its origins with Charles Worth through today’s cutting edge young designers.

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Brand IdentityThe fundamentals of branding is the basis of this course which focuses on concepts for fashion brand equity including the establishment of elements, personality and identity, all of which are a vital part of today’s fashion entities.

Business EthicsThrough readings in classic and contemporary ethical literature and through case studies of real ethical dilemmas, this course examines the moral considerations that one may encounter in management situations, business and creative pursuits.

Business LawThis course examines the structures and responsibilities of being in business, with emphasis on and practical applications of contract negotiations, business activity, and commercial liability.

Business WritingWriting effectively is an important skill that contributes to success in business. This course teaches the way to increase the clarity and impact of on-the-job documents.

Computer Systems for Retail ManagementThe application and use of the computer to solve problems in assortment planning, merchandise management, trading area site analysis, store planning and media planning are all explored.

Consumer BehaviourThis course explores the factors impacting consumers’ perceptions, decisions and purchases. Discussions focus on consumer research, geographical distribution, income, education, purchasing power, lifestyle and consumerism as influences.

Fashion Distribution and LogisticsThis course presents the basic concepts of fashion distribution and its interrelationship with marketing. Students learn about all of the stages within the production to manufacture structure from conception and creation to retailing, manufacturing and distribution of goods presented from a logistics’ perspective.

Fashion Fabrics and FibresIdentification of textile fibers and fabrics provides a basic knowledge of their range and how they are applied to the special requirements of clothing production.

Fashion Fundamentals: The Fashion Industry(See listing under Fashion Design)

Fashion Fundamentals: The Retail BusinessA study of retail organizations and structures within the fashion industry are topics for discussion. Analysis of supervision, organization and operations management of fashion retail institutions are also covered.

Fashion PresentationsStudents learn the fundamentals of presenting fashion information through visual presentations including trade shows, exhibitions, fashion shows and written communiqués for the purpose of promotion and sales.

Fashion Product DevelopmentResearching, planning, developing and presenting a fashion product line for an identified target market with regard to prices, styling and timing.

Fashion Retail BuyingBasic concepts of retail buying along with an overview of this industry are examined as students learn the planning and control of merchandise assortment, seasonal sales, plans, ordering and replenishment process. Sourcing as well as the relationships and negotiations between the buyer and vendor are also analyzed.

Fashion Visual MerchandisingThis course looks at the importance of fashion visual merchandising from its early roots as simple “window dressing” to modern strategies of corporate imaging, merchandising, and the strategic use and deployment of display props, signage, backdrops, graphics, colour and light systems in a way to gain a competitive edge in the marketplace.

Finance and AccountingStudents study the accounting cycle through financial statements, understanding inventory controls, tangible and intangible assets, and budgets. This course covers the role accounting plays in business forecasting and decision making.

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DIPLOMA in Fashion Design

The intensive nature of the CAFD Diploma in Fashion Design Programme caters to students with busy workday schedules, providing them with a part-time option to refresh existing skills or learn new ones with the intent of working as a skilled technician in the local industry. The programmeIs delivered over two years (six semesters).

This option exposes students to both the traditional hands-on studies in studio methods, drawing, textiles and design concepts as well as cutting edge digital computing in the fields of design and pattern drafting technology.

After successful completion of the Diploma in Fashion Design programme, students in good academic standing may opt to further their studies by reapplying for acceptance directly into the third year of the B.A. (Hons) in Fashion Design programme.

1st SemesterFashion Fundamentals: Apparel ConstructionStudio Methods & Techniques IFashion Fibres & FabricsFashion Fundamentals: The Fashion IndustrySurface Treatments on Fabric I

2nd SemesterStudio Methods & Techniques IIFashion Sketching IBasic Computing: Graphics ApplicationsArt HistorySurface Treatments on Fabric II

3rd SemesterStudio Methods & Techniques IIIFashion Sketching IIDesign IllustrationArt History IIDesign Electives

4th SemesterStudio Methods & Techniques IVFashion Sketching IIIDesign Illustration IIHistory of Costume & TextilesDesign Elective

5th SemesterStudio Methods & Techniques VTechnical IllustrationDesign Lab IDesign Elective

6th SemesterStudio Methods VICAD Systems for Garment DesignCAD Systems for Pattern DraftingDesign Lab IIDesign Elective

DESIGN ELECTIVES:Urban Jewellery Design; French Embroidery Techniques; Handbag & Belt Design; Knitting & Knotting; Silkscreen Techniques.

CAREER PATHS:Pattern maker; Seamstress; Dressmaker's assistant; Production Assistant; Technical Designer;Trend Researcher; Sample maker.

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Import/Export ManagementDiscussions involve methods, practices, and reasons for importation and exportation as well as the important factors in developing import programs, distribution of products, market sources, financing, and aspects associated with apparel and other imported and exported products

Merchandise Planning and BuyingA study of market sources, fashion buying techniques, vendor relationships, practices and approaches as a function of assortment planning and vendor selection.

Merchandising StrategiesWorking as a team, students simulate working for a fashion manufacturer or retailer and develop, refine goals and create strategies to enhance market strength, market penetration and build relationships among internal and external customers

MacroeconomicsThis course introduces the student to general theories and principles of macroeconomics and the economy in aggregate terms. It investigates the interaction of government, business and consumers as agents in the pursuit of growth, employment and stability of prices, interest rates and exchange rates.

MicroeconomicsAn introduction to general theories and principles of micro-economics, this course examines how small and individual

firms, and consumers make decisions with respect to the allocation of scarce resources and factors of production

Principles of MarketingExamination of fashion producers and retailer’s roles in marketing communications. Analysis of consumer motivation to develop sales strategies in relationship to marketing strategies

Principles of Public RelationsExplores strategic role and function of public relations in the fashion business. Students how to plan and prepare materials for various types of media.

Strategic Fashion ManagementIdentification of mission and strategies in the garment industry serves as the underlying theme for this course which looks at fashion in the context of its related global environment. Students are presented with a model of the strategic control process used in fashion firms, characteristics of strategic control elements, and methods of analyzing the fashion environment.

ELECTIVE:

Environmental Studies in Health and Safety for the Fashion IndustryThis course provides the students with basic knowledge required to identify and control Environmental, Health and Safety hazards associated with the fashion industry. The health effects related to the use of materials, routes of entry, dose-response relationship, personal hygiene, interaction of toxic agents, prevention and control techniques, ergonomics, and the use, storage, and disposal of hazardous materials are all topics for discussion.

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BENJAMIN, Dr. ErrollPhD Literatures in English, University of the West Indies (UWI). MA. English UWI. BA (Lower Second Class) Literature, History, UWI.

BLACKMAN DICK, HilarieEntrepreneur and owner of HIliarie's School of Fashion. Clothing and textile instructor for Ministry of Education (T&T). Professional Development Consultant. AAS in Fashion Technology, Warner's Fashion Instutute PA, USA; BS Human Ecology, University of the West Indies; MS, Human Resource Management, Troy State University GA, USA.

BOWEN, EddieArtist/Fine Art Consultant.. Over 20 one man shows locally, numerous studio shows, and international group shows at galleries including the Gallery 1234 (Normandie Hotel), Awuarella Galleries; CCA7; Santo Domingo Bienale, Sao Paulo Bienale 2002; Documenta; Lasd Politicas de la Differencia.

BRIZAN, JesselDesign assistant for Macy's Merchandising Group (MMG) NYC; Solo Licensing Corporation, NYC. Corporate Communications Manager Laqtel, T&T. Sales Associate, BAP, Inc. (Old Navy Clothing Co. and The GAP) MA, USA. Staff Writer, Union News/Sunday Republican, MA, USA. Editor in Chief, The Yellow Jacket, MA, USA. BA in Communications, American International College. Attended Fashion Institute of Technology (FIT), NYC.

CARR, SandraFashion Designer. Outerwear designer (coats, jackets) for Alexandre Fur Co. NYC (Calvin Klein Valentino, Carolyn Rhome divisions). Sample hand, JC Penney Stores, NYC.

Pattern Maker, Ladies Leisure Company, NYC. Entrepreneur and owner of Shass Designs NYC AAS in Fashion Design, Fashion Institute of Technology (FIT), NYC.

CELESTINE, Nekelle LaToyaBSc Computing and Information Systems, University of London External Program. Matriculation to MSC Infromation Systems Management, University of Greenwich External Programme. Cisco Certified Network Associate. CompTIA Network+

CHISHOLM, ValerieDesigner: Clients have included: Henri Bendel, Barney’s Ann Taylor, Charaviri, Broadway Babies (NYC; Garfinckel, Toast & Strawberries, Nikki Young, Diane’s Boutique (Wash. DC; Chlon (Detroit). Public Relations Rep: The Black Fashion Museum, Washington DC; Nelson Jackson; Cowboy (Oklahoma) MTG Media Properties; Organization of Black Designer. Consultant: World Bank Group (Wash. DC, Rome IT)

GLENN CYRUS, MichelleCertified Textile Lab Technician. Trinidad & Tobago Bureau of Standards. BSc in Human Ecology Consumer Science. Science Laboratory Technical Diploma, John Donaldson Technical Institute.

HAMID, Sajjad.Marketing Consultant. Columnist for Newsday Business Day, “Entrepreneurs Row.” Corporate Retail Manager for TTPost. Business Development Manager for Federal Mogul, Marketing Specialist: Hilo Food Stores; Marketing Assistant: Cannings. Marketing Officer for Amin’s Footwear Manufacturer.

HARRIS, AntonJewellery Designer. Clients include: Lousaing’s Jewellers, Caribbean Jewell Works. Lecturer at John S. Donaldson Technical Institute. Works exhibited at CANBAIA (Candian Black Artists in Action) exhibition. Invited by Mayor of New Amsterdam to introduce and teach the art of copper repousse to Guyana. Diploma in Jewelly Craft: John s. Donaldson Technical Institute.

JOCHUM, ClaireTextile Designer. In charge of textile arts at Parsons Paris (France). Former clients include: Christian Lacroix, Sic Amor, Miss China, University of St. Quentin-en-Yveline. Studied at Ecole des Beaux Arts de STrasvourg; Atelier d’Art Arc-en-Ciel, Chambre des Metiers (France).

KOEHNE, MartinaFashion Designer, Couture Pattern Maker. Former Fashion design chair, Parsons Paris. Consultant, LVHM. CEITH

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B.A. (Hons) Fashion Design

Today’s fashion designer must not only bear witness to the industrial, political and socio-economical conditions around them, they must interpret those trends into clothing that respond to the aesthetic and functional needs of an ever complex and expansive marketplace.

The B.A (Hons) degree in Fashion Design programme is offered as a four year course of study. Originality and flair are emphasized within a framework of good design and sound production techniques. In their first year, students learn the basics of art and design from which to project their own creative talent. On the second level, they learn all areas of garment production encountered in a professional atelier: pattern drafting, draping, fashion drawing, colour story development, presentation, illustration, and the realization of the finished garment.

On the third and fourth levels, students learn advanced studio skills as well as designing for specific markets, textile arts, fashion computing and basic marketing principals. Participation with local designers and manufacturers in client driven projects prepare students for thechallenges faced in the real world of design. The programme culminates in a fashion show of fourth-year student work presented before fashion professionals and the press.

1st LevelFashion Fundamentals: The Fashion IndustryFashion Fundamentals: Apparel ConstructionTextile Identification I & IIDrawing from ObservationLife DrawingColour & Design I & IIBasic Computing: Office ApplicationsBasic Computing: Graphic ApplicationsCritical ThinkingEnglish Literature & CompositionArt History I &II

3rd LevelDesign Studio I & IIAdvanced Intermediate Model DrawingAdvanced Model DrawingDesign Concepts I & IICAD Systems for Garment DesignCAD Systems for Pattern DraftingSurface Treatments I & IICultural Studies Elective or Language

CAREER PATHS: Fashion Designer of womenswear, childrenswear, menswear, lingerie, knitwear, sports apparel, maternity wear, bridal wear, swimwear, urbanwear. Accessories Designer of shoes, bags, jewellery. Design Director; Fashion Coordinator; Fashion Consultant; Product Manager; Collections Director; Patternmaker; Pattern Grader; Technical Designer; Fashion Educator.

2nd LevelBeginning Fashion DrawingIntermediate Fashion DrawingPattern Drafting I & IIDraping I & IIFashion Design/Illustration I & IIDigital Workshop I: PhotoshopDigital Workshop II: IllustratorHistory of Costume and TextilesFashion in the Modern World

4th LevelCollections DevelopmentConcepts Workshop I & IIThesis CollectionFashion Product DevelopmentLogistics in Fashion ManagementInternship or Fashion Management Elective

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(France). Fashion clients: Carven Golf, Renato Nucci, Frederic Castet, Toi du Monde, Jean Chancel, S. Zimmerman Leather Design, Theater Staatshteather Weis-baden. BTS, Elise Topelle Haute Couture. Studied at L’Ecole de la Chambre Syndicale de Couture. Lesage.

MONGO, Carol Fashion Education Consultant. Former Director and former Fashion Design Chair, Parsons Paris. Fashion writer: Paris Voice magazine; Associated Press; Essence Magazine; Paris Passion magazine; Detroit News; Auto Gallery Magazine; Emirates Inflight, CAAC (China Airways), Harris Publications; Bantam Books. Fashion Illustrations featured in: Cosmopolitan Magazine (NY-Paris), Simon & Shuster publishers (NY), Revlon ad campaign (NY-Paris), Dior Cosmetics. Exhibitions: “Paris on the Potomac” Washington DC. American Chambre of Commerce (Paris), Parsons Paris Gallery. BFA in Fashion Design, Pratt Institute. Post grad studies: FIT, Parsons, School of Visual Arts (NY).

NICKSON, JackVisual Artist. Lecturer and instructor for the Centre for Creative and Festival Arts (University of West Indies); Art Institute of Chicago. Part-time Artist in Residence: Rush Children’s Hospital; Department of Education for the Government of the Turks and Caicos Islands. Department of Education of Trinidad & Tobago. Four-year diploma (now BA) Edna Manley School of Visual & Performing Arts; M.A. in Art Education: Art Institute of Chicago, USA.

ROULLEAU, ElizabethHaute Couture Embroiderer. Worked for Koji Nihommatsu. Created “REves de Broderie,” promotion for the French embroidery profession. Exhibitions: “Respiration” with the Trame de Soi association; Haute Couture embroidery exhibition at the Cour des Loges (France). Studied Haute Couture and Interior Decoration Embroidery at Lesage, Paris France.

ST. CYR, ToniaArtist. Commissions include: Prestige Holdings, Trinidad & Tobago Postal Corporation Ltd., British West Indies Airways, Sandy Lane Hotel , Barbados, Colonial Life Insurance Company. Featured exhibitions at galleries including: Artpeach Gallery, Burbank CA; Art Creator's Gallery, Trinidad; Kunstwerk Gallery, Mannheim Germany; Artists' Museum, Washington DC; Commonwealth Institute, London UK. Gallery 1234, Trinidad; Art Gallery, Tobag; Kirby Gallery , Barbardos; Trinidad Art Society, Trinidad. Junior Graphic Artists, Christiansen and Belgrave Advertising Agency, T&T. BA (Hons) in Textile Design Central St. Martin's School of Art and Design, London UK.

RAMGOOLAM, RiaInstructor for Ministry of Education (T&T). MBA International Business Administration. BA. Literatures in English.

SAMUEL, PatrickAgricultural Assistant III, Lecturer at School of Accounting and Management (SAM). MBA in Marketing, University of Lincolnshire UK. BSc Business Studies, State University of New York College (USA); National Diploma in Management, Ciprani Labour College.

SINANAN, LisaManager (MG02) The Royal Bank of Trinidad and Tobago Limited. Administrative Officer II, First Citizens Mortgage & Trust Company. Business Reporter, Trinidad Express Newspapers Limited. MBA, Andrews University MI, USA. ABE Advanced Diploma in Business Management, Association of business Executives (UK). BXc Economics in Social Sciences, University of West Indies.

SINGH, ShaliniArt lecturer. Centre for Creative and Festival Arts, UWI St. Augustine TT. Artist. Exhibitions include “A Nation United Women Who Paint July Exhibition,” Art Creators Carifesta Contingent Exhibition; Women in Art Annual Art Exhibition Group. B.A. History/Visual Arts U.W.I ST. Augustine TT. MPhil, UWI.

TYSON, Herlene.Handbag Designer. Entrepreneur and Owner of Herlene Tyson Leatherworks. Manufacturers of an exclusive line of leather belts and handbags. Manager of Mt. Hope Export Centre and Design Centre in Santa Cruz for the Programme for the Ministry of Community Development. B.S. Clothing, Textile and Design/Business Administration: University of Wisconsin USA. Post Graduate Diploma:

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BA (Honours) Degree in Fashion Design:

Two (2) passes at GCE Advanced Level or CAPE I and II and passes in a minimum of three (3) CXC (CSEC)

General Proficiency Level or equivalent GCE O-Levels which must include either CXC grade 1 or GCE grade A in Mathematics and English; or

Successful completion of the CAFD Diploma in Fashion Design programme or related studies; or

Passes in a minimum of five (5) CXC (CSEC) General Proficiency Level or equivalent GCE O- Level which must include CXC grade 1 or GCE grade A in Mathematics and English Language.



Diploma in Fashion Design :

Passes in a minimum of five (5) CXC (CSEC) General Proficiency Level (Grades I or II and from 1998 Grade III) or equivalent GCE O-Levels, which must include Mathematics and English Language; orSuccessful completion of UTT’s Pre-university Programme.



Diploma in Fashion Management:

Passes in a minimum of five (5) CXC (CSEC) General Proficiency Level (Grades I or II and from 1998 Grade III) or equivalent GCE O-Levels, which must include Mathematics, English Language and a business subject; or

Successful completion of UTT’s Pre-university Programme.

Additional Requirements:Choose two advertisements of fashion products; one you determine to be effective, the other, less persuasive. Write

a 500-word essay as to why you believe one is more effective than the other.

A letter of intent explaining why the student desires to study Fashion Management.

The admissions panel will only consider applicants who satisfy all entry requirements.The portfolio and essay submission will help the admissions panel to evaluate the level of dedication of the candidate, as well as their natural creativity. Please note: Applicants with equivalent qualifications, as determined by UTT, will also be considered for admission. Students writing examinations in June 2009 may also submit applications. For both diploma programmes, a minimum CXC I Proficiency level grade III from 1998, will be accepted.

PROJECTED STUDENT FEES (2008-2009)

B.A. (Honours) Degree in Fashion Design-Full Time


Estimated Cost of SuppliesYear 1 $ 1000Year 2 4000Year 3 5300Year 4 TBA

Diploma Programmes (Fashion Design / Management)


Estimated Cost of Supplies for Diploma Fashion DesignYear 1 $1000Year 2 4000

DEADLINE for 2009-2010 Academic Year Submissions is March 31, 2009.For further information, contact us at (868) 642 8888 ext. 26434, (868) 643 515 ext. 21077, (868) 623 8214 or download application forms from the UTT website: http://www.utt.edu.tt.

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IMAGINE THE POSSIBILITIES…..

The increasingly complexity of the fashion industry along with a highly competitive globalized marketplace require highly trained individuals with specific knowledge of apparel design, research and planning as well as marketing, management and product development.

In collaboration with industry professionals from Paris, New York and London, CAFD is the first dedicated fashion school in the region offering tertiary education to undergraduates from around the Caribbean who wish to pursue studies in fashion design and management. Students opting for studies in fashion design will learn all aspects of apparel design encountered in a professional workroom from market research, croquis sketching and pattern making to collection planning and the construction of the final garment. The fashion management programme will integrate a basic marketing foundation with comprehensive knowledge of realities in the global fashion industry. Courses include fashion marketing, merchandising, public relations, fashion presentation, product development and international trade.

Facilities at CAFD are ideally suited to realize the creative endeavours of its students and include three spacious design ateliers equip with Wolf dress forms and an assortment of industrial power machines, two drawing studios, three lecture rooms, a textile arts laboratory and a dedicated fashion computing lab. The campus library is currently being stocked with a wide variety of fashion books and periodicals.

The instructors, a number of them alumni from the world’s prestigious design schools as well as those from respected regional educational institutions, pledge a high level of instruction.

Visiting instructors and lecturers as well as interaction with the local industry via “client driven” projects provide students with a real world experience of challenges that lie ahead.

With your talent and our expertise, the possibilities are limitless…..

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THE UNIVERSITY OF TRINIDAD AND TOBAGO (UTT)

The underlying philosophy of the Government of Trinidad and Tobago with respect to tertiary education as articulated in its Vision 2020 Action Plan 2002 - 2007 is to embark on a radical programme in support of post-secondary and tertiary education. Government envisages enrolment in tertiary institutions tripled within the next five to seven years and has identified the need for new universities and post secondary institutions with a different focus from the traditional tertiary level institutions. UTT finds itself in the vanguard of this revolution of tertiary education.

The University of Trinidad and Tobago will provide a different focus to that which presently obtains. Drawing on the experiences of the various institutions which will fall under its ambit, and the fostering and maintenance of alliances with Centres of Excellence and private companies of distinction, the University has accepted its leadership role in education, research and innovation, pillars of a developed society.

CARIBBEAN ACADEMY OF FASHION AND DESIGN (CAFD)

The goal of CAFD is to educate and train aspiring designers and managers in the art and business of fashion with an eye toward developing a Caribbean fashion industry. Currently the Academy offers a four-year B.A. (Honours) Degree in Fashion Design, two-year Diploma programmes in Fashion Design and Fashion Management.

The Board of Governors of the University of Trinidad and Tobago (UTT) and the Academic Council have agreed to introduce an academic programme, in support of all aspects of the Fashion Industry of Trinidad and Tobago. It is proposed that the umbrella unit of the UTT which would accommodate these activities, be established as “The Caribbean Academy of Fashion and Design at UTT (CAFD)” with a clear objective of becoming a Centre of Excellence in this field.

The Caribbean Academy of Fashion and Design at UTT hopes to do its part in supporting the development of the regional fashion industry. UTT will ensure that courses of study are relevant to industry needs and that the quality of learning and training remains equal to noted fashion programmes in fashion capitals around the world.

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THE CARIBBEAN ACADEMY OF FASHION & DESIGN at

THE UNIVERSITY OF TRINIDAD & TOBAGO

John Donaldson Technical Institute CampusWrightson Road

Port of Spain

Tel: (868) 623-8214

Fax: (868) 627-0540

Website: http//www.u.tt/fashion orhttp://www.utt.edu.tt


Please address inquiries to:

Mr. Stephen SheppardSenior Manager - Student Affairs

The University of Trinidad & TobagoO'Meara Campus

O'MearaTrinidad, West Indies


Tel.: (868) 642-8888 ext. 21054Fax: (868) 643-5615

For more specific details please contact:

Mr. Christopher Anthony NathanProgramme Administrator

The Caribbean Academy of Fashion and Design at UTTAdministrative Office

Room #306UTT at John Donalson Campus

Wrightson RoadPort of Spain

Trinidad, West IndiesE-mail: [email protected]

Tel: (868) 642-8888 ext. 26434Fax: (868) 627-0540

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www.u.tt/fashion

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