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100 Madison S t r e e t Brick and s h i n g l e s , one-and-a-half s t o r i e s , hipped roo f , gable roofed

I dormers, p i e r c e edge of roo f , exposed r a f t e r ends. g. 1900.

The Garland H i l l l i i s t o r i c D i s t r i c t i s a smal l r e s i d e n t i a l neigh- borllood inco rpora t ing the s u m m i t of one of t h e numerous h i l l s t h a t surround dowl~tovn Lynchburg. The a r e a gene ra l ly inc ludes those blocks o f Madison, l larr ison and Clay S t r e e t s t h a t a r e northwest of F i f t h S t r e e t . Because the l i i l l drops o f f s h a r p l y on the northwest and n o r t h e a s t none of t h e s t r e e t s i n the a r e a i s a through s t r e c t s o tha a r e a is unsua l ly q u i e t f o r a n urban neigitborhood. The s t r e e t s were some of the e a r l i e s t i n the c i t y t o r e c e i v e

i b r i c k paving and much of i t remains. They a l s o r e t a i n much of t h e o r i g i n a l s tone curb ing a s we l l a s s l a t e and b r i c k walks. The p r i n c i p a l s t r e e t s , Madison and Harr ison, a r e l i n e d wi th r e g u l a r l y spaced elms, oaks , and maples and tllc I~OLISCS on them a r e two and t h r e e s t o r y detached s t r u c t u r e s of va r ious a rc l t i t ec t i l r a l s t y l e s . Many of the houses on Madison S t r e e t s tand on t h e i r o r i g i i l a l wide l o t s which on the southwest s i d e of the s t r e e t once extended undeveloped t o l la r r i son S t r e e t . Most of the e a r l i e r Greek Revival s t r u c t u r t a r c two s t o r i e s i n h e i g h t , and have three-bay facades and shal low hippcd

roo f s . A number of these houses have been embell ished wi th l a t e r a r c h i - tcc t u r a l d e t a i l s . The numerous e l a b o r a t e mansions e rec t ed i n t h e 1890's and e a r l y twen t i e th cen tu ry s tand i n marked c o n t r a s t t o t h e s imple r , e a r l i e r houses. Tliese e c l e c t i c s t y l e bu i ld ings have asymmetrical o u t l i n e s accented wi th towers, g a b l e s , pediments and a v a r i e t y of bu i ld ing m a t e r i a l s . The houses on Harr ison S t r e e t a r e gene ra l ly l e s s imposing than those on Madison

; b u t a r e a s a r c h i t e c t u r a l l y v a r i e d . The fol lowing l ist i s a n inven to ry wi th b r i e f a r c h i t e c t u r a l d e s c r i p t i o n of every house i n t h e d i s t r i c t .

I

9

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'111 Madison S t r e e t I Frame, two s t o r i e s , c ros s -gab le r o o f , pos t porch w i t h scro l l -work

-c. i 1 bracke t s , d e c o r a t i v e bargeboards. Late-n ine teenth century .

106 Madison S t r e e t Brick and frame, one-and-a-half s t o r i e s , complex hipped and gable roo f , demi-octagonal ends, c r o s s gable w i t h d e c o r a t i v e metal shea th ing , e l a b o r a t e one-s tory f r o n t porch wi th turned b a l u s t e r s . Queen Anne; mid n ine teen th cen tu ry ; converted i n t o apartments .

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109 Madison S t r e e t Frame, two-and-a-half s t o r i e s , complex gable roo f , c e n t r a l gable peak wi th s h i n g l e s and l a t t i c e pa t t e rned window, double u n i t window, f r o n t porch extends around t h e curves of t h e house. Ear ly- twent ie th century .

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S T A T E M E N 7 O F S I G N I F I C A N C E

Garland H i l l remains one of the most d i s t i n c t i v e and b e s t preserved 1 of the prosperous neighborhoods t h a t developed on t h e summits of ~ ~ n c h b u r ~ ' s 1 I var ious h i l l s . Located i n the few blocks of t h i s comparat ively smal l a r e a I

a r e d i s t i n g u i s h e d examples of a r c h i t e c t u r e d a t i n g from the e a r l y n ine teen th cen tu ry through the e a r l y twen t i e th century . I n these houses l i ved many of Lynchburg's o l d e s t and most d i s t ingu i shed f a m i l i e s . The neighborhood achieved i t s ascendancy i n t h e 18901s , and a n atmosphere of q u i e t l a t e - V ic to r i an d i g n i t y p r e v a i l s i n i t s brick-paved s t r e e t s today. The develop-

i ment of Garland H i l l no t only r e f l e c t s the changing a r c h i t e c t u r a l t a s t e s of Lynchburg's leading c i t i z e n s over a hundred yea r span, but i t symbolizes the conmunity's growth from a r u r a l l y o r i en ted town t o a n i n d u s t r i a l c i t y .

Garland H i l l w a s o u t s i d e t h e f o r t y - f i v e a c r e s of land on which John Lynch l a i d o u t the c i t y i n 1786. The f i r s t development on the h i l l came i n 1817 when Walter Dunnington cons t ruc ted t h e house, now s t and ing a t 303 Madison S t r e e t on two a c r e s of farmland acqui red from Lynch f i v e yea r s e a r l i e r . I n 1845, when ~ y n c h ' s cous in , Ce l ine Dupuy, took over t h e t i t l e of the twenty a c r e s of farm t h a t included Garland H i l l , t h e land was surveyed by Thomas D i l l a r d i n p repa ra t ion f o r s a l e . This d i v i s i o n of the land i n t o fou r t een s i n g l e a c r e l o t s comprised t h e f i r s t ex tens ive develop- I

1 ment of t h e neighborhood. Having purchased a co rne r of the s e c t i o n known ; a s Lynch's Garden, Samuel Garland, S r . , was t h e f i r s t t o b u i l d a house on t h i s new d i v i s i o n of land. The h i l l i n f a c t was named f o r t h e family of t h s

prominent c i t i z e n whose Greek Revival b r i ckhouse s t a n d s a t 215 Madison S t r e e . Other important Greek Revival houses on Madison S t r e e t dat ing from the Dupuy d i v i s i o n inc lude 117, completed i n 1847, f o r Vincent Tabb; 205, t h e house

1 of Edward Mur re l l , b u i l t i n 1859; and 320, completed around 1850. A l l t h r e e of t hese houses have a conserva t ive y e t prosperous f l a v o r , r e f l e c t i n g the l i f e - s t y l e of t h e c i t i z e n s who b u i l t them.

Many of t h e c i t i z e n s who occupied Garland H i l l were a s s o c i a t e d wi th the tobacco i n d u s t r y whichwas a p r i n c i p a l economic base f o r t h e town. Also the l e a d e r s of the town's growing shoe i n d u s t r y s e t t l e d i n t h e neighborhood. A number of t hese e a r l y i n d u s t r i a l i s t s were sons of r u r a l landowners i n surrounding coun t i e s hard h i t by Reconstruct ion. They came t o Lynchburg wi th de te rmina t ion t o succeed and by the l a s t decades o f the n ine teen th ccntury they were f i rmly e s t a b l i s h e d i n t h e i r new p o s i t i o n s . The indus- t r i a l i s t s , a s w e l l a s t h e bankers who prospered a long w i t h them, were eager I t o d i s p l a y t h e i r newly acqui red weal th and soon l a v i s h l a t e - V i c t o r i a n homes I were being pu t up among t h e e a r l i e r Greek Revival dwel l ings . The new I houses were l a r g e l y t h e products of l o c a l a r c h i t e c t s who worked i n t h e l a t e s f e c l e c t i c s t y l e s . A no tab le example of t h i s e r a i s t h e rambling Queen Anne I

(cont .)

Foam 10-300. U N I T E D S T A Y C S D E P A R T M E N T O F T H E I N T E R I O R [July 1969) N A T I O N A L PARK S E R V I C E

N A T I O N A L REGISTER Si' I-ilSTORIC ? L A C E S

INVENTORY. NOMINATION FORM i LYNCMIIURG ( i n c i t y ) FOR NPS USE ONLY

I E N T R Y NUMBFR D & T E (Continuation Sheet)

I (Number ell s n b l o s ) 1

I

117 Madison SLrcet Brick w i t 1 1 frame bays, hipped r o o f , demi-octagonal frame towers, block- end l i n t e l s , turncd pos t porch. Greek Revival; o r i g i n a l p o r t i o n b u i l t 1845-1847; o r i g i n a l l y owncd by Vincent Tabb; en larged i n 1895-1896 wi th Queen Anne-style a d d i t i o n s .

118 Madison S t r e e t Frame, two-and-a-half s t o r i e s , hipped roo f , demi-octagonal bay, f r o n t porch a d d i t i o n wi th sunburs t b racke t s . &. 1900.

205 Madison S t r e e t Brick, two s t o r i e s , hipped roo f , r o n d e l l e f r i e z e , pedimented hood mold- i n g s , three-bay porch wi th turned ba lus t r ade and Temple of the Winds colui~ms, c rossed mull ions i n transom and s i d e l i g h t s , one-story demi- oc tagonal ended wing. Greek Revival: b u i l t i n 1859; o r g i n i a l l y owned by Edward Murre l l ; Ca. 1901; removal of wing on e a s t s i d e of house.

208 Madison S t r e e t Brick and s t o n e , two-and-a-half s t o r i e s , complex hipped r o o f , c e n t r a l tower wi th Romanesque window and gabled dormer, s tone porch wi th Cor in th i an c o i o n e t t e s , Sul i ivanesque archway. Queen Anne; b u i l t i n 1898; Edward Frye a r c h i t e c t ; o r i g i n a l l y owned by John W . Craddock; a f t e r f i r e i n 1926 golden oak i n t e r i o r woodwork replaced by South American walnut.

209 Madison S t r e e t Frame, two-and-a-half s t o r i e s , complex hipped r o o f , oc tagonal tower s k i r t e d by Eas t l ake porch, pedimented p a v i l l i o n w i t h windows of va r ious shapes . B u i l t i n 1903; o r i g i n a l l y owned by S. B. Ferguson.

215 Madison S t r e e t Brick, two s t o r i e s , hipped roo f , block end l i n t e l s , I o n i c porch, i n t e r - i o r end chimneys. Greek Revival ; &. 1845; o r i g i n a l l y owned by Samuel Garland, Sr .

I 300 Madison S t r e e t

Frame, two-and-a-half s t o r i e s , hipped roo f , I o n i c porch wi th c e n t e r pediment, windows w i t h l ance t -pa t t e rned mull ions i n upper sash. Early- twen t i e th century .

c / i I )

220 Madison S t r e e t Brick, t h r e e s t o r i e s , complex hipped r o o f , Jacobethan gab le , c r e n a l l a t e round tower and porte-cochere, porch e n c i r c l e s f r o n t and s i d e s , Jacobethan car r iage-house . B u i l t i n 1899; J.M.B. Lewis a r c h i t e c t ; o r i g i n a l l y owned by A.H. Burroughs; i n 1926 converted i n t o apartments b the a r c h i t e c t Stanhope Johnson.

Form '0-3000 UNITEL) STATES D C P A R T K C N T O F T l l i I N T E R I O R ( J u l y 1960) NATIONAL P A 3 K SCRVICE

N A T I O N A L REGIS'I'ER O F HISTORIC P L A C E S

INVENTORY - ROMINL.SION FOZM

b d i s o n S t r c c t i

LYNClli3URC ( i n c i t y ) FOR HPS USE ONLY

(Continuation Shcel)

Stucco-over-brick, two s t o r i e s , hipped roo f , l a t e r octagonal corner towcr, l a t e r one-story porches. Ca. 1818; o r i g i n a l l y owned by Walter Dunningcon; i n 1900 the tower wasadded and i n t e r i o r was redecorated in t h e manner of t h e Colonia l Revival by t h e a r c h i t e c t J.M.B. Lewis.

E N T R Y NUMBER D A T E

I fNunlbor all ontrioe,

308 Madison S t r e e t Frame, two-and-a-half s t o r i e s , complex gable and hipped roo f , s h i n g l e s shea th galble end, Eas t l ake porch wi th s p i n d l e course and ba lus t r ade . Ca. 1900. - I

- (,( 1, 306 Madison S t r e e t

Frame, two-and-a-half s t o r i e s , complex crossed gable and hipped roo f , t r i - p a r t gablewlndow, turned pos t porch. e. 1900.

! 310 Madison S t r e e t I I

Frame, two s t o r i e s , c r o s s gable roo f , pa t t e rned s h i n g l e s i n gable , pedimented en t r ance t o pos t porch. &. 1900.

1 .

312 Madison S t r e e t Frame, two s t o r i e s , hipped r o o f , bracketed co rn ice , f r o n t porch wi th bracketed c o r n i c e and cross-work ba lus t r ade . Late-n ine teenth century .

309 Madison S t r e e t Frame wi th s h i n g l e s i d i n g , two-and-a-half s t o r i e s , hipped roo f , pedi- mented dormer, f r o n t porch w i t h pa i r ed Doric columns. Ear ly - twen t i e th century .

' 313 Madison S t r e e t Frame, two s t o r i e s , complex gable r o o f , duplex w i t h twin gables sheathed w i t h v e r t i c a l boards and crossed s t i c k s framing t h e v e n t s , double u n i t windows wi th square pane borders , one-story porches a t each co rne r . &. 1900.

318 Madison S t r e e t Frame, two s t o r i e s , complex gable and hipped r o o f , oc tagonal bay topped

I by overhanging pediment, pos t porch wi th sunburs t b racke t s . &. 1900.

? 320 Madison S t r e e t

Stucco-over-brick, two-and-a-half s t o r i e s , hipped roo f , pa i red Corin- t h i a n p i l a s t e r s , modi l l ion co rn ice , monumental Cor in th i an p o r t i c o , swan's neck pediment of en t r ance f lanked by t r i a n g u l a r hood moldings. Ca. 1850; o r i g i n a l l y owned by W i l l i a m R. Murre l l ; ex tens ive ly remodel- - l ed &. 1914.

o 321 Madison S t r e e t Frame, two-and-a-half s t o r i e s , gable r o o f , two-story p r o j e c t i n g end p a v i l l i o n s wi th one-story demi-octagonal bay, d e n t i l s o u t l i n e pediment

I o f pable, Doric ~ o r c h a long fr0.n.t and s i d e s . Ca. 1900.

Farm lO.2OOa U N I T E D S T A T E S DEPART1::NT O F THE I N T E R I O R (July 1969) N A T I O N A L P A R K S E R V I C E

NATIONAL R E G I S T E R O F i 5 I S T O R i C PLACES

400 Madison S t r e e t lrra111e wi th s h i n g l e s , two-and-a-half s t o r i e s , complex hipped roo f , modi l l ion c o r n i c e , oc tagonal co rne r tower wi th pent cour ses , pedimented p a v i l l i o n c u t by recessed a r c h , one-s tory b r i c k porch incorpora ted i n t o f r o n t and s i d e . Queen Anne; b u i l t i n 1898; Edward Frye a r c h i t e c t ; o r i g i n a l l y owned by George P. Watkins.

I N V E N T O R Y - NOMINA7IGi\: FORX F O R NPS USE O N L Y

405 Madison S t r e e t S t i~cco-ove r -b r i ck , two s t o r i e s , hipped roo f , overhanging t i l e roo f , panel led f r i e z e , monuinental p o r t i c o wi th c l u s t e r e d Ion ic columns, Pa l l ad ian windows, one-s tory s i d e porch and por te -cochere , f i n e c a s t i r o n fence w i t h s t o n e p o s t s e n c i r c l e s f r o n t yard , c a r r i a g e house of s i m i l a r des ign . B u i l t i n 1914; Stanhope Johnson a r c h i t e c t ; o r i g i n a l l y owned by James R. G i l l i am, S r . ; &. 1950 converted i n t o apartments .

(Continuation Sheel)

412 Madison S t r e e t Stone and s h i n g l e , two-and-a-half s t o r i e s , complex hipped roo f , round corner tower, c r o s s gable t o t h e f r o n t , s tone porch encloses f r o n t and s i d e , s t o n e w a l l e n c i r c l e s yard. Queen Anne; b u i l t i n 1897; Edward Frye a r c h i t e c t ; o r i g i n a l l y owned by Frank P. C h r i s t i a n .

413 Madison S t r e e t Frame, two s t o r i e s , hipped r o o f , pa i r ed window u n i t s , demi-octagonal bay wi th gable r o o f , d e c o r a t i v e c a s t i r o n porch. Late-n ine teenth cen tu r . I

(Numbor ell onlr loa) I

I!?. < s > > ! p . 7 . -

E N T R Y N U M D E R

F i r s t and Harr ison S t r e e t s Frame, two s t o r i e s , hipped roo f , some e a r l y s a s h , b r i c k foundat ions and e x t e r i o r end chimney. Mid-nineteenth century ; f r o n t porch a d d i t i o n .

D A T E

101 Harr ison S t r e e t Frame, two s t o r i e s , gable r o o f , s ix -ove r - s ix s a s h , en t r ance wi th transom and s i d e l i g h t s . La te-n ine teenth century ; a d d i t i o n on sou theas t s i d e .

111 Harrison S t r e e t Stucco, one-and-a-half s t o r i e s , c l ipped gable r o o f , three-bay f r o n t porch s h e l t e r e d by roof overhang. Bungaloid; e a r l y - n i n e t e e n t h century.

112 Harr ison S t r e e t Half-timber and b r i c k , two-and-a-half s t o r i e s , gable r o o f , square tower w i t h hipped r o o f , exposed r a f t e r ends, banded windows. Jacobethan Revival; Early- twen t i e th century .

114 Harrison S t r e e t Frame wi th c lapboarding and s h i n g l e s , two-and-a-half s t o r i e s , hipped roo f , exposed r a f t e r ends. Ea r ly - twen t i e th century.

F o i ? ~ 10.3:Ou U N I T E D STATCS DCPAKTMCNT O F T i i C I N T E R I O R ( j u l y 1969) N A T I O N A L PAIII( SERVICE

5 1 A r i :

VII<CINIA

N A T I O N A L X E G I S T E R O F I- i ISYORIC PLACES

INVENTORY - N0h';lNA;iON FORM

(Continuation Shcet)

v 1 122 Harr ison S t r e e t Urick, two-and-a-half s t o r i e s , hipped roo:, monumental ova l p o r t i c o wi th

- GI- .< I Cor in th i an columns, cn t r ance wi th broken a r c h pediment. Georgian Revival; ea r ly - twen t i e th century .

( .

123 Harr ison S t r e e t Frame, two-and-a-half s t o r i e s , complex gable r o o f , one s t o r y porch e n c i r c l e s t h e f r o n t , turned p o s t s w i t h s p i n d l e f r i e z e and ramped ba lus- t r a d e , s h i n g l e gable and d e c o r a t i v e windows of va r ious shapes. Queen Anne; l a t e - n i n e t e e n t h century .

' O U N T Y

LYNCllCURG ( i n c i t y ) FOR NPS USE O N L Y

119 Harrison S t r e e t Fraine two s t o r i e s , hipped roo f , bracketed c o r n i c e wi th exposed r a f t e r ends. 3. 1900.

E N T R Y N U M O E H

i i ( i i;,ii , ' i i

1 202 Harr ison S t r e e t

1 Frame, two s t o r i e s , gable roof duplex wi th twin gabled p a v i l l i o n s wi th o r i e l s f l ank ing two-bay p o s t porch, v e r t i c a l boards i n gable ends.

i Late-n ine teenth century .

D A T E

(Numbor n l l onlrlnr)

-

1 207 Harr ison S t r e e t

I Stucco, two s t o r i e s , hipped r o o f , pa i red windows, en t r ance wi th gabled hood. Ear ly- twent ie th century c a r r i a g e house.

I

201 Harr ison S t r e e t Stucco, two-and-a-half s t o r i e s , hipped roo f , f u l l porch a long f i r s t s t o r y . Ea r ly - twen t i e th century .

210 Harr ison S t r e e t Frame, two s t o r i e s , c ross-gable r o o f , c e n t r a l p a v i l l i o n wi th arched windows on t h e second f l o o r , open porches f l a n k the f i r s t s t o r y of the f r o n t gable and enclosed u n i t s f l a n k the g a b l e ' s second s t o r y . Early-

1 twen t i e th century . I

!

215 Harr ison S t r e e t Brick, two s t o r i e s , gable roo f , l i n t e l s w i th cornerb locks , i n t e r i o r end

i chimneys, s ix -ove r - s ix sa sh . Mid-nineteenth century .

208 Hazrison S t r e e t Frame, two s t o r i e s , gable roo f , segmental headed windows, heavy molded c o r n i c e , bracketed en t r ance porch. Ear ly- twent ie th century . I

/ 220 Harrison S t r e e t

I Stucco, two s t o r i e s , c l ipped gable roo f , bracketed co rn ice , banded

I windows, penc roo f . Bungaloid; ea r ly - twen t i e th c e n ~ u r y . I 1 223 Harr ison. S t r e e t I

., I Frame, two s t o r i e s , hipped r o o f , bracketed co rn ice , one-s tory porch wi th

Mid-nineteenth century .

Form 10-^09u UNITED STATES DL,7ARTMINT O F THE INTERIOR (Ju ly 1969) N A T I O N A L PARK SEI<VICE

NATIONAL R E G I S T E R 5 F i-:iS?CR:C ?LACES

iNVC;;YORY - K0h::NkTiON FOSM

I . - I

300 l iarr ison S t r e e t U;ick, two s t o r i e s , gable r o o f , e a r l y sash , second f l o o r en t r ance wi th transom and s i d e l i g h t s , f i r s t f l o o r en t r ance wi th s i d e l i g h t s and Doric porcli. Mid-nineteenth century ; l a t e r a l t e r a t i o n s and two-story a d d i t i o n .

LYNCIIEURG ( i n - c i t y ) 1 F O 2 h P S USE O N L Y I

I

(Continuation Shect)

301 Harr ison S t r e e t Frame, two s t o r i e s , hipped r o o f , i n t e r i o r end chimneys, shal low gable moldings over doors and windows, en t r ance surrounded by transom and s i d e l i g h t s . Greek Revival; mid-nineteenth century .

E N T R Y K U M s E R

I

308 Harrison S t r e c t Frame, two-and-a-half s t o r i e s , hipped r o o f , duplex composed of four-bay u n i t s , p o s t porches shade en t r ances , v a r i o u s s t y l e s of l i g h t s used i n double s a s h windows. Ear ly- twent ie th century .

I

I

309 Harr ison S t r e e t Frame sheathed wi th s h i n g l e s , two-and-a-half s t o r i e s , py ran ida l roo f , cil trance wi th transom and s i d e l i g h t s s h e l t e r e d by three-bay pos t porch wi th Mansard roo f . Ear ly- twent ie th century .

I I

314 Harr ison S t r e e t Frame, two-and-a-half s t o r i e s , hipped roof wi th dormer l i g h t e d by P a i l a d i a n window, s h i n g l e s i d i n g on t h e second f l o o r , Doric porch a long f r o n t ends i n a rounded co rne r , s h a f t motif c a s t i r o n fence enc loses f r o n t yard . Queen Anne; e a r l y - t w e n t i e t h century .

315 and 317 m r r i s o n S t r e e t Er ick , two s t o r i e s , hipped roo f , i n t e r i o r end chimneys, duplex of two- bay u n i t s , c e n t r a l doors on f i r s t and second f l o o r s , f u l l porch a long f r o n t , l i n t e l s w i th cornerb locks . Mid-nineteenth century . I

316 Harr ison S t r e e t Frame, two s t o r i e s , hipped roo f , demi-octagonal bay wi th b r a c k e t s , c a s r - i r o n porch w i t h basket weave and s c r o l l p a t t e r n , p ike motif c a s t - r i o n fence bounds f r o n t yard. Late-n ine teenth century .

321 Harr ison S t r e e t Frame, two s t o r i e s , c ros s -gab le roo f , bracketed c o r n i c e , v e r t i c a l boards wi th rounded ends f i l l the gable , one-story f r o n t porch. Early- twen t i e th cen tu ry . i

322 Harrison S t r e e t Frame, two-and-a-half s t o r i e s , complex gable roo f , demi-octagonal bay topped wi th d e c o r a t i v e gabie , turned pos t porch on two s i d e s . Eas t lake s t y l e ; l a t e - n i n e t e e n t h century .

I

i

F~~~~ lo.3cno U N I T E D S T A T E S D E P A R T ~ ~ C N T O F T I ~ E I N T E R I O R (July 1969) N A T I O N A L PA2K S E R V I C E

K A Y I O N A L kEGlSTf'E;Z OF l i lSTORiC P L A C E S

t E N T R Y NUMBER D A T E (Continuation Shcct)

I (Nurnbar 011 o n l r l r s )

7 . - 323 Hhrrison S t r e e t i I

Fra~iie, two s t o r i e s , c r o s s gable roo f , one s t o r y f r o n t porch. Early- 1 1 rwenLietli century . I I

400 Harr ison S t r e e t g r i c k , two-and-a-half s t o r i e s , complex gable r o o f , bracketed co rn ice , i segmental window heads, one-silory Eastlalce porch w i t h turned b a l u s t e r s 1

I anci s p i n d l e s , s u n r i s e motif i n en t r ance pediment. La te-n ine teenth centu;y.

406 Harr ison S t r e e t - brame, two s t o r i e s , hipped roo f , some e a r l y s a s h , en t r ance porch wi th door on second f l o o r . Mid-nineteenth century ; one-bay two s t o r y a d d i t i o n w i t h en t r ance porch.

Row 401, 405, 409, and 413 Harr ison S t r e e t Frame, two s t o r i e s , gable r o o f , two bay bracketed c o r n i c e , pos t porches, E n ~ r a n c e porch wi th door on second f l o o r . La te-n ine teenth century .

4 0 9 Harrison S t r e e t Fraii~e, two s t o r i e s , gable r o o f , bracketed co rn ice , one-story f r o n t porch wi th b racke t s and sawn ba lus t r ade . Ear ly- twent ie th century . i

I I

415 Harr ison S t r e e t I.'ra:ne, two-and-a-half s t o r i e s , hipped roof , en t r ance porch supported on lieavy p o s t s , hipped roof dormer. Ear ly- twent ie th cen tu ry . i

416 Harr ison S t r e e t Frame, two-and-a-half s t o r i e s , gable roo f , pedimented dormers, double e x t e r i o r end chimneys, pedimented en t r ance porch. Mid-nineteenth century .

CLAY STREET 404 Clay S t r e e t

Frame, two s t o r i e s , gable r o o f , i n t e r i o r end chimneys, gable roofed pos t en t r ance porch. Late-n ine teenth century .

408 Clay S t r e e t Frame wi th a s b e s t o s s i d i n g , two-bay wing wi th s imple pos t porch, s i x - ove r - s ix sa sh windows wi th molded and cornerblock a r c h i t r a v e s , pos t porch w i t h b r a c k e t s . Mid-nineteenth century .

412 Clay S t r e e t Frame, two s t o r i e s , c r o s s gable r o o f , mouse-tooth s h i n g l e s f i l l t h e gab le , turned pos t porch w i t h scro l l -work brackets . @. 1900.

414 Clay S t r e e t i Frame wi th a s b e s t o s s i d i n g , two s t o r i e s , gable r o o f , s ix -ove r - s ix s a s h i windows framed by a r c h i t r a v e s wi th cornerb locks , three-bay Doric porch. M i r i r i n i i i + e ~ ~ "

Fork 10-300. U N I T E D STATES D E P A R T M E N T G F T H E INTCi? lOR S T A T E (July 1969) N A T I O N A L P A R K S E i i V l C E

NATIONAL f<ECISTER O F i:ISTOR!C P L A C E S

Ia<VENTOZY - ?:OMINAiiGN FOCM i ( i n c i t y ) I -. i-Oil NPS USE O h L Y 1

(Continuation Shcct)

/ LUCADO PLIICC

- I 501 Lucado Place Frame, two s t o r i e s , gable roo f , beaded s i d i n g , molded s i l l s , some e a r l y s a s h , pos t porch, box co rn ice on f r o n t and r ak ing co rn ice on gable ends, e x t e r i o r end chimney.

E N T R Y NUMDFH 1 O&TE

I . - 0: . 9

'J .. : , 1.

1 Lucado Place - Frame, one s t o r y , gable roo f , s ix -ove r - s ix sa sh windows, i n t e r l o r end I

chimney. Mid-nineteenth century ; r e a r a d d i t i o n . I I

I (Numbor a11 sntrlss)

417 C l a y s t r e e t Frame wi th a sbes tos s i d i n g , two-and-a-half s t o r i e s , c r o s s gable roof , a r c h i t r a v e s wi th cornerb locks , frame' porch wi th a rcade . 9. 1900.

CCL

Form i0-3000 U N I T E D STATES D E P A R T M I N T O F THE I N T i H l O R I S T & T L - j

(July 1969) N A T I O N A L P i i i i K SEr?VICE V-TKGINUi C i N A T I O N A L tR2G!STfR O F :-:iSTORiC Pi.;ACES :cOuN'y I

lidVZNTO?',' - P:O!.;:SA7IilN F,..;,: ( i n c i t y ) 282 NPS U S 5 O N L Y 1.5:.,, NU,,,,

(Continuation Sheet) i D A T E

I (~umbsr all antrfss) I

frame llouse a t 400 Madison S t r e e t designed by the popular Lynchburg a r c h i t e c t Edward Fry f o r George P , Watkins, a n e a r l y l e a d e r of the shoe indus t ry . John W . Craddock, a founder of the shoe f i rm of Craddock and Terry i n 1898, and one of Wa'ikins' pritne compet i tors , employed Fry t o des ign f o r him the imposi;ig Queen Anne house a t 208 Madison S t r e e t t h a t same year . I n 1914 Jalnes K. Gi l l i am, p r e s i d e n t of t h e Lynchlburg Shoe Company, b u i l t h i s impressiv Beaus-Arts s t y l e mansion a t 405 ?ladison S t r e e t a f t e r t h e des igns of another l o c a l a r c h i t e c t , Stanhope Johnson. The l a r g e s t house on Garland H i l l , a massive c a s t e l l a t e d mansion a t 220 &dison S t r e e t was designed by J.M.B. Lewis f o r A. H. Burroughs, a lawyer whose weal th was based on h i s handl ing t h e account of the newly developed Bonsack c i g a r e t t e m c h i n e .

CCL

2. Bounded on t h e southwest by t h e r e a r proper ty l i n e s of t h e l o t s f a c i n g onto t h e southwest s i d e of Harr ison S t r e e t . Bounded on t h e n o r t h e a s t by the r e a r proper ty l i n e s of t h e l o t s f ac ing onto t h e n o r t h e a s t s i d e of Clay S t r e e t and by tile 700' contour l i n e (of U.S.G.S. 7%' quadrangle Lynchburg, V i r g i n i a , photorevised 1968) from t h e northwest end of Clay S t r e e t t o the northwest end of Madison S t r e e t . Bounded on t h e s o u t h e a s t by t h e r e a r proper ty l i n e s of t h e l o t s f ac ing onto t h e northwest s i d e of F i f t h S t r e e t . Bounded on t h e northwest by t h e 700' contour l i n e between Madison and Harr i son S t r e e t s .

Form 10.3iOa U N I T E 0 STATES D E P A R T M E N T O F T H E INTERIOR (July 1969) N A T I O N A L P A R K S E R V I C E

N A T I O N A L REGISTER O F HISTORIC P L A C E S

INVENTORY - SOMINATION FORM

(Continuation Sheet)

(Number ell snfr lea)

I T A 1 E

V I R G I N I A

LYNCHBURG ( i n c i t y ) F O Q NPS USE ONLY

E N T R Y NUMBER D A T E

I