10.3 radio and copyright issues
DESCRIPTION
This is a short presentation to give an overview of copyright law. At the end of the presentation there are details about the next class project along with some resources.TRANSCRIPT
Radio and Copyright
IssuesKim Fox
JRMC 460: Audio Production
Copyright Laws
This presentation is based on U.S. Copyright Law.
However, links on International Copyright Law and Egyptian Copyright Law are included.
Copyright Laws (cont.) There is no such thing as an "international copyright" that
automatically protects a work throughout the world although more than 150 countries have ratified a treaty intended to accomplish as many of the benefits of "international copyright" as possible. Generally, if a work is protected in the U.S. it is protected in most countries because the U.S. adheres to the leading copyright convention, the Berne Convention, which is administered by the World Intellectual Property Organisation (WIPO).
(from the Copyright Clearance Center)
Copyright Laws (cont.)
Copyright law protects musical and spoken compositions, or "works"; the performance of a work preserved in a sound recording; and the sound recording itself.
Copyright Laws (cont.)Musical works. Performance rights
organizations (ASCAP, BMI and SESAC) handle copyright licenses for the performance of musical works. Separate licenses are necessary from each performance rights organization because each company represents different publishers of composers' musical works.
Copyright Laws (cont.)Sound recordings. Copyright licenses for the
playing (or "performance") of sound recordings historically have been handled directly with the owners of the works, usually record companies. (Over-the-air broadcasters are not required to obtain copyright licenses for playing sound recordings. They must, however, hold licenses for playing the underlying musical works.)
Alternatives to Copyrighted Material
Fair Use
Public Domain Material
Produce original content/music
Fair UseA “fair use” is copying any protected
material (texts, sounds, images, etc.) for a limited and “transformative” purpose, like criticizing, commenting, parodying, news reporting, teaching the copyrighted work. Under the U.S. copyright laws, fair use “is not an infringement of copyright.”
Public Domain
You can use any work that is in the public domain without obtaining permission of the original author or copyright owner.
Public Domain (cont.)A work is in the public domain in the U.S.
either when (a) the copyright term has expired or if copyright protection for that work was not maintained in the manner required prior to 1989, (b) the work is an unpublished work and special rules indicate it has fallen into the public domain, or (c) the author or copyright owner dedicated the work to the public domain.
Talent Release FormsWhy do you need talent release forms?
Permission to broadcast/air the interview The release form could be amended to
cover using the interview on the web and/or in a podcast.
Creative Commons LicensesCreative Commons licenses provide a flexible
range of protections and freedoms for authors, artists, and educators. We have built upon the "all rights reserved" concept of traditional copyright to offer a voluntary "some rights reserved" approach. We're a nonprofit organization. All of our tools are free. From the Creative Commons website
http://creativecommons.org/
International Copyright Law
Information on International Copyright Law:
http://www.copyright.gov/fls/fl100.html
Egyptian Copyright Law
This is a 17 page pdf file from an Egyptian Law Firm on Copyright in Egypt. It is part of a larger document:
http://www.solimanadvocates.com/Publications/law82-1.pdf
Additional Copyright Info
TABLE: Intellectual Property laws in Arab countries and adhesion to international bodies & conventions.:
http://www.agip.com/site_content.aspx?page_key=key_summary_table_link1&lang=en
Project #3: PSAsDue in class on Wednesday, October 13, 2010
You will work in pairs.
You will produce a 30-second PSA. Public Service Announcement Campus organization or non-profit organization
Post the PSA on each of your blogs
Project #3: PSAsDue in class on Wednesday, October 13, 2010
You are encouraged to be creative:
You can use sound effects or nat sound You can use music You may use other voices (but you and your
partners voice has to be on the PSA)
Project #3: PSAsPlease see the course Website for project details
Script samples What to include in your journal Links to sample PSAs What you will be graded on
https://sites.google.com/a/aucegypt.edu/radio-journalism/assignments-and-projects/project-3-psas
Project #3: PSAs (cont.)Due in class on Wednesday, October 13, 2010
Each of you will submit a script (Word doc)
Each of you will submit a journal Submit material via the Blackboard assignment
section DO NOT SUBMIT TO ME VIA EMAIL
Project #3: PSAs (cont.)
RESOURCESSound effects:
http://www.sounddogs.com/
Music:
http://bit.ly/y6Yym
Rare Books Visit – NOW!You should have begun your preliminary research
on your final project topic
Final Project Proposals DUE on Wednesday, October 20, 2010