11 th june, 2015 english department ipad training
TRANSCRIPT
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11 th June, 2015
ENGLISH DEPARTMENT IPAD
TRAINING
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You each have an iPadPair upDecide who’s a and who’s bA is the reporterB is the camera operator
WELCOME
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You have just arrived on the scene of a massive train crash. It is the Paddington crash of October 1999
Use the information you have to fi lm a short report using the iPad camera
You have five minutes
NEWS REPORT
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and and And and answer. are are at be bed been before between black blazing bone-ship. box but call calling calling calling cars children click commuter Cradled cup. dark Darling, dawn down Dreaming England fi elds fl ooded footprints frost gates, have head-phones home homeward Hot howl I I’ l l I’ l l I’m I’m I’m in in in in in in in in in into is it it. its kitchens later later, later. Let line locks may me me, mobiles. morning. moves my my No now? of of of of of of off. On on on on on, our out parkways phone. phone. phone. phones Pick plastic please please. radio rails, ring rocking rocking, rubble rubble safe, say say school silenced silent slide soon speaking stations suburban suburbs, switched table. talk tea telephones. the the the the the The the the the the the The the the the The the the the their their them thinking thinking through through to to Today tolerant Tonight Too too. towards towns track Train train train. train. trains trembles unloading up Vodaphone waking Walkman way Where wolves you you you
THE COLLAPSED TEXT: ALL THE WORDS, SIMPLY IN ALPHABETICAL
ORDER
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Use as many of the words from the collapsed poem as you like (NOT all of them!!)
Add words as you need to help it make senseRecord a reading of it using the cameraYou have 7 minutes ONLY
YOUR TASK – CREATE A SHORT POEM
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On the Train
Cradled through England between flooded fieldsrocking, rocking the rails, my head-phones on,the black box of my Walkman on the table.Hot tea trembles in its plastic cup.I’m thinking of you waking in our bedthinking of me on the train. Too soon to phone. The radio speaking in the suburbs, in commuter townsin cars unloading children at school gates,is silenced in dark parkways down the linebefore locks click and footprints track the frostand trains slide out of stations in the dawnDreaming their way towards the blazing bone-ship. The Vodaphone you are callingmay have been switched off.please call later. And calling later,calling later their phones ring in the rubbleand in the rubble of suburban kitchensthe wolves howl into silent telephones. I phone. No answer. Where are you now?The train moves homeward through the morning.Tonight I’ll be home safe, but talk to me, please.Pick up the phone. Today I’m tolerantof mobiles. Let them say it. I’ll say it too.Darling, I’m on the train.
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INTRODUCING POPPLET
You each have two key phrasesChoose ONE of themExclude nothing that comes to mindPrize for the biggest popplet in ….5 minutes
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Cradled through England between flooded fields
rocking, rocking the rails, my head-phones on,
the black box of my Walkman on the table.
Hot tea trembles in its plastic cup.
I’m thinking of you waking in our bed
thinking of me on the train. Too soon to phone.
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The radio speaking in the suburbs, in commuter towns
in cars unloading children at school gates,
is silenced in dark parkways down the line
before locks click and footprints track the frost
and trains slide out of stations in the dawn
Dreaming their way towards the blazing bone-ship.
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The Vodaphone you are calling
may have been switched off.
please call later. And calling later,
calling later their phones ring in the rubble
and in the rubble of suburban kitchens
the wolves howl into silent telephones.
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I phone. No answer. Where are you now?
The train moves homeward through the morning.
Tonight I’ll be home safe, but talk to me, please.
Pick up the phone. Today I’m tolerant
of mobiles. Let them say it. I’ll say it too.
Darling, I’m on the train.
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What takes place?What does it remind you of?How does it make you feel?What event/s in your own life does it link with?Who are the people involved in it?How many diff erent groups of people are they?Do the stanzas have the same atmosphere?Decide on a label to attach to each stanzaWhat length of time does it occupy? If the poet was here, what would you ask to have
explained?
CAN OPENERS
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What takes placeHow it feelsLanguage features you have spottedThree core quotationsAnalysis of the quotations
YOUR STANZA
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RECORDING A VOICE