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SIXTY ACRES

By

PJ McIlvaine

PJ [email protected] George Hill RoadMt. Sinai, NY 11766

631-828-8902

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FADE IN

EXT. MILLS POND, GEORGIA-SPRING 1935

EXT. MAIN STREET-DAY

Hustle and bustle of a small Southern town on a beautifulSaturday morning.

SAVANNAH (V.O.)From a young age I had alwaysconsidered Mill's Pond my ownprivate fiefdom. Undoubtedly thiswas due to the fact that my familyat one time had the distinction ofbeing the wealthiest landowners inall of Bascomb County. This beliefalso led me to conclude that myfamily, and by consequence our

small community, was immune to theslings and arrows of the outsideworld...I was wrong.

EXT. RAMBLING OLD MANSION-DAY

Stately columned home.

INT. PRICE HOUSE/KITCHEN-DAY

SELMA BROPHIE, black, housekeeper and woman of the house,stands by the stove, flipping eggs with the dexterity of ashort order cook.

REYNOLDS PRICE, attorney and widower, walks in, briefcase inhand. He may look like a good old Southern boy, but he's aman of great depth, emotion and intellect.

SELMAI made you eggs, Mr. Reynolds.Sunny side up, just the way youlike it. The bacon will be alongshortly. Ill get you coffee.

REYNOLDSIm afraid I shall have to pass,Selma. I have a meeting thismorning with Byron Lee.

SELMAThat robber baron? Surely you gottime for one cup.

Reynolds hesitates.

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REYNOLDSOne cup.

Selma grins to herself as Reynolds sits.

INT. BEDROOM-SAME TIME

SAVANNAH PRICE, 10, precocious tomboy, puts on a shirt andoveralls.

Selma enters and frowns.

SELMAHold on, Miss Savannah. Did youwash between them ears?

SAVANNAHIts Saturday. How come I stillhave to wash?

SELMAIts Saturday. How come I stillhave to cook?

Savannah exits as Selma makes Savannahs bed.

SELMA (CONT.)When I was your age, by this timeId milked the cows, fed thechickens, baked two apple pies andthree loaves of bread.

Savannah runs in, grabs a sweater and attempts to bypassSelma, but the older woman grabs her by the overalls.

SELMA (CONT.)You aint stepping foot outsidethis house until I fix your hair.

Selma takes a brush from the bureau and begins brisklybrushing Savannahs long tresses.

SAVANNAHNot so hard. That hurt.

SELMAIf you dont stop squirming Imgonna have Booker use you forcrawfish bait.

Selma starts braiding.

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SAVANNAHI wish Daddy would let me cut myhair. It dont do me no good.

SELMABite your tongue. In this life your

beauty is your calling card.

SAVANNAHDaddy says its brains.

SELMAYour Daddy might be the smartestman in Bascomb County but he sureis the ugliest.

SAVANNAHSelma, do you think Daddy will everget married again?

SELMAHe better. This old house is cryingout for babies. That would knockyou down a peg or two. We need newblood.

SAVANNAHI thought you said he needed awife.

SELMAMr. Reynolds is what the ladies

call an eligible gentleman of acertain age.

SAVANNAHYou just said he was ugly.

SELMABeing ugly has nothing to do withbeing eligible. Your Daddy hascharacter.

SAVANNAHWhat kind of woman do you thinkDaddy should marry?

SELMAShes got to be pretty like yourlate Momma. Smart too. With widehips.

SAVANNAHMary Ellen Pincher?

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Selma SNORTS.

SELMAThe woman walks like a duck andlaughs like a hyena.

SAVANNAHHow about Millicent Hawthorn?

SELMAI said smart. Miss Hawthorn canteven spell her own name.

SAVANNAHCharlotte Atwill?

Selma SIGHS. Savannah takes this to mean that Charlotte is aserious contender.

SELMAMiss Atwill comes from good stockand shes gonna come into a heap ofmoney when her Daddy kicks thebucket.

SAVANNAHDaddy doesnt care about money.

SELMASince when? What do you think keepsthis house going and your bellyfrom growling?

Savannah stares into the mirror.

SAVANNAHAm I beautiful like my Momma?

SELMAGracious no. You take after yourDaddy, all legs and bones.

SAVANNAHGood. I dont want to be a girl. Iwant to be a boy.

Selma LAUGHS.

SELMAChild, one day youll be thankfulyoure not, maybe sooner than youthink. What about Master WillArthur? He walked you home just theother day.

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Savannah makes a face.

SAVANNAHWill? Yuck. Hes got lips like abull frog.

SELMAEven frogs turn into princes.There. At least now you lookpresentable.

SAVANNAHShow me Mommas ring. Please?

SELMAI don't have time for suchnonsense. I still have to do thewash before we go to town----oh,all right.

Selma exits; Savannah flops down on the bed.

Selma returns holding a small black box, which she hands toSavannah. Savannah opens the box and admires an emerald anddiamond ring.

SAVANNAHIts so shiny.

SELMALooks like glass to me.

SAVANNAHDaddy says this ring is going to bemine one day.

SELMAWhen you get married just like yourMomma and her Momma before her.

SAVANNAHDaddy ought to save himself thetrouble and give it to me now.

Selma takes the box and snaps it shut.

SELMAYoure too uppity for your owngood, Miss Savannah. One of thesedays that smart mouth of yours isgoing to land you in hot water. Nowlet me do my work in peace.

Savannah runs out of the room and down the stairs.

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SAVANNAH (V.O.)I had no idea just how prescientSelmas words would turn out to be.

INT. PICK UP TRUCK-DAY

Selma dressed in her Sunday best; she sits beside herhusband, the stately BOOKER, the Price households handyman,as he drives. His shirt is buttoned to the neck, even thoughit's mild. He has an air of melancholy, even when he smiles,which is often.

Savannah sits in the open cab.

SAVANNAH (V.O.)I had never heard Booker Brophieutter a single word and I knew ofno one who had. It was rumored thatBooker had suffered a grievous

injury to his vocal cords, thenature of which remained unclearand which was the subject of muchwild and devilish speculationamongst us young folk.


The truck pulls along a row of stores.

INT. PICK-UP TRUCK-DAY

Savannah stands by the car as Selma hands her some change.

SELMAWell pick you up at the grainstore at three oclock. And I dontwant you lolly gagging around withthat trash Aaron Thibodeux.

SAVANNAHYes, maam.

The truck pulls away. Savannah looks up at the store directlyin front of her, shielding her eyes as she reads the gildedsign of The Mercantile & Cotton Exchange.

INT. MERCANTILE & COTTON EXCHANGE

Typical general store that sells everything from penny candyto wedding dresses. As Savannah enters she spots her schoolchums WILL ARTHUR and IKE KINGSLEY by the counter.

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SAVANNAHHey, Will, Ike. What you boysdoing?

WILLWere deciding on what to get

today, black or cherry licorice.

SAVANNAHIm partial to cherry myself butIll take black in a pinch. Ivegot two cents.

IKEIve got one.

WILLAnd Ive got five. Were rich.

The stores clerk, the courtly, middle-aged THOMAS ELKIN,greets them.

ELKINHow may I be of service thisglorious afternoon?

As Savannah, Will and Ike discuss their options, a womanenters the store and approaches Elkin. This is LOUISACARMODY, a Northerner of plain dress and demeanor that hidesa backbone of steel.

ELKIN (CONT.)

Good day, maam.

LOUISAGood day. Are you the proprietor ofthis establishment?

ELKINNo, that would be Mr. Orenstein,and hes presently unavailable. MayI be of assistance?

Having made their decision, Savannah, Will and Ike standbehind Louisa.

LOUISAIm Miss Louisa Carmody. Ive cometo stay with my cousins, TheWhitehalls----

ELKINI know them very well.

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LOUISAIm looking for employment as agoverness or tutor. Ive beenadvised that Mr. Orenstein might beable to help me. I was mostrecently in the employ of The

Cruikshanks of Boston. Myreferences----

Louisa hands a letter to Elkin. A shadow falls behindSavannah. She turns, grimaces.

It's AARON THIBODEUX, local bully and troublemaker. Aaronwears tattered overalls and is barefoot.

AARONWhat are you crybabies up to?

SAVANNAH

You stay away from us, Aaron. Imwarning you.

AARONYou cant tell me what to do. Guesswhat? My Pas back.

SAVANNAHI thought your Daddy went away.

Aaron eyes a penny-filled jar on the counter.

AARON

That kike. I bet hes got lots ofpennies stashed away. Dollars, too.My Pa says we should put all themhymies on a ship and sink it in themiddle of the Gulf of Mexico.

Will and Ike seem unperturbed but Savannah knows an insultwhen she hears one.

SAVANNAHYou take that back about Mr.Orenstein.

AARONMake me.

Savannah pushes Aaron and his elbow hits the penny-filledjar. The jar falls onto the floor; glass shatters and penniesroll every which way.

ELKINHey now!

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Aaron, Will and Ike run away, Elkin in hot pursuit. Savannahand Louisa pick up the pennies.

Moments later, Elkin returns.

SAVANNAH

Im sorry about the jar, Mr. Elkin.

LOUISAIt wasnt this childs fault, thatbully was taunting her. Id behappy to pay for the damages.

ELKINThat wont be necessary, MissCarmody. Miss Savannah is wellknown around here.

Louisa offers a handful of pennies to Elkin.

LOUISAYou will see to it that Mr.Orenstein receives my letter?

ELKINDirectly, maam.

LOUISA(to Savannah)

In the future, young lady, Idchoose a better caliber of friendto associate with. If you run with

wolves, you might be thought of asone.

Louisa exits.

Savannah puts more change on the counter as Elkin gives her astern look.

ELKINCome with me, Miss Price. I thinkyoud better see Mr. Orenstein.

INT. ORENSTEINS OFFICE-DAY

Elkin ushers Savannah into a plush office. JULIUS ORENSTEIN,an older man with a beard and pince nez, sits behind hisdesk, engrossed in paperwork.

ORENSTEINYes, Thomas?

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ELKINMiss Price, sir.

Orenstein glowers over his glasses and BARKS at her.

ORENSTEIN

Not in my store five minutes andyouve created a ruckus. What doyou have to say for yourself, younglady?

Savannah runs into Orensteins outstretched arms and giveshim a big hug.

ELKINWill you be wanting the tea now,sir?

Orenstein nods as Savannah makes herself at home in an

overstuffed armchair.

ORENSTEINWe missed the pleasure of yourcompany last weekend.

SAVANNAHI had a bad cough and Selmawouldnt let me out. You knowSelma. If I have a splinter in myfinger she carries on as if Idbroken my arm.

ORENSTEINNow you mind Selma. A wiser humanbeing youd be hard pressed tofind.

Elkin enters carrying a tray.

ORENSTEIN (CONT.)I trust you remembered the lemoncreme cookies.

ELKINYes, sir.

As Elkin pours the tea Savannah takes a cookie.

ORENSTEINI understand Mrs. Armstrong hasbeen ill of late.

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SAVANNAHI wouldnt know about her beingsick, but Selma says that if thatpoor woman drinks any more of thatVerity Elixir, shell be singinghigher than a mockingbird.

Orenstein and Elkin exchange knowing grins.

ORENSTEINWhat did I tell you about Selmabeing wise? Oh my dear, but you arepriceless. Would you like anothercookie?

SAVANNAHNot yet. Selma says its not politeto take another cookie when youhavent finished the one you

already have.

ORENSTEINThen something must be troublingyou for Ive never known you torefuse a cookie, eaten or not. Outwith it.

SAVANNAHMy Daddy needs a wife.

Orenstein nearly spills his cup.

ORENSTEINDoes he now?

SAVANNAHThats what Selma says.

ORENSTEINIf Selma says it, then it must beso. What does Reynolds say ordoesnt his opinion count?

Elkin CHUCKLES as he exits.

SAVANNAHI need your opinion. Who do youthink would make a suitable wifefor an eligible gentleman of acertain age?

ORENSTEINYou make your poor father soundlike an old goat.

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The man is in his prime. But sinceyou ask, my vote goes to CharlotteAtwill. Shes a woman ofexceptional beauty and grace andyour father appears to enjoy hercompany.

SAVANNAHWell, I dont!

ORENSTEINPray tell, why not?

SAVANNAHShe wants to turn me into a girl.Shes always giving me these frillydresses and curling my hair andyakking about Cotillions. I dontwant to go to no Cotillion. Id

rather go fishing with Will andIke.

Elkin enters and puts some papers on Orensteins desk.

SAVANNAH (CONT.)Mr. Elkin, did that lady have widehips?

Elkin looks taken aback.

ELKINYou mean Miss Carmody? Im sure I

hadnt noticed.

ORENSTEINMiss Who?

Savannah WHISPERS to Elkin.

ELKINThank you for the reminder, MissSavannah. I have it right here inmy breast pocket.

Elkin hands the letter to Orenstein, who opens it.

ORENSTEINLouisa Carmody of Boston.Interesting.

Savannah reaches for another cookie, which she puts in herpocket.

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ORENSTEIN (CONT.)You dont have to play the innocentwith me, Savannah. I know exactlywhat you have up your sleeve.

Savannah suddenly has a coughing fit.

SAVANNAHMaybe I shouldnt have come outafter all. I think I should begoing.

Savannah goes to the door, turns and gives Orenstein aquestioning glance. Orenstein holds up the plate and Savannahtakes two more cookies.

ORENSTEINHeed my words, Savannah. Be carefulwhere you strike a match. Heaven

only knows what might get burned.


Booker exits a store, supplies in hand. He takes a few steps,and then he stops as a MAN WITH A WOLF'S HEAD CANEapproaches.

Booker and the Man lock eyes. The Man pauses for a moment,then shambles on.

Savannah stops in front of a store and goes in. The signreads BARTOKS BOOKS.

INT. BOOKSTORE-DAY

Savannah spots Louisa speaking to MRS. BARTOK. Mrs. Bartokhands Louisa a book. Louisa turns, sees Savannah and smiles.

LOUISASo we meet once again. If I didntknow better Id think you werespying on me.

SAVANNAHI get around. You like to read?

LOUISAVery much. Yourself?

SAVANNAHIm pretty good if I do say somyself. But my Daddy is a ferociousreader. He says the first step togodliness is reading.

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LOUISAYour father sounds like a smartman.

SAVANNAHHe is. Are you smart?

LOUISASmart enough to know when Ive metmy match. Good afternoon, my newfriend.

Louisa exits.

Savannah goes into the back of the store and comes uponMAXIMILLIAN BARTOK and JUDGE THADDEUS FAULKNER. Bartok handsa book to the Judge.

BARTOK

It just came in today, Judge.

JUDGE FAULKNERMax, you old scoundrel. How much?

Bartok shakes his head.

SAVANNAHWhats that?

JUDGE FAULKNERHello, Savannah. Feast your eyes onhistory. I have in my hands an

autographed copy of Moby Dick.Tell me you know about Moby Dick.

SAVANNAHSure I do. Its a book aboutfishing.

The men LAUGH.

EXT. ALLEY-DAY

Savannah takes a short cut. She hears a noise, stops, takescover.

It's Booker and Mr. Bartok. Mr. Bartok hands Booker a smallpackage. Booker tucks the package inside his shirt.

Savannah furrows her eyebrows. What's that about?

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INT. REYNOLDS LAW OFFICE-DAY

Reynolds and the Man With The Wolf's Head Cane, the fearedBYRON LEE, storekeeper, bigot and financier sit opposite eachother. Lees cane rests at his knee like a faithful dog.

LEEIts a fair offer.

REYNOLDSMr. Lee, its exceedingly fair,even generous. But my answerremains the same.

LEEWhy? Everyone knows youve nointention of developing the landother than what you allow yournigra to do. Sixty fertile acres

lying fallow. Its a crime.

REYNOLDSI feel an obligation to myancestors to preserve what littleland I have left. Now if ourbusiness has concluded----

Savannah bursts in, followed by MASON MERRIWEATHER, part timeclerk and law student.

MERRIWEATHERIm sorry, Mr. Price--

REYNOLDSQuite all right, Mason. Mr. Lee wasjust on his way out.

Savannah goes to Reynolds as Lee shuffles out.

SAVANNAHHi, Daddy.

REYNOLDSHave you been keeping yourself outof trouble?

SAVANNAHMostly. Daddy, Ive got somethingto ask you. Is it better for awoman to be smart or pretty?

REYNOLDSHave you been talking to Selma?

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SAVANNAHNo more than usual.

Reynolds takes Savannah on his lap.

REYNOLDS

Mark my words, when you grow upyoure going to be as beautiful andas intelligent as your mother.

SAVANNAHBut in the meantime, which isbetter? Beauty or brains?

REYNOLDSThere are no ugly women. A woman ofplain features can have greatcharacter and distinction. Yourgreat-great-grandmother Emmaline

was reputed to have had the face ofa mule but thanks to her wit, shehad men eating out of her hand wellinto her eighties.

SAVANNAHSo ugly women run in our family.

REYNOLDSYou still havent told me why youwant to know all this.

Savannah looks at the clock on the desk; its two-fifty.

SAVANNAHI better go. See you at supper.

Savannah runs out. Reynolds leafs through some papers,CHUCKLING to himself.

INT. PICK UP TRUCK-LATER

Savannah, Selma and Booker are all in the front seat. Selmatouches Savannahs forehead.

SELMAYou're quiet all of a sudden.

SAVANNAHIm not sick. Im thinking.

SELMADont know which is worse.

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SAVANNAHI met a lady today. Miss LouisaCarmody from Massachusetts.

SELMAI know all about her. Shes a poor

relation of the Whitehalls.

SAVANNAHShes very smart.

SELMAThats nice. Now when we get homeyoure to put on a dress.

SAVANNAHA dress? What for? Its not Sunday.

SELMA

Youll find out what for later.Its a surprise.

Savannah reaches into her pocket and slips the cookie's intoBooker's.

SELMAWhat have I told you about begging,Miss Savannah?

SAVANNAHI didn't beg. Mr. Orensteinoffered. And Booker loves lemon

cookies. Don't you, Booker?

Booker affectionately smiles.

SELMA(to Booker)

Humph. Now don't you be encouragingher.

SAVANNAHBooker, what was in that packageMr. Bartok gave you?

SELMADon't be silly, child. What wouldmy Booker be doing with Mr. Bartok?He don't even know the man.

SAVANNAHBut I saw what I saw.

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SELMANow you hush. I think you got atouch of spring fever.

Miffed, Savannah stares at Booker, but his face is likestone.

INT. PRICE HOUSE/FORMAL DINING ROOM-NIGHT

A sullen Savannah pulls on her freshly starched dress asSelma finishes setting the table. Selma slaps Savannah on thehand.

SELMAStop that.

SAVANNAHI cant help it. Im itchy. Howcome youre using the china? You

only use that when someone specialis coming for supper. Who is it? Ibet its the Judge with his fishingbook.

O.S. VOICES are heard in the foyer.

SELMAI think I hear your Daddy.

Savannah runs into the foyer, smiling happily. Her smilevanishes when she sees Reynolds arm in arm with CHARLOTTEATWILL, late 20s, a snobbish Southern belle. Charlotte holds

a parcel.

Selma comes up behind Savannah.

CHARLOTTEGood evening, Selma.

SELMAGood evening, Miss Charlotte.

CHARLOTTEThis is for you, Savannah.

Savannah takes the package. Selma nudges Savannah.

SAVANNAHHi. Thanks.

Savannah tosses the parcel on a nearby chair. Selma shootsSavannah a look to beat the devil. Charlotte turns all herattention on Reynolds.

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CHARLOTTEI hope I havent come at a badtime.

SELMAI was just about to set out supper.

Its Mr. Reynolds favorite. Roastchicken. Youll stay, wont you,Miss Charlotte?

CHARLOTTEId be delighted.

Charlotte whisks Reynolds away while Savannah follows Selmainto the kitchen. Selma hands her a huge bowl of mashedpotatoes.

SELMAI'm not happy with you. Now you

bring this out and put it next toMiss Charlotte.

SAVANNAHThis is your doing.

Selma slaps Savannah on the backside.

SELMANow you set them potatoes outbefore they turn to stone.

INT. FORMAL DINING ROOM-NIGHT

Savannah plays with her mashed potatoes as Charlotte andReynolds exchange pleasantries. Selma enters and beginsclearing the table.

CHARLOTTEThat was a wonderful supper, Selma.

REYNOLDSI agree. You shouldnt have gone toso much trouble on a Saturday.

SAVANNAH(mumbling under herbreath)

Aint that the truth.

SELMAI hope you left some room for lemonmeringue pie.

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CHARLOTTEI dont think I could eat anotherbite.

SAVANNAHCouldve fooled me.

REYNOLDSSelmas lemon meringue pie is thelightest in three states. Dont youagree, Savannah?

SAVANNAHI hate lemon meringue. Makes meburp.

Selma shoots daggers at Savannah as she exits.

SAVANNAH (CONT.)

Can I go now?

REYNOLDSThats may I be excused and haveyou cleaned your plate?

SAVANNAHNo, sir.

REYNOLDSThen you have your answer.

Selma enters holding dessert plates. Savannah glares at

Charlotte, the cause of her misery.

CHARLOTTEMaybe this would be a good time forSavannah to open my gift.

SAVANNAHNot if it's another sissy dress.

Selma pulls on Savannahs braids.

SELMAIll get it, Miss Charlotte.

Savannah rubs the back of her head as Selma exits.

CHARLOTTEThe minute I laid eyes on it I knewit would be perfect for Savannah.

Selma enters and hands the parcel to Charlotte, who rips itopen.

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SAVANNAHI thought I was supposed to openit.

Charlotte holds up a frilly white dress.

CHARLOTTEIsnt it adorable?

SELMAMiss Charlotte, you sure do have afine eye for pretty things. Dontyou agree, Mr. Reynolds?

REYNOLDSWhat do you say, Savannah?

SAVANNAH(dourly)

Thank you, Miss Atwill.

Selma hands Charlotte a plate of pie.

SAVANNAH (CONT.)May I have a big piece?

SELMANo, you may not. You may get yourbehind in the kitchen.

SAVANNAHBut----

SELMANow.

INT. KITCHEN-NIGHT

Savannah washes dishes as Selma dries.

SELMAIve never been so mortified. MissCharlotte must think Im raisingyou to be a heathen.

Selma dumps more dishes into the sink.

SELMA (CONT.)No discipline. No discipline atall. You deserve a licking.

SAVANNAHDaddy would never give me alicking.

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SELMABut I would.

INT. LIBRARY-NIGHT

A magnificent room. Ornate drapes, heavy furniture, shelves

loaded with books from floor to ceiling.

Reynolds lights a cigar as he reads the evening paper.Savannah, now clad in her overalls, toddles in and startslooking over the books.

REYNOLDSAre you looking for something inparticular, Savannah?

SAVANNAHIm sorry if I embarrassed you infront of Miss Atwill.

REYNOLDSAre you really sorry or did Selmasend you in here?

SAVANNAHBoth. Daddy, do we have adictionary?

REYNOLDSOf course we do. Its the big redbook on the desk.

Savannah goes to the desk and opens the book.

REYNOLDS (CONT.)What word are you looking for?

SAVANNAHKike.

Reynolds grimaces as he puts his paper down.

REYNOLDSYoure wasting your time,Savannah. You wont find it there.

SAVANNAHYou mean its not a real word?

REYNOLDSIts real all right, as real as anyknife or gun.

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Im not going to ask you where youheard that word because I suspectId be none too pleased to learnthat my daughter was in suchcompany. Im going to call him Mr.Somebody.

SAVANNAHDont tell Selma about Mr. Somebodyor Ill be Miss Nobody.

REYNOLDSYou know what the word niggermeans?

SAVANNAHIts a bad word for colored people.Ike said it once and I got so mad,smoke was coming out of my ears.

REYNOLDS(chuckling)

I'm sure it was. Well, as offensiveas nigger is to colored people,kike is as odious to people of theJewish faith. I take it Mr.Somebody used this word inreference to our dear friend Mr.Orenstein.

Savannah nods.

REYNOLDS (CONT.)You didnt know what the word meantbut it made you mad.

SAVANNAHMadder than a wet hornet. I triedto knock Aa----I mean, Mr.Somebodys block off.

REYNOLDSI wouldve done the same thing, notthat I condone violence. I dontwant you fraternizing with Mr.Somebody ever again. Is thatunderstood?

INT. LIVING ROOM-NIGHT

Selma sits in a rocking chair, sewing by the light. Savannahplops down on the rug with the newspaper.

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SELMAWhat are you up to, you scamp?

SAVANNAHDaddys done with the paper.

SELMAYou read it to me. My eyes hurt.

SAVANNAHThats what you always say.

SELMAWith all the mending I do for you,its a wonder Im not blind. Startwith the funnies.

Savannah has a dreamy expression on her face.

SELMA (CONT.)Now whats percolating in that headof yours?

SAVANNAHNothing. Dick Tracy by----

Savannah reads as Selma CHUCKLES.

SAVANNAH (V.O.)Selmas intuition, as usual, hadhit its mark. An idea waspercolating in my head. The next

morning I marched off to school asif I were Joan of Arc ready forbattle.

INT. SCHOOL ROOM-NEXT MORNING

Savannah at her desk, idly listening as the kindly MRS.JAMES, her teacher, stands at the blackboard.

MRS. JAMESPay attention, children. I want youto take out your arithmeticworkbooks and turn to page eighty-five. Today were starting a newchapter. Fractions.

Savannah has this goofy smile on her face.

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SAVANNAH (V.O.)Hosanna! Fractions. The very nameconjured up all sorts of deliciousand obscene images in my fertileimagination.


Savannah at the kitchen table, SIGHING loudly for Selmasbenefit. Savannah furiously erases and then crumples herpaper.

SELMAWhat in Gods name is wrong withyou, child? You been sighing andscratching ever since you got home.

SAVANNAHIll tell you whats wrong.

Fractions. Ive got two whole pagesto do and Im still on the firstone. Im going to keep at it evenif it takes me all night.

INT. SCHOOL ROOM-SEVERAL DAYS LATER

O.S. Bell rings for recess.

KIDS scatter. As Savannah gets up, Mrs. James motions at her.Savannah goes to her desk. Mrs. James hands Savannah her lastmath test: in red ink is marked a big fat fifty-six.

MRS. JAMESThis is so unlike you. Yourealways prepared and conscientious.This week I caught you daydreamingat least half a dozen times.

SAVANNAHYes, Mrs. James.

MRS. JAMESIs something troubling you?

SAVANNAHNo, Mrs. James.

MRS. JAMESYou may go.

SAVANNAHYes, Mrs. James. See you tomorrow.If I live.

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EXT. FISHING HOLE-DAY

Savannah throws her line out while Will and Ike pull in theircatches.

IKE

My Uncle Theodore taught me how tofish. He uses onions for bait.

Savannah and Will exchange dubious looks.

SAVANNAHThat's no way to catch fish. Thefish smell the onions and high tailit in the other direction.

Ike shrugs.

WILL

My Daddy can't eat fish. But I can.More for me.

SAVANNAHBooker knows everything there is toknow about fishing. He's the bestfisherman I know, next to me.

WILL(teasing)

I thought your Daddy kneweverything.

SAVANNAHHe does. Just not about fishing.Booker don't use no bait. He talksto them.

WILLAnd what does he say? Jump on myhook, I'm gonna eat you?

Ike and Will burst out LAUGHING.

IKEYou're pulling our legs. Bookercan't talk.

SAVANNAHHe can so talk. You just don't hearhim.

Savannah's line bends as she pulls in a fish.

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Selma washes dishes at the sink as a beaming Savannah entersholding two fish.

SAVANNAH

Look what I caught.

SELMAYou done caught something, allright. What have you done now? Youmarch upstairs. Your Daddy and Dr.Gray are waiting for you in thestudy.

Selma grabs the fish and shoos Savannah out.

EXT. REYNOLDS STUDY-DAY

Savannah knocks on the door.

REYNOLDS (V.O.)Come in.

Savannah enters.

A solemn Reynolds sits on the corner of his desk; next to himis DR. HARLAN GRAY, family practitioner and friend. Savannahbursts into SOBS and flings herself at Reynolds.

SAVANNAHDaddy, whatever it is, I didnt do

it.

REYNOLDSHoney, stop crying. Youre not introuble. Why didnt you tell me youwere having problems in school?

SAVANNAHYou talked to Mrs. James?

Gray reaches into his black bag and takes out a stethoscope.

GRAYBreathe deeply, young lady.

SAVANNAHIm not sick.

GRAYBreathe.

Gray listens as Savannah breathes deeply.

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GRAY (CONT.)Now cough.

Savannah COUGHS. Gray manipulates Savannahs neck.

GRAY (CONT.)

Does that hurt?

SAVANNAHNo, sir.

GRAYWhat about this?

Gray touches Savannahs tummy and she GIGGLES.

GRAY (CONT.)Have you been taking your CastorOil?

SAVANNAHYes, sir.

Gray feels Savannahs forehead.

GRAYNo temperature.

SAVANNAHTold you I wasnt sick.

REYNOLDS

Now that weve established thatfact beyond a reasonable doubt,what do you think we should doabout this arithmetic problem?

SAVANNAHI could stay after school with Mrs.James. Ike does.

REYNOLDSMrs. James is too busy to take onanother student, but she didsuggest getting you a tutor. It sohappened that I mentioned ourdilemma to Mr. Orenstein and hetold me about Miss Carmody. Shesnew in town and comes highlyrecommended.

Savannah lowers her eyes demurely.

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SAVANNAH(shyly)

If you think it would help, Daddy,I guess you talked me into it.

REYNOLDS

Ill call Miss Carmody first thingin the morning. Now you tell Selmato set another place for supper.Dr. Gray will be staying.

GRAYI am?

REYNOLDSIts the least I can do for makingyou come all the way out here on afools errand.

Savannah leaves, smiling like the cat who ate the cream.

EXT. COUNTRYSIDE-NEXT DAY

Scenes of Savannah taking her time going home from school.She stops to throw stones in a pond, catch a frog (and muddyherself in the process), chases after a butterfly and lies onthe grass, cloud gazing.

INT. VEGETABLE PATCH-DAY

Booker carefully cultivates the ground for spring planting.Savannah runs up to him, frog in hand.

SAVANNAHHey Booker. Want to see what Icaught?

Selma swoops down on Savannah and grabs her by the ear.Startled, Savannah drops the frog, who quickly hops away.

SAVANNAHSee what you made me do?

SELMACount your blessings thats all Imgonna do. Where have you been?Never mind. Bad enough your Daddysgot to pay for this.

Selma pushes Savannah along.

SAVANNAHWhats the big hurry?

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SELMAI tell you what the hurry is. PoorMiss Carmodys been cooling herheels almost three quarters of anhour.

SAVANNAHWhy didnt you say so in the firstplace?

Savannah breaks into a run.

SELMAYou put on a dress, you hear me?

Selma turns to Booker, who's smiling.

SELMAThat child is gonna be the death of

me. You too.

Booker playfully swats Selma on the rear.

INT. PRICE HOUSE/LIBRARY-DAY

Louisa studies the books as the door opens and Selma ushersSavannah (wearing a nice dress, her hair freshly combed), in.

LOUISASo we meet again, my little friendfrom the Mercantile.

SELMAYou two have met before?

Savannah puts her hand to her lip.

LOUISABy sight only. We have yet to beproperly introduced.

Louisa extends her hand to Savannah.

LOUISA (CONT.)Im Miss Louisa Carmody, formerlyof Boston, Massachusetts.

Savannah takes Louisas hand and shakes it like a truckdriver.

SAVANNAHIm Savannah Price, presently ofMills Pond, Georgia. Pleased tomake your acquaintance.

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Sorry I kept you waiting. I caughta frog. I wouldve shown it to youbut I lost it.

Selma rolls her eyes and shudders.

SELMAWould you like some tea, maam?

LOUISAThat would be lovely.

SAVANNAHId like some soda pop.

Selma scowls at Savannah before leaving. Savannah smilesprimly at Louisa.

SAVANNAH (CONT.)

So how do you like Bascomb County,Miss Carmody?

LOUISALouisa will do nicely if you pleaseand I like your town very much.

SAVANNAHDid you know that my family used toown all the land as far as your eyecould see? Well, we did. Forstarters, how about I show youaround the house? Selma says its

so big that she starts cleaning onMonday, barely finishes by Sundayand then has to start the wholedarn thing over again.

Selma enters with a tray of tea and by her expression itsevident that shes caught the tail end of Savannahs words.

SELMALordy. I cant turn my back on youfor one minute. Your father didntengage Miss Carmody so you couldtake her sightseeing. Less blabbingand more teaching.

Selma exits.

LOUISAI get the impression that yourSelma doesnt think very highly ofme.

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SAVANNAHDont take it personally. Sheslike that with cats and travelingsalesmen.

LOUISA

Perhaps you can take me on a tourlater. Lets get cracking. May Isee your workbook?

INT. FOYER-DAY

Reynolds hands his overcoat and briefcase to Selma.

SELMAI wasnt expecting you home quiteso soon, sir. Supper wont be readyfor close to another hour.

REYNOLDSNo hurry. I was curious to see howSavannah and Miss Carmody weregetting along.

Selma grimaces.

REYNOLDS (CONT.)Is there a problem?

SELMASince you ask, it seems to me thattheres been a lot more giggling

going on than any book learning.

INT. LIBRARY-DAY

Louisa admires Reynolds book collection as Savannah does somemath problems.

LOUISAHas your father read all thesebooks?

SAVANNAHHe sure has. Hes probably the mosteducated person in Bascomb County.He says books are like children.The more you have, the more youlove.

LOUISADoes your mother like books?

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SAVANNAHI suppose.

LOUISADont you know?

SAVANNAHNot really. Shes dead.

LOUISAIm sorry. I didnt know.

SAVANNAHShe died after giving birth to mybrother. Hes dead too.

Reynolds enters.

SAVANNAH (CONT.)

Hi, Daddy. Look whos here. ItsLouisa.

REYNOLDSLouisa?

LOUISAIm not one to stand on formality,Mr. Price.

REYNOLDSI trust that Savannahs beenbehaving herself. She has a

tendency to ramble.

LOUISANonsense. You have a delightfuldaughter.

Savannah beams.

REYNOLDSWell, Ill leave you two alone now.

SAVANNAHLouisa was just saying how much sheliked your books.

REYNOLDSToo many books, Im afraid. Ishould thin them out, like weeds ina garden.

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LOUISAOh no, Mr. Price. Books are likeroaring fires, warm and comforting.One can never have too many.

REYNOLDS

Then youre welcome to come hereanytime you like, Miss----I mean,Louisa.

SAVANNAHDaddy, shall I tell Selma thatLouisa will be staying for supper?

REYNOLDSOf course.

LOUISAI dont want to impose.

REYNOLDSNo imposition at all. Selma makesenough to feed a cavalry regiment.

INT. KITCHEN-NIGHT

Selma stirs a pot as Savannah reaches into the china cabinet.

SELMAWhat you doing?

SAVANNAH

Getting out the china.

SELMAWe aint using the china tonight.

SAVANNAHBut we always use the china forcompany.

SELMAMiss Carmody aint company. Sheshired help. Why did Mr. Reynoldshave to invite her to stay overanyway?

SAVANNAHIts okay when you invite thatsnobby Miss Atwill but not Louisa.

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SELMASince when do you call your eldersby their first names? Havent Itaught you better than that?

SAVANNAH

But Louisa----

SELMAI dont care what that lady says.You do as I say and I say shesMiss Carmody.

INT. LIVING ROOM-NIGHT

Reynolds reads the paper as the radio drones in thebackground.

Savannah enters.

REYNOLDSFinished with your chores?

SAVANNAHUh-uh.

Savannah YAWNS and rubs her eyes.

REYNOLDSI think someone will be going tobed early tonight. All thatstudying has tuckered you out.

Savannah crawls into Reynolds lap and snuggles against him.

SAVANNAHIm not tired. Daddy?

REYNOLDSHmmm?

SAVANNAHIsnt Louisa nice?

REYNOLDSExtremely.

SAVANNAHAnd smart. How much are you payingher to tutor me?

REYNOLDSA Kings ransom. I had to mortgageSixty Acres with Byron Lee.

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SAVANNAHDid not. You'd rather spit in thatold gizzard's eye than shake hishand. That's what Selma says.

Reynolds tries to hide a smile.

REYNOLDSIll be doing some pro bono workfor Miss Carmody's cousins.

SAVANNAHPro what?

REYNOLDSFree. No charge. Gratis.

SAVANNAHIs that good?

REYNOLDSFor her cousins and you, yes. Lordknows I don't do this for themoney.

SAVANNAHFor what then?

REYNOLDSSatisfaction.

SAVANNAH

I get that eating strawberry icecream.

Savannah YAWNS.

SAVANNAH(groggily)

Did Momma like books?

REYNOLDSOf course she did. She read to youevery night. Dont you remember?

Reynolds looks down at Savannah, whos now sound asleep.

INT. ORENSTEINS OFFICE-SEVERAL WEEKS LATER

Savannah halfheartedly bites into a cookie as Orenstein sipstea.

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ORENSTEINIs there something wrong with thecookies, Savannah? Usually by thistime youve devoured a whole box.

SAVANNAH

Im not particularly hungry today,thank you for asking. Mr.Orenstein, is fibbing a terriblething?

ORENSTEINIt depends on the fib. I take ityours has to do with Miss Carmody.

SAVANNAHI can do fractions in my sleep andrunning backwards. If I have tohear about slicing pies into equal

portions one more time Ill scream.

ORENSTEINSo your father hasnt fallen victimto Miss Carmodys womanly charms.

SAVANNAHAll they do is talk about books.

ORENSTEINDidnt I warn you about playingwith matches?

SAVANNAHNever mind the matches, I canteven get the fire lit. What am Igoing to do? Mrs. James is startingto get suspicious.

ORENSTEINPerhaps you should pray for somedivine intervention.

SAVANNAHRight now Id settle for thedevils help.

EXT. SERVANTS QUARTERS-DAY

A tidy little guest house.

INT. SPARE BEDROOM-DAY

Selma happily HUMS while she makes the bed.

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Savannah enters.

SAVANNAHExpecting company?

SELMA

We sure is. Just got word thatBooker's nephew Tyrone is coming onthe four oclock train. Booker wentto fetch him.

Selma, in full maternal mode, putters around the room.

SAVANNAHHow come you and Booker never hadchildren?

SELMAJust wasnt meant to be, I reckon.

But it's all right. The Lord gaveme all I could handle with you.

SAVANNAHAm I really that awful?

SELMANo, but I ain't gonna be aroundforever. Thats why we need to getyour Daddy married off to MissAtwill.

Selma exits.

Savannah angrily stamps her feet.

SAVANNAHOver my dead body!


Selma cooks up a storm as Savannah slices carrots.

SAVANNAHIs this enough?

SELMAOh no. We need a mess more to putin the pot. Tyrone eats like abull.

SAVANNAHDoes he look like one too?

Selma swats Savannah in the rear with a wooden spoon.

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SAVANNAH (CONT.)That hurt.

SELMAIt was meant to.

Savannah looks out the window and sees the truck pull up.Selma rushes out of the house and embraces TYRONE FARRELL,19, shy, polite.

Savannah continues slicing as Selma, Tyrone and Booker enter.

SELMAMiss Savannah, I want you to sayhello to Tyrone.

SAVANNAHHello. Want to help me slicecarrots?

TYRONESure.

Tyrone grabs a carrot but Selma snatches it from him whileglaring at Savannah.

SELMAYou sit down and let me fix yousomething cool to drink. Booker,you get Tyrones things and putthem in his room.

Booker exits.

Selma opens the icebox and takes out a pitcher.

SELMA (CONT.)How about some fresh lemonade?

TYRONEYou dont have to go to any troubleon my account, Aunt Selma.

SELMANo trouble at all. Savannah, get mea glass, please.

SAVANNAHBut I thought you wanted me to dothese darn carrots.

Selma gives Savannah the evil eye.

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SAVANNAH (CONT.)Yes, maam.

Savannah exits just as Reynolds enters.

REYNOLDS

Whats all the excitement?

SELMAYou remember Booker's sisterAlicia? This is her youngest boyTyrone. Tyrone, give a big how-do-you-do to Mr. Reynolds.

Reynolds and Tyrone shake hands.

Savannah returns and hands the glass to Selma.

REYNOLDS

Pleased to meet you, Tyrone. Iveheard from your aunt that yourequite the mechanical whiz kid.

SELMAMowers, engines, toasters, you nameit, Tyrone can fix it blindfoldedand with his hands tied behind hisback. He wants to have his owngarage someday.

TYRONEIm not that good.

SELMANow dont you argue with your AuntSelma. Tyrone, why dont you seehow your uncle's making out. Dontforget your lemonade.

Tyrone exits.

REYNOLDSTyrone seems like a nice youngfellow.

SELMAHe is, Mr. Reynolds. Polite andbright as a whip. But he took hisMommas passing real hard. HisDaddy thought a change might do himgood. I hope you dont mind. Like Isaid, hes real good at fixingthings and the trucks been actingup lately.

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Reynolds pats Selma on the back.

REYNOLDSAfter all the years of service yourfamily has given mine, must youeven ask?

Reynolds exits.

SAVANNAHWhat did Daddy mean by years ofservice?

SELMANever you mind. How are my carrotscoming along? Humph. I need more.

SAVANNAHMore?

Selma nods as she leaves.

SAVANNAHWho else is coming to dinner?Rabbits?

INT. PRICE HOUSE/KITCHEN-SEVERAL DAYS LATER

Savannah and Louisa are at the table, doing schoolwork.

Selma and Tyrone enter, their arms filled with groceries.Louisa goes to help them.

SELMADidnt mean to interrupt. Arentyou supposed to be in the library?

LOUISASavannah wanted a change ofscenery. Where would you like me toput these cans, Selma?

SELMACupboard above the icebox, if youplease.

Tyrone puts his sacks on the counter and goes over toSavannah.

TYRONEWhats that?

SAVANNAHFractions.

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Savannah scribbles in her workbook.

SAVANNAH (CONT.)Tyrone, whats question numberfour?

TYRONEScuse me?

SAVANNAHNumber four. Can you please read itto me?

Tyrone looks uncomfortable. Savannah grabs the book.

SAVANNAH (CONT.)(impatiently)

Lord Almighty. Dont tell me youvegot bad eyes, too? Is it catching?

Selma swoops down on Savannah.

SELMAWhat is wrong with you?Embarrassing Tyrone like that. Icould skin you alive!

SAVANNAHBut Selma----

SELMAHush your mouth. You take them

books and go straight to your room.Your father will deal with you whenhe gets home.

Savannah grabs her books as she fights back the tears.

INT. BEDROOM-DAY

WHIMPERING, Savannah buries her head in her pillow

O.S. A KNOCK on the door.

SAVANNAHGo away!

Louisa enters and sits by Savannah. Savannah buries her headunder the pillow.

LOUISASelma didnt mean to be so harsh.

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SAVANNAHYes, she did. I hate her.

LOUISADo you have any idea why Selmareacted that way?

SAVANNAHYes. Shes a wicked old witch.

LOUISAI suspect its because she andTyrone cant read.

Savannah comes out from under the pillow.

SAVANNAH (CONT.)Selma can so read. She just has badeyes. I read the paper to her all

the time.

LOUISAPeople with bad eyes wear glasses.Does Selma wear glasses?

Savannah shakes her head.

SAVANNAHEven if she cant read, itsnothing to get mad about. She couldlearn.

LOUISASelmas a very proud woman. But Ithink that if the two of us put ourheads together, we might think of away to help them both.

INT. KITCHEN-DAY

Selma is busy icing a cake as Louisa and Savannah enter.

LOUISAWheres Tyrone?

SELMAHes out helping Booker. What youwant him for? Miss Savannah, Ithought I told you to stay in yourroom until your Daddy gets home.

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LOUISASavannah wants to apologize toTyrone. She had no idea that Tyronecouldnt read.

SELMA

Who says Tyrone cant read?

Louisa takes a knife and dabs at the cake.

LOUISAYou missed a part over here.

SELMASo I did. Devils food is Mr.Reynolds favorite. Now aboutTyrone. Dont you put any fancyideas in his head. He dont need toknow how to read or write. Hes

doing fine all by hisself.

LOUISAIm sure youre right, but---

SELMABut what?

LOUISAYou say Tyrone wants to have hisown business one day. Not knowinghow to read or write, hell be at adisadvantage.

SAVANNAHShe's right. People might try torob him blind.

Selma frowns. Hmmm.

LOUISAI thought that since Im already onthe premises teaching Savannah,Tyrone could join us. That is, ifhe wanted to.

SELMATyrones a grown man. He can decidefor himself.

SAVANNAHI'm grown too but you still tell mewhat to do.

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LOUISAI wish, though----no, I guess itwould be too much to ask.

SELMAGo on, Miss Carmody.

LOUISASavannahs a good girl, butsometimes I wish I had someone tohelp me keep an eye on her.

Savannah stares at Louisa, who winks at back at her.

SELMADont I know it. When it comes tothat child you need eyes in theback of your head. Well, I mighthave a minute or two to spare from

time to time.

LOUISAThat would be wonderful. Thank you,Selma.

SELMAYou're welcome, Miss Louisa.

Louisa and Savannah exchange knowing smiles. Success!

INT. PRICE GARAGE-DAY

Tyrone works on the truck engine. Savannah saunters in.

SAVANNAHHey. What'cha doing?

TYRONENothing much. Changing the oil.

Savannah flops down on the floor.

SAVANNAHI don't like cars. They're smellyand noisy. Always backfiring.

TYRONEWell, that's too bad, because carsare here to stay. There'll come aday when everyone has two cars. Andan electric dishwasher.

Savannah pinches her nose.

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SAVANNAHSelma don't need no electricdishwasher. She's got me.

TYRONEThat's progress. Tech-no-logy. You

like the radio, don't you?

Savannah nods.

TYRONEWhen I was in the city, I heardgossip about a talking picture box.

SAVANNAHA what?

TYRONEIt's like a radio, but instead of

hearing people, you're seeing them.

SAVANNAHSounds crazy to me. Tyrone, can Iask you something? You ever heardBooker talk?

Tyrone wipes his greasy hands with a rag.

TYRONENever. Even when he came for myMomma's funeral. He never said aword.

INT. PRICE HOUSE/KITCHEN-SEVERAL DAYS LATER

Savannah, Tyrone and Louisa at the table. Selma stands at thestove, listening as she cooks.

Savannah glances up and sees Booker by the door. She smiles.

LOUISASavannah. You may read the nextparagraph.

Savannah looks back at Booker. He's gone, like a ghost.

INT. FISHING HOLE-SEVERAL WEEKS LATER

Savannah, Will and Ike cast their rods in the creek as Aaronapproaches them.

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SAVANNAHGo home, Aaron. The fish juststarted biting and we dont wantyour ugly puss scaring them away.

AARON

I can go as I please. Your familydont own this land no more.

Aaron picks up a stone and hurls it in the water. Will andIke trade anxious glances.

WILLMaybe we should call it quits.

A pick-up truck passes by and HONKS. Savannah waves.

AARONWho was that nigger driving your

Daddys truck?

SAVANNAHShut your dirty mouth. That'sTyrone, Booker's nephew. He wantsto open his own garage one day. Mytutor is helping him learn how toread and write.

AARONMrs. James? Since when does sheteach coons?

SAVANNAHNot her. Louisa----I think I gotone, boys.

AARONProbably just a snapping turtle.

Savannah runs to the edge of the water and proudly pulls outa big fish.

SAVANNAH (V.O.)I didn't learn, until much later,that my dear father was dealingwith another kind of fish, a mostunsavory one.

INT. REYNOLDS LAW OFFICE-DAY

Reynolds reviews papers when Merriweather enters.

REYNOLDSHas Miss Carmody arrived?

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MERRIWEATHERNot yet, sir. Several gentlemen arehere to see you. They wouldnt saywhat its about.

REYNOLDS

Dont keep them waiting,Merriweather. Show them in.

Merriweather ushers in Lee, Gray, SHERIFF HAWKINS, the rabblerousing KING THIBODEUX and other CONCERNED BUSINESSMEN.

REYNOLDS (CONT.)Good day, gentlemen. To what do Iowe this honor?

LEEIll get right to the point,Reynolds. It has come to our

attention that youve engaged atutor.

REYNOLDSMiss Carmody. Shes excellent. Areyou in need of tutoring, Mr. Lee?

LEEI should say not! Were you awarethat this woman is educating youryoung nigra?

REYNOLDS

I assume youre referring toTyrone, my housekeepers nephew.No, I wasnt aware that MissCarmody is teaching the boy.

Lee gives his compatriots a self-righteous smirk.

LEEI thought as much. I trust you willtake care of the matter.

REYNOLDSI dont understand.

HAWKINSMiss Carmody being a newcomer andall, she probably doesntunderstand how things are donearound here. You know.

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REYNOLDSIm sure I dont know either,Sheriff Hawkins. How are thingsdone around here?

Lee impatiently raps the floor with his cane.

KING THIBODEUXReynolds, you know very well whatwe mean. In Bascomb County, nigrasknow their place. We dont want ournigras getting uppity. Why, thenext thing you know, them nigraswill want to organize, vote, buyproperty, mingle with white folksand other such vile nonsense.

The other Men MURMUR in agreement.

REYNOLDSMingle?

HAWKINSI dont think you want no educatednigger courting your Savannah muchless my Mary Anne, do you? Thatswhy we come to see you beforethings got out of hand.

REYNOLDSI see. I had no idea that this wasgoing on under my own roof. Dr.

Gray, I take it you agree withthese sentiments?

Gray remains silent as Hawkins slaps Reynolds on theshoulder.

HAWKINSSee, boys, what did I tell you?Once Reynolds knows whats up hellnip it right in the bud. He's agood old boy.

Merriweather enters.

REYNOLDSYes, Mason?

MERRIWEATHERMiss Carmodys here, Mr. Price.

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REYNOLDSHow fortuitous. Show her in, by allmeans.

LEESince that's settled, we'll be on

our way.

REYNOLDSHold on. Theres no reason why youfellows cant hear what I have tosay.

Louisa enters.

LOUISAOh dear. Is this a bad time?

REYNOLDS

Your timing couldnt be moreperfect. Miss Carmody, Id like youto meet Byron Lee, King Thibodeux,Sheriff Hawkins and other esteemedleaders of our community.

Louisa nods her head and smiles.

REYNOLDS (CONT.)They came here to tell me thatyouve been teaching TyroneFarrell. Is this true?

LOUISA(proudly)

It certainly is. Tyrone is makingremarkable progress. By the end ofthe month hell be reading at thesecond grade level----

Louisas voice trails as she notices the Mens hostileglares.

LOUISA (CONT.)Is there some difficulty I shouldbe aware of, Mr. Price?

REYNOLDSOnly that I wish I wouldve knownabout this earlier but now that Ido, I want to make my opinion onthis matter perfectly clear so thatthere will be no mistaking it.

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Miss Carmody, if its your desireand intention to teach Tyrone orany other person of the Negro racein Bascomb County, I support itwholeheartedly. Now if yougentlemen will excuse us?

Lee's face reddens. The Men slowly shuffle out as KingThibodeux throws Reynolds some menacing stares. Gray lingersbehind.

GRAYDo you think that was wise,Reynolds?

REYNOLDSI thought wise and just were oneand the same. I didnt hear youutter a single syllable.

GRAYI'm sorry, Reynolds.

REYNOLDSSo am I.

A long-faced Gray drags himself out.

LOUISAMr. Price---

REYNOLDS

Reynolds. I'm not my father.

LOUISAReynolds, then. Perhaps I wasnaive. It never occurred to me thatsome people might object, Tyronebeing part of your household, Ithought----

Reynolds holds up his hand.

REYNOLDSIt's nothing that should concernthat pretty little head of yours.Now tell me how Savannahs doing.

Louisa smiles self-consciously as she opens her briefcase.

EXT. FIELD-DAY

Savannah swings her schoolbooks over her shoulder; she stopsand turns around.

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SAVANNAHYou can come out now, Will. I knowyouve been following me.

Savannah takes a few more paces and comes face to face withAaron. She tries to sidestep him but he bars her way.

SAVANNAH (CONT.)Get out of my way or Ill----

AARONYoull what? Sic your goddamnnigger on me? This is some bigproperty, huh? I bet there areparts of it you dont even know.

SAVANNAHDo so know.

AARONHow much you wanna bet?

EXT. CLEARING-DAY

Savannah and Aaron come upon a row of ramshackle buildings.

AARONWhat did I tell you?

Savannah walks toward the buildings.

AARON (CONT.)

This is where your family used tokeep their slaves.

SAVANNAHSlaves?

AARONNiggers, you fool. What else arethey good for?

Savannah opens the door to one of the buildings; she chokesas she steps into years of dust and cobwebs.

AARON (CONT.)They used to fry nigger brains forbreakfast. Livers, too. My Pa saystheyre a real delicacy.

Savannah turns on Aaron, horrified, her fists clenched.

SAVANNAHShut your filthy mouth!

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AARONIf you dont believe me just askSelma. How do you think her familycome to work for yours? They werebought and paid for down at thecoon auction, thats what.

Savannah spots some chains in one corner and suddenlyrealizes what Aaron said is the truth. Upset and confused,she bolts away.

Aaron kicks at the chains and leaves. As Aaron storms off, hedoesn't see Booker by a grove of trees, a book under his arm.

INT. PRICE HOUSE/FORMAL DINING ROOM-LATER

A subdued Savannah sits quietly at the table. Reynoldsreaches for the water pitcher.

REYNOLDSWould you like some water?

SAVANNAHNo thanks. Im not very thirsty.

Selma enters carrying two plates.

SELMAHere we go, Mr. Price. One of yourfavorites. Liver.

Savannah puts her hand over her mouth and races off.

INT. BEDROOM-DAY

Savannah lies in bed, a cold compress over her forehead and athermometer in her mouth. Selma plumps up her pillows.

SELMAI hope you aint coming down withsomething.

Reynolds enters and checks the thermometer.

REYNOLDSNo temperature.

SAVANNAHTold you.

SELMAMiss Savannah hasnt been herselfall day. She been moping.

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REYNOLDSDid something happen at school?

SAVANNAHDaddy, is it true that we own Selmaand that we eat Negro brains for

breakfast?

SELMAI knew it! Youve been listening tothat white riff raff again.

REYNOLDSSelma, would you kindly make ussome tea?

SELMATea? But Mr. Reynolds, since whendo you like...oh, yes sir, right

away.

Selma exits.

Reynolds sits beside Savannah and takes her in his arms.

REYNOLDSTo answer your first question, aperson cannot own another humanbeing. Selma is here of her ownfree will. I believe you know theanswer to your second question.Savannah, what do you know about

the Civil War?

SAVANNAHThats easy. We lost.

REYNOLDSTheres a little bit more to itthan that. It was an ugly, brutalstruggle. It set brother againstbrother and uncle against uncle. Itdivided our country and was theruination, some say, of theSouthern way of life.

SAVANNAHIs it true that we once ownedslaves?

REYNOLDSYes, unfortunately.

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SAVANNAHYou fibbed. You said thosebuildings were field houses. Younever said they were for slaves.

Savannah rolls away from Reynolds.

REYNOLDSI never told you because I thoughtyou were too young to understand.And also, because Im not proud ofit. The only thing I can say in ourdefense is that our family realizedthe injustice of slavery longbefore our neighbors did and wesuffered for it.

Selma enters with a tray.

SELMAYou listen to your Daddy. Yourgreat-great-great-grandfatherEzekiel freed his slaves longbefore President Lincoln did.

SAVANNAHThen why do some people act asthough the war is still going on?

SELMABecause theyre ignorant, lazy,stupid----

REYNOLDSSome people are raised a certainway and dont know any better.However, Ive raised youdifferently. At least, I hope Ihave. You think about what Ivesaid and well talk again. Now youget some sleep. Good night, honey.

SAVANNAHGood-night, Daddy.

Reynolds and Selma exit.

SELMAMr. Reynolds?

REYNOLDSYes, Selma?

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SELMAI'm sorry for what I said but Iain't sorry I said it, if you getmy meaning. If this teachingbusiness is gonna upset----

REYNOLDS(soothing)Dont be absurd. This is no morethan schoolyard blather. Thingswill quiet down. Youll see.

Reynolds walks away, but Selma hangs back, pensive.

SAVANNAH (V.O.)My father was rarely proved wrong.This was one of those times.

INT. REYNOLDS LAW OFFICE-NEXT DAY

Judge Faulkner enters as Reynolds is otherwise occupied withRUFUS PONTCHARTRAIN, another Mills Pond businessman, ownerof a car dealership.

JUDGE FAULKNERSorry to interrupt.

REYNOLDSNo matter. Mr. Pontchartrain wasjust leaving.

PONTCHARTRAIN

I hope there are no hard feelings,Reynolds.

Pontchartrain exits.

JUDGE FAULKNERWhat did that old rascal want?

REYNOLDSPardon me, Judge. Mason.

Merriweather enters.

MERRIWEATHERYou called, Mr. Price?

REYNOLDSMr. Pontchartrain has requestedthat his companys files be sent tothe law firm of Martin Abraham inMarietta. See to it, please.

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MERRIWEATHERYes, sir. And Mrs. Whitehall calledand canceled her four oclockappointment. She said she wont beneeding your services after all.

Merriweather exits.

JUDGE FAULKNERRufus is getting himself anotherlawyer?

REYNOLDSAs is his right.

JUDGE FAULKNERBosh. You know as well as I whosreally behind this, and what hesafter.

REYNOLDSByron Lee.

Judge Faulkner angrily slaps his thigh.

JUDGE FAULKNERI shouldve run that cur and hiscompatriots out of town long beforethis. I warn you, Reynolds, no goodcan come of this.

Louisa enters, suitcase in hand.

LOUISA(upset)

Im sorry to barge in like this,Mr. Price, but I didnt know whereelse to turn.

REYNOLDSYou werent interrupting. JudgeFaulkner was just leaving.

JUDGE FAULKNERI can spare a few minutes. So thisis the lovely Miss Carmody Iveheard so much about. Judge ThaddeusFaulkner in the flesh, otherwiseknown as The Hanging Judge.

With a grand flourish, Judge Faulkner takes Louisas hand andkisses it.

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LOUISAThe Hanging Judge?

REYNOLDSA feeble attempt at humor. Now whatbrings you here? You seem

distressed.

LOUISAWhen I returned home, I found mysuitcases on my cousins verandah.It appears that I am no longerwelcome. I thought that you mightbe able to direct me to a boardinghouse.

REYNOLDSThe only place Ill direct you tois Sixty Acres.

LOUISABut I couldnt possibly----

REYNOLDSYou can and you will. I still havesome work to finish up but Im sureJudge Faulkner would be delightedto drive you home.

JUDGE FAULKNERIt would be my great pleasure.

LOUISAYoure too kind, Mr. Price. Illwait outside until you gentlemenhave concluded your business.

Louisa exits.

Judge Faulkner gives Reynolds a wink.

REYNOLDSWipe that silly expression off yourface, you old goat. Its not whatyou think.

JUDGE FAULKNERMores the pity.

EXT. FIELD-DAY

Savannah, Will, Ike and several other CLASSMATES walktogether. Aaron falls in behind them.

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AARONHey, nigger-lover. Im talking toyou, Savannah Price.

WILLDont answer him.

AARONDidnt you hear me, little girl?Yes or no? Are you a nigger-lover?

SAVANNAHI love Selma and Booker so I guessI am.

AARONI bet you let them kiss you, too.

SAVANNAH

Every night before I go to bed.When was the last time your Mommakissed you?

AARONLook whos talking. Your Masburied in the graveyard along withher brat. She probably didnt leaveyou nothing, neither. All she leftyou was poor.

SAVANNAH(defiantly)

She did so leave me something.

AARONLike what? Party dresses?

SAVANNAHWait here and Ill show you.

Savannah runs off.

INT. PRICE HOUSE/REYNOLDS BEDROOM-DAY

Savannah races in, opens a bureau drawer and gets hermothers ring box.

SELMA (V.O.)Savannah? Is that you?

Savannah ducks inside a closet as Selma enters.

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SELMA (CONT.)I couldve sworn I heard something.Better not be mice.

EXT. FIELD-DAY

Flushed and out of breath, Savannah runs up to Aaron andshoves the ring box in his face.

SAVANNAHSee?

Savannah opens the box and everyone (except Aaron) admiresthe ring.

AARON(scornfully)

A bunch of dumbbells drooling overa hunk of glass.

SAVANNAHYoure the dumbbell. The ring isgenuine.

AARONIm smart enough not to be nonigger-lover.

Savannah puts the box back in her pocket and walks brisklyaway.

AARON (CONT.)

Whats your hurry? Running home soyour Aunt Jemima can take the nitsout of your hair?

Seething, Savannah wheels around and punches Aaron in theface. The two fall on the ground, grappling and kicking.

Everyone crowds around as Will tries to intercede. Aaronaccidentally pushes Savannahs head against a rock; she goeslimp.

The Kids GASP.

WILLLord have mercy on your soul,Aaron Thibodeux. You killedSavannah!

Will flails at Aaron as the other Kids scatter.

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AARONAnd my Pa will kill all of you ifanybody so much as breathes a word!

O.S. THUNDER roars in the distance. Aaron and Will run off asraindrops fall.

INT. PRICE HOUSE/FOYER-NOT TOO MUCH LATER

Selma helps Reynolds and Louisa out of their wet coats.

SELMAThank God youre home. Its gonnabe a bad storm. I dont wantSavannah staying out in the garage.

REYNOLDSWhat do you mean? We were just inthe garage. Savannah's not there. I

thought she was in the house.(beat)

Selma, have Booker check thefields. Ill double-back towardstown.

LOUISAShall I call the Sheriff?

REYNOLDSYes, yes, by all means.

EXT. FIELD-NIGHT

Pounding rain. Lightening illuminates the sky.

Savannah MOANS and stirs slightly as lights appear in thedistance.

Booker stumbles upon her and gathers her tenderly in hisarms.

INT. PRICE HOUSE/HALLWAY-NIGHT

Louisa, Judge Faulkner and Orenstein anxiously wait outsideSavannahs bedroom.

JUDGE FAULKNERDang nabit! What is taking so long?

Reynolds and Gray exit the bedroom.

LOUISAHow is Savannah? Will she---

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REYNOLDSShell be fine. Right now she'ssleeping.

GRAYA slight concussion...this time.

Orenstein clasps his heart.

ORENSTEINThank goodness. When I heard whathappened----

GRAYJulius, get a hold of yourself orI'll have another patient on myhands. Reynolds, Ill be by in themorning to check on her.

Gray exits.

JUDGE FAULKNER(shaking his head)

A man of few words and feweractions.

LOUISAThis is all my fault, Mr. Price.

REYNOLDSBefore we jump to conclusions, Isuggest we wait for Savannah to

tell us what happened. But you canbe sure that if I get a whiff thata Thibodeux was involved, Ill---

JUDGE FAULKNERYoull what? Isnt it enough thatthe child has no mother? You wanther to lose her father as well?

INT. PRICE HOUSE/BEDROOM-NIGHT

Reynolds sits by Savannahs bed and reads aloud. Savannahthrashes around in her sleep, MUMBLING incoherently. Reynoldsgently tucks the blankets around her.

Louisa enters.

LOUISAI could stay with Savannah a while.

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REYNOLDSThats kind of you, but I dontthink Ill be getting much sleeptonight.

LOUISA

What are you reading?

Louisa takes the book from Reynolds.

LOUISA (CONT.)"The Red Badge of Courage"?

REYNOLDSThe other night I was telling herabout the Civil War. This is one ofmy favorite books on the subject.

LOUISA

Mine as well.

Savannah MUMBLES again.

LOUISA (CONT.)She looks so pale.

REYNOLDSDr. Gray assured me that in a fewdays shell be good as new.

LOUISARemember, if you need me, Im just

down the hall.

REYNOLDSThank you, Louisa, and good night.

Louisa exits just as Selma enters.

SELMA(suspiciously)

What did she want?

REYNOLDSShes concerned about Savannah, aswe all are.

SELMAWell, enough is enough. I toldTyrone he can clear his head aboutthat teaching nonsense.

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REYNOLDSWhy in Gods name would you tellhim that?

SELMAThe reason is lying in that bed,

all broken. Tyrone never needed nolearning before. He was doing fineall by hisself before she comealong. We all were.

REYNOLDSSelma, Im surprised to hear youspeak about Louisa that way.

Selma tenderly fluffs Savannahs pillows.

SELMAWhen I saw Booker carrying Miss

Savannah up to the house, limp likea rag doll, my heart stoppedbeating. It took me back to the daythey carried your father home.

REYNOLDS(gently)

Selma, that was another time.

SELMALooks to me like those times havecome again. Booker knows it too.

INT. BEDROOM-NEXT AFTERNOON

Savannah opens her eyes and the room slowly comes into focus.She sees a fuzzy shape and warm voice that she believes atfirst to be her mothers.

SAVANNAHMomma? Is that you?

Savannah comes to and realizes that it's Louisa.

LOUISAI was beginning to think that youwere going to sleep the day away.

SAVANNAHIm not dead?

Reynolds comes into focus.

REYNOLDSI should say not. How do you feel?

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SAVANNAHMy head hurts.

LOUISAWould you like a drink?

Savannah tries to nod, but the effort makes her wince.

Selma enters with a glass vase overflowing with fresh-cutflowers.

SELMAArent they beautiful, MissSavannah? Booker picked them justfor you. And Mr. Bartok sent oversome books, though for the life ofme I dont know what he wasthinking. We could open up our ownbook shop.

This comment elicits a wan smile from Savannah.

SAVANNAHWhat are you doing home today,Daddy? Its not a holiday. Imsorry I missed school.

SELMANow dont you be fretting about noschool. I hope youre in the moodfor some fresh hot corn muffins.

SAVANNAH(perking up)

Fresh corn muffins? Lordy, maybe itis a holiday and I just didnt knowit. Yes, maam.

SELMAThats my girl.

Selma exits, HUMMING happily.

Reynolds sits beside Savannah.

REYNOLDSAbout school. It occurred to methat since its so close to the endof the term, it might be best ifyou finished your studies here.What would you say to that?

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SAVANNAHI guess its okay, but who would bemy teacher?

Savannah glances at Louisa, who nods.

REYNOLDSNow you get some rest. Your headtook quite a knocking.

SAVANNAH(hesitantly)

Arent you going to ask me? I mean,about what happened? Because Idont know.

REYNOLDSYou dont know or you dont want toremember?

Savannah shrugs. Reynolds gives Savannah a reassuring kiss.

REYNOLDS (CONT.)The important thing is that youresafe and sound, and I intend tokeep you that way.

DISSOLVE TO:

Savannah dozes when suddenly her eyes fly open.

SAVANNAH

Oh my Lord. The ring!

Savannah tries to get out of bed, but is too wobbly to standon her own.

Selma enters.

SELMANow just where do you think youregoing? Get back in bed.

SAVANNAHBut Selma--

Selma helps Savannah back into bed and under the covers.

SAVANNAH (CONT.)Where are my overalls?

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SELMAYou mean the ones you were wearingyesterday? Drying. Now you stay putor Ill have Booker stand guard.

Selma exits.

SAVANNAH (V.O.)As I lay there in bed, toofrightened to move, I would havegladly taken ten beatings by AaronThibodeux rather than admit to myfather that I had lost my mothersprecious ring.

EXT. FIELD-SEVERAL DAYS LATER

Savannah frantically searches for the ring.


Selma removes a loaf of bread from the oven when a long-facedSavannah shuffles in, her feet dragging.

SELMAWhere have you been? I thought youwere just going to get a speck offresh air.

Savannah plops down on a chair, wan and listless.

SELMA (CONT.)

Whats wrong? Is your headacheback?

SAVANNAHNo.

Louisa enters.

LOUISASavannah, how would you like to goto the movies with me tonight? Yourfather gave his permission as longas youre feeling up to it.

SAVANNAHThank you for asking, but no. Ithink Im going to take a nap.

Savannah exits.

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SELMAMiss Savannah must still be feelingpoorly. She never takes a nap.

LOUISAHow about you, Selma? Would you

like to go? Its Clark Gable.

SELMAI got plenty to keep me busy righthere. Youre not fixing to go outon your own, are you?

LOUISAIs there a reason why I shouldnt?

SELMAA woman alone---

LOUISA(firmly)

Can just as easily find her way tothe movies and back. I wont stayout late. I do it all the time upNorth.

SELMA(uneasily)

But Miss Louisa...this ain't upNorth.

INT. MOVIE THEATER-NIGHT

Louisa dabs at her eyes with a handkerchief.

INT. PICK UP TRUCK-NIGHT

Louisa drives as the engine starts to sputter.

EXT. DEACONS BRIDGE-NIGHT

The truck is in the background, the hood up. As Louisa walksshes suddenly blinded by car headlights. As her eyes adjustto the brightness, Louisa is surrounded by a dozen or soWHITE MEN.

LOUISAGood evening, gentlemen. My truckbroke down. Would it be possiblefor me to get a lift back into townor to Sixty Acres, Mr. ReynoldsPrice---

A hooded figure steps forward.

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HOODED FIGURE 1You heard the teacher, gentlemen.Lady wants a lift to the Priceestate. Wed be delighted to giveyou a ride. Yes ma'am. Alwayswanted to give my teacher a ride.

The Men share a ribald LAUGH. Louisa ignores him andcontinues walking.

HOODED FIGURE 1 (CONT.)Oooh, lookee, ain't she the proudone.

Another hooded figure emerges from the shadows.

HOODED FIGURE 2Not too proud to beg, I reckon.

HOODED FIGURE 1The lady dont see fit to conversewith her own kind, but shes onlytoo happy to associate with coons.Maybe she's a coon herself. Mightgot some coon blood in her. Maybethat's why she loves them so much.

Louisas almost across the bridge when a third hooded figuresteps in front of her.

HOODED FIGURE 3Whats your hurry, spinster lady?

Its Saturday night and Im in themood for love. Come on, give us akiss.

Louisa can't contain herself any longer.

LOUISAYou're disgusting. I can smell thegin and the pig swill. And you callyourself fine Southern gentlemen.You might be Southern, but you'refar from gentlemen.

Louisa, her eyes blazing, pushes the lout out of her way, buthe grabs her by the arm and swings her around.

HOODED FIGURE 3 (CONT.)Lets see how feisty youll be whenwe get through with you.

Louisa flails at him, reaching under his hood. The lout CRIESout as he recoils.

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HOODED FIGURE 3What do you know. The bitchscratched me!

HOODED FIGURE 1Boys, looks like we got ourselves a

wild one.

Louisa tries to run off, but the Men grab her. They pin herarms behind her back. Louisa kicks and SCREAMS.

Suddenly car headlights illuminate the scene. Dr. Gray getsout.

GRAYWhats going on here?

Gray gets out of his car. He takes in the scene.

GRAY (CONT.)Are you boys drunk on Thibodeuxmoonshine again or are you justplain crazy?

HOODED FIGURE 3This aint none of your business,Doc. You go back to birthing babiesand leave us to do our work.

GRAYDevils work, you mean. Let her go.

Gray pulls a revolver out from under his jacket.

GRAY (CONT.)I may not have a steady hand or agood eye but I can still pull thetrigger. I wont say it again. Lether go.

The hooded figure releases Louisa, who quickly hops in Grayscar. Gray follows her and they drive off.

LOUISAThank God you came when you did,Dr. Gray. As soon as we get homeIll have Mr. Price call theSheriff. Hell take care of thoserascals.

GRAYThe Sheriff? Why, who do you thinkwas one of those rascals?

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I forbid you to breathe a word ofthis to Reynolds. The poor man hasenough on his mind as it is.

LOUISAI---

GRAYNot one word. Have I made myselfclear? Its over. No one was hurt.Best not to dwell on unpleasantmatters.

BACK TO THE BRIDGE

The coast clear, Booker comes out from some underbrush,shotgun in hand.

INT. PRICE HOUSE/FORMAL DINING ROOM-NEXT MORNING

Selma serves Savannah, Louisa and Reynolds. Booker comes inand shakes his head at Selma. Selma spills Savannahs glassof milk and in the process of cleaning it up makes an evenbigger mess.

SELMAI declare, Mr. Reynolds. I dontknow whats gotten into me thismorning. I think I mustve left mybrain on the bedpost.

REYNOLDS

You do seem rattled. Is somethingwrong?

SELMAIts Tyrone. He went into townyesterday and we aint seen himsince. When Booker went to fetchhim to see about getting the truck,his bed wasnt even slept in.

O.S. The phone RINGS.

SELMA (CONT.)Ill get that, sir.

Selma exits into the kitchen. Seconds later she returns,SOBBING.

SELMA (CONT.)Mr. Reynolds, Booker. Its Tyrone.They got Tyrone.

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REYNOLDSWho does? Who was on the phone?

SELMAJudge Faulkner. He says youre togo to the jailhouse straight away.

Sheriff Hawkins arrested Tyrone forbreaking into Byron Lees store.And he said something aboutattempted murder.

Savannah's eyes grow wide as saucers.

Booker slumps down in a chair, his face long and gray.Reynolds throws down his napkin and storms out. Louisa triesto comfort Selma.

SAVANNAHSelma, Ive got a confession to

make.

LOUISASavannah, dear, cant it wait? Yousee how upset Selma is.

SAVANNAHYes, maam.

Savannah quietly exits.

EXT. FIELDS-DAY

Savannah runs towards town.

EXT. COURT HOUSE-DAY

Foreboding granite building.

INT. JAIL-DAY

Several DEPUTIES lounge around.

Reynolds enters.

REYNOLDSGood morning, boys. Where are youkeeping him?

DEPUTY 1 lazily looks up; he has several long deep scratcheson his face.

DEPUTY 1Keeping who?

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REYNOLDSYou know very well who. TyroneFarrell.

DEPUTY 1Do we have a Tyrone Farrell hiding

around anywhere?

The Deputies CHUCKLE. A Deputy looks under a desk to gales ofLAUGHTER.

REYNOLDSIm glad you fellows find thisamusing. If I have Judge Faulknercome down here with a writ, perhapsyou wont be so quick to laugh.

Hawkins emerges from his office.

HAWKINSWhats going on out here, boys?Cant get a dogs lick of sleep.Oh, Mr. Price. What brings youhere?

REYNOLDSI understand youre holding TyroneFarrell on some trumped-up charge.

HAWKINSId watch my words if I were you.We caught Tyrone red-handed. We

found the stolen goods in his room.

REYNOLDSYou entered my property without asearch warrant?

HAWKINSWe had the niggers consent, alongwith his signed confession.

REYNOLDSWas that before or after you beatit out of him?

HAWKINSCome to think of it, we foundsomething in his room which Imtold belongs to you.

Hawkins goes to his desk, opens a drawer and pulls out thering box. Reynolds is speechless as Hawkins hands him thebox.

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HAWKINS (CONT.)Will you be pressing charges? Ididnt think so. Erskine, pleaseescort Mr. Price in to see theprisoner.

INT. CELL-DAY

Erskine unlocks the cell and at first, Reynolds doesnt seeanyone.

REYNOLDSTyrone?

Erskine leaves.

Reynolds hears a MOAN. He takes a step inside and sees abloodied Tyrone cowering in a corner. Reynolds hardlyrecognizes the boy. His face is beaten to a pulp.

REYNOLDSMy God. What have they done?

INT. JAIL-DAY

Hawkins and the Deputies play cards as Savannah enters.

HAWKINSSavannah Price, I'd run along homeif I were you. This ain't no placefor a little lady.

SAVANNAHI ain't little and I'm no ladyeither. Where's my Daddy?

Reynolds enters, grabs the phone and dials.

REYNOLDSHarlan? Its Reynolds. Im at thejail. Can you come down right awayand have a look at Tyrone Farrell?He's taken quite a beating.

Reynolds hangs up and turns toward Hawkins.

REYNOLDS (CONT.)Id appreciate hearing yourexplanation concerning Tyronesinjuries.

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HAWKINSDamn nigger almost ripped my faceoff trying to escape. Had to subduehim.

REYNOLDS

With what? A billy club?

Reynolds finally notices that Savannah is there.

REYNOLDSWhat are you doing here?

SAVANNAHI came to--

REYNOLDS(growling)

You go home right now, young lady!

SAVANNAHBut Daddy---

REYNOLDSNow!

INT. PRICE HOUSE/PARLOR-DAY

Selma rocks in a chair, yarn and needles in her lap.

Louisa enters.

LOUISAWhy dont you go to bed. Ill comefor you the second Mr. Pricereturns.

SELMAIm not going anywhere until I knowTyrone is all right.

LOUISAI just made a fresh pot of tea.Would you like a cup?

SELMATea would be nice, Miss Louisa.

LOUISAThats Louisa.

Louisa exits. Moments later, Savannah enters.

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SELMAYou can't sleep neither?

Savannah nods, then sits down next to the rocker. Selma picksup her darning and pricks herself with the needle. Louisareturns with a tray as Selma sucks on her finger.

LOUISA (CONT.)What happened?

SELMAJust stabbed myself. Ill live.

Louisa pours the tea and hands a cup to Selma.

SELMA (CONT.)Miss Eugenia, that was Mr. ReynoldsMomma, she used to make thedaintiest little frosted cakes to

serve with her tea.

LOUISAYoure very loyal to the Prices.

SELMAMr. Reynolds is the finest man everto walk this earth, next to hisfather, Master Ambrose. The day Ileave this family is the day theylower me into the ground.

Selma continues sewing.

SELMA (CONT.)It was Mr. Reynolds first day backfrom law school. Master Ambrose wasso proud of him he was ready toburst. Miss Eugenia too. We allwere. That morning the menfolkstarted out early on their horses.This was when the Prices ownedland as far as a bird could fly. Istill remember what I packed themfor lunch. Barbecued pork onsourdough bread.

DISSOLVE TO:

A younger Reynolds on horseback canters behind his father,AMBROSE. Their horses rear as they come upon a clearing; theanimals fright becomes apparent. Two black men swing from ahigh branch.

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SELMA (V.O.)The Lord had already taken thefirst fellow and was closing faston the second.

Reynolds and Ambrose cut the second man down.

SELMA (V.O.)I was upstairs making the beds whenI heard Miss Eugenia scream. Theycarried that poor soul into thebilliard room and laid him flat onthe table. Mr. Reynolds went tofetch Dr. Gray but when Mr.Reynolds told him it was a coloredman, he refused to come. Course,not the Dr. Gray we know. HisDaddy.

DISSOLVE TO:

Selma as a young woman nurses the unconscious black man.

SELMA (V.O.)I stayed up with him all night.Master Ambrose was furious. Thatraspscallion Byron Lee, he tried toenlist Master Ambrose in theirhorrible Klan, but the Master toldhim if he ever set foot on SixtyAcres again, he'd skin him alive.After the lynching, The Master rode

into town and demanded that JudgeFaulkner, cept that he wasnt noJudge then, he was the DistrictAttorney, do something about it.Course, what could the poor man do?

Savannah can barely breathe, she is so riveted.

LOUISAYou nursed the man back to health?

SELMAI didnt have nothing to do withit. It just wasnt his time. A weeklater, Master Ambroses horse cameback without him. Mr. Reynoldsfound his body by the creek, hisneck broke. Miss Eugenia was alwayssuch a frail creature. A monthlater, she was gone. Master Ambrosehad already sold some of the landto finance Mr. Reynolds education.

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Mr. Reynolds had to sell offanother big chunk to pay for thefunerals. Dont let them try totell you this is about Tyronestealing. If anyone done anystealing, its that detestable

Byron Lee, coveting this land sincethe day he was born. He was behindthat nasty business, I'd stake mylife on it.

Louisa gently touches Selma's arm.

LOUISA(softly)

The man they cut down. That wasBooker.

Selma nods. Savannah wipes the tears from her eyes with her

pajama sleeve.

Moments later, Reynolds and Booker enter.

SELMAWheres Tyrone?

REYNOLDS(too cheerfully)

In the county hospital. Tyrone gota little banged up. Dr. Gray saidits nothing serious.

SELMAIll visit him in the morning andsee for myself. Then can I take himhome?

REYNOLDSIm afraid not.

(to Savannah)Child, what are you doing up solate?

SAVANNAHI couldnt sleep.

Reynolds takes out the ring box.

REYNOLDSThe Sheriff claims he found this inTyrones room along with some othermerchandise belonging to Byron Lee.

Savannah cringes at the sight of the box.

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SELMA(hotly)

In a pigs eye! You dont---

REYNOLDSNot for one minute. It only

confirms what Ive thought allalong. Id gladly give a kingsransom to know how Lee pulled itoff. Time to tuck you back intobed, young lady.

Reynolds carries Savannah upstairs.

INT. BARTOKS BOOKSTORE-NEXT DAY

Savannah enters.

SAVANNAH

Mr. Bartok, thanks for the---

Savannah is stunned to see that the bookstore has beenvandalized. Books are strewn everywhere, pages ripped out.

Mrs. Bartok is on a ladder mopping the wall while Mr. Bartoksweeps up the litter.

SAVANNAH (CONT.)What happened? Did a tornado comethrough?

Bartok stops sweeping and points to the wall. Splashed all

over are vile racial and ethnic slurs.

INT. GROCERY STORE-DAY

Savannah and Selma at the counter.

SAVANNAHGracious. Why would anyone want todestroy Mr. Bartok's books?

SELMARuffians, I reckon. That's what Mr.Bartok called them.

SAVANNAHHumph. I got another name.

The MALE CLERK saunters over.

SELMAFive pounds of sugar, if youplease.

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The Male Clerk slams the sugar on the counter.

MALE CLERKHow will you pay for this?

SELMA

Just put it on Mr. Prices bill,like I always do. Hell pay you atthe end of month.

MALE CLERKSorry. Mr. Price no longer has anaccount with us. Cash only.

SELMA(amazed)

What you talking about?

MALE CLERK

You heard me. No money, nogroceries.

SELMA(embarrassed and angry)

Well just see about this, youngman.

Selma grabs Savannah's hand and storms out.

EXT. SIDEWALK-DAY

Selma drags Savannah along.

SELMAI ain't never been so humiliated inall my life. Wait until your Daddy---

Selma stops in mid-stride and GROANS.

SELMAWhat in the Lord----

Savannah GASPS.

Selma touches her back, then looks down at her fingers. It'shorse excrement.

SELMA (CONT.)(furiously)

Too bad you rascals dont have thecourage to meet me face to face.What kind of c

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