15th and 16th CenturyNorthern

RenaissanceArt

CLAUS SLUTER, Well of Moses, Chartreuse de Champmol, Dijon, France, 1395-1406. Limestone with traces of paint.

Moses with traces of paint

Isaiah

King David

Zachariah

Limbourg brothers, (Pol, Jean, Herman), January, Les Très Riches Heures du Duc de Berry manuscript, 1413-1416. Ink on Velum

LIMBOURG BROTHERS (POL, JEAN, HERMAN), October, from Les Très Riches Heures du Duc de Berry, 1413-1416

Oil v. Tempera: Oil dried uniformly, slowlyArtists blended the pigments creating sfumato (smokey effect) Glazes

Tempera Thick tempera caused crackingTempera dried quickly

Wood panels, often warped Linen canvas, great in high humidity

Robert Campin (Master of Flémalle) Mérode Altarpiece (open), c. 1425-1428, oil on wood,

patron-Inghelbrecht

JAN VAN EYCK, Man in a Red Turban, 1433, Oil on wood,

Frame Inscription reads: “Jan van Eyck’s Man in the Red Turban, October 21, 1433, ‘As I can’” suggesting a self portrait.

Jan van Eyck, Ghent Altarpiece, 1432Chapel Vyd, Ghent, Belgium, Patrons,Patrons Jodocus Vyd.

Crown of earthly Kings

Sacrificial of the lamb

Twelve Apostles and martyrs in red robes

Jan van Eyck, Ghent Altarpiece (closed) , 1432

Jan van Eyck, Giovanni Arnolfini and his Bride, 1434

Rogier van der Weyden, Deposition, 1435, central panel of a Triptych from Notre Dame Hors-les-murs, Louvain, Belgium

Rogier van der Weyden, Portrait of a Lady, Belgium, 1460,

Dirk BoutsLast Supper (central panel of altarpiece) of the Holy Sacrament,Saint Peter’s, Louvain, Belgium 1468

Hugo van der Goes, Portinari Altarpiece (open), from Sant’ Egidio, Florence, Italy, 1476, patron Tommos Portinari

Hans Memling, Virgin with Saints and Angels, center panel of the Saint John Altarpiece, Hospitaal Sint Jan Bruges, Belfium, 1479

What Art Period is this from?

Hieronymus Bosch, Triptych of Garden of Earthly Delights (central panel) c. 1500

Bosch Self- Portrait