160 slides for aristotle
TRANSCRIPT
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Riddle of the SphinxRiddle of the Sphinx
Aristotle on Oedipus
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Tragedy is the Tragedy is the Representation of an Representation of an
ActionAction
Aristotle, Poetics
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The Objects the imitator represents are actions, with agents who are
necessarily either good men or bad—the diversities of human character being
nearly always derivative from this primary distinction, since the line between
virtue and vice is one dividing the whole of mankind. It follows, therefore, that
the agents represented must be either above our own level of goodness, or
beneath it, or just such as we are; in the same way as, with the painters, the
personages of Polygnotus are better than we are, those of Pauson worse, and
those of Dionysius just like ourselves. This is a difference that distinguishes
Tragedy and Comedy also; the one would make its personages worse, and the
other better, than the men of the present day.
Aristotle, Metaphysics
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General
Specific
AccidentalSubstantial
Properties
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General
Specific
AccidentalSubstantial
ThingBiota
AnimalVertebrateMammalPrimate
HomonidaeHomo
SapiensSapiens
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General
Specific
AccidentalSubstantial
ThingBiota
AnimalVertebrateMammalPrimate
HomonidaeHomo
SapiensSapiens
Wearing Clothes
Wearing a Dress
Being Female
Being Diotima{Depiction
Portrayal
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General
Specific
AccidentalSubstantial
Kingdom
Phylum
Class
Order
Family
Genus
Species
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General
Specific
PossibilityBeing
nece
ssit
yn
ece
ssit
y
Imp
oss
ibil
ity
Imp
oss
ibil
ity
EssenceEssence
AccidentAccident
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Simile of the Line
illusions
ordinary
things
forms
The Forms
Plato’s Simile of the Line
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ARISTOTLE’S CRITICISM
What about Cause and Effect?
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Causality
MaterialFormal
Efficient Final
Aristotle’s Four Causes
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Character is that which reveals choice, shows what
sort of thing a man chooses or avoids in
circumstances where the choice is not obvious, so
those speeches convey no character in which there
is nothing whatever which the speaker chooses or
avoids.
Aristotle, Poetics
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Character
Means
Propriety
Thought & Character
Intent
Action Reveals Character
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In respect of Character there are four things to be aimed at. First, and most
important, it must be good. Now any speech or action that manifests moral
purpose of any kind will be expressive of character: the character will be good
if the purpose is good. This rule is relative to each class. ... The second thing
to aim at is propriety. There is a type of manly valor … unscrupulous
cleverness is inappropriate. Thirdly, character must be true to life: for this is a
distinct thing from goodness and propriety, as here described. The fourth
point is consistency: for though the subject of the imitation, who suggested
the type, be inconsistent, still he must be consistently inconsistent.
Aristotle, Poetics
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What we have said already makes it further clear that a poet's object is not
to tell what actually happened but what could and would happen either
probably or inevitably. The difference between a historian and a poet is not
that one writes in prose and the other in verse—indeed the writings of
Herodotus could be put into verse and yet would still be a kind of history,
whether written in metre or not. The real difference is this, that one tells
what happened and the other what might happen. For this reason poetry is
something more scientific and serious than history, because poetry tends to
give general truths while history gives particular facts.
Aristotle, Poetics
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Substance
Accident
Accident
CAUSALITY
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Exemplar
History
History
ART
More Philosophical than History
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Art: Good Guy Wins
History: Bad Guy Wins
History: Good Guy Loses
ART
More Philosophical than History
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Moral Exemplar/Depiction
Generic Virtues
Accidental Actualities
ART
More Philosophical than History
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Virtues
Vice
Vice
Virtue
Aristotle’s Virtue Theory
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Virtues
Stinginess
Extravagance
Generosity
Aristotle’s Virtue Theory
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Virtues
insensibility
Self-Indulgence
Temperance
Aristotle’s Virtue Theory
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Plot
Rising Action
Motive
Intent
Aristotle’s Triangle
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Plot
Rising ActionReversal
Climax
Aristotle’s Triangle
Falling Action
By "plot" I mean here the arrangement of the incidents:
"character" is that which determines the quality of the
agents, and "thought" appears wherever in the dialogue
they put forward an argument or deliver an opinion.
9/10
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The most important of these is the arrangement of the incidents, for tragedy
is not a representation of men but of a piece of action, of life, of happiness
and unhappiness, which come under the head of action, and the end aimed at
is the representation not of qualities of character but of some action; and
while character makes men what they are, it's their actions and experiences
that make them happy or the opposite. They do not therefore act to represent
character, but character-study is included for the sake of the action. It follows
that the incidents and the plot are the end at which tragedy aims, and in
everything the end aimed at is of prime importance. Moreover, you could not
have a tragedy without action, but you can have one with out character-study.
Aristotle, Poetics
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Clearly the story must be constructed as in
tragedy, dramatically, round a single piece of
action, whole and complete in itself, with a
beginning, middle and end, so that like a single
living organism it may produce its own peculiar
form of pleasure.
Aristotle, Poetics
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Laocoön
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Parthenon Metope,
Centaurs and Lapiths
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Parthenon Metope, Centaurs
and Lapiths
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Drunken Satyr or Barberini
Faun
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Dontello, David
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Michelangelo, David
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Michelangelo, David
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Botticelli, Venus
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Donatello, Petinent
Magdalene
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Donatello, Petinent
Magdalene
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Dürer,
Melancholia
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Brunelleschi, Sacrificeof Isaac
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Ghiberti, Sacrificeof Isaac
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Massacchio, Expulsion from the Garden of
Eden
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Leonardo, Last Supper
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Leonardo, Last Supper
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Michelangelo, Creation
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Michelangelo, Pieta
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Michelangelo, Last Judgement
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Münch, Scream
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Picasso, Guernica
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CHARACTER
Vice?
Vice?
Virtue?
Which virtues are depicted?
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CHARACTER
Vice?
Vice?
Virtue?
Which virtues are depicted?
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In two sentences, select a
feature from Dumbo that most
exemplifies Aristotle’s theory
and state how it does so. In
two more sentences, select a
feature from Dumbo that most
refutes Aristotle’s theory and
state how it does so. Use
direct quotes from Aristotle.
Keep it pithy, extra sentences
may detract from your score.
Application