17 18 season · western democracies have taken to flirting with divisive rhetoric and policies that...
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Season Partner
17 18SEASON
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FHYP16-045 • HYDRO-QUÉBEC • COMMANDITE • ANNONCE OSM • INFO: ST/MTVERSION: ANGLAISE • FORMAT: 8" x 10,875" • COULEUR: CMYK • LIVRAISON: 18 OCTOBRE
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FHYP16-045 OSM_Ann_Commandite.indd 2 2016-10-18 09:31
FOLLOW US!
NEW SEASON
03
What importance does classical music hold in today’s world? It is a question that my colleagues and I confront each day of our working lives. Society has changed since the time of the great masterworks and indeed over our own lifetimes: fashions come and go, tastes evolve and fads renew like the changing seasons. But across an endless succession of novelties, are not some things, by their very nature, eternal? Recent world events compel us to pause and reflect.
As armed conflicts rage the world over, Western democracies have taken to flirting with divisive rhetoric and policies that many could never have imagined. When polarization takes the place of reasoned debate, and opposing views no longer seem reconcilable through compromise, we find ourselves face to face with fundamental questions of identity, belonging and our roles in contributing to an open and free society.
In light of such uncertainty, we may do well to cast our attention to the humanist themes that animate and sustain the great works of literature, art and music that we have come to cherish.
For centuries the coming-to-consciousness of the individual within society has found its ideal metaphor in the tradition of great choral works. In Quebec our own choral heritage has been an essential part of the social fabric. Across this season we trace a choral-symphonic journey through themes of freedom, progress, self-determination, responsibility, courage, dignity and the pursuit of happiness. Johann Sebastian Bach created his Magnificat as a commentary on
the Nativity, but also an indirect observation on the birth and coming-into-the-world of all humans. Beethoven’s Ninth Symphony frames the individual within a brotherhood of men and an expanding sphere of influence and responsibility. Mahler’s monumental Eighth Symphony, which opens our concert season, is the apotheosis of this genre, expressing the human relationship with the divine, the cosmic and the universal. Finally we confront death and our hopes for the afterlife with Verdi’s Requiem.
WHAT IMPORTANCE DOES
CLASSICAL MUSIC HOLD IN TODAY’S
WORLD?
Works by Wolfgang Amadeus Mozart also hold a place of importance in our concerts this year, including the “Paris,” the “Prague” and the famous Symphony No. 40, as well as the Great Mass in C minor. Mozart’s music reveals to us the eternal aspects of humanity. In his operatic chiaroscuro - the light and dark; good and evil; serious and flippant - we confront the contradictions that inhabit us all. It inspires us to imagine a better world - one where opposition, contrasts and complexity are forces of balance within bodies, both politic and human.
By pairing Mozart in many of our concerts with Canadian composers, we take the reflexive impulse one step further. We ask: What can we learn of ourselves from the masterworks of Canadian composers? Samy Moussa’s A Globe Itself Infolding for organ and orchestra explores the sounds of integration and disintegration between opposing orchestral masses, while a new commission from Matthew Ricketts probes the politics of race, labour and nation-building behind the Canadian Pacific railway. Nicole Lizée collaborates with Québécois-Algonquin singer Samian in the world premiere of a new work, and Inuit throat singer Evie Mark returns to the OSM to perform Chinese-Canadian composer Alexina Louie’s Take The Dog Sled, first commissioned for the OSM’s historic tour to Nunavik.
Meanwhile, a new initiative of the OSM, our Nordic Festival, highlights forms of identification that ignore the boundaries of nation-states. The music emanating from the northern regions of Canada, Denmark, Finland, Iceland, Norway, Russia and Sweden suggests cross-cultural affinities through the themes of Territory, Landscape and Legend. Major works by Grieg, Nielsen, Sibelius and Tchaikovsky feature prominently throughout this three-day festival.
There is perhaps no statement so complete, no testament so heartfelt, and no progres-sion so universally moving as the complete symphonies of Ludwig van Beethoven. Our season closes with this magisterial series of
ARE SOME THINGS, BY THEIR VERY
NATURE, ETERNAL?
04
nine masterworks performed within the space of a week, as an ode to humanity in all its colour and contradiction, fallibility and perfection. From the youthful First Symphony to the heroic struggle of the Third, and the final sweeping grandeur of the Ninth, Beethoven’s symphonies are the carriers of the cherished and enlightened ideals that have animated discourse on humanism for over two hundred years.
This season we are delighted to welcome to our stage some of the world’s most eminent guest performers. Vasily Petrenko, Masaaki Suzuki, Juanjo Mena, Edo de Waart and Lionel Bringuier will take the podium this season, while soloists Gidon Kremer, Steven Isserlis, Maxim Vengerov, Charles Richard-Hamelin, Alain Lefèvre, Paul Lewis, Hilary Hahn, Christian Tetzlaff, Leonidas Kavakos, Marie-Nicole Lemieux and Philippe Sly will feature as guest soloists. Our recital series presents a tour de force
of three of the world’s greatest living pianists, Yuja Wang, Mikhail Pletnev (also our artist-in-residence for the season) and Maurizio Pollini.
Celebrated author Michel Tremblay joins us for the holidays with a newly commis-sioned Conte de Noël. The Grand Orgue Pierre-Béique continues to shine in our organ series, including a tribute to the unique landscape of our city, with Montreal: City of a Hundred Steeples. In a special concert, we ask what happens when we turn out the lights... On the programme: works by composers who made their mark on transcendental listening in the 1960s - in the dark.
Our programming is a reflection of those values that hold us together, those convictions that allow for a cosmopolitan, creative city like Montreal to speak a language of harmony. The Maison symphonique is more
than just a home for the arts: it is a metaphor for community and a represen- tation of open society where the ideals of the Enlightenment are still alive. If the symphony orchestra has a role to play in 21st-century society, perhaps it is as a conduit for this idealism. Classical music reminds us that while times change, the human spirit is remarkably constant.
Open your heart to its message, as my colleagues and I do each and every day, and you may recogniz e yourself, your family and friends, your community.
MUSIC DIRECTOR
KENT NAGANO
05
SEP 19 / 7 P.M. SEP 21 / 8 P.M.
CONDUCTORSOPRANOSOPRANOSOPRANO
(MATER GLORIOSA) MEZZO-SOPRANOMEZZO-SOPRANO
KENT NAGANOSARAH WEGENERCAMILLA TILLINGKLARA EK
ALLYSON McHARDYMARIE-NICOLE LEMIEUX
TENOR BARITONE
OSM CHORUS MASTER
CHORUS MASTER
MICHAEL SCHADERUSSELL BRAUNTHE OSM CHORUSANDREW MEGILL
PETITS CHANTEURS DU MONT-ROYALANDREW GRAY
MAHLER SYMPHONY NO. 8 IN E-FLAT MAJOR, “SYMPHONY OF A THOUSAND”
The OSM raises the curtain on its season with Mahler’s Symphony of a Thousand, a sweeping work for soloists, chorus and orchestra. With more than 350 people on stage, this symphony was described by
Mahler as “the whole universe beginning to ring and resound.”
TAKE PART IN THE OPENING FESTIVITIES: WEAR BLACK AND WHITE!
O
PENING C
ONCERT
06
CONDUCTORVIOLIN
ORGAN
KENT NAGANOMAXIM VENGEROVJEAN-WILLY KUNZ
The expressive intensity of Barber’s famous Adagio for Strings and the
famous Alborada del Gracioso by Ravel frame the two concertos for brass
in this program that shines the spotlight on OSM soloists.
Ranked among the 25 greatest violinists of all time by Classic FM, Maxim Vengerov performs Brahms’
famous Concerto, a veritable monument of the repertoire for violin.
Completing the program is a work by the young Canadian composer Sammy Moussa and a dazzlingly orchestrated “concerto grosso”
by Bartók.
FROM RAVEL TO BARBER
OCT 4 / 8 P.M. OCT 5 / 10:30 A.M. / 7 P.M.
VENGEROV PLAYS BRAHMS’
CONCERTOOCT 17 / 8 P.M.
CONDUCTORTRUMPET
TROMBONE
ADAM JOHNSONPAUL MERKELOJAMES BOX
Led by the brilliant conductor Vasily Petrenko, this concert invites
you into a world of poetic expression. Regarded as one of the finest young
pianists of his generation, Charles Richard-Hamelin rounds out the program with Prokofiev’s
most popular piano concerto.
OCT 11 / 8 P.M.OCT 14 / 8 P.M.
OCT 15 / 2:30 P.M.
CONDUCTOR PIANO
VASILY PETRENKOCHARLES RICHARD-HAMELIN
RAVEL MOTHER GOOSE, SUITE SCRIABIN THE POEM OF ECSTASY, OP. 54 PROKOFIEV PIANO CONCERTO NO. 3 IN
C MAJOR, OP. 26DEBUSSY LA MER
BRAHMS VIOLIN CONCERTO IN D MAJOR, OP. 77SAMY MOUSSA A GLOBE ITSELF INFOLDING,
FOR ORGAN AND ORCHESTRABARTÓK CONCERTO FOR ORCHESTRA, SZ. 116
BARBER ADAGIO FOR STRINGS, OP. 11 JOHN ESTACIO TRUMPET CONCERTO
RAVEL ALBORADA DEL GRACIOSO TOMASI TROMBONE CONCERTO
BERNSTEIN WEST SIDE STORY: “SYMPHONIC DANCES”
CHARLES RICHARD-HAMELIN
AND RUSSIAN MUSIC
07
The breathtaking, fiery virtuosity of Rachmaninoff’s famous Rhapsody on a Theme of Paganini contrasts with the minimalism of John Adams’ Common
Tones in Simple Time and the harmonies of his Harmonielehre. To celebrate
Adams’ 70th birthday, the OSM is recording an album under the
Decca label.
THEME AND VARIATIONS
ACCORDING TO RACHMANINOFF
AND ADAMSNOV 1 / 8 P.M.NOV 4 / 8 P.M.
NOV 2 / 8 P.M.
CONDUCTOR PIANO
KENT NAGANOALEXEI VOLODIN
ADAMS COMMON TONES IN SIMPLE TIME RACHMANINOFF RHAPSODY ON A THEME OF
PAGANINI OP. 43ADAMS HARMONIELEHRE
—GRAND PRECONCERT TALKS AT 7 P.M.
Considered to be a genuine musical monument, Schubert’s “Great”
symphony is the work of a barely-29-year-old genius. Completing the
program, Gidon Kremer, one of the leading violinists of the 20th century, will perform Schumann’s Concerto.
Three Canadians will take you into the heart of Eastern Europe. Immerse
yourself in the childlike universe of Serbian-born composer Ana Sokolović
as you listen to Ringelspiel, hold your breath while you marvel at the
virtuosity of Bartók’s Violin Concerto no. 2 and let yourself succumb to the
charm of Shostakovich’s both graceful and witty Symphony no. 9.
CONDUCTOR VIOLIN
KENT NAGANOGIDON KREMER
SCHUMANN MANFRED, OP. 115: OVERTURESCHUMANN VIOLIN CONCERTO IN D MINORSCHUBERT SYMPHONY NO. 9 IN C MAJOR, D.
944, "THE GREAT"
CONDUCTOR VIOLIN
KERI-LYNN WILSONKAREN GOMYO
ANA SOKOLOVIĆ RINGELSPIELBARTÓK VIOLIN CONCERTO NO. 2
SHOSTAKOVICH SYMPHONY NO. 9 IN E-FLAT MAJOR, OP. 70
JOURNEY TO EASTERN
EUROPE
THE ROMANTICISM OF SCHUBERT & SCHUMANN
OCT 25 / 8 P.M.
OCT 26 / 8 P.M.
NOV 9 / 10:30 A.M.
NOV 12 / 2:30 P.M.
08
The timeless theme of Romeo and Juliet will stir memories of your first love, while the deep, resonant
sound of Steven Isserlis’ cello in Andante cantabile will go straight
to your heart. And finally, the inner torment that found release
in Tchaikovsky’s Fourth Symphony won’t fail to move you.
To mark the 150th anniversary of Canada’s Confederation, Matthew Ricketts’ new work celebrates an icon of this country, the train. The railway
also plays a central role in The Railrodder, starring Buster Keaton.
And finally, virtuoso Leonidas Kavakos dazzles in Mendelssohn’s
Concerto no. 2.
TCHAIKOVSKY’S LOVES
NOV 16 / 8 P.M.
KAVAKOS AND MENDELSSOHN’S
VIOLIN CONCERTO
CONDUCTORCELLO
NIKOLAJ ZNAIDERSTEVEN ISSERLIS
In the middle of OSM Competition week, come and hear three jury
members—leading Bach specialist Masaaki Suzuki, clarinet master
Martin Fröst, in Mozart’s masterpiece, and Timothy Hutchins, Principal Flute of the OSM, who will be celebrating
40 years with the Orchestra!
THE MAGNIFICENCE
OF BACH AND MOZART
NOV 21 / 8 P.M. NOV 23 / 8 P.M.
CONDUCTOR CLARINET
FLUTE
MASAAKI SUZUKIMARTIN FRÖSTTIMOTHY HUTCHINS
TCHAIKOVSKY ROMEO AND JULIET, FANTASY OVERTURE (1880 VERSION)
TCHAIKOVSKY ANDANTE CANTABILE, FOR CELLO AND STRING ORCHESTRA
SAINT-SAËNS CELLO CONCERTO NO. 1 IN A MINOR, OP. 33
TCHAIKOVSKY SYMPHONY NO. 4 IN F MINOR, OP. 36
DEC 5 / 8 P.M. DEC 7 / 8 P.M.
CONDUCTORVIOLINPIANO
KENT NAGANOLEONIDAS KAVAKOSLORRAINE DESMARAIS
MATTHEW RICKETTS BLOOD LINE – OSM COMMISSION TO CELEBRATE THE 150TH
ANNIVERSARY OF CANADIAN CONFEDERATIONMENDELSSOHN VIOLIN CONCERTO NO. 2 IN E
MINOR, OP. 6ROUSSEL SYMPHONY NO. 3 IN G MINOR, OP. 42
FILM THE RAILRODDER (1965) WITH BUSTER KEATON, ACCOMPANIED LIVE BY
THE ORCHESTRA AND THE PIANIST LORRAINE DESMARAIS.
—GRAND PRECONCERT TALKS AT 7 P.M.
MOZART CLARINET CONCERTO IN A MAJOR, K. 622
BACH ORCHESTRAL SUITE NO. 2 IN B MINOR, BWV 1067
MOZART SYMPHONY NO. 31 IN D MAJOR, K. 297, “PARIS”
—ORGAN PRECONCERT AT 7 P.M.
RASHAAN ALLWOOD, FIRST-PRIZE WINNER IN THE ORGAN CATEGORY OF THE 2016
OSM MANULIFE COMPETITION. WORKS BY J.S. BACH AND MOZART.
—ALSO PRESENTED AS PART OF THE
MONTREAL BACH FESTIVALOSM, OFFICIAL SYMPHONIC PARTNER
09
CONCERT PRESENTED BY
*ARTIST-IN-RESIDENCE OF THE OSM THANKS TO THE LARRY & COOKIE ROSSY
FAMILY FOUNDATION
Did you know that the song All By Myself was inspired by a movement
of Rachmaninoff’s Second Piano Concerto? Fall under the spell of
this beautiful melody performed by OSM Artist-in-Residence Mikhail
Pletnev, who will also present an all-Rachmaninoff recital.
PLETNEV PLAYS RACHMANINOFF’S
SECOND CONCERTO
JAN 9 / 8 P.M. JAN 13 / 8 P.M.
CONDUCTOR
PIANO AND ARTIST- IN-RESIDENCE
VIOLINCELLOPIANO
CONRAD VAN ALPHENMIKHAIL PLETNEV*
ANDREW WANBRIAN MANKERPHILIP CHIU
RACHMANINOFF TRIO ÉLÉGIAQUE NO. 1 FOR PIANO, VIOLIN AND CELLO
RACHMANINOFF PIANO CONCERTO NO. 2 IN C MINOR, OP. 18
RACHMANINOFF SYMPHONY NO. 2 IN E MINOR, OP. 27
—PRECONCERT AT 7 P.M.
Andrew Wan, concertmaster, and Neal Gripp, principal viola of the OSM, give stand-out performances in
Mozart’s glowing Sinfonia Concertante. Matthew Ricketts celebrates 150 years
of Confederation using the train as an image, and the theme of the railway
is also the focus of the classic film, The Railrodder, with Buster Keaton.
In commemoration of the 75th anniversary of Rachmaninoff's death,
the OSM invites you to immerse yourself in the deeply emotional
Romanticism of the Trio élégiaque no. 1. Then, fall under the spell of his Second Symphony. Under the direction of Conrad van Alphen,
this is a passionate program you won’t be able to resist.
CONDUCTOR VIOLINVIOLA PIANO
KENT NAGANOANDREW WANNEAL GRIPPLORRAINE DESMARAIS
MATTHEW RICKETTS BLOOD LINE – OSM COMMISSION TO CELEBRATE THE
150TH ANNIVERSARY OF THE CANADIAN CONFEDERATION
MOZART SINFONIA CONCERTANTE IN E-FLAT MAJOR, K. 364
ROUSSEL SYMPHONY NO. 3 IN G MINOR, OP. 42SCREENING OF THE FILM THE RAILRODDER
(1965) WITH BUSTER KEATON, WITH LIVE ORGAN ACCOMPANIMENT
—GRAND PRECONCERT TALKS AT 1:30 P.M.
CONDUCTOR
(VOICE OR WOODWINDS)
VIOLINCELLOPIANO
CONRAD VAN ALPHENWINNER OF THE OSM MANULIFE COMPETITION ANDREW WANBRIAN MANKERPHILIP CHIU
RACHMANINOFF TRIO ÉLÉGIAQUE NO. 1 FOR PIANO, VIOLIN AND CELLO
WORK TO BE CONFIRMED FOLLOWING THE OSM MANULIFE COMPETITION
RACHMANINOFF SYMPHONY NO. 2 IN E MINOR, OP. 27
THE PASSION OF RACHMANINOFF’S SYMPHONY NO. 2
150 YEARS OF CANADIAN
CONFEDERATIONDEC 10 / 2:30 P.M. JAN 10 / 8 P.M.
010
After a grippingly electrifying interpretation of Tchaikovsky’s Fifth Symphony in 2015, Juanjo Mena this
time around presents the stirring “Pathétique.” Also on the program,
Beethoven’s Third Piano Concerto with soloist Paul Lewis, renowned for his
recordings of the master’s sonatas and concertos.
Behzad Ranjbaran presents a symphonic poem inspired by Persian
culture and commissioned by OSM Principal Bass Ali Yazdanfar. Then the
entire Orchestra will resound to Wagner’s haunting embodiment of a German legend as well as Mahler’s
Symphony no. 1, “Titan.”
BEETHOVEN AND
TCHAIKOVSKYMAHLER’S “TITAN”
CONDUCTORPIANO
JUANJO MENAPAUL LEWIS
Following a much-anticipated return in 2016, Jacques Lacombe once again
takes the helm of the OSM, in a program that pairs Shostakovich’s enigmatic
Violin Concerto no. 2 and Prokofiev’s Fifth Symphony, described as
“a symphony of the grandeur of the human spirit.”
JACQUES LACOMBE AND THE
RUSSIAN SOULFEB 8 / 10:30 A.M.
CONDUCTOR VIOLIN
JACQUES LACOMBEALINA IBRAGIMOVA
WEBER DER FREISCHÜTZ: OVERTURE*BEETHOVEN PIANO CONCERTO NO. 3
IN C MINOR, OP. 37 TCHAIKOVSKY SYMPHONY NO. 6 IN B MINOR,
OP. 74, “PATHÉTIQUE”—
*JANUARY 17 AND 18 CONCERTS AT 8 P.M. ONLY
FEB 14 / 8 P.M. FEB 15 / 8 P.M. JAN 17 / 8 P.M. JAN 18 / 10:30 A.M./ 8 P.M.
CONDUCTOROSM PRINCIPAL BASS
KENT NAGANOALI YAZDANFAR
WAGNER LOHENGRIN: PRELUDE FROM ACT ONEBEHZAD RANJBARAN NEW WORK FOR
DOUBLE BASS AND ORCHESTRA INSPIRED BY PERSIAN CULTURE
MAHLER SYMPHONY NO. 1 IN D MAJOR, “TITAN”—
GRAND PRECONCERT TALKS AT 7 P.M.
SHOSTAKOVICH VIOLIN CONCERTO NO. 2 IN C-SHARP MINOR, OP. 129
PROKOFIEV SYMPHONY NO. 5 IN B-FLAT MAJOR, OP. 100
011
Pianist Jan Lisiecki, Grand Prize winner of the 2009 OSM Competition, and the young conductor Lionel Bringuier have both conquered audiences and critics alike. Along with Chopin’s magnificent Piano Concerto, two Slavic orchestral
works and Dutilleux’s Métaboles.
CONDUCTORPIANO
LIONEL BRINGUIERJAN LISIECKI
CONCERT PRESENTED BY
MUSSORGSKY NIGHT ON BALD MOUNTAINCHOPIN PIANO CONCERTO NO. 2 IN F MINOR,
OP. 21DUTILLEUX MÉTABOLES*
STRAVINSKY THE FIREBIRD, SUITE (1919)—
*MARCH 6 AND 8 CONCERTS AT 8 P.M. ONLY
Come hear two musicians at the height of their art, for whom Mozart and Beethoven no longer hold any secrets!
Pianist Christian Zacharias performs Beethoven’s First Piano Concerto
along with Mozart’s most acclaimed symphony, under the direction of Dutch conductor Edo de Waart.
Three concertmasters from three major Canadian orchestras join forces
in a musical program that shines the spotlight on Prague, where Mozart
and Dvořák’s symphonies were performed. To add to the pleasure,
discover a new work by Alexina Louie, which showcases the prodigious performances of these violinists.
MOZART AND
BEETHOVENFEB 21 / 8 P.M. FEB 24 / 8 P.M.
FEB 25 / 2:30 P.M.
MAR 14 / 8 P.M. MAR 15 / 8 P.M.
CONDUCTOR PIANO
EDO DE WAARTCHRISTIAN ZACHARIAS
CONDUCTOR OSM
CONCERTMASTERTSO
CONCERTMASTER NAC ORCHESTRA
CONCERTMASTER
KENT NAGANO
ANDREW WAN
JONATHAN CROW
YOSUKE KAWASAKI
MOZART SYMPHONY NO. 40 IN G MINOR, K. 550BEETHOVEN PIANO CONCERTO NO. 1 IN
C MAJOR, OP. 15
MOZART SYMPHONY NO. 38 IN D MAJOR, K. 504, “PRAGUE”
ALEXINA LOUIE NEW QUEBEC WORK FOR 3 VIOLINS AND ORCHESTRA*
DVOŘÁK SYMPHONY NO. 8 IN G MAJOR, OP. 88
STORIES AND WONDERS
BY TWO RISING STARS
*A Toronto Symphony Orchestra commission in collaboration with the National Arts Centre Orchestra and the Orchestre
symphonique de Montréal, thanks to the financial support of the Government of Canada.
THE PRAGUE OF MOZART AND
DVORÂK
MAR 6 / 8 P.M. MAR 8 / 10:30 A.M. / 8 P.M.
012
CONDUCTOR KENT NAGANO
SOPRANO MEZZO-SOPRANO
TENOR
PATRIZIA CIOFIMARIE-NICOLE LEMIEUXOVIDIU PURCELTHE OSM CHORUS
VERDI REQUIEM—
GRAND PRECONCERT TALKSAT 7 P.M. ON MARCH 21 AND 24
AT 1:30 P.M. ON MARCH 25
CONCERT PRESENTED BY
Who is able to remain indifferent before the power of Verdi’s Requiem? Bathe in the splendour and light of this Romantic composer’s operas in this, his prayer in music. Performed by world-class
voices under the direction of Kent Nagano, this grandiose work will stir you to your core.
MAR 21 / 8 P.M. MAR 24 / 8 P.M.MAR 25 / 2:30 P.M.
013
’S
THE GRAND RETURN OF
LEON FLEISHER WITH MOZART
CONDUCTOR PIANO
THE TORONTO SYMPHONY ORCHESTRA PETER OUNDJIAN LEON FLEISHER
CONDUCTORVIOLIN
KENT NAGANOCHRISTIAN TETZLAFF
CONDUCTOR PIANO
NATIONAL ARTS CENTREORCHESTRAALEXANDER SHELLEY BEATRICE RANA
BERG VIOLIN CONCERTO, “TO THE MEMORY OF AN ANGEL”
BRUCKNER SYMPHONY NO. 7 IN E MAJOR—
ORGAN PRECONCERT AT 7 P.M.ORGAN VINCENT BOUCHER
WORKS BY BACH, BRAHMS AND BRUCKNER
JACQUES HÉTU ANTINOMIESCHUMANN SYMPHONY NO. 2 IN C MAJOR,
OP. 61BRAHMS PIANO CONCERTO NO. 1 IN D MINOR,
OP. 15
MOZART PIANO CONCERTO NO. 12 IN A MAJOR, K. 414
BRUCKNER SYMPHONY NO. 8 IN C MINOR
Written following the death of a young friend, Berg’s “To the Memory of
an Angel” is imbued with refinement and lyricism. Bruckner pays vibrant homage to Wagner in the sublime
Adagio of the Seventh Symphony, made popular in the sumptuous film
Senso by Visconti.
“TO THE MEMORY OF AN
ANGEL”APR 11 / 8 P.M. APR 14 / 8 P.M.CONCERT PRESENTED BY
The OSM is delighted to welcome the NAC Orchestra for the first time
since the appointment of its new music director, Alexander Shelley.
Soloist Beatrice Rana, a rising star of the next pianists’ generation, will
perform Brahms’ compelling Piano Concerto no. 1.
This season, the TSO visits the OSM, accompanied by the great master
Leon Fleisher in Mozart’s Piano Concerto. The Orchestra will also
present Buckner’s monumental Symphony no. 8, often regarded as the “crowning achievement of the
Romantic symphony.”
BEATRICE RANA AND THE NAC
ORCHESTRA PLAY BRAHMSAPR 5 / 8 P.M. MAY 6 / 2:30 P.M.
014
CONDUCTOR KENT NAGANOCONDUCTORORGAN
JÉRÉMIE RHORERCHELSEA CHEN
CONDUCTOR KENT NAGANO
BEETHOVEN SYMPHONY NO. 2 IN D MAJOR, OP. 36
BEETHOVEN SYMPHONY NO. 6 IN F MAJOR, OP. 68, “PASTORAL”
BEETHOVEN SYMPHONY NO. 1 IN C MAJOR, OP. 21
BEETHOVEN SYMPHONY NO. 3 IN E-FLAT MAJOR, OP. 55, “EROICA”
MULET ESQUISSES BYZANTINES: “TU ES PETRA", FOR SOLO ORGAN
LISZT VON DER WIEGE BIS ZUM GRABE, [FROM THE CRADLE TO THE GRAVE], S. 107
FAURÉ SHYLOCK, OP. 57: “NOCTURNE" (ARR. FOR SOLO ORGAN)
DUKAS POLYEUCTE, CONCERT OVERTURESAINT-SAËNS SYMPHONY NO. 3 IN C MINOR,
OP. 78, “ORGAN SYMPHONY"
Critically acclaimed conductor Jérémie Rhorer leads Saint-Saëns’
powerful “Organ Symphony,” a work that garnered the OSM a Juno award
in 2016. The Orchestra will also perform Liszt’s final symphonic poem, which
was inspired by a triptych painted by Hungarian artist Mihály Zichy.
Driven by a desire for a more just world, Beethoven originally dedicated
his “Eroica” symphony to Napoleon, whom he believed embodied the
anti-monarchist ideals of the French Revolution. But when Napoleon crowned himself Emperor, the
composer later scratched out the dedication in disgust.
THE “ORGAN SYMPHONY” BY SAINT-SAËNS
MAY 9 / 8 P.M. MAY 10 / 10:30 A.M. / 8 P.M.
HOPE FOR A BETTER WORLD:
BEETHOVEN’S “EROICA”MAY 31 / 8 P.M.
Written only a few months before Beethoven realized his deafness was worsening, the composer’s Second
Symphony radiates with unexpected humour and joy. His Sixth Symphony
expresses “emotions aroused by the pleasure of the country.”
NATURE AWAKENS:
BEETHOVEN’S “PASTORAL”
MAY 29 / 8 P.M.
015
EXPRESSSERIES
SHORTER AND WITHOUT INTERMISSION
AN “AFTER” COCKTAIL WILL FOLLOW THE CONCERTS. DETAILS ON PAGE 34
After work, head over to the Maison symphonique to enjoy a musical time-out that easily fits into your day! Renowned conductors and soloists offer programs of music in a
concentrated format: shorter concerts, presented without intermission, starting at 7 p.m.
016
FROM RAVEL TO BARBER
TCHAIKOVSKY’SLOVES
OCT 5 / 7 P.M. NOV 15 / 7 P.M.
The expressive intensity of Barber’s famous Adagio for Strings and the celebrated Alborada del Gracioso by Ravel
frame the two concertos for brass in this program that shines the spotlight on OSM soloists.
The timeless theme of Romeo and Juliet will stir memories of your first love, while the deep,
resonant sound of Steven Isserlis’ cello in Andante cantabile will go straight to your heart. And finally,
the inner torment that found release in Tchaikovsky’s Symphony no. 4 won’t fail to move you.
CONDUCTORTRUMPET
TROMBONE
ADAM JOHNSONPAUL MERKELOJAMES BOX
CONDUCTORCELLO
NIKOLAJ ZNAIDERSTEVEN ISSERLIS
BARBER ADAGIO FOR STRINGS, OP. 11 JOHN ESTACIO TRUMPET CONCERTO
RAVEL ALBORADA DEL GRACIOSOTOMASI TROMBONE CONCERTO
BERNSTEIN WEST SIDE STORY: (EXCERPTS): “SYMPHONIC DANCES”
TCHAIKOVSKY ROMEO AND JULIET: FANTASY OVERTURE (1880 VERSION)
SAINT-SAËNS CELLO CONCERTO NO. 1 IN A MINOR, OP. 33TCHAIKOVSKY SYMPHONY NO. 4 IN F MINOR, OP. 36
JACQUES LACOMBE AND THE RUSSIAN SOUL
BEETHOVEN’S SEVENTH SYMPHONY
FEB 7 / 7 P.M. MAY 30 / 7 P.M.
The Seventh Symphony, described by Wagner as “the apotheosis of the dance,” is regarded as the most
rhythmical of Beethoven’s symphonies. His moving Allegretto was used in a number of movies, most notably
The King’s Speech, with Colin Firth.
Following a much-anticipated return in 2016, Jacques Lacombe once again leads the OSM, in a program that pairs Shostakovich’s enigmatic Violin Concerto no. 2
and Prokofiev’s Fifth Symphony, described as “a symphony of the grandeur of the human spirit.”
CONDUCTORVIOLIN
JACQUES LACOMBEALINA IBRAGIMOVA
CONDUCTOR KENT NAGANO
SHOSTAKOVICH VIOLIN CONCERTO NO. 2 IN C-SHARP MINOR, OP. 129
PROKOFIEV SYMPHONY NO. 5 IN B-FLAT MAJOR, OP. 100
BEETHOVEN SYMPHONY NO. 8 IN F MAJOR, OP. 93BEETHOVEN SYMPHONY NO. 7 IN A MAJOR, OP. 92
017
CONDUCTOR KENT NAGANO
GRAND PRECONCERT TALKS AT 1:30 P.M.BEETHOVEN SYMPHONY NO. 4 IN B-FLATMAJOR, OP. 60
BEETHOVEN SYMPHONIE NO. 5 IN C MINOR, OP. 67
FATE OF A TITAN: BEETHOVEN’S FIFTH SYMPHONY
MAY 27 / 2:30 P.M.
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BEETHOVENFESTIVAL
The OSM and Kent Nagano invite you to take in Beethoven’s nine symphonies over the course of five concerts. These masterpieces together constitute one of the great pillars of classical music
and remain deeply relevant today.
NATURE AWAKENS: BEETHOVEN’S “PASTORAL”
JOY OF LIFE: BEETHOVEN’S
SEVENTH SYMPHONYMAY 29 / 8 P.M. MAY 30 / 7 P.M.
Written only a few months before Beethoven realized his deafness was worsening, the composer’s Second
Symphony radiates with une xpected humour and joy. His Sixth Symphony expresses “emotions aroused by the
pleasure of the country.”
The Seventh Symphony, described by Wagner as “the apotheosis of the dance,” is regarded as the most
rhythmical of Beethoven’s symphonies. His moving Allegretto was used in a number of movies, most notably
The King’s Speech, with Colin Firth.
CONDUCTOR KENT NAGANO CONDUCTOR KENT NAGANO
BEETHOVEN SYMPHONY NO. 2 IN D MAJOR, OP. 36BEETHOVEN SYMPHONY NO. 6 IN F MAJOR, OP. 68, "PASTORAL"
BEETHOVEN SYMPHONY NO. 8 IN F MAJOR, OP. 93BEETHOVEN SYMPHONY NO. 7 IN A MAJOR, OP. 92
HOPE FOR A BETTER WORLD:
BEETHOVEN’S “EROICA”
JOY AND GRANDEUR: THE NINTH SYMPHONY
MAY 31 / 8 P.M. JUN 1 / 8 P.M. JUN 2 / 8 P.M.
Driven by a desire for a more just world, Beethoven originally dedicated his “Eroica” symphony to Napoleon,
whom he believed embodied the anti-monarchist ideals of the French Revolution. But when Napoleon crowned
himself Emperor, the composer later scratched out the dedication in disgust.
Beethoven’s Ninth Symphony, with its iconic “Ode to Joy,” closes this festival on a majestic note.
A monumental fresco, it is an exhortation for universal peace and brotherhood. In 2003, the score was designated as one of UNESCO’s official cultural
heritage treasures.
CONDUCTOR KENT NAGANO CONDUCTORSOPRANO
MEZZO-SOPRANOTENOR
BASS CHORUS MASTER OF THE OSM
KENT NAGANOERIN WALLALLYSON McHARDY JOSEPH KAISERPETRI LINDROOSANDREW MEGILL*THE OSM CHORUS
BEETHOVEN SYMPHONY NO. 1 IN C MAJOR, OP. 21BEETHOVEN SYMPHONY NO. 3 IN E-FLAT MAJOR,
OP. 55, “EROICA”
BEETHOVEN “ELEGIAC SONG,” OP. 118BEETHOVEN SYMPHONY NO. 9 IN D MINOR, OP. 125
—GRAND PRECONCERT TALKS AT 7 P.M.
019
*The chorus master chair is generously sponsored by Mrs. F. Ann Birks, in loving memory of Barrie Drummond Birks.
CONCERT PRESENTED BY
The OSM’s Nordic Spring festival is an invitation to (re)discover music from various Nordic countries—Canada, Denmark, Finland, Norway, Russia and Sweden—under the direction of Finnish conductor John Storgårds, recognized for his keen, refined musical intuition. Three rendezvous—each featuring a symphonic work by
Sibelius—in the warm ambience of the Maison symphonique!
CONCERT PRESENTED BY
PRESENTED AS PART OF
020
CONDUCTORINUIT THROAT
SINGERS SINGER
JOHN STORGÅRDSEVIE MARKAKINISIE SIVUARAPIKSAMIAN
Critically acclaimed Finnish conductor John Storgårds kicks off the festival
by directing Grieg, Nielson and Sibelius. Also on the program will be André Mathieu’s Romantic Concerto
performed by Alain Lefèvre.
To pay tribute to Aboriginal and Inuit cultures, the OSM welcomes Samian,
rapper and proud ambassador for Indigenous peoples, in a commission by Nicole Lizée. In addition, discover two extraordinary Inuit musicians in a
work by Alexina Louie, which received its premiere performance during the
OSM’s Nunavut tour.
SPOTLIGHT ON NORDIC COUNTRIES
APR 24 / 8 P.M.
TALES AND LEGENDS OF THE
NORTHAPR 26 / 8 P.M.
CONDUCTORPIANO
SOPRANOBASS-BARITONE
JOHN STORGÅRDSALAIN LEFÈVRECAMILLA TILLINGPHILIPPE SLY
The geysers and northern lights of Ice-land and Finland have inspired works of astonishing beauty. Seize this op-
portunity to experience the music of composers whose works are seldom performed here but whose output is
nonetheless prolific. As well, you’ll hear Tchaikovsky’s Concerto, a classic of
the violin repertoire.
THE VASTNESS OF NORDIC
LANDSCAPESAPR 25 / 8 P.M.
CONDUCTOR VIOLIN
JOHN STORGÅRDSHILARY HAHN
JÓN LEIFS GEYSIRTCHAIKOVSKY VIOLIN CONCERTO
IN D MAJOR, OP. 35UUNO KLAMI AURORA BOREALIS, OP. 38
SIBELIUS SYMPHONY NO. 7 IN C MAJOR, OP. 105—
PRECONCERT AT 7 P.M.CAMILLA TILLING, PHILIPPE SLY,
ESTHER GONTHIER SONGS BY COMPOSERS GRIEG AND SIBELIUS
ALEXINA LOUIE TAKE THE DOG SLED GRIEG PEER GYNT, SUITE NO. 1, OP. 46
NICOLE LIZÉE / SAMIAN WORLD PREMIERE OF A WORK FOR SINGER AND ORCHESTRA
INSPIRED BY ABORIGINAL LEGENDS – AN OSM COMMISSION
SIBELIUS LEMMINKÄINEN SUITE, OP. 22 (EXCERPTS)
—GRAND PRECONCERT TALKS AT 7 P.M.
SIBELIUS FINLANDIA, OP. 26, SYMPHONIC POEMGRIEG PEER GYNT, SUITE NO. 2, OP. 55:
“SOLVEIG’S SONG”ANDRÉ MATHIEU PIANO CONCERTO NO. 3,
“ROMANTIC CONCERTO”RACHMANINOFF ALEKO: “VES' TABOR SPIT”,
ARIA FOR BARITONE AND ORCHESTRANIELSEN SYMPHONY NO. 3, OP. 27,
“SINFONIA ESPANSIVA”—
GRAND PRECONCERT TALKS AT 7 P.M.
CONCERT PRESENTED BY
021
5 TO 12 YEARS OLD |
CONDUCTOR QUASAR QUARTET
(SAXOPHONE)
NARRATOR NARRATOR
ILLUSTRATOR
MARC DAVID
JEAN-MARC BOUCHARDMARIE-CHANTAL LECLAIRMATHIEU LECLAIR ANDRÉ LEROUXPATRICE BÉLANGERDOMINIQUE DEMERSSTÉPHANE POULIN
CONDUCTOR
ACTORACTOR
ACTRESS
CONCEPTION STAGE DIRECTOR
JEAN-CLAUDE PICARDPATRICK OUELLETJOCELYN PARÉKARINA WERNECK ASSISMAURICE LAFOREST VÉRONIKA MAKDISSI-WARREN
CONDUCTOR ACTOR ACTOR ACTOR
DANCER SOPRANO
GUITAR STAGE DIRECTOR
AUTHOR
ADAM JOHNSONMAXIME DENOMMÉESÉBASTIEN GAUTHIERFÉLIX MONETTE-DUBEAUMYRIAM ALLARDMYRIAM LEBLANCDAVID RATELLECHARLES DAUPHINAISSIMON-PIERRE LAMBERT
Inspired by the story of Don Quixote, our artists dive into the tale of the
knight and his faithful squire, Sancho. Along the way, they fight giants,
scoundrels and other Machiavellian forces. Will overcoming both real
and imagined obstacles turn our hero into a true knight?
Come along with him to the sounds of Albéniz, Bizet, Debussy, de Falla, Ravel and Revueltas, among others.
The OSM embarks on an adventure in a flying canoe to the music of a work
by Simon Bertrand, inspired by the legend La chasse-galerie (The Flying Canoe). Author Dominique Demers tells her story Vieux Thomas et la
petite fée, illustrated by Stéphane Poulin and set to selections of music
from the orchestral repertoire.
Mr. and Mrs. Tacet lead a very orderly life. They spend most of
their time tending their garden, which consists of one vegetable: the potato.
One fine day, new varieties begin to sprout, opening up an unexpected
world of new discoveries and flavours!
DON QUIXOTE’S SPANISH
ADVENTURENOV 26 / 2 P.M.
Giving a child the opportunity to hear the Orchestra in the exceptional acoustics of theMaison symphonique is to offer an unforgettable musical experience that opens up a whole
world of artistic discoveries! – Patrice Bélanger, OSM Youth Concerts’ Ambassador
THE MYSTERIOUS METAMORPHOSIS
OF MR. AND MRS. TACET
MAY 13 / 2 P.M.
THE FLYING CANOE AND OTHER
FANTASTIC TALES OCT 1 / 2 P.M.
WORKS BY SIMON BERTRAND, DEBUSSY, RAVEL, RIMSKI -KORSAKOV, J. WILLIAMS
AND MANY OTHER COMPOSERS. —
AN OSM PRODUCTION—
PRESENTATION IN FRENCHPROJECTIONS ON A GIANT SCREEN
DURATION: 60 MINUTES
WORKS BY GRIEG, NIELSEN AND SIBELIUS—
A P’TITS MÉLOMANES DU DIMANCHE, OSQ AND TNP COPRODUCTION
—BILINGUAL PRESENTATION
DURATION: 60 MINUTESAN OSM PRODUCTION
—PRESENTATION IN FRENCH
DURATION: 60 MINUTES
CHILDREN’S CORNER
022
HOLIDAY SEASON
BACH’S MAGNIFICAT
LE DIABLE EN CANOT D’ÉCORCE
An OSM commission directed by René Richard Cyr, Michel Tremblay's story addresses the themes
of difference and acceptance. You’ll be moved by the heartfelt world of this renowned Quebec writer,
all set against a backdrop of classic and original musical works.
As the holiday season approaches, come and feast your ears on Bach’s splendid Magnificat and Saint-Saëns’
Oratorio de Noël, presented by the OSM for the first time. The budding young musicians from the OSM’s
La musique aux enfants will join their adult counterparts in the Toy Symphony.
CONDUCTORSIX SOLOISTS
CHORUS MASTERCHILDREN TAKING PART IN
KENT NAGANOFROM AUDI YOUNG PERSONS’ CHORAL ACADEMY MARTIN STEIDLEROSM'S LA MUSIQUE AUX ENFANTS INITIATIVE.
CONDUCTORSTAGE DIRECTOR
ACTOR
KENT NAGANORENÉ RICHARD CYRANTOINE BERTRAND
E. ANGERER TOY SYMPHONYSAINT-SAËNS ORATORIO DE NOËL, OP. 12
J. S. BACH MAGNIFICAT IN D MAJOR, BWV 243TRADITIONAL CHRISTMAS SONGS
—GRAND PRECONCERT TALKS AT 7 P.M.
—ALSO PRESENTED AS PART OF THE MONTREAL BACH FESTIVAL.
OSM, OFFICIAL SYMPHONIC PARTNER
DEC 12 / 8 P.M. DEC 13 / 8 P.M. DEC 19 / 8 P.M. DEC 20 / 8 P.M. DEC 21 / 8 P.M.CONCERTS PRESENTED BY CONCERTS PRESENTED BY
023
OSM POPWelcome to our Pop series and its world of musical surprises. Over three concerts, we invite new audiences to discover hit songs specially arranged for the OSM. Join us for these unique sessions
where pop and classical artists of all stripes take you on an unforgettable musical journey.All arrangements were created by Simon Leclerc, Orchestrator and Associate Conductor of the series.
024
Since the launch of their first album in 2012, this Canadian band has
conquered America, Europe and Australia with their richly detailed songs. For their appearance with
the OSM, the members abandon their instruments and unite their voices
with the Orchestra. A quintessential indie-symphonic evening!
Exceptionally talented singer-impersonator, Véronic DiCaire
is a woman of many personas! The most celebrated female voices
make guest appearances at the Maison symphonique during this jaw-dropping evening of musical entertainment that will leave you
wanting more!
HALF MOON RUN
SEP 26 / 8 P.M. SEP 27 / 8 P.M. MAY 1 / 8 P.M. MAY 2 / 8 P.M.
VÉRONIC DICAIRE
CONDUCTOR AND ORCHESTRATOR
ARTISTS SIMON LECLERCHALF MOON RUN
Share a warm moment with one of Quebec’s star performers as he’s joined for duets or trios by artists that inspire
him in a congenial evening.
CONDUCTOR AND ORCHESTRATOR
ARTISTGUEST ARTISTS
SIMON LECLERCBRUNO PELLETIERDANIEL BOUCHER SYLVAIN COSSETTELUCE DUFAULT MARC HERVIEUX LAURENCE JALBERTJONAS JULIE LAMONTAGNE
CONDUCTOR AND ORCHESTRATOR
ARTIST
SIMON LECLERCVÉRONIC DICAIRE
BRUNO PELLETIER GETS CARTE BLANCHE
FEB 27 / 8 P.M. FEB 28 / 8 P.M.
CONCERT PRESENTED BY
025
CONDUCTOR HOST
NATHAN BROCKANDRÉ ROBITAILLE
ORGAN DAVID BRIGGS CONDUCTOR DINA GILBERT
Regarded as one of the leading organists of his generation, English
performer and composer David Briggs is known for his exceptional talent
as an improviser. He will accompany the 1931 film Dr. Jekyll and Mr. Hyde.
The OSM performs such classics as The Blue Danube by J. Strauss, which was heard in 2001: A Space
Odyssey, along with works written for Metropolis, Journey to the Center
of the Earth, The Face Of Another and, of course, E.T. the Extra-Terrestrial
and Star Wars.
Who doesn’t remember that image of a young boy on a bicycle sailing past
the full moon? Directed by Steven Spielberg in 1982, E. T. the Extra-
Terrestrial left its mark on an entire generation. Let yourself be moved
once again by the touching encounter between Elliott and that ultra-lovable
creature from outer space, to the sound of John Williams’ marvelous
soundtrack performed live by the OSM under the direction of Dina Gilbert.
DR. JEKYLL AND
MR. HYDEMAY 20 / 2:30 P.M.
Science fiction offers composers great latitude in furnishing entirely invented spaces. Over the years, they have risen to the challenge of helping to make audiences believe in imagined worlds while taking
advantage of the opportunity to explore new musical territories and break with convention.
E.T. THE EXTRA-
TERRESTRIALMAY 22 / 8 P.M.
THE SCIENCE OF SCIENCE
FICTION MAY 16 / 8 P.M.
MUSIC FROM BOTH THE CLASSICAL REPERTOIRE AND FILM SOUNDTRACKS
(NO SCREENING)
FILM SCREENING ACCOMPANIED BY LIVE ORGAN IMPROVISATION
—THIS CONCERT IS PART OF THE ORGAN SERIES.
A MOVIE DIRECTED BY STEVEN SPIELBERG IN 1982. WITH SCREENING.
SCIENCE FICTION
026
INTHE DARK
FEB 16 / 9 P.M.CONCERT PRESENTED BY
With the orchestra hidden behind a curtain and the hall plunged into darkness, you’ll be left with only music to whisk you back to the 1960s with, among others, the premiere of a work for electric
guitar and orchestra by John Anthony Lennon.
CONDUCTORELECTRIC GUITAR
KENT NAGANOSTEVE HILL
ADAMS COMMON TONES IN SIMPLE TIME (EXCERPT)
JOHN ANTHONY LENNON ELECTRIC CANDLELIGHT, CONCERTO FOR ELECTRIC
GUITAR AND ORCHESTRA – WORLD PREMIERE—
POSTCONCERT: ROCK IN THE 1960s
R. STRAUSS ALSO SPRACH ZARATHUSTRA, OP. 30 (EXCERPT)
LIGETI ATMOSPHERESBACH TOCCATA AND FUGUE IN D MINOR, FOR
ORGAN, BWV 565MAHLER SYMPHONY NO. 5 IN C-SHARP MINOR:
ADAGIETTO
A SOUN
D EXPERIENC
E
027
*The Chorus Master Chair is generously sponsored by Mrs. F. Ann Birks, in loving memory of Barrie Drummond Birks.
IN COLLABORATION WITH
SPONSOR
THE NIGHTMARE BEFORE CHRISTMAS
THE OSM CELEBRATES 50 YEARS OF CEGEPS
NOV 7 / 8 P.M. NOV 30 / 8 P.M.
When Jack, the Pumpkin King, decides to celebrate Christmas, strange things begin to happen in
Halloween Town. An artful blend of the ghoulishly poetic, carnivalesque and darkly comedic, Tim Burton’s world
is quite simply unique.
The OSM, in the company of former winners of the “Cégeps en spectacle” competition, is marking the 50th anniversary of CEGEPs with a festive event rich in song,
humour, dance – and classical music! An opportunity to hear and admire Koriass, Vincent Vallières, Yann Perreau,
Philippe Brach, Charles Richard-Hamelin, Claudine Mercier and Jessica Viau, all on the same stage.
CONDUCTORHOST
SPOKESMAN FOR THE 2017 “CÉGEPS EN SPECTACLE”
ADAM JOHNSONMONIQUE GIROUX KORIASS
CONDUCTOR ADAM JOHNSON
THE ORIGINAL MUSIC BY DANNY ELFMAN, PERFORMED BY THE OSM, WITH A SCREENING OF THE FILM
BY TIM BURTONPRESENTATION IN FRENCH
— COPRODUCTION WITH THE JUST FOR LAUGHS FESTIVAL
MUSIC AND IMAGES HORS-SÉRIE
MOZART’S “GREAT MASS”
APR 8 / 2:30 P.M.
Enter into a state of calm reflection as you listen to a cappella works by Vivier, Martin and Schafer as well
as the sumptuous sound of Mozart’s “Great Mass.” Accompanied by the exceptional organist Scott Dettra,
this major work of the sacred repertoire is Mozart’s testament of love for his wife, Constanze.
OSM CHORUS MASTER ORGAN
THE OSM CHORUS ANDREW MEGILL*SCOTT DETTRA
CLAUDE VIVIER JESUS ERBARME DICHF. MARTIN MASS FOR DOUBLE CHOIR A CAPPELLA: KYRIE
R. MURRAY SCHAFER SUNMOZART MASS NO. 17 IN C MINOR, K. 427, “GREAT MASS”
— GRAND PRECONCERT TALKS AT 1:30 P.M.
OSM CHORUS
THE MARIINSKY ORCHESTRA OF ST. PETERSBURG
NOV 11 / 8 P.M.
It is always an honour for Montreal to welcome the world-renowned Mariinsky Orchestra: the emblematic
Russian musical institution and its Music Director, conductor Valery Gergiev. The guest pianist Denis Matsuev, who with each visit conquers the heart of Montrealers, will
play the seldom-performed Shchedrin Piano Concerto no. 2.
CONDUCTORPIANO
THE MARIINSKY ORCHESTRA OF ST PETERSBURGVALERY GERGIEVDENIS MATSUEV
HORS-SÉRIE
R. STRAUSS A HERO’S LIFE SHCHEDRIN PIANO CONCERTO NO. 2
STRAVINSKY THE FIREBIRD, SUITE (1919) —
PRESENTED BY SHOW ONE - SVETLANA DVORETSKAIA
028
Maurizio Pollini's virtuoso career to date spans 50 years. After his last appearance with the OSM almost
30 years ago, he returns to Montreal. Without any doubt, this is one of the not-to-be-missed recitals of
the season!
Artist-in-residence at the OSM this season, the celebrated Russian pianist Mikhail Pletnev presents a recital that pays tribute to Rachmaninoff, the 75th anniversary of whose passing is being observed this year. Renowned for his
expressive playing and unconventional freedom in performance, Pletnev plays the Sonata No. 1 and excerpts from the
Preludes
Yuja Wang is a genuine star of the classical music scene. According to the
New York Times, “she seems to have everything: speed, flexibility, pianistic thunder and interpretive nuance.” Her
spontaneity and audacity, along with her original recital programs, have set critics
and audiences on fire.
MAURIZIO POLLINI
YUJA WANG
MAY 15 / 8 P.M.
MIKHAIL PLETNEVJAN 11 / 8 P.M.
APR 15 / 2:30 P.M.
ARTIST-IN-RESIDENCE OF THE OSM THANKS TO THE LARRY & COOKIE ROSSY
FAMILY FOUNDATION
THERECITALS
PRESENTED IN COLLABORATION
WITH
029
Long associated with churches and sacred music, the organ, nevertheless, transcends that image. Jazz, improvisation and great classics make up this series featuring the rich and resonant sounds
of the Grand Orgue Pierre-Béique!
FROM CLASSICAL TO JAZZDEC 15 / 8 P.M.
Saxophone and organ: an improbable duo that promises fascinating discoveries. Saxophonist Branford Marsalis, a spe-cialist of both jazz and classical music, joins Jean-Willy Kunz, Organist-in-Residence of the OSM. A concert featuring two
unexpectedly compatible instruments!
SAXOPHONEORGAN
BRANFORD MARSALISJEAN-WILLY KUNZ
GRAND RECITAL
DR. JEKYLLAND MR. HYDE
MAR 11 / 2:30 P.M. MAY 20 / 2:30 P.M.
Making a name for himself as one of the finest organists of his generation, Nathan J. Laube stands out thanks to his prodigious
playing and his virtuoso arrangements of great orchestral works. In a program combining German Romanticism and early-20th-century French music, this young artist, at the controls of
the Grand Orgue Pierre-Béique, will take your breath away!
Regarded as one of the most talented organists of his generation, England’s David Briggs, Organist Emeritus at
Gloucester Cathedral and a composer as well, is recognized additionally for his great talent as an improviser. His accompaniment of the 1931 film directed by Rouben
Mamoulian will progress in step with the metamorphosis of the good Dr. Jekyll into the horrifying Mr. Hyde.
ORGAN NATHAN J. LAUBE
BRAHMS ACADEMIC FESTIVAL OVERTURE, OP. 80 (TRANSCRIPTION BY N. J. LAUBE)
ROGER-DUCASSE PASTORALEDURUFLÉ SYMPHONIE POUR ORGUE, OP. 5
MENDELSSOHN VARIATIONS SÉRIEUSES, OP. 54 (TRANSCRIPTION BY N. J. LAUBE)
LISZT LES PRÉLUDES, SYMPHONIC POEM (TRANSCRIPTION BY N. J. LAUBE)
ORGAN DAVID BRIGGS
FILM SCREENING ACCOMPANIED BY LIVE ORGAN IMPROVISATION
The Grand Orgue Pierre-Béique was generously offered to the OSM by Mrs. Jacqueline Desmarais.
ORGAN SERIES
MONTREAL, THE CITY OF 100 STEEPLES TOWERS
OCT 28 / 8 P.M.
Montreal’s 375th anniversary is an opportunity to celebrate the rich religious heritage of “the city of 100 bell towers.”
Projections of images of artworks and architectural features provide a vibrant backdrop to works by Raymond Daveluy,
Rachel Laurin, Louis Vierne and César Franck, performed by three world-renowned organists.
ORGANORGANORGAN
RACHEL LAURINPATRICK WEDDMICHEL BOUVARD
030
À LA SALLE BOURGIE AT BOURGIE HALL
CHAMBER MUSIC
SOPRANOVIOLIN VIOLIN
VIOLA CELLO
SARAH WEGENEROLIVIER THOUINJEAN-SÉBASTIEN ROYNATALIE RACINESYLVAIN MURRAY
BERG SIEBEN FRÜHE LIEDER : “NACHT”SCHUMANN SECHS GESÄNGE, OP. 107,
ARR. A. REIMANNMENDELSSOHN STRING QUARTET NO. 1
IN E-FLAT MAJOR, OP. 12
WOLF ITALIAN SERENADE, FOR STRING QUARTET
FAURÉ MÉLISANDE’S SONG, ARR. O. NIES BRAHMS OPHELIA-LIEDER, ARR. A. REIMANN
WEBERN LANGSAMER SATZ FOR STRING QUARTET
NORTHERN LIGHTSAPR 27 / 6:30 P.M.
VIOLINVIOLIN VIOLA
ALEXANDER READMARIANNE DUGALVICTOR FOURNELLE-BLAIN
CELLO DOUBLE BASS
FLUTE HARP
SYLVAIN MURRAYSCOTT FELTHAMDENIS BLUTEAUJENNIFER SWARTZ
ROPARTZ PRÉLUDE, MARINE ET CHANSONSAINT-SAËNS FANTAISIE FOR VIOLIN AND HARP,
OP. 124DEBUSSY DANSE SACRÉE ET DANSE PROFANE,
CAPLET CONTE FANTASTIQUE D’APRÈS EDGAR POE FOR HARP AND STRING QUARTET
THE IMPRESSIONIST HARPMAR 2 / 6:30 P.M.
VIOLINVIOLACELLO
DOUBLE BASS
ANDREW WANNEAL GRIPPBRIAN MANKERALI YAZDANFAR
CLARINET HORN
BASSOON
TODD COPEJOHN ZIRBELSTÉPHANE LÉVESQUE
H. JADIN TRIO FOR VIOLIN, VIOLA AND CELLO IN F MAJOR, OP. 2 NO. 3
BEETHOVEN SEPTET FOR WIND AND STRINGS IN E-FLAT MAJOR, OP. 20
VIENNA AND PARIS, 1800JAN 26 / 6:30 P.M.
MUSICIANS OSM MUSICIANS, JUDGES AND WINNERS OF THE OSM MANULIFE COMPETITION
CONCERT LINKED TO THE OSM MANULIFE COMPETITION
MOZART SERENADE IN B-FLAT MAJOR, K. 361, “GRAN PARTITA”
THE "GRAN PARTITA"NOV 24 / 6:30 P.M.
ROMANTIC MELODIESSEP 22 / 6:30 P.M.
Tickets and reservations at MBAM | 514 285-2000, option 4 | sallebourgie.ca
VIOLIN
VIOLIN
JEAN-SÉBASTIEN ROYALEXANDER READ
VIOLA
CELLO
VICTOR FOURNELLE-BLAINANNA BURDEN
GRIEG STRING QUARTET NO. 1 IN G MINOR, OP. 27
NIELSEN STRING QUARTET NO. 3 IN E-FLAT MAJOR, OP. 14
031
MOZARTBEETHOVEN
FESTIVAL SYMPHONY OF A THOUSAND
VERDI’S REQUIEM
EXPRESS SERIESCONCERT
IN THE DARKNORDIC
FESTIVALOSM POP
032
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• Create your series to suit your schedule and tastes*
• Save on regular ticket prices Choice of 4 concerts: 10% Choice of 5 concerts: 15% Choice of 6 concerts: 20%
• Get priority access to seats in the Prestige section for all hors-série concerts when you renew your subscription
• Reserve a parking space in advance
• Receive exclusive invitations!
*Certain conditions may apply
NEW SEASO
N
033
YOUNG AUDIENCES
34 AND UNDER
17 AND UNDER
• Save 50% when you purchase a subscription
• Save 30% when you purchase individual tickets
• $10 / ticket for concerts in the Express series
STUDENTS18-25
YEARS OLD• $25 / ticket
Seats in the Balcony or standing in the Gallery. This offer is valid one week before the concert date at the OSM box office or two hours before the concert at the Place des Arts box office upon presentation of a valid student card.
PARTNER OF THE 34 AND UNDER
PROGRAM
*Certain conditions apply
• Create your series to suit your schedule and tastes
• Benefit from preferential rates in the reserved sections
• $34 for individual tickets (Chorus and Balcony)
• $25 / when you subscribe for a minimum of 4 concerts examples : 4 concerts: $100 5 concerts: $125 6 concerts: $150 (Loge Parterre, Parterre AA to CC, Chorus and Balcony)
• Benefit from all subscriber privileges
• Add a subscription in another section and save 34% on the regular subscription price
• Attend networking events organized by the Club des jeunes ambassadeurs
NEW 34 AND
UNDER
As a subscriber, you automatically become a member of the OSM’s Club des jeunes ambassadeurs, presented by BMO.
In addition to all your subscriber privileges, take advantage of exclusive activities:
• A private event with Kent Nagano for members
• Free access to a public rehearsal during the season
• Two complimentary drinks at each of the Express series “After” cocktails* (details p. 16-17)
Follow us to discover all your privileges!
/jeunesambassadeursOSM
034
HOW TO SUBSCRIBE
ONLINE OSM.CA
For single tickets or À la carte subscriptions.
For OSM Grand Concerts or themed series subscriptions, please contact the OSM’s Customer Service department.
BY TELEPHONE 514 842-9951
1 888 842-9951 Closed on Holidays
Monday to Friday, from 9 a.m. to 7 p.m.
Saturday, from 10 a.m. to 4 p.m.
IN PERSON Closed on Holidays
at the OSM’s customer service desk 1600 Saint-Urbain Street, Montreal
Next to the entrance of the Maison symphonique de Montréal
Monday to Friday, from 9 a.m. to 5 p.m.
Our advisors will be pleased to guide you through the musical program to help you pick the perfect concerts!
THEME DATE(S) HOST GUEST(S)
ORCHESTRAL PREMIERES
NOV 1, 2 & 4 GEORGES NICHOLSON KENT NAGANO, CONDUCTOR
DEC 5, 7 & 10 MATTHIEU DUGAL MATTHEW RICKETTS, COMPOSER
FEB 14 & 15 MATTHIEU DUGAL BEHZAD RANJBARAN, COMPOSER
GREAT WORKS WITH CHORUS
DEC 12 & 13 GEORGES NICHOLSON KENT NAGANO, CONDUCTOR
MAR 21, 24 & 25 KELLY RICE KENT NAGANO, CONDUCTOR
APR 8 KELLY RICE MARIE-HÉLÈNE BENOIT-OTIS, MUSICOLOGIST
NORDIC FESTIVAL
APR 24 KATERINE VEREBELY JOHN STORGÅRDS, CONDUCTOR
APR 26 KATERINE VEREBELY JOHN STORGÅRDS, CONDUCTOR
BEETHOVEN FESTIVAL
MAY 27 KATERINE VEREBELYKENT NAGANO, CONDUCTOR GUY MARCHAND, MUSICOLOGIST
JUN 1 & 2 KATERINE VEREBELY GUY MARCHAND, MUSICOLOGIST
GRAND PRECONCERT TALKS
Before certain concerts, the OSM will present talks with various conductors, artists and personalities who will enhance your knowledge of the works on the program. Covering such topics as creativity and innovation, modern works or European Classicism, these Grand Preconcert Talks are a fine way to enrich your concert experience!
Each talk will take place one hour before the concert and will last 30 minutes.
035
1. VENGEROV PLAYS BRAHMS’ CONCERTO
OCT 17 / 8 p.m. Kent Nagano, conductor Maxim Vengerov, violin Jean-Willy Kunz, organ DETAILS PAGE 7
2. THE MAGNIFICENCE OF BACH AND MOZART
NOV 21 / 8 p.m. Maasaki Suzuki, conductor Martin Frost, clarinet Timothy Hutchins, flute DETAILS PAGE 9
3. KAVAKOS AND MENDELSSOHN’S VIOLIN CONCERTO
DEC 5 / 8 p.m. Kent Nagano, conductor Leonidas Kavakos, violin Lorraine Desmarais, piano DETAILS PAGE 9
4. PLETNEV PLAYS RACHMANINOFF’S SECOND CONCERTO
JAN 9 / 8 p.m. Conrad van Alphen, conductor Mikhail Pletnev, piano Andrew Wan, violin DETAILS PAGE 10
5. STORIES AND WONDERS BY TWO RISING STARS
MAR 6 / 8 p.m. Lionel Bringuier, conductor
Jan Lisiecki, piano DETAILS PAGE 12
6. NATURE AWAKENS: BEETHOVEN’S “PASTORAL”
MAY 29 / 8 p.m. Kent Nagano, conductor
DETAILS PAGE 15
THE SERIES
TUESDAY MUSICAL MATINEES
THURSDAY 2
1. CHARLES RICHARD-HAMELIN AND RUSSIAN MUSIC OCT 11 / 8 p.m.
Vasily Petrenko, conductor Charles Richard-Hamelin, piano DETAILS PAGE 7
2. THE ROMANTICISM OF SCHUBERT AND SCHUMANN OCT 25 / 8 p.m.
Kent Nagano, conductor Gidon Kremer, violin DETAILS PAGE 8
3. THE PASSION OF RACHMANINOFF’S SYMPHONY NO. 2 JAN 10 / 8 p.m.
Conrad van Alphen, conductor Winner OSM Manulife Competition
Andrew Wan, violin DETAILS PAGE 10
4. MAHLER’S “TITAN” FEB 14 / 8 p.m.
Kent Nagano, conductor Ali Yazdanfar, OSM Principal Bass DETAILS PAGE 11
5. THE PRAGUE OF MOZART AND DVOŘÁK MAR 14 / 8 p.m.
Kent Nagano, conductor Andrew Wan, OSM concertmaster Jonathan Crow, TSO concertmaster DETAILS PAGE 12
6. THE “ORGAN SYMPHONY” BY SAINT-SAËNS MAY 9 / 8 p.m.
Jérémie Rhorer, conductor Chelsea Chen, organ DETAILS PAGE 15
WEDNESDAY 1
1. THE ROMANTICISM OF SCHUBERT AND SCHUMANN OCT 26 / 8 p.m.
Kent Nagano, conductor Gidon Kremer, violin DETAILS PAGE 8
2. THE MAGNIFICENCE OF BACH AND MOZART NOV 23 / 8 p.m.
Maasaki Suzuki, conductor Martin Frost, clarinet Timothy Hutchins, flute DETAILS PAGE 9
3. BEETHOVEN AND TCHAIKOVSKY JAN 18 / 8 p.m.
Juanjo Mena, conductor Paul Lewis, piano DETAILS PAGE 11
4. MAHLER’S “TITAN” FEB 15 / 8 p.m.
Kent Nagano, conductor Ali Yazdanfar, OSM Principal Bass DETAILS PAGE 11
5. THE PRAGUE OF MOZART AND DVOŘÁK MAR 15 / 8 p.m.
Kent Nagano, conductor Andrew Wan, OSM concertmaster Jonathan Crow, TSO concertmaster DETAILS PAGE 12
6. HOPE FOR A BETTER WORLD: BEETHOVEN’S “EROICA” MAY 31 / 8 p.m.
Kent Nagano, conductor DETAILS PAGE 15
1. FROM RAVEL TO BARBER OCT 4 / 8 p.m.
Adam Johnson, conductor Paul Merkelo, trumpet James Box, trombone DETAILS PAGE 7
2. THEME AND VARIATIONS ACCORDING TO RACHMANINOFF AND ADAMS NOV 1 / 8 p.m.
Kent Nagano, conductor Alexei Volodin, piano DETAILS PAGE 8
3. BEETHOVEN AND TCHAIKOVSKY JAN 17 / 8 p.m.
Juanjo Mena, conductor Paul Lewis, piano DETAILS PAGE 11
4. MOZART AND BEETHOVEN FEB 21 / 8 p.m.
Edo de Waart, conductor Christian Zacharias, piano DETAILS PAGE 12
5. VERDI’S REQUIEM MAR 21 / 8 p.m.
Kent Nagano, conductor Patrizia Ciofi, soprano Marie-Nicole Lemieux, mezzo-soprano DETAILS PAGE 13
6. “TO THE MEMORY OF AN ANGEL” APR 11 / 8 p.m.
Kent Nagano, conductor Christian Tetzlaff, violin DETAILS PAGE 14
WEDNESDAY 2
THURSDAY 1
036
1. FROM RAVEL TO BARBER OCT 5 / 10:30 a.m.
Adam Johnson, conductor Paul Merkelo, trumpet James Box, trombone DETAILS PAGE 7
2. JOURNEY TO EASTERN EUROPE NOV 9 / 10:30 a.m.
Keri-Lynn Wilson, conductor Karen Gomyo, violin DETAILS PAGE 9
3. BEETHOVEN AND TCHAIKOVSKY JAN 18 / 10:30 a.m.
Juanjo Mena, conductor Paul Lewis, piano DETAILS PAGE 11
4. JACQUES LACOMBE AND THE RUSSIAN SOUL FEB 8 / 10:30 a.m.
Jacques Lacombe, conductor Alina Ibragimova, violin DETAILS PAGE 11
5. STORIES AND WONDERS BY TWO RISING STARS
MAR 8 / 10:30 a.m. Lionel Bringuier, conductor
Jan Lisiecki, piano DETAILS PAGE 12
6. THE “ORGAN SYMPHONY” BY SAINT-SAËNS
MAY 10 / 10:30 a.m. Jérémie Rhorer, conductor
Chelsea Chen, organ DETAILS PAGE 15
1. THEME AND VARIATIONS ACCORDING TO RACHMANINOFF AND ADAMS NOV 2 / 8 p.m.
Kent Nagano, conductor Alexei Volodin, piano DETAILS PAGE 8
2. TCHAIKOVSKY’S LOVES NOV 16 / 8 p.m. Nikolaj Znaider, conductor Steven Isserlis, cello DETAILS PAGE 9
3. KAVAKOS AND MENDELSSOHN’S VIOLIN CONCERTO
DEC 7 / 8 p.m. Kent Nagano, conductor Leonidas Kavakos, violin Lorraine Desmarais, piano DETAILS PAGE 9
4. STORIES AND WONDERS BY TWO RISING STARS MAR 8 / 8 p.m.
Lionel Bringuier, conductor Jan Lisiecki, piano DETAILS PAGE 12
5. BEATRICE RANA AND THE NAC ORCHESTRA PLAY BRAHMS
APR 5 / 8 p.m. National Arts Centre Orchestra
Alexander Shelley, conductor Beatrice Rana, piano DETAILS PAGE 14
6. THE “ORGAN SYMPHONY” BY SAINT-SAËNS
MAY 10 / 8 p.m. Jérémie Rhorer, conductor
Chelsea Chen, organ DETAILS PAGE 15
MUSICAL MATINEES
THURSDAY 2
1. CHARLES RICHARD-HAMELIN AND RUSSIAN MUSIC OCT 14 / 8 p.m.
Vasily Petrenko, conductor Charles Richard-Hamelin, piano DETAILS PAGE 7
2. THEME AND VARIATIONS ACCORDING TO RACHMANINOFF AND ADAMS NOV 4 / 8 p.m.
Kent Nagano, conductor Alexei Volodin, piano DETAILS PAGE 8
3. PLETNEV PLAYS RACHMANINOFF’S SECOND CONCERTO JAN 13 / 8 p.m.
Conrad van Alphen, conductor Mikhail Pletnev, piano
Andrew Wan, violin DETAILS PAGE 10
4. MOZART AND BEETHOVEN FEB 24 / 8 p.m.
Edo de Waart, conductor Christian Zacharias, piano DETAILS PAGE 12
5. VERDI’S REQUIEM MAR 24 / 8 p.m.
Kent Nagano, conductor Patrizia Ciofi, soprano Marie-Nicole Lemieux, mezzo-soprano DETAILS PAGE 13
6. “TO THE MEMORY OF AN ANGEL” APR 14 / 8 p.m.
Kent Nagano, conductor Christian Tetzlaff, violin DETAILS PAGE 14
SATURDAY
1. FROM RAVEL TO BARBER SUNDAY OCT 5 / 7 p.m.
Adam Johnson, conductor Paul Merkelo, trumpet James Box, trombone DETAILS PAGE 17
2. TCHAIKOVSKY’S LOVES WEDNESDAY NOV 15 / 7 p.m. Nikolaj Znaider, conductor Steven Isserlis, cello DETAILS PAGE 17
3. JACQUES LACOMBE AND THE RUSSIAN SOUL WEDNESDAY FEB 7 / 7 p.m.
Jacques Lacombe, conductor Alina Ibragimova, violin DETAILS PAGE 17
4. BEETHOVEN’S SEVENTH SYMPHONY WEDNESDAY MAY 30 / 7 p.m.
Kent Nagano, conductor DETAILS PAGE 17
EXPRESS
1. CHARLES RICHARD-HAMELIN AND RUSSIAN MUSIC OCT 15 / 2:30 p.m.
Vasily Petrenko, conductor Charles Richard-Hamelin, piano DETAILS PAGE 7
2. JOURNEY TO EASTERN EUROPE NOV 12 / 2:30 p.m.
Keri-Lynn Wilson, conductor Karen Gomyo, violin DETAILS PAGE 8
3. 150 YEARS OF CANADIAN CONFEDERATION DEC 10 / 2:30 p.m.
Kent Nagano, conductor Andrew Wan, violin
DETAILS PAGE 10
4. MOZART AND BEETHOVEN FEB 25 / 2:30 p.m.
Edo de Waart, conductor Christian Zacharias, piano DETAILS PAGE 12
5. VERDI’S REQUIEM MAR 25 / 2:30 p.m.
Kent Nagano, conductor Patrizia Ciofi, soprano Marie-Nicole Lemieux, mezzo-soprano DETAILS PAGE 13
6. THE GRAND RETURN OF LEON FLEISHER WITH MOZART MAY 6 / 2:30 p.m.
Toronto Symphony Orchestra Peter Oundjian, conductor Leon Fleisher, piano DETAILS PAGE 14
MUSICAL SUNDAYS
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RATESSERIES SUBSCRIPTIONS CAT
PCAT
1CAT
2CAT
3CAT
4CAT
5CAT
6CAT
7GRAND CONCERTS SERIES
- TUES • WED • THURS • SAT • SUN (6) $609.60 $ 556.80 $ 470.40 $393.60 $297.60 $216 $960 $758.40
- SYMPHONIC MATINEES (6) $384 $384 $336 $288 $216 — $384 $336
EXPRESS SERIES (4) 17 YEARS AND UNDER: $10 $364.80 $297.60 $246.40 $211.20 $169.60 $144 $364.80 $297.60
THE RECITALS (3) $240 $192 $156 $108 $108 — $240 $192
OSM POP (3) $273.60 $223.20 $184.80 $158.40 $127.20 $108 $273.60 $223.20
ORGAN (4) $208 $208 $208 $144 — — $208 $176
CHILDREN’S CORNER (3)
- ADULT $108 $108 $108 $84 $84 $84 $108 $84
- CHILD $55.20 $55.20 $55.20 $43.20 $43.20 $43.20 $55.20 $43.20
* All indicated prices are valid until May 31, 2017, and include non-refundable fees of $9 per ticket, but not taxes. Certain handling costs may be imposed. Pricing, artists, repertoire, and concert dates and times may be modified without notice. Certain restrictions apply. ** No subscriber privilege applies to this concert.
INDIVIDUAL TICKETS CAT
PCAT
1CAT
2CAT
3CAT
4CAT
5CAT
6CAT
7
THESE CONCERTS ARE ALSO AVAILABLE INDIVIDUALLY.4 CONCERTS: SAVE 10% | 5 CONCERTS: SAVE 15% | 6 CONCERTS: SAVE 20%
GRAND CONCERT SERIES
- TUES • WED • THURS • SAT • SUN $127 $116 $98 $82 $62 $45 $200 $158
- SYMPHONIC MATINEES $80 $80 $70 $60 $45 — $80 $70
OSM POP $114 $93 $77 $66 $53 $45 $114 $93
THE RECITALS $100 $80 $65 $45 $45 — $100 $80
EXPRESS SERIES (4) 17 YEARS AND UNDER: $10 $114 $93 $77 $66 $53 45 $114 $93
ORGAN $65 $65 $65 $45 — — $65 $55
CHILDREN’S CORNER
- ADULT $45 $45 $45 $35 $35 $35 $45 $45
- CHILD $23 $23 $23 $18 $18 $18 $23 $23
OPENING CONCERT $150 $130 $110 $90 $70 $50 $200 $158
GALA DINNER: TUES SEP 19 $350
PRECONCERT COCKTAIL : THURS SEP 21 $50
HOLIDAY SEASON $136 $125 $109 $92 $68 $45 $200 $158
NORDIC FESTIVAL $114 $93 $77 $66 $53 $45 $114 $93
BEETHOVEN FESTIVAL $127 $116 $98 $82 $62 $45 $200 $158
SCIENCE FICTION $100 $80 $65 $65 $53 $45 $100 $80
THE OSM CHORUS $60 $60 $50 $35 — — $60 $50
CONCERT IN THE DARK $100 $80 $65 $65 $53 $45 $100 $80
NIGHTMARE BEFORE CHRISTMAS $100 $80 $65 $65 $53 $45 $100 $80 THE OSM CELEBRATES 50 YEARS OF CEGEPS $50
STUDENTS - 25 YEARS AND UNDER $25
THE MARIINSKY ORCHESTRA OF ST PETERSBURG**
$135 - $145 $105 - $135 $105 $85 - $145 $75 $65 $135 - $145 $85 - $105
34 AND UNDER? BENEFIT FROM PREFERENTIAL RATES. DETAILS PAGE 34.
HO
RS-S
ÉRIE
*
PUB CONCOURS OSM MANUVIE
SIGN UP FOR OUR NEWSLETTER AND STAY CONNECTED BE THE FIRST TO KNOW THE LATEST OSM NEWS. BENEFIT FROM EXCLUSIVE PRESALE PERIODS.
OSM.CA
PARTERRE
|
GA
LERI
E GA
LERIELO
GES
MEZ
ZAN
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LOG
ES MEZZA
NIN
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LOG
ES C
ORB
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ORBEILLE
LOG
ES PA
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LOG
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PARTERRE
CORBEILLE
MEZZANINE
BALCONY
P |
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| P | ROW T
P | CORBEILLE A
P
P
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STAGE
3 | ROWS AA - CC
4 | CHOIR
3 |
5 |
4 |
6
7 7
7 7
7 7
7 7
6
6 6
6
6
The categories are only examples and may vary for certain concerts.
MAISON SYMPHONIQUE
PUB CONCOURS OSM MANUVIE
Presented by In collaboration with
Public Partners
FREEADMISSION
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Format du PAP : 100 % Trim : 8" x 10,875"Type : " x"Bleed : 8,25" x 11,125"Visible : N/ASortie laser @ 100 %
Client : Air Canada Nº dossier : 1149115Description : Program OSM (Version en)Publication : OSM Nº annonce : Date parution : Brochure de saison 17-18Infographiste : NMNom du fichier : 1149115_AC_Comm_OSM_8x10.875_4C_EN_Fev
COULEURS:
ÉPREUVESTUDIO # 1DATE: FEBRUARY 10, 2017 11:17 AM
PAGE 1
C M Y K 0000C 0000C 0000C
WE TAKE PEOPLE PLACES.BUT IT’S MUSIC THAT TRULY MOVES THEM.Offi cial airline of the OSM.
1149115_AC_Comm_OSM_8x10.875_4C_EN_Fev.indd 1 2/10/17 2:32 PM
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THE OSM
AND BECOME AN OSM INSIDER!
043
MAKE A DONATION
FRIENDS OF THE OSM$25 to $1,999
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SUPPORT THEOSM AND
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YOUR COMMITMENT
HELPS YOUR ORCHESTRA
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OUR LIVES
of Quebec and Canadian music by encouraging the
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audience.
present performances of the highest quality and train the next generation of classical musicians.
Your support allows us to offer music education workshops
to hundreds of children as well as providing free orchestral
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brightens our day, and transforms us in so many positive ways.
Become an active member of the extended OSM family and help us preserve this remarkable art form.
IN PERFECT HARMONY WITH
THE OSM
PUBLIC PARTNERS
PRESENTING SPONSOR OF THE OSM
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TITLE SPONSOR OF THE GRAND PRECONCERT TALKS
OUR PARTNERS
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Music. A universal currency.
BMO Financial Group is proud to partner with the OSM and present the 84th season of musical celebration.
16-2857 Brochure 2016-2017 OSM.indd 1 16-12-12 14:01
MUSIC DIRECTOR
KENT NAGANO
Customer service and tickets: 514 842-9951 | 1 888 842-9951 1600 Saint-Urbain Street, Montréal (Québec), H2X 0S1 | osm.ca