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Page 3:  · 2 HAROLD B. LEE LIBi BRIGHAM YOUNG UNI' PROVO. UTAl Preface It is directly intended that these TWENTY ADVANCED MELODIC AND PROGRESSIVE ETUDES shall carry on the work begun in

42 St

(LusvrxtLfjrLdcrarxced.

yK^elodie lf<3rogtessivtEtudes

Jo

£jcc*l is t0

COMPRISING VERY ADVANCED TECHNICAL STUDIESFOR EXTREME VELOCITY DESIGNED TO FOLLOW

(To/en tyJtleIodic t&ProJressii/elZ fades,FOR GAINING COMMAND OF EXTREMELY RAPID

TECHNIQUE AND TEMPOS

Ufith accompcuument far ^SecondHarp or Piano

i?

Gertrudels\Robinson

BOSTONi8o•J8^ Bovuvror* st

CARL FISCHER NEWYORK ChicagoCOOPER SQUARE }UU)» WABASH Avt

Page 4:  · 2 HAROLD B. LEE LIBi BRIGHAM YOUNG UNI' PROVO. UTAl Preface It is directly intended that these TWENTY ADVANCED MELODIC AND PROGRESSIVE ETUDES shall carry on the work begun in

HAROLD B. LEE LIBRARY

BRIGHAM YOUNG UNIVERSITY

PROVO, UTAH

Page 5:  · 2 HAROLD B. LEE LIBi BRIGHAM YOUNG UNI' PROVO. UTAl Preface It is directly intended that these TWENTY ADVANCED MELODIC AND PROGRESSIVE ETUDES shall carry on the work begun in

:••-

Twenty Advanced

Melodic and Progressive Etudes

FOR

HARP

Comprising very advanced technical studies for

extreme velocity, designed to follow

TWENTY MELODIC AND PROGRESSIVE ETUDESfor gaining command of extremely

rapid technique and tempos.

With accompaniment for second harp or piano

BY

Gertrude Ina Robinson

PUBLISHED BY

Carl Fischerboston NEW YORK Chicago

Page 6:  · 2 HAROLD B. LEE LIBi BRIGHAM YOUNG UNI' PROVO. UTAl Preface It is directly intended that these TWENTY ADVANCED MELODIC AND PROGRESSIVE ETUDES shall carry on the work begun in

2HAROLD B. LEE LIBi

BRIGHAM YOUNG UNI'

PROVO. UTAl

Preface

It is directly intended that these TWENTY ADVANCEDMELODIC AND PROGRESSIVE ETUDES shall carry on

the work begun in TWENTY MELODIC AND PROGRESS-IVE ETUDES, and they are graded for that purpose.They

become gradually more difficult in technique and tempo,and

these two books cover practically all the common technical

forms.

This book has been specially written to assist in the forms

used in the Godefroid and Hasselmans solos, and those used

in the harp and piano arrangement of the Choral by Widor.

When these studies are mastered, and can be played in Met-

ronome tempo, and with good phrasing and style, a pupil mayconsider that he has arrived at a point where the great diffi-

culties are well understood; and will find that upon applying

these principles to the best solos, they become comparative-

ly easy, and can soon be played in an artistic manner.

The Author

21953-85

Page 7:  · 2 HAROLD B. LEE LIBi BRIGHAM YOUNG UNI' PROVO. UTAl Preface It is directly intended that these TWENTY ADVANCED MELODIC AND PROGRESSIVE ETUDES shall carry on the work begun in

Twenty AdvancedMelodic and Progressive Etudes

Gertrude Ina RobinsonNo -

1

ThemeBenmarcato (J = 72) _ n .

1 1 S I 2 IS 3 1 Z 1 2 3 2*2

Harp

Piano

5£/f

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Theme, Ben marcato (J =ra)

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i

Var. I

n J I .=3=«r^^^^^

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21953-85Copyrig-ht MCMXXI by Carl Fischer, New York.

International Copyright Secured

^ *

Page 8:  · 2 HAROLD B. LEE LIBi BRIGHAM YOUNG UNI' PROVO. UTAl Preface It is directly intended that these TWENTY ADVANCED MELODIC AND PROGRESSIVE ETUDES shall carry on the work begun in

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Page 9:  · 2 HAROLD B. LEE LIBi BRIGHAM YOUNG UNI' PROVO. UTAl Preface It is directly intended that these TWENTY ADVANCED MELODIC AND PROGRESSIVE ETUDES shall carry on the work begun in

21953-86

Page 10:  · 2 HAROLD B. LEE LIBi BRIGHAM YOUNG UNI' PROVO. UTAl Preface It is directly intended that these TWENTY ADVANCED MELODIC AND PROGRESSIVE ETUDES shall carry on the work begun in

6

21953 - 86

Page 11:  · 2 HAROLD B. LEE LIBi BRIGHAM YOUNG UNI' PROVO. UTAl Preface It is directly intended that these TWENTY ADVANCED MELODIC AND PROGRESSIVE ETUDES shall carry on the work begun in

Var.mBrilliant

55

sVar. Ill

Brilliant

Poco meno vivo (J = i6o)No. 2

Harp

rocomenovivou:i6o) -—p-1 •

'r*f*\

mE

*Poco meno vivo (J = 160)

staccato

EEj? £_

PP#=5t ^mmPiano'

^mrih&fr^i*=t fi i i

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Page 12:  · 2 HAROLD B. LEE LIBi BRIGHAM YOUNG UNI' PROVO. UTAl Preface It is directly intended that these TWENTY ADVANCED MELODIC AND PROGRESSIVE ETUDES shall carry on the work begun in

rpJ^/73 J73

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w^t s AHjl

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i

*

^r^ £ J

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Page 13:  · 2 HAROLD B. LEE LIBi BRIGHAM YOUNG UNI' PROVO. UTAl Preface It is directly intended that these TWENTY ADVANCED MELODIC AND PROGRESSIVE ETUDES shall carry on the work begun in

9

rf

. ^jTua^jiyfi

iifcg

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Page 14:  · 2 HAROLD B. LEE LIBi BRIGHAM YOUNG UNI' PROVO. UTAl Preface It is directly intended that these TWENTY ADVANCED MELODIC AND PROGRESSIVE ETUDES shall carry on the work begun in

10

Poco meno mossostaccato y tt&n J '•

>'

tycii

En tablem

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Page 15:  · 2 HAROLD B. LEE LIBi BRIGHAM YOUNG UNI' PROVO. UTAl Preface It is directly intended that these TWENTY ADVANCED MELODIC AND PROGRESSIVE ETUDES shall carry on the work begun in

11

*fe

s iD«

£ t £ £e2

4 ? p i £ i=* *

P ££ * *

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m mi

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r>

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mii'— ^ */ i /rs

£ 4 £=£

No. 3

*J^JJ^ I

Harp

Piano

21953- 86

Page 16:  · 2 HAROLD B. LEE LIBi BRIGHAM YOUNG UNI' PROVO. UTAl Preface It is directly intended that these TWENTY ADVANCED MELODIC AND PROGRESSIVE ETUDES shall carry on the work begun in

12

^ riWiW3 -

WE ^m w$&?=p=gD* /^ *S i

^g^ ^S m to^f

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Allegro moderato cantabile J = 120

^i?

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Allegro moderato cantabile Jnao^ #—i* €^^ P*P

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b!> <&>«. e r#.

5Es £ » js £ 4 £ £

j

£ riipr Cl.* £^s

^ £ i^ £

af/>n. e? /-zZ

£

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13

Tempo primo

P^£IS S mm e#^ y^jj j'J'/ji

(

/*^

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Page 18:  · 2 HAROLD B. LEE LIBi BRIGHAM YOUNG UNI' PROVO. UTAl Preface It is directly intended that these TWENTY ADVANCED MELODIC AND PROGRESSIVE ETUDES shall carry on the work begun in

14

feEE?

Fit

in fm

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43/2

C|t Fl|

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Page 19:  · 2 HAROLD B. LEE LIBi BRIGHAM YOUNG UNI' PROVO. UTAl Preface It is directly intended that these TWENTY ADVANCED MELODIC AND PROGRESSIVE ETUDES shall carry on the work begun in

IB

No. 4

**

Andantino Jr96

equabile i^-8- jf

Harp

Piano

Effi

G#

HI?• • • •%-Sr

kbAndantino J = 96

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Page 20:  · 2 HAROLD B. LEE LIBi BRIGHAM YOUNG UNI' PROVO. UTAl Preface It is directly intended that these TWENTY ADVANCED MELODIC AND PROGRESSIVE ETUDES shall carry on the work begun in

16

mj)

r ¥ r f= El. B

£

# *-17

f

m

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Page 21:  · 2 HAROLD B. LEE LIBi BRIGHAM YOUNG UNI' PROVO. UTAl Preface It is directly intended that these TWENTY ADVANCED MELODIC AND PROGRESSIVE ETUDES shall carry on the work begun in

11

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18

21953-86

Page 23:  · 2 HAROLD B. LEE LIBi BRIGHAM YOUNG UNI' PROVO. UTAl Preface It is directly intended that these TWENTY ADVANCED MELODIC AND PROGRESSIVE ETUDES shall carry on the work begun in

No. 5

Maestoso Jziss8

Harp

Piano

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Maestoso J =128^/

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Page 24:  · 2 HAROLD B. LEE LIBi BRIGHAM YOUNG UNI' PROVO. UTAl Preface It is directly intended that these TWENTY ADVANCED MELODIC AND PROGRESSIVE ETUDES shall carry on the work begun in

31953-86

Page 25:  · 2 HAROLD B. LEE LIBi BRIGHAM YOUNG UNI' PROVO. UTAl Preface It is directly intended that these TWENTY ADVANCED MELODIC AND PROGRESSIVE ETUDES shall carry on the work begun in

81

21953-86

Page 26:  · 2 HAROLD B. LEE LIBi BRIGHAM YOUNG UNI' PROVO. UTAl Preface It is directly intended that these TWENTY ADVANCED MELODIC AND PROGRESSIVE ETUDES shall carry on the work begun in

22

AtIkJ> &•

uI 33^ ^

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Page 27:  · 2 HAROLD B. LEE LIBi BRIGHAM YOUNG UNI' PROVO. UTAl Preface It is directly intended that these TWENTY ADVANCED MELODIC AND PROGRESSIVE ETUDES shall carry on the work begun in

23

Harp#

Piano

No. 6

Con moto J = u» ^

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1 tt , 3

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IP

g gf

2P

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Page 28:  · 2 HAROLD B. LEE LIBi BRIGHAM YOUNG UNI' PROVO. UTAl Preface It is directly intended that these TWENTY ADVANCED MELODIC AND PROGRESSIVE ETUDES shall carry on the work begun in

24

JV.JV.JUeJVi JKfr^fr^* jt Ma

p> eI>w

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p £

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/ C{{ :

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Meno mosso

Pi Zj!! 18^5;_:—*—

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Page 29:  · 2 HAROLD B. LEE LIBi BRIGHAM YOUNG UNI' PROVO. UTAl Preface It is directly intended that these TWENTY ADVANCED MELODIC AND PROGRESSIVE ETUDES shall carry on the work begun in

25

p #«n y f\y JV A y ^r ^y JV JV~~i—f—i f i f «—f~ \5\y ^\y F\y S\y

y =7" g y p 7~ p 7 p -

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fer?y.

I us:-o-

a tempo

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f BU'gl*w

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Page 30:  · 2 HAROLD B. LEE LIBi BRIGHAM YOUNG UNI' PROVO. UTAl Preface It is directly intended that these TWENTY ADVANCED MELODIC AND PROGRESSIVE ETUDES shall carry on the work begun in

86

No. 7Andantino J: 104

=2^

Harp

Piano

^m

^ ^ ,r. .^

aftS^

Andantino J =104

^ 0-

£

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Page 31:  · 2 HAROLD B. LEE LIBi BRIGHAM YOUNG UNI' PROVO. UTAl Preface It is directly intended that these TWENTY ADVANCED MELODIC AND PROGRESSIVE ETUDES shall carry on the work begun in

27

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Page 32:  · 2 HAROLD B. LEE LIBi BRIGHAM YOUNG UNI' PROVO. UTAl Preface It is directly intended that these TWENTY ADVANCED MELODIC AND PROGRESSIVE ETUDES shall carry on the work begun in

28

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Page 33:  · 2 HAROLD B. LEE LIBi BRIGHAM YOUNG UNI' PROVO. UTAl Preface It is directly intended that these TWENTY ADVANCED MELODIC AND PROGRESSIVE ETUDES shall carry on the work begun in

*9

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Page 34:  · 2 HAROLD B. LEE LIBi BRIGHAM YOUNG UNI' PROVO. UTAl Preface It is directly intended that these TWENTY ADVANCED MELODIC AND PROGRESSIVE ETUDES shall carry on the work begun in

30

*s fei #i

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m ^m ^ fpoco a poco cresc.

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Page 35:  · 2 HAROLD B. LEE LIBi BRIGHAM YOUNG UNI' PROVO. UTAl Preface It is directly intended that these TWENTY ADVANCED MELODIC AND PROGRESSIVE ETUDES shall carry on the work begun in

31

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Page 36:  · 2 HAROLD B. LEE LIBi BRIGHAM YOUNG UNI' PROVO. UTAl Preface It is directly intended that these TWENTY ADVANCED MELODIC AND PROGRESSIVE ETUDES shall carry on the work begun in

32

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Page 37:  · 2 HAROLD B. LEE LIBi BRIGHAM YOUNG UNI' PROVO. UTAl Preface It is directly intended that these TWENTY ADVANCED MELODIC AND PROGRESSIVE ETUDES shall carry on the work begun in

33

$ • v^j i>- •^,,^,,^/'? -^ /

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Page 38:  · 2 HAROLD B. LEE LIBi BRIGHAM YOUNG UNI' PROVO. UTAl Preface It is directly intended that these TWENTY ADVANCED MELODIC AND PROGRESSIVE ETUDES shall carry on the work begun in

34

1^ ffr .?? fo ,.? Jft;?

Jft.

p

^^ 2

Pd p

jg

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Ft /

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31953-86

Page 39:  · 2 HAROLD B. LEE LIBi BRIGHAM YOUNG UNI' PROVO. UTAl Preface It is directly intended that these TWENTY ADVANCED MELODIC AND PROGRESSIVE ETUDES shall carry on the work begun in

No. 8

Animato J=isa

l

^'g^st * ?v ^ te ^^ i » V ^£ £ J £est Q^5°?Harp W

i?

gJfPj t=fc £ *=* *-Kfr f= ? f=^ r r r

Animato J = 153

*1

a •

Piano i?^ r

• .~0

zr/

^

ftV

£

#^r*

i

•—

#

Meno mosso

* iI =£

r i

m-ifrnri

r^rp^^S ^^£ ^beeX' f*

cresc.

1£d? aceel.

rit.

m t t

f-r^ 3Z SSdim.

rif. -

S» £ £21953-85

Page 40:  · 2 HAROLD B. LEE LIBi BRIGHAM YOUNG UNI' PROVO. UTAl Preface It is directly intended that these TWENTY ADVANCED MELODIC AND PROGRESSIVE ETUDES shall carry on the work begun in

36

a tempo

* fe^ is fe JS* fjr^s .ir-Nm Am £ £ ^ *f=i X

5? ^ 95s

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cresq.— 4*);)! 1 *1

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m £J^AM I

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219 53-85

Page 41:  · 2 HAROLD B. LEE LIBi BRIGHAM YOUNG UNI' PROVO. UTAl Preface It is directly intended that these TWENTY ADVANCED MELODIC AND PROGRESSIVE ETUDES shall carry on the work begun in

:J7

No. 9

Harp

Piano

Moderate* J = 72£43 2

B\p

ggSaB9Moderato Jz»«

A#S i^# te

fcb

J:

1SI ri

p^

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Page 42:  · 2 HAROLD B. LEE LIBi BRIGHAM YOUNG UNI' PROVO. UTAl Preface It is directly intended that these TWENTY ADVANCED MELODIC AND PROGRESSIVE ETUDES shall carry on the work begun in

38

$t>iM rp pprfpp»=.-=' M...s mjm# # (• 1*m «** »** mmm mmm mm mmm- I I IV f M I 111 I J J

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Page 43:  · 2 HAROLD B. LEE LIBi BRIGHAM YOUNG UNI' PROVO. UTAl Preface It is directly intended that these TWENTY ADVANCED MELODIC AND PROGRESSIVE ETUDES shall carry on the work begun in

39

i

fe£ WM^^MMf.?Be

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31953-85

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40

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56

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57

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58

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61

No. 14

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67

No. 16Allegro con moto J = 100

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71

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73

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75

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Moderato J = 152

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77

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78

No. 19

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80

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88

No. 20

VivO i = 132

8

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83

m ^cresc. —^ ^S t>oco 1

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84

31953-85

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86

21953- 85

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El

TEN CLASSICSFOR

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"Praise him with stringed instrumentsand organs. Praise ye the Lord."

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GERTRUDE INA ROBINSON

PRICE, $2.50 NET

B

CARL FISCHER S?XS NEW YORKBOSTON CHICAGO

380-382 Boykton St. 33S-339 So. Walwk Aw.

TBI

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BRIGHAM YOUNG UNIVERSTY

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