2011-2012 portfolio
DESCRIPTION
Studio 101-102TRANSCRIPT
![Page 1: 2011-2012 Portfolio](https://reader034.vdocuments.net/reader034/viewer/2022052219/568bd4fe1a28ab203496d6b1/html5/thumbnails/1.jpg)
Lesley Loo
ARC 101, Fall 2011Faculty: Nicholas Bruscia, Stephanie Davidson, Matt HumeTeaching Assistant: William Sedig
ARC 102, Spring 2012Faculty: Georg Rafailidis, Chris Romano, Matt HumeTeaching Assistant: Scott Archambault
![Page 2: 2011-2012 Portfolio](https://reader034.vdocuments.net/reader034/viewer/2022052219/568bd4fe1a28ab203496d6b1/html5/thumbnails/2.jpg)
2 Loo
Table of Conctents
FALL 2011 4
Final model 7
Media 8
SPRING 2012 10
Exteriors 42
Interiors 40
Process 30
Hydrocastle 24
Circulation 20
Casting 14
![Page 3: 2011-2012 Portfolio](https://reader034.vdocuments.net/reader034/viewer/2022052219/568bd4fe1a28ab203496d6b1/html5/thumbnails/3.jpg)
Loo 3
![Page 4: 2011-2012 Portfolio](https://reader034.vdocuments.net/reader034/viewer/2022052219/568bd4fe1a28ab203496d6b1/html5/thumbnails/4.jpg)
4 Loo
![Page 5: 2011-2012 Portfolio](https://reader034.vdocuments.net/reader034/viewer/2022052219/568bd4fe1a28ab203496d6b1/html5/thumbnails/5.jpg)
Loo 5
FALL 2011
Detailed drawing of Canon lenses.
Representation of the canon lenses’s movement in 1-ply chipboard.
Study model testing tension with basswood.
![Page 6: 2011-2012 Portfolio](https://reader034.vdocuments.net/reader034/viewer/2022052219/568bd4fe1a28ab203496d6b1/html5/thumbnails/6.jpg)
6 Loo
![Page 7: 2011-2012 Portfolio](https://reader034.vdocuments.net/reader034/viewer/2022052219/568bd4fe1a28ab203496d6b1/html5/thumbnails/7.jpg)
Loo 7
Final model. Made out of 1-py chipboard and two thin strips of basswood. As the
person lays in the structure and rocks back and forth, it rocks an infant to sleep as well.
![Page 8: 2011-2012 Portfolio](https://reader034.vdocuments.net/reader034/viewer/2022052219/568bd4fe1a28ab203496d6b1/html5/thumbnails/8.jpg)
8 Loo
Media 2011
![Page 9: 2011-2012 Portfolio](https://reader034.vdocuments.net/reader034/viewer/2022052219/568bd4fe1a28ab203496d6b1/html5/thumbnails/9.jpg)
Loo 9
![Page 10: 2011-2012 Portfolio](https://reader034.vdocuments.net/reader034/viewer/2022052219/568bd4fe1a28ab203496d6b1/html5/thumbnails/10.jpg)
10 Loo
SPRING 2012
![Page 11: 2011-2012 Portfolio](https://reader034.vdocuments.net/reader034/viewer/2022052219/568bd4fe1a28ab203496d6b1/html5/thumbnails/11.jpg)
Loo 11
Whilst walking around the South Campus, I decided to explore the library. It’s silence, for some odd reason, made me want to explore it a little more. Passing by a whole bunch of books, I noticed a single table pushed into a little space in the wall. Even though it looks really lonesome and solitary, it felt really peaceful and serene. As if no one knows I’m there and I’m in my own world. Because of it’s isolated area and quiet surroundings; one could feel at peace and tranquil here. Regardless of how cold it may look, sitting there felt pretty relaxing since I knew no one can bother me.
Serenity
Final Space
![Page 12: 2011-2012 Portfolio](https://reader034.vdocuments.net/reader034/viewer/2022052219/568bd4fe1a28ab203496d6b1/html5/thumbnails/12.jpg)
12 Loo
Survey of Space
![Page 13: 2011-2012 Portfolio](https://reader034.vdocuments.net/reader034/viewer/2022052219/568bd4fe1a28ab203496d6b1/html5/thumbnails/13.jpg)
Loo 13
![Page 14: 2011-2012 Portfolio](https://reader034.vdocuments.net/reader034/viewer/2022052219/568bd4fe1a28ab203496d6b1/html5/thumbnails/14.jpg)
14 Loo
![Page 15: 2011-2012 Portfolio](https://reader034.vdocuments.net/reader034/viewer/2022052219/568bd4fe1a28ab203496d6b1/html5/thumbnails/15.jpg)
Loo 15
Using the positive space we had from when we surveyed our space, we began to cast plaster molds to create an inversion of the space.
In order for easy removal of each piece, they were casted at six different times and at a slightly tapered 90º.
![Page 16: 2011-2012 Portfolio](https://reader034.vdocuments.net/reader034/viewer/2022052219/568bd4fe1a28ab203496d6b1/html5/thumbnails/16.jpg)
16 Loo
Exploded axonometric drawing of the casting process to represent how each piece was removed.
![Page 17: 2011-2012 Portfolio](https://reader034.vdocuments.net/reader034/viewer/2022052219/568bd4fe1a28ab203496d6b1/html5/thumbnails/17.jpg)
Loo 17
![Page 18: 2011-2012 Portfolio](https://reader034.vdocuments.net/reader034/viewer/2022052219/568bd4fe1a28ab203496d6b1/html5/thumbnails/18.jpg)
18 Loo
In order for me to understand the plaster pieces better, they were drawn in section perspective. Each plaster piece was “looked into” so that I was able to become more familiarized with their space.
![Page 19: 2011-2012 Portfolio](https://reader034.vdocuments.net/reader034/viewer/2022052219/568bd4fe1a28ab203496d6b1/html5/thumbnails/19.jpg)
Loo 19
![Page 20: 2011-2012 Portfolio](https://reader034.vdocuments.net/reader034/viewer/2022052219/568bd4fe1a28ab203496d6b1/html5/thumbnails/20.jpg)
20 Loo
Taking the knowledge of each of the plaster pieces, they were rearranged and combined in a way to recreate a new space and circulation.
![Page 21: 2011-2012 Portfolio](https://reader034.vdocuments.net/reader034/viewer/2022052219/568bd4fe1a28ab203496d6b1/html5/thumbnails/21.jpg)
Loo 21
Final Model
The plaster pieces were sequenced in a way to establish a continuous crculation within the space. The space was made in such a way for children to have the ability to experience different spaces whilst climbing, jumping, running and sliding around.
![Page 22: 2011-2012 Portfolio](https://reader034.vdocuments.net/reader034/viewer/2022052219/568bd4fe1a28ab203496d6b1/html5/thumbnails/22.jpg)
22 Loo
The final model was manipulated and transformed in a way so that each cut served a purpose. Ladders, monkey bars, light sources, slides and poles were made into the space. The slight slits that were made from the cuts allowed light in which would naturally attract people.
Section perspetive of the final model.
Axonometric drawing of the final model’s circulation.
![Page 23: 2011-2012 Portfolio](https://reader034.vdocuments.net/reader034/viewer/2022052219/568bd4fe1a28ab203496d6b1/html5/thumbnails/23.jpg)
Loo 22
![Page 24: 2011-2012 Portfolio](https://reader034.vdocuments.net/reader034/viewer/2022052219/568bd4fe1a28ab203496d6b1/html5/thumbnails/24.jpg)
24 Loo
Material test
Newspaper
Fabric
Pillowcase method Quilted Fabric
![Page 25: 2011-2012 Portfolio](https://reader034.vdocuments.net/reader034/viewer/2022052219/568bd4fe1a28ab203496d6b1/html5/thumbnails/25.jpg)
Loo 25
These material tests were made to test the hydrocal plaster’s strength when combined with a different material or used in a different method. Each of the tests had it’s strengths and weaknesses. The newspaper test was stable because of the various curves the poles created. But newspaper was a frail material. Fabric became one of the best candidate for our groups’s tests because it was cheap, easy to manipulate and also was able to catch a lot of details. The quilted fabric showed us that it was able to stand up when it was resting on a rounded surface.
![Page 26: 2011-2012 Portfolio](https://reader034.vdocuments.net/reader034/viewer/2022052219/568bd4fe1a28ab203496d6b1/html5/thumbnails/26.jpg)
26 Loo
After settling on which material we wanted to use we began to cast different places within our studio.The casts were made by dipping fabric into hydrocal plaster. Each of the casts tested each of the space’s structural and spacial potential. We began to stray away from the door because it didn’t maintain a lot of structural support consider how planear it was.
We began to cast the column because it made it possible to span ten feet. It also offered a lot more geometric diversity and structural sup-port than the door. Using cow fencing, we were able to replicate the column and use the little metal spokes on top for something the fabric can hook on to. Because of the fabric’s natrual behaivor, large wrinkles were formed during the casting process. the wrinkles were helpful because it offered more strength.
![Page 27: 2011-2012 Portfolio](https://reader034.vdocuments.net/reader034/viewer/2022052219/568bd4fe1a28ab203496d6b1/html5/thumbnails/27.jpg)
Loo 27
![Page 28: 2011-2012 Portfolio](https://reader034.vdocuments.net/reader034/viewer/2022052219/568bd4fe1a28ab203496d6b1/html5/thumbnails/28.jpg)
28 Loo
![Page 29: 2011-2012 Portfolio](https://reader034.vdocuments.net/reader034/viewer/2022052219/568bd4fe1a28ab203496d6b1/html5/thumbnails/29.jpg)
Exploded axonometric drawing of each of the casted pieces.
Loo 29
![Page 30: 2011-2012 Portfolio](https://reader034.vdocuments.net/reader034/viewer/2022052219/568bd4fe1a28ab203496d6b1/html5/thumbnails/30.jpg)
30 Loo
![Page 31: 2011-2012 Portfolio](https://reader034.vdocuments.net/reader034/viewer/2022052219/568bd4fe1a28ab203496d6b1/html5/thumbnails/31.jpg)
Loo 31
![Page 32: 2011-2012 Portfolio](https://reader034.vdocuments.net/reader034/viewer/2022052219/568bd4fe1a28ab203496d6b1/html5/thumbnails/32.jpg)
32 Loo
Many of the wrinkles were made intentionally at places we assumed were weak points or needed more strength because of it’s placement and geometric form.
![Page 33: 2011-2012 Portfolio](https://reader034.vdocuments.net/reader034/viewer/2022052219/568bd4fe1a28ab203496d6b1/html5/thumbnails/33.jpg)
Loo 33
After each of the casted pieces dried, we layed them flat so we could fill some of the wrinkles in with hydrcal plaster to ensure ex-tra stability. We also manipulated some of the pieces so that when the roof as put on, it would fit.
![Page 34: 2011-2012 Portfolio](https://reader034.vdocuments.net/reader034/viewer/2022052219/568bd4fe1a28ab203496d6b1/html5/thumbnails/34.jpg)
34 Loo
When we were done casting and manipulating the walls fo our space, we began to give the walls a few thin layers of plaster. The second coat established more strength and it also made the walls look more smooth.
![Page 35: 2011-2012 Portfolio](https://reader034.vdocuments.net/reader034/viewer/2022052219/568bd4fe1a28ab203496d6b1/html5/thumbnails/35.jpg)
Loo 35
After the walls were in place, we began casting the original walls again to create the roofs of our space. But considering the ten foot span we had cover, we needed more support.
So we began to cast test beams as a mini representaion of I-beams.
The beams alone were un-able to withstand two bags of hydrocal. But when it was attatched to the roofs, it’s strength increased.
![Page 36: 2011-2012 Portfolio](https://reader034.vdocuments.net/reader034/viewer/2022052219/568bd4fe1a28ab203496d6b1/html5/thumbnails/36.jpg)
To test the I-beam’s true potential, we made a roof to test how much it
would hold up.
When the I-beams were attached to the roof, it has the ability to hold up a person laying flat across it.
It was also able to hold up to six bags of hydrocal. (Each bag
of hydrocal weighs atleast fifty pounds each)
36 Loo
![Page 37: 2011-2012 Portfolio](https://reader034.vdocuments.net/reader034/viewer/2022052219/568bd4fe1a28ab203496d6b1/html5/thumbnails/37.jpg)
Loo 37
![Page 38: 2011-2012 Portfolio](https://reader034.vdocuments.net/reader034/viewer/2022052219/568bd4fe1a28ab203496d6b1/html5/thumbnails/38.jpg)
38 Loo
![Page 39: 2011-2012 Portfolio](https://reader034.vdocuments.net/reader034/viewer/2022052219/568bd4fe1a28ab203496d6b1/html5/thumbnails/39.jpg)
Loo 39
![Page 40: 2011-2012 Portfolio](https://reader034.vdocuments.net/reader034/viewer/2022052219/568bd4fe1a28ab203496d6b1/html5/thumbnails/40.jpg)
After we were finished assembling each of the walls and roofs, our space became a complete enclosure. The interior of the space is extremely dark, but because of the thinness of our material, it allowed a little light in. This sublte light created a nice ambient lighting within the space.
The only part of the space that allows the most light in is where the door is. When closed, the space is entirely dark.
40 Loo
![Page 41: 2011-2012 Portfolio](https://reader034.vdocuments.net/reader034/viewer/2022052219/568bd4fe1a28ab203496d6b1/html5/thumbnails/41.jpg)
Besides the lighting, our space also offered various spacial qualities. Considering that it was derived directly from the studio walls, it gave us different
indentations, protrusion and heights. We had some parts of our space that were taller than others and
some that were roomier than others.
Loo 41
![Page 42: 2011-2012 Portfolio](https://reader034.vdocuments.net/reader034/viewer/2022052219/568bd4fe1a28ab203496d6b1/html5/thumbnails/42.jpg)
42 Loo
![Page 43: 2011-2012 Portfolio](https://reader034.vdocuments.net/reader034/viewer/2022052219/568bd4fe1a28ab203496d6b1/html5/thumbnails/43.jpg)
Loo 43
![Page 44: 2011-2012 Portfolio](https://reader034.vdocuments.net/reader034/viewer/2022052219/568bd4fe1a28ab203496d6b1/html5/thumbnails/44.jpg)
44 Loo
Team Enirambus Lesley Loo, Ryan Macari, Kyle McMindes, Kenzie McNamara, Ana Misenas, Christopher Ruggiero, Allie Strycharz and Christopher Wisdom. Project: Hydrocastle
Our overall structure was an enclosed structure. It offered complete privacy and unique spatial qualities. It had the ability to either be really dark or bright. Not only is it spatially interesting, it is also incredibly strong and structural. It has the ability to hold up to four of our group members.
![Page 45: 2011-2012 Portfolio](https://reader034.vdocuments.net/reader034/viewer/2022052219/568bd4fe1a28ab203496d6b1/html5/thumbnails/45.jpg)