2012 // catalog // eng

19
ANGATU - GOOD SOUL, WELFARE, HAPPINESS.

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2012 // Catalog // ENG

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Page 1: 2012 // Catalog // ENG

ANGATU ALMA BOA, BEM ESTAR, FELICIDADE.

|ANGATU -GOOD SOUL, WELFARE, HAPPINESS.

Page 2: 2012 // Catalog // ENG

THE BRANDSUSTAINABILITy AND IRREvERENcE ARE THE TWO WORDS THAT BEST DEScRIBE THE cONcEPTUAL DESIGN BRAND, MAMELUcA, cREATED IN 2011, SIGNED By THE DESIGN-ERS ALESSANDRA cLARk AND NUNO F. DE SOUSA. THEIR IDEA IS TO DEvELOP PROD-UcTS, WHIcH AGGREGATES cONcEPT, FUNcTIONALITy, HUMOR AND RESPEcT FOR the environment, combining references of contrasts (such as the simul-TANEOUS USE OF RAW MATERIALS AND cOLD HOT, OR HARD AND SOFT, NOBLE AND common, for example).

THIS IS A BRAND THAT cAPTURES THE PLAyFUL SIDE OF WORkING WITH SIMPLE FORMS OF ExTREMELy cREATIvE AND ExTRAORDINARy. AS IN A WORLD OF FAIRy STO-RIES, MAMELUcA PRODUcTS cAN HAvE ENDLESS FORMS AND INFINITE FUNcTIONS, TRANSFORMING THE AcT OF DEcORATING AN ENvIRONMENT INTO SOMETHING FUN and that meets needs of each individual - but without leaving the conve-NIENcE. THUS, IT BEcOMES EASIER FOR EAcH cUSTOMER TO PRINT THEIR PERSONAL STyLE TO THE OBjEcT, SINcE By cHANGING THEIR APPEARANcE, OR SOMETIMES GIv-ING IT A UTILITy NEvER BEFORE THOUGHT OF.

MAMELUcA GIvES NEW MEANINGS TO OBjEcTS, SURPRISING cONSUMERS WITH UN-USUAL PIEcES. IT’S A BRAND THAT BELIEvES DIFFERENT cAN INDEED BE START OF SOMETHING NEW.

PHILOSOPHyMAMELUcA RESPEcTS NATURE, WORkING ONLy WITH ENvIRONMENTALLy INPUTS AND cORREcTLy cERTIFIED; cOMBAT WASTE THROUGH REUSE OF MATERIALS, PRO-MOTING THE RATIONAL AND cREATIvE USE OF MATERIALS.

THE NAMEIT IS AS HUMOROUS AS THEIR cREATIONS AND THEIR cREATORS: THE BRAzILIAN ALES-SANDRA cLARk AND PORTUGUESE, NUNO F. DE SOUSA. IT MEANS THE RAcIAL MIx OF WHITE PEOPLE WITH THE BRAzILIAN INDIAN, THE MATcH OF THE EUROPEAN AND THE LATIN, THE MEETING OF THE cOLONIzER WITH THE cOLONIzED.

Page 3: 2012 // Catalog // ENG

PRODUCTS

Page 4: 2012 // Catalog // ENG

AMBÓFIvEPINUS WOOD, NyLON, PLASTIc2,50 x 0,50 x 0,30 M (vAR)

INSPIRED By A TOy NAMED “jAcOB STAIRS”. APPARENTLy SIMPLE, IT ALLOWS A GREAT INTERAcTIvITy. STARTING By ITS PREvIOUS cONcEPT, WE DEcIDED TO cREATE A SHELF WHIcH HAD BOTH INGREDIENTS: PLAyFUL AND FUNcTIONAL.

the shelf has 5 (five) modules (50 x 50 x 30 cm) Joined bY three nYlon strips (450cm). the structure allows You TO ADjUST THE SHELF TO yOUR NEEDS.

AWARDS: SALãO DESIGN 2012, 1ST PRIzE PROFESSIONAL cAT-egorY - living room furniture.

Page 5: 2012 // Catalog // ENG

AMBUÁ

SERIES PER MATERIAL

vINHáTIcO SERIES3 + 2 PA +

cENTIPEDEbrazilian wood - vinhático1,80 x 0,86 x 0,47 (var)

RESIDENTIAL WOODEN TABLES, MADE FROM cERTIFIcATED BRAzILIAN WOOD NAMED vINHáTIcO, WHEELS EMBEDDED IN EAcH BASE, IN ADDITION TO THE SPEcIAL MEcHANISM THAT FAcILITATE THE MOvEMENT BETWEEN IT’S BASES.

vERSATILE AND FUNcTIONAL, THE cENTIPEDE cAN BE cOM-POSED OF SEvERAL MODULES OF ODD NUMBERS. THE DIMEN-sions range from 300 x 35 x 47cm (maximum) and 185 x 86 x 47cm (minimum) if used five bases.

modular and developed with plug-in sYstem, this ob-jEcT WAS cREATED TO MOvE IN A DyNAMIc AND FUNcTIONAL, MEETING THE NEEDS OF USER, cHANGING THE SHAPE WHEN cHANGING ITS AMBIENT AND TO THE USE OF THE OBjEcT itself (which maY also be used as seats at parties and SPEcIAL EvENTS.

Page 6: 2012 // Catalog // ENG

AMANAINvOLvEPvc, ELASTANE0.90 x 0.90 x 0.9 M

vERSATILE AND cOMFORTABLE, THIS cHAIR MADE FROM FAB-RIc WITH SPANDEx AND PLASTIc cyLINDERS ADAPTS TO INTER-NAL AND ExTERNAL AMBIENT.

THE INFLATED cyLINDER TURNS TO ADAPT TO EAcH cUSTOMER ABSORBING THEIR WEIGHT AND PRESENTING THE ERGONOMIc AND cOMFORT, WHIcH ARE THE PRIMARy qUALITIES OF THE OBjEcT.

ITS TRANSPARENcy PRESENTS A DIScRETE vOLUME, MAkING THE cHAIR PLEASANT AND ELEGANT.

Page 7: 2012 // Catalog // ENG

POTIRAFLOWERTExTILE, ELASTANE, STyROFOAM3,00 x 3,00 x 0.60 M (INSTALLATION)

DAISy

INSTALLATION IN THE SHAPE OF FLOWER PETALS HAS MADE WITH SPANDEx FABRIc, FILLED WITH STyROFOAM BEADS, REcALLING BEANBAGS cOMFORTABLE, STyLISH AND ERGO-NOMIc.

THE MIDDLE PART MAy ALSO BE USED AS A TABLE. IDEAL FOR INDOOR DEcORATION, NESTLES GUESTS IN SMALL GROUPS AND RELAxED MEETINGS.

Page 8: 2012 // Catalog // ENG

APYCABAPLAcE OF SITTING - SEATPINUS WOOD, IRON0,65 x 0.55 x 0.86 M

THE cHAIR WAS cREATED AS A ORIGINAL WAy OF REUSING MATERIALS THAT HAD A PRIMARy FUNcTION, BUT HAD BEEN DIScARDED AFTER ITS USE, BEcOMING GARBAGE OR WASTE.

IT IS cOMPLETELy BUILT FROM A cABLE REEL. THIS DEScRIP-TION MAkES THE AccEPTANcE OF THE PRODUcT TO THE UPcycLING WORLD , SINcE THE cHAIR BASE IS AN OBjEcT EAS-ilY found in Your daY-to-daY, dispensing, including its cOST OF PRODUcTION.

DETAIL: THE cORE OF THE PIEcE WAS kEPT PARTIALLy OPEN, ALLOWING THE cREATION OF A SPAcE THAT cAN ALSO BE USED AS THE “DOOR MAGAzINES.”

Page 9: 2012 // Catalog // ENG

NHANDUTISPIDER WEBALUMINUM, ELASTIc30.0 x 30.0 x 3.0 | 30.0 x 60.0 x 3.0 | 30.0 x 90.0 x 3.0 cM

AN ART OBjEcT, WHIcH IS ALSO A NEW WAy OF ORGANIzING yOUR LIFE. WEAvING THE WEB THAT WILL cAPTURE yOUR BELONGINGS LATER DAy TO DAy. OR, SIMPLy DEcORATE. THIS IS THE NHANDUTI.

THE WEBS ARE WOvEN MANUALLy ONE By ONE IN DIFFERENT SHAPES AND cOLORS. THERE IS NO OBjEcT THE SAME TO THE OTHER. EvEN THOUGH IS AN UNLIMITED SERIES, NO PRODUcT IS EqUAL TO ANOTHER.

Page 10: 2012 // Catalog // ENG

CONCEPTUAL

Page 11: 2012 // Catalog // ENG

ROPIÁ

LIMITED EDITION 40 pieces / colorEAcH ROPIá WILL HAvE NUMBER OF PIEcES DE-FINED By EAcH PROjEcT.

DIvERT UPPvc, AcRyLIc, ALUMINUM0,20 x 0,10 x 0.10 M (PIEcE)

INvOLvE SOMETHING OR BE INvOLvED IN SOMETHING, PAS-SAGES, SEcRET GATEWAy, OR PATHS OF THOUGHT.

ScULPTURE OR MODULAR SHELF FIxED TO THE WALL.

THE FORMATS ARE INFINITE. REALITy IS TRANSFORMED Ac-cORDING TO THE AESTHETIcS, FUNcTIONALITy AND THE NEED. THE TRANSPARENcy FOSTERS LIGHTNESS, THE SIMPLE AND FREEDOM OF USE.

Page 12: 2012 // Catalog // ENG

APYCABARIO GRAPHITE SERIES

MARINHO

AGNELLI

MEMI

UNIqUE PIEcES

PLAcE OF SITTING - SEATPINUS WOOD, IRON, PAINT0,65 x 0.55 x 0.86 M

THE cHAIR IS cOMPLETELy BUILT FROM A cABLE REEL.

THE cORE OF THE PIEcE WAS kEPT PARTIALLy OPEN, ALLOWING THE cREATION OF A SPAcE THAT cAN ALSO BE USED AS THE “DOOR MAGAzINES.”

WE INvITED A GROUP OF STREET ARTISTS FROM RIO DE jA-NEIRO AND PREPARED THIS FIRST SERIES “RIO GRAPHITE”. EAcH ARTIST MAkES HIS INTERvENTION IN ONE cHAIR, MAkING IT UNIqUE.

Page 13: 2012 // Catalog // ENG

JECOABOCACRATE 1

UNIqUE PIEcE.

BEcOME DIFFERENT - cHANGE - cHANGE FUNcTIONWOOD, GLASS, AMONG OTHERS.1.50 x 0,50 x 0,40 m

cHANGE FROM ART PAckAGE BEcOMING THE ART PIEcE.

WHO SAyS THE PLEBEIAN cANNOT TURN TO NOBLE? OUR ARTWORkS PAckAGES BEcOME DESIGN FURNITURE. BOxES BEcOME UNIqUE OBjEcTS.

FOR THIS FORST BOx, FRAMED MOvEMENT AND AcTION AESTHETIc. WE PAckED THE cONTEMPORARy DANcER PAULA MORI. THE cASE ORIGINALLy cARRIED A PIEcE OF ART AND IS NOW TRANSFORMED INTO A TABLE AND THE OBjEcT OF ART.

Page 14: 2012 // Catalog // ENG

JECOABOCACRATE 2

UNIqUE PIEcE.

BEcOME DIFFERENT - cHANGE - cHANGE FUNcTIONWOOD, GLASS, AMONG OTHERS.0.80 x 0.40 x 0.40 m

cHANGE FROM ART PAckAGE BEcOMING THE ART PIEcE.

WHO SAyS THE PLEBEIAN cANNOT TURN TO NOBLE? OUR ARTWORkS PAckAGES BEcOME DESIGN FURNITURE. BOxES BEcOME UNIqUE OBjEcTS.

THIS SEcOND BOx, GRAPHITE POETIc PATHS WERE INTEGRATED TO THE TABLE By FELIPE AGNELLI, A BRAzILIAN STREET ARTIST, WHIcH TRANSPOSED THE TRANSPARENT LAyERS OF THE BOx, cREATING A FUSION THE BOx.

ORIGINALLy THE BOx TRANSPORTED ARTWORkS AND NOW IT BEcAME A TABLE.

Page 15: 2012 // Catalog // ENG

JECOABOCACRATE 3

UNIqUE PIEcE.

become different - change - change functionWOOD, GLASS, AMONG OTHERS.0.50 x 0.50 x 0.50 M

cHANGE FROM ART PAckAGE BEcOMING THE ART PIEcE.

WHO SAyS THE PLEBEIAN cANNOT TURN TO NOBLE? OUR ARTWORkS PAckAGES BEcOME FURNITURE DESIGN. BOxES BEcOME UNIqUE OBjEcTS.

THIS THIRD BOx OF THE SERIES WAS DESIGNED TO TRANSPOSE THE DEPTH AND yOUR BALANcE. WE PRODUcED A TUNNEL WITH OLD BRAzILIAN MONEy FOUND REcENTLy AND SLOPED THE BOx TO cHANGE yOUR PERcEPTION AND MAkING A NEW WAy OF WATcHING FOR yOUR LIFE.

THE GLASS IS IN HORIzONTAL POSITION kEEPING ITS FUNcTION AS A TABLE.

Page 16: 2012 // Catalog // ENG

YBYRI

LIMITED SERIES3 + 2 PA

ALONG THE cOASTPHOTOGRAPHy45 x 90 cm | 60 x 90 cm

THIS SERIES OF PHOTOGRAPHS DEPIcTING THE cARIOcA’S BEAcHES, EScAPES THE NORMAL STANDARD OF PHOTOGRA-PHy BEcAUSE IN REALITy WE jUST WANTED TO SHOW THEIR cOLORS By THE BEAcH. FOR THIS PURPOSE THE ORIGINAL IMAGE, WHIcH By ITSELF WAS BLURRED, WAS DESIGNED IN A MATERIAL SUPER cOMMON, BOTH IN ORIGIN AND FREqUENcy By WHIcH IT IS USED ON THE BEAcH: STyROFOAM. By INcLUDING A PHOTO IN OUR PRODUcT PORTFOLIO, WE INTEND TO SHOW THAT WE ARE NOT jUST A BRAND OF FURNI-TURE, BUT SOMETHING MORE cOMPREHENSIvE.

+

+

+

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Page 17: 2012 // Catalog // ENG

PROTOTYPE

Page 18: 2012 // Catalog // ENG

ASSANGAPLUMPALUMINUMØ 35,0 x 11,0 cM

IS IT A DONUT? IS IT A cOOkIE? IS IT A SEAT? THOSE ARE OB-jEcTS UNIDENTIFIED cREATING DIvISIONS FLOAT ENvIRON-MENTS.

plaYing with the light / weighs the can with gravitY ENvIRONMENTS cREATE MANy FUN WAyS AND REcREATION.

WE’vE cREATED A HANGING GARDEN, WHIcH ALSO DIvIDES, AMBIENT IN yOUR HOME.

Page 19: 2012 // Catalog // ENG

ARAcLOUDSyNTHETIc FABRIcvARIABLE DIMENSIONS

UNIqUE PIEcES.

ARA cEILING LAMPS ARE DESIGNED WITH ORGANIc AND ScULPTURAL FORMS. IT IS PRODUcED AS UNIqUE AND HAND-MADE.

THE ExPERIENcE OF MOLD IN SyNTHETIc FABRIc BRINGS qUIck SOLUTIONS AND SPEAcIAL cHALLENGES TO EAcH PIEcE GENERATED.

HIS WAyS ARE INSPIRED IN cONTINUOUS FORMS AND THE BEAUTy OF THE cLOUDS.

ARE PRODUcED IN DIFFERENT SIzES. THEIR cOLORS ALSO vARy.