2015 wbm catalog lo res

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2015Catalogue

Cover 2015.indd 1 2/6/15 12:05 PM

PapercraftOrigami Racers Kit................................................2

Robogami Kit........................................................4

Paper Cut Planet...................................................6

ArtDraw Manga Faces for Expressive Characters.....8

Drawing Manga People and Poses......................10

NeedlecraftsArtfully Embroidered.............................................12

Teeny Tiny Menagerie...........................................14

Stumpwork Flowers..............................................16

Wild & Tame Needlefelt Animals...........................18

Quilting318 Patchwork Patterns........................................20

Log Cabin Restructured........................................22

Housewarming Patchwork....................................24

New Classic Patchwork........................................26

CrochetNew Tatting...........................................................28

Crochet Monkey Business....................................30

SewingSimply Sewn.........................................................32

General CraftsDIY Wrap Bracelets...............................................36

Finger Weaving Scarves & Wraps.........................38

Sew Dolled Up......................................................40

Decorative Knots..................................................42

PatternsJapanese Quilt Artist Series Patterns

Yoshiko Jinzenji......................................46

Yoko Saito..............................................47

Zakka Workshop Patterns....................................48

Table of Contents

Origami Racers KitFold Your Own Racers and Battle Your FriendsMuneji Fuchimoto

64 Pages | Paperback | 8" x 8" (203 x 203 mm)

2

The fine art of origami has been reinvented for the space age. Welcome to a futuristic world where paper racers transform into animal-shaped machines ready for space battles. The Origami Racers Kit includes everything you need to fold and customize your own awesome creations.

About the Author Muneji Fuchimoto is the president and art director of graphic design firm SCOG Design Inc. Inspired by a project his son made in his kindergarten class, Fuchimoto began creating original origami designs in 2005. He is the author of multiple origami books in Japan and is known for his unique robot and animal designs.

3

• A 64-page book with step-by-step folding instructions and full-color photos of all the projects

• Twenty-five (8 x 8 inch [203 x 203 mm]) sheets of origami paper

• One sheet of decorative sticker decals for your racers

A

B C

D

A

B

D

C

Fold in each edge toward the center along the first crease, leaving each corner folded up.

Unfold the edges at A and C and zoom in on corner A.

Unfold the corner completely.

Zoom in

Rotate

Fold the edges to the center while pinching the corners to form three rabbit ear folds.

Open corners A, C, and D, and squash fold.

Fold out corner D, and fold the inner edges of A and C to the center.

Fold the corner up along existing creases.

Bring the edges to the center. This is known as the petal fold.

Mountain fold the corner behind to the center.

Fold the edges to the center lines and unfold.

TEAM

BLUE WOLF

BW-01DIFFICULTY: ★★★

USE STARTING METHOD A ON PAGE 22

1

7 8 9

4

2

5

3

6

Completed view of step 7.

Turn over

Turn over

Switch the creases and fold.

Bring � and � toward the point indicated by the white arrows. Fold � and � to the wrong side.

�

�

�

�

Completed view of step 10 from the other side. Repeat steps 5-12 for corner C.


12

13

10

1514

11

A

B

D

C

24 25

As Team Blue Wolf’s flagship machine, BW-01 is equipped with the latest technology.

With a compact body and high operational performance, BW-02 is perfect for navigating around obstacles.

BLUE WOLF

BW-01

TE

AM

BLU

E W

OLF

BLUE WOLF

BW-02

SIZE: 29.5 X 32 FEET

WEIGHT: 1852 POUNDS

POWER UNIT: SH-228 TYPE

MAXIMUM OUTPUT: 1300-RR

MAXIMUM SPEED: MH-910

ACCELERATION FORCE: 24GG

INSTRUCTIONS: PAGE 24

MACHINE DATA

SIZE: 25.75 X 28.5 FEET

WEIGHT: 1543.25 POUNDS






MACHINE DATA

BW-03 is a massive machine which summons maximum power to fight against rivals.

The power of this machine will be maximized near stars which have higher gravity. This machine is able to race on the ground as fast as in zero-gravity space. In addition, it has excellent endurance and higher battle capacity.

BLUE WOLF

BW-03

BLUE WOLF FORMATION

SIZE: 29.5 X 32.75 FEET

WEIGHT: 2094.5 POUNDS






MACHINE DATA

SIZE: 11.5 X 46 FEET

INTENSITY LEVEL: 60


MACHINE DATA

MACHINE DATA KEY

RR = REVOLUTION RAY

MH = MACH HEAT

GG = GAMMA GRAVITY

*Fictional units of measurement used in space in the future.

COMBINE ALL 3! TEAM

6 7

KARUSAURUS INSTRUCTIONS: PAGE 58

Team Yellow Shark enters a dark and dangerous area. This monster must be one of the legendary giant monsters called the Karusaurus!

The machines of Team Yellow Shark are transforming! The three racers combine into one shark-shaped battle machine! They will soon engage the monster in battle. This is a very dangerous situation, so we must leave. We are sorry to tell you we must end our broadcast now!

VS

Robogami KitFold Your Own Robots and Battle Your FriendsMuneji Fuchimoto

64 Pages | Paperback | 8" x 8" (203 x 203 mm)

4

Imagine a 3-D sci-fi world filled to the teeth with robots, cosmic weapons, and mutant scorpions, all in the palm of your hands. Robogami Kit transformsthe traditional Japanese art of origami into an action-packed hobby that provides endless hours of entertainment. Everything you need to get started is right here.

Discover how easy and fun it is to become a true master of Robogami. Revel in your creations, unleash your imagination, and give in to the new artistic addiction that is Robogami.

About the Author Muneji Fuchimoto is the president and art director of graphic design firm SCOG Design Inc. Inspired by a project his son made in his kindergarten class, Fuchimoto began creating original origami designs in 2005. He is the author of multiple origami books in Japan and is known for his unique robot and animal designs.

5

• A 64-page book with step-by-step folding instructions and full-color photos of all the projects

• Twenty-five (8 x 8 inch [203 x 203 mm]) sheets of two-color, two-sided origami paper

This ORIROBO was developed based on the SUPER ORIROBO that saved the Earth from danger long ago.

ORIROBO

OR201

TYPE FIGHTER

POWER ★★★★★

SPEED ★★★★★★

OFFENSIVE POWER

★★★★★★

DEFENSIVE POWER

★★★★★★

FEATURES

» MEGA SHOULDER ATTACK

» MEGA KICK » MEGA CRUSH PUNCH

ABILITY TO FLY X

MACHINE DATA

LEVEL

28 FOLDING DIFFICULTY★★★★★★★

Make starting shape B, as shown on page 11.

Turn over

Fold along the outermost creases while pinching the corners in half, flattening them up and down.


Pleat along the creases shown.

Zoom in

Crease firmly and unfold, opening out the layers.

Pinch mountain folds along the creases shown.

Collapse down along the existing creases as shown.

Repeat steps 4-7 on the three remaining corners.

Rotate

Turn over

Fold along the outermost creases while pinching the corners in half, standing them up.

1 2 3

4 5 6

7 8 9

SHOWN ON PAGE 5

20 21

DATE: 2245.05.12 | REPORT: The WORKROBO are unexpectedly attacked by legions of mysterious enemy robots. Intelligence report reveals the threat is a deadly new form of SHRED. WORKROBO lack capability to fight and are immediately destroyed.

UPDATE: Improved ORIROBO fight against new form of SHRED. During battle, SHRED copies the ORIROBOS’ characteristics and mutates making defeat impossible. A new solution is imperative to destroy SHRED once and for all.

WORKROBO WR02PAGE 12

ORIROBO 0R201PAGE 20

SHRED 310PAGE 27

5

COSMOPOWERGUARD

NOTE: FOR THIS MODEL, USE A SHEET OF PAPER THAT IS 1/4 OF THE SIZE USED FOR THE SOLDIERS.

FOLDING DIFFICULTY★★★★★★★

HOW TO EQUIP A SOLDIER WITH A COSMO POWER GUARD

AB

Insert the circled section of the flap into either pocket A or B.

COSMO POWER GUARD inserted into pocket A of ORISOLDIER N534.

COSMO POWER GUARD inserted into pocket B of ORISOLDIER N534.

Valley fold as shown and unfold.

Fold corner A down while opening out the side layers as shown.

A

Fold the corner back as shown.

Repeat steps 3–5 on the other corner.

Turn over


COSMO POWER GUARD is complete!

Turn over

Mountain fold diagonally and unfold.

Fold two opposite corners to the center.

Mountain fold the edges into the center.

1 2 3

4

7

5

8

6SHOWN ON PAGE 6

46 47

Paper Cut PlanetOver 150 Paper Cutting PatternsKai Iwami

PaperPlanetOver 150 paper cutting patterns

Cut

120 Pages | Paperback | 8 1⁄4" x 10 1⁄4" (210 x 260 mm)

6

Travel the world with over 150 paper cutting motifs. Simply trace, fold, and cut the designs to create unique cards, gifts, and stationery.

Perfect for scrapbooking, card-making, and other papercrafts, choose from over 150 quick and easy paper cutting patterns including animals, food, popular pastimes, and iconic landmarks from across the globe.

Full-size templates are featured throughout, so all you need is some paper and scissors to get started straight away!

About the Author Kai Iwami is an illustrator and papercrafter based in Tokyo, Japan. She has written numerous books on paper cutting and kirigami.

7

Also Available:

Instructions and Patterns for 150 Intricate Cutouts

Akiko Murooka

Decorative Papercutting

Decorative PapercuttingInstructions and Patterns for 150 Intricate CutoutsAkiko Murooka

Paperback8 1⁄4" x 10 1⁄4" (210 x 260 mm) 112 pages

25 Easy to Make 3D Cards for All Occasions

Takami Suzuki

Playful Pop-Up Cards25 Easy to Make 3D Cards for All OccasionsTakami Suzuki


76 Pandas | 77 Bamboo | 78 llama | 79 sheep |

Templates on pages 70–71

7677

78

79

80

81

82

83

The Animal Kingdom Motif collection

80 kangaroos | 81 camel |

82 seal | 83 otters |

Templates on pages 72–73

68 The aniMal kingdoM THE PrOJECTS 69

5 Tower BridgeTools: Scissors, craft knife

folding Technique: Single geometric fold

▲

Mountain fold

use a craft knife to carefully cut out the windows and cables

▲

use craft knife

use craft knife

carefully cut out the clock hands

Mountain fold

▲

Mountain fold

use a craft knife to cut out the windows and tire

unfold the paper and cut out these two boxes on one side only

▲

Mountain fold

use a craft knife to cut out all windows

9 Double-Decker Bus Tools: Scissors, craft knife


6 Big BenTools: Scissors, craft knife


7 TerrierTools: Scissors, craft knife

folding Technique: no fold

8 St. Paul's Cathedral Tools: Scissors, craft knife


use craft knife or eyeleteer to cut out the eye

22 world landMarks & icons THE PrOJECTS 23

1

2

3

4

World Landmarks & Icons

5

6

7

8

9

1 arc de Triomphe | 2 eiffel Tower | 3 Poodle |

4 carousel | Templates on pages 20–21

5 Tower Bridge | 6 Big Ben | 7 Terrier | 8 st. Paul's cathedral | 9 double-decker Bus | Templates on pages 22–23

Motif collection

18 world landMarks & icons THE PrOJECTS 19

Draw Manga Faces for Expressive CharactersLearn to Draw More Than 900 FacesAya Hosoi


8

Sure, drawing faces is one of the most challenging aspects of manga. But Draw Manga Faces for Expressive Characters is here to help! This fantastically comprehensive book includes more than 900 sample illustrations that teach key elements for capturing facial expressions and emotions for manga characters.

Learn to draw:

With more than 900 sample illustrations, you're well on your way to mastering the most expressive manga faces ever!

About the Author Aya Hosoi is a self-taught freelance illustrator. She works in anime and game production. In addition, she also designs covers for CDs and other media.

9

• Basic characters, faces, and expressions: boys and girls, men and women, from babies to teens, adults to elderly characters

• Specific character types: school girls, villains, sweethearts, heroes, gentle souls, go getters, and more

• Positive expressions: relaxed, adoring, mischievous, confident, and more

• Negative expressions: outraged, embarrassed, stressed, spiteful, and more

160 DRAW MANGA FACES FOR EXPRESSIVE CHARACTERS Color Illustration 161

Adding More Details

5. Here’s the dress with finished

shading. You can create depth

and volume in her billowing skirt

with large shadows. The strong

contrast between the light value

of her skirt and the dark value of

its shadowy folds really brings

her outfit to life.

1. Time for her blouse. Don’t forget about how the

movement of her arms affects the wrinkles and

shadows of the shirt. For realistic shadows, pay

attention to the direction of the light source. In this

case, her whole back could be cast in shadow, but

instead we’ve made a style decision to keep her

blouse looking bright.

2. Slip in some shading to pump up the volume of

those ruffles. Even though the line art has already

done the work of defining each fold, you can

use shadows to develop their shape even further.

We’ve chosen not to shade the underside of her

skirt this time.

3. Finish by giving her shoes and socks a bit of

shading too. Take a moment to zoom out and

look at the entire image. Does your shading look

balanced? Are all the shadows cast in the same

direction?

COLORING EYESThe windows to the soul deserve some extra attention! Follow these steps to create expressive eyes:

1. Start with the darkest color,

and paint the pupil. Then softly

brush in the gradated shadow

cast by her upper eyelid and

outline her iris. Don’t forget that

the eyeball is a sphere.

2. Adjust the colors until you like

the way they look.

3. Time for lighter tones. Set a

new layer on “Linear Dodge,”

and play around with the

resulting shimmery effect. Try

adding a streak of light on the

bottom of her iris and softer

light on the top. Erase a bit in

the middle to amp up the

shininess and roundness of

the eye.

4. Return to your coloring layer

and add a highlight.

5. For a glossy finishing touch,

you can accentuate your

highlight with a little more white

set at a lower opacity. So dewy!

164 DRAW MANGA FACES FOR EXPRESSIVE CHARACTERS Color Illustration Gallery 165

Color Illustration Gallery

Character Types 49 48 DRAW MANGA FACES FOR EXPRESSIVE CHARACTERS

Perhaps this woman

is a military spy.

She's got a

mysterious and

sharp look in her

eyes.

An almost tearful

moment in her hideout.

Even villains get lonely

sometimes.

3.4 Villain

Don't forget to draw your villains in

moments of pleasure too.

This particular fellow is a gang

leader with scores of underlings.

Remember to reflect the villain's

power and arrogance in the face

and whole body. Villains also

tend to more sculpted, angular

features with suspicious eyes.

Try adding scars for an extra

villainous design!

No doubt about it—these guys are evil! Aim for a cunning and

cold-hearted look.

"Hmph!"

"Fool!"

"Ha" (sarcastic laughter)

Drawing Manga People and PosesRyo Hirata


10

Learn to draw people in a variety of different poses with Drawing Manga People and Poses. Lessons begin with the basics—drawing from photos, vantage points, people, and objects. Once you've got the basics covered, you'll follow along with step by steps and find tips and advice for "everyday," "around the house," and "at work and play" poses. All in all, you'll find more than 800 poses to emulate and make your own!

Drawing Manga People and Poses also includes helpful Q & A sections, covering subjects like drawing from reference materials, understanding skeletal and muscular anatomy, drawing cartoons, and how to know when a project is finished.

Includes:

With more than 800 poses, you're well on your way to creating any character you can imagine!

About the Author Ryo Hirata is a Japanese anime and manga artist. He is the author of four "how to draw manga" titles published in Japan. He freelances with video game production companies such as Electronic Arts and Production IG, working on character design for animated games.

11

• Important basic drawing lessons, including scaling, dimension, perspective, and more

• Lessons and samples for drawing poses from everyday life, like texting, opening a wallet, and eating

• Around-the-house poses, such as opening doors and windows, getting dressed, and cleaning

• At work and play poses including using a computer, taking photos, stretching, and playing video games

166 DRAWING MANGA PEOPLE AND POSES Art Gallery 167

Art Gallery

Eating (Original drawings on pages 78-79)

Monochromatic version created with

a light layer of shading.

Check out these colored and shaded illustrations developed from the drawings in the book.

Drawing Basics for People & Objects 33 32 DRAWING MANGA PEOPLE AND POSES

Compare at the Same SizeHere is a comparison of her feet

with the smaller drawing enlarged

to match the size of the original.

Can you see how each line has been

simplified and streamlined?

Line Drawings vs. ShadingWhen it comes to line drawings, an object with lots of small, thin, white-on-white details usually

calls for measuring and drawing each component individually. But if you're using watercolors or

digital shading instead of pencils and pens, you can make your life a lot easier by using strong

contrast to suggest the overall shapes.

Level of DetailOut in the world, the farther away something is from us, the less we see. For clear and lifelike

illustrations, adjust the amount of detail you draw depending on the distance between the viewer

and the subject. You may be tempted to load on the details for both close-ups and far away

shots, but moderation can bring realism to your drawings.

When coloring, start

out by shading in the

darkest values of the

object with a big brush.

Then come back in with

a thin white pen and

add the bristles back

on top.

These drawings show the

same person wearing the

same clothing. However,

much more detail is visible

in the close-up drawing,

including the strands of her

hair, the wrinkles of her

clothes and the details of

her shoes and feet.

Close-Up

Far Away

Close-Up Far Away

64 DRAWING MANGA PEOPLE AND POSES Everyday Life 65

2.7 Using an UmbrellaLet's take a look at the stages of opening an umbrella. As our figure lifts

her translucent plastic umbrella, her posture shifts. See how her her

head and shoulders tilt to compensate for the movement of her arms?

Make sure that your character and her

umbrella are on the same plane. Visualizing

the rim of the open umbrella as a circle can

help you figure out a good angle.

Pay attention to the shape and underlying metal

structure of the clear umbrella. Did you draw all the

spines showing through the translucent plastic?

Keep checking the photo and adjusting your drawing

as you go along. But don't get so obsessed with

accuracy you forget to look at the image as a whole!

As you draw, stop, assess, erase a bit and draw

some more. Little by little, your drawing will grow

more lifelike.

Artfully Embroidered Motifs and Patterns for Bags and MoreNaoko Shimoda


12

Artfully Embroidered reinvents vintage embroidery through a modern aesthetic. You'll enjoy traditional Japanese and western motifs that are made new with color and embellishment, and 25 embroidered patterns demonstrating the beauty of the traditional designs while keeping the projects fresh and modern-looking. Step-by-step instructions and templates allow you to create lovely sewn or embroidered projects, or use the embroidery motifs on your own designs.

Discover a variety of projects including handbags, totes, clutches, and coin purses, as well as wallets, handkerchiefs, and brooches. In addition, there are visual examples of embroidery used as embellishment on clothing and linens. Also included are pattern inserts for selected projects. Whether you are a sewist, an embroiderer, or a handbag maven, you'll find gorgeous embroidery designs you won't want to miss!

About the Author Naoko Shimoda is the author of many needlework books in Japan. She teaches many kinds of needlework classes and her designs are found all over the website Ravelry! She lives in Japan.

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Glitzy Granny BagAdd a dose of glamor to your daily life with this sophisticated bag. Shiny silk taffeta is embellished with a combination of yarns, beads, and pearls to create a stunning bag that is spacious enough to hold all of your essentials.

Instructions on page 58

8 9

Cut 2 front/back and 1 gusset from each:Bag fabric (cut as rectangles), lightweight fusible interfacing (cut as rectangles), lining fabric, medium-weight fusible interfacing

Cut 4 bias stripswithout seamallowance from:Binding fabric

Front/back

Gusset

Fold

Cut two rectangles each of bag fabric and lightweight fusible interfacing

243/4” (63 cm)

113/4” (30 cm)

351/2” (90 cm)

311/2” (80 cm)

93/4” (25 cm)

101/4” (26 cm)

13/4” (4.5 cm)

17” (43 cm)

Bias strips

Front/back (ws)

Lightweight fusible interfacing (rs) Medium-weight fusible interfacing (rs)

Lightweight fusible interfacing (rs) for gusset ormedium-weight fusible interfacing (rs) for gusset lining

Front/back lining (ws)

Gusset (ws) orgusset lining (ws)

Make 2 Make 2

Make 1 gusset + 1 gusset lining

1 2

3

Leave seam allowance and trim into shape

23/4” (7 cm)

3/8” (1 cm)

1/4” (0.5 cm)11/2” (4 cm)

Center

Front (rs) Back (rs)

1

2

Adhere the interfacing

1 Adhere a rectangular lightweight fusible interfacing piece to the wrong side of both rectangular front/back pieces.

2 Adhere medium-weight fusible interfacing to the wrong side of both front/back lining pieces.

3 Adhere lightweight fusible interfacing to the wrong side of the gusset. Adhere medium-weight fusible interfacing the wrong side of the gusset lining.

Embroider the front and back

1 Transfer the front embroidery motif on pattern sheet A to the front, then embroider and embellish with beads, as indicated on the pattern sheet on pattern sheet A. Refer to page 53 for instructions on attaching beads. Use the template to cut out the front, leaving 3/8” (1 cm) seam allowance.

2 Position the back embroidery motif on the back following measurements indicated in the diagram below and transfer. Follow same process as front to embroider, then trim the back.

Glitzy Granny Bag S H O W N O N P A G E 8

Fabric• Bag: 311/2” x 351/2” (80 x 90 cm) of

beige silk taffeta• Lining: 311/2” x 351/2” (80 x 90 cm) of

black and white textured print• Binding: 93/4” x 17” (25 x 43 cm) of

black textured solid

Interfacing• Lightweight fusible: 311/2” x 351/2” (80

x 90 cm) • Medium-weight fusible: 311/2” x 351/2”

(80 x 90 cm)

Embroidery Supplies• Kite string in white• Sashiko thread in gray• Linen embroidery floss in gray and

black• Cotton twist yarn in black/natural

combination• Buttonhole thread in black

Beads• Forty-seven 5 mm freshwater pearls

in gray• Seven 5 x 10 mm faceted marquise

beads in black onyx• Two hundred and fifty 11/0 glass

seed beads in matte nickel (such as Miyuki Delica)

Handle Findings• Two 101/4” (26 cm) long pieces of

11/2” (4 cm) wide grosgrain ribbon in black

• Two 193/4” (1.8 cm) long pieces of 1/16” (0.2 cm) wide rope

• Four 3/4” (1.8 cm) wide metal rectangular rings

• Seam allowance is not included. Add 3/8” (1 cm) seam allowance to all piece edges, unless otherwise noted.

• Trace and cut out the front/back and gusset templates on pattern sheet A. Cut out each piece according to the diagrams below.

• Note: For the front/back, cut out two 113/4” x 243/4” (30 x 63 cm) rectangles each of bag fabric and lightweight fusible interfacing. You will interface and embroider each piece before trimming into shape using the template.

• Cut out the following pieces, which do not have templates, according to the measurements below:

– Bias strips: 13/4” x 101/4” (4.5 x 26 cm) of binding fabric

CUTTING INSTRUCTIONS

CONSTRUCTION STEPS

MATERIALS

Sew using 3/8” (1 cm) seam allowance, unless otherwise noted.

AR

TF

UL

LY

E

MB

RO

ID

ER

ED

58 59

GL

IT

ZY

G

RA

NN

Y

BA

G

Sequined Knot BagThis Azuma style bag is lightweight and distinctively fashionable. Appropriately placed square iridescent sequins make the polka dot pattern all the more dazzling.


18 19

Teeny Tiny Menagerie 380 Whimsical & Wonderful Animal Embroidery MotifsNoriko Komurata


14

Stitch 380 adorable animals and a few surprises!

At last, this cute collection of Japanese embroidered animal motifs is finally available in the United States!

From animals and insects to borders and alphabet letters, you can pick, choose, and even combine elements to make a one-of-a-kind embroidered motif.

These original creatures are the perfect way to add a personal touch to any item.

About the Author Noriko Komurata was born in 1969 and studied fashion in college. After exhibiting her work at craft fairs, Noriko became well known for her handmade stuffed animals and embroidered goods. In addition to selling her handcrafted wares at local shops in Japan, Noriko regularly contributes to craft magazines and has written several stitching books.

15

52 53

116

128

129

131

130

132

133

134

136

137

138

135

117

120

119

118

121

122

123

124

127

126125

115

Ins t ruct ions on pages 54-55 Ins t ruct ions on pages 56-57

54 55

Outline stitch (light pink)

Straight stitch (dark brown)

(brick red)

Lazy daisy stitch (light pink)

French knot stitch (near black)

(light brown)Straight stitch (light pink)

Straight stitch (olive green)

(dark brown)

Backstitch (olive green)

(dark brown)

(yellow, 2 strands)

(light blue)

Straight stitch(tan)

French knot stitch(near black)

(yellow)

(light green)

Outline stitch

Straight stitch (light pink)

Outline stitch (dark brown)

Straight stitch (near black)

(sky blue)Straight stitch (sky blue)


French knot stitch (near black)

Straight stitch (tan)

(light pink)

Outline stitch (yellow)



Straight stitch (yellow)

(brick red)

French knot stitch(near black)

Outline stitch (light pink)


Backstitch (brick red)

Running stitch (brick red)Straight stitch (dark gray)

(light pink)

(dark gray)

French knot stitch (yellow, 2 strands, wrap twice)

French knot stitch (white, 2 strands, wrap twice)

French knot stitch (light orange, 2 strands, wrap twice)

Outline stitch (dark brown)French knot stitch

(dark brown, wrap twice) Straight stitch (chestnut brown and dark brown)



Outline stitch (near black)

Straight stitch (taupe)

(taupe, 2 strands)

(olive green, 2 strands)

(taupe, 2 strands)

(olive green)

(taupe, 2 strands)

(brown, 2 strands)


(taupe)



Straight stitch (taupe and dark brown)

French knot stitch (dark brown, wrap twice)

Straight stitch (light brown and dark brown)



Straight stitch (brown and dark brown)

(taupe)French knot stitch

(brown, wrap twice)

(brown)

(brown)

(taupe)Outline stitch

(taupe)


Straight stitch (brown and dark brown)


* Usesatinstitchtofillalldesigns,unlessotherwise noted.

* Useonestrandof embroideryflossforalldesigns, unless otherwise noted.

* When making French knots, wrap the thread around the needle once, unless otherwise noted.

* For areas stitched with multiple colors of embroideryfloss,refertothephotoforcolorplacement.

Stitching Guide

115

124

125

126

123

122

120

116

117118

119

(brick red)

(straw)



French knot stitch (dark brown)

(brick red)


(chestnut brown)


Straight stitch (dark brown)Backstitch

(dark brown)Outline stitch (dark brown)


(light orange)

Outline stitch (taupe)Backstitch (sky blue)Outline stitch (sky blue)French knot stitch (olive green, wrap twice)Straight stitch (dark brown)

Straight stitch (yellow and dark brown)

Outline stitch (taupe)

Backstitch (dark brown)


(straw)

Straight stitch (taupe)

121

112 113

Running Stitch

Step One

Backstitch

1 out

2 in

3 out

7 out

6 in

5 out 4 3 2 1

Basic StitchesAll of the designs in this book can be made using 15 basic embroidery stitches. The following guide shows the simple steps used to create each of these stitches.

Step Two

3 out

1 out

2 in

12

3

4 in5 out

Step One

Step Two

Outline Stitch

1 out2 in

3 out

13 5 out

2 4 in

Step One

Step Two

Couching Stitch

2 inA out

1 out3 out

2 strands

1 strand

B in 1

2

3

4 in

6 in

5 out

A

* Note: This photo uses two different colors of thread for visual clarity. Refer to individual project instructions for actual thread color.

* Note: This stitch is worked from left to right.

Step One

Step Two

Running stitch is used to create the stitching detail on the pocket in motif 119 in the Storybook Friends collection on page 52.

Backstitch is used to create the water ripples in motif 159 in the Busy Bugs collection on page 59.

Outline stitch is used to create the dog silhouette in motif 94 in the Storybook Friends collection on page 42.

Couching stitch is used to create the dragonfly’s body in motif 139 in the Busy Bugs collection on page 58.

Stumpwork Flowers Sachiko Morimoto


16

Stumpwork Flowers offers a modern perspective on the traditional floral motifs that have been a stumpwork mainstay for centuries. There are 19 beautiful designs to choose from, and 8 projects showing how to use the motifs to embellish pillows, napkins, pouches, book covers, and more.

The clear, step-by-step instructions and diagrams make this book ideal for those new to stumpwork, and embroiderers of all abilities will not fail to be inspired by the wonderful blend of modern and traditional designs.

About the Author Sachiko Morimoto has lived in London, England since 1989. She teaches needlework and embroidery in London, and occasionally holds workshops in Japan. She studied at the Royal School of Needlework and graduated with a BA in traditional hand embroidery. To learn about upcoming events with Sachiko Morimoto, visit her website, Creative English Needlework Studio: www.ceneedlework.co.uk

17

18 19

CamomilePAGE 84

Camomile PouchPAGE 86

98 99

Instructions1. Enlarge the template 150% to create a full-size template. Trace the

motif onto a piece of main fabric slightly larger than the finished project dimensions. Make sure to position the motif correctly.

2. Embroider the motif, as shown below.3. Cut out front and back, adding a 3cm (1¼in) seam allowance at the

top and a 1cm (⅜in) seam allowance on all other sides.4. Zigzag stitch along the seam allowances. Align front and back with

right sides together and sew along three sides, stopping 2cm (¾in) from the top on one side.

5. Fold the top over twice and sew. Thread the twill tape through the opening and knot the ends together to complete the pouch.

Materials• Main fabric (linen):

50 x 60cm (19¾in x 23¾in)

• Twill tape: 70cm (27½in) of 1.2cm (½in) wide twill tape

• Embroidery floss: 471, 727, 3078, 3346, 3347, 3821, 3822

Dill Pouch * Shown on page 25

Stitch GuideStem stitch.. .................page 114Straight stitch. ..............page 115French knot stitch. .......page 119

Project Diagram

Embroidery Diagram & Template* Enlarge 150% to create full-size template

Straight stitch471 (2)

Stem stitch3347 (2)

French knot stitch, alternating colours as desired andwrapping thread once or twice

727 (2)3822 (2)3822 (3)3821 (2)3078 (2)

3347 (2)

3347 (3)

3347 (3)

3347 (3)

3347 (3)

3343 (3)

Twill tape1.2 x 70cm (½in x 27½in)

2cm (¾in)

Tube to thread tape through

Opening for tapeStop sewing here

Main fabric(cut 2)

Template26cm (10¼in)

3cm (1¼in)

22cm(8¾in)

Fold top over twice to make 2.2cm (⅞in) wide

Knot ends together

Stumpwork close-up

20 21

LavenderPAGE 88

Lavender Book CoverPAGE 90

Wild & Tame Needlefelt Animals24 Adorable Animals to Needlefelt with WoolSaori Yamazaki


18

These adorable creations are simpler to createthan you can imagine! Bring to life 24 adorablecreatures—wild and tame—with wool roving, afelting needle, and your own imagination!

Inside you'll find:

From the sweetest kitten and to clever chimpanzees, you can create your own menagerie of delightful needlefelted creatures.

About the Author Saori Yamazaki was first introduced to needlecrafts growing up in Japan. She learned to knit and sew from her great-grandmother. Since she began needlefelting in 2000, her work has gained popularity and she regularly contributes to magazines and television shows.

19

• 24 animals, from emperor penguins to sheep, and pandas to rabbits

• Complete, photographed technique section that gives you the skills to create

3-dimensional sculptures from wool roving• Clear diagrams and step-by-step instructions

for each animal sculpture

Also Available:

Stitchy Kitty Fuzzy Puppy60 Motifs to Stitch EverywhereAyako Otsuka


Makoto's Cross-Stitch Super CollectionMakoto Oozu

Paperback8" x 10 1⁄8" (203 x 258 mm) 128 pages

not lame!

very cool!

Makoto’s

cross-stitchsuper collection

Oozu

FnL1 04 0120 01 JUYrVyBQdWJsaWNhdGlvbnM

sIEluYyAo 02 SW9sYSBka

XZpc2lvbikPR3JlZ29yeSBL

03 cnVlZ2VyAEzFib4CMTMDM

TAwATEFVVBD

04 LUEMMDM1MzEzNjUxMjk41

A==

35313 651290 8

UP

C

Y0638

EA

N

Y0638

FnL1 04 0124 01 JUYrVyBQdWJsaWNhdGlvbnM

sIEluYyAo 02 SW9sYSBka

XZpc2lvbikPR3JlZ29yeSBL

03 cnVlZ2VyAEzFiYUEMTAuNA

I4MAExBkVB 04 Ti0xMw05Nz

gxNDQwMzA5MjUwAA==

781440 3092509

51999

ISBN-10: 1-4403-0925-6ISBN-13: 978-1-4403-0925-0

US $19.99(CAN $22.99)

US $19.99(CAN $22.99)

ISBN-13: 978-1-4403-0925-0ISBN-10: 1-4403-0925-6

Your friends will want to be you and your enemies will be super-jealous once you start stitching figures from Makoto’s Cross-Stitch Super Collection. Cross-stitch phenom Makoto Oozu teaches you cross-stitch basics and then introduces you to his world of stitched robots, insects, artillery and more.

CROSS-STITCH + MAKOTO = SUPER AWESOME!

De-lame your tote bag, your special trucker cap and your undies by stitching them with dancing skeletons, Bigfoot and old-school electronics. With over 100 images and 10 projects to choose from, you can make everyone’s stuff cool.

N E E D L E C R A F T S /C R O S S ST I TC H

VERYCOOL!

NOT LAME!

Makoto Oozu

25

Prairie Dog

16 17

Rabbit

18

Instructions

Project Diagram

Refer to pages 10–15 for a step-by-step photo reference

of general felting and assembly techniques.

Tip: When making the

body, add a bit more

wool to give the

rabbit’s rear end a cute,

rounded shape.Materials (for one rabbit)

Wool roving:• 15 g of light gray, dark gray, or black wool• Small amount of light pink wool• Small amount of black wool

Eyes:• Two 4 mm diameter black eyes

1. Body: Roll a tuft of wool into a cylinder. Felt to shape the body until

it is 5½" (14 cm) around the middle. Add wool to the rabbit’s rear end

and felt into a rounded shape.

2. Head: Roll a tuft of wool into a cone and felt into shape. Join the

head and body, as shown on page 12.

3. Legs: Roll small tufts of wool into four thin cylinders. For the back

legs, felt one end of each leg, leaving the fibers loose at the other end

(refer to page 11). For the front legs, felt one end of each leg, rounding

slightly to create a foot, but leave the fibers loose at the other end. Attach

the legs by felting the loose fibers to the body (refer to page 11).

4. Tail: Felt a small tuft of wool to the rabbit’s rear end.

5. Ears: Roll small tufts of wool into two thin cylinders. Felt to shape

the ears, leaving the fibers loose at one end. Layer a bit of pink wool on

top of each ear and felt, concentrating the felting at the center to create

a curved shape. Attach ears by felting the loose fibers to the head (refer

to page 12).

6. Nose: Roll a tiny ball of black wool between your fingertips. Felt to

attach the nose to the head.

7. Eyes: Sew a black eye on each side of the head (refer to page 15).

Rabbit

19

3¹/8" (8 cm)

2¾" (7 cm)

5½" (14 cm)

Nose (black wool)

Body (light gray, dark gray, or black wool)

Ear (pink wool)

318 Patchwork Patterns Original Patchwork and Appliqué Designs by Kumiko FujitaKumiko Fujita


20

Encore! Now available in English, 318 Patchwork Patterns was first published in Japan in 2005. This fun and inspiring collection of 300+ original patchwork and appliqué blocks from designer Kumiko Fujita shows off her amazing talent for constructing detailed, realistic-looking motifs with deceptively simple shapes. Quilters will enjoy poring over the designs and templates for inspiration to create blocks suitable for a wide variety of projects.

Patchwork and appliqué motifs are included for a variety of themes, such as:

About the Author Kumiko Fujita is known for her signature patchwork and appliqué style involving the use of color and print, especially text. She designs fabric under the brand "First of Infinity" for Lecien and is the author of multiple patchwork titles in Japan.

21

• Halloween• Christmas• Weddings• New Baby• Letters & Numbers• Vehicles• Animals

• Flowers• Gardening• Cooking• Circus• Nautical • Sweets and more!

1 2

5

3 4

6

001 002 003

004 005 006

001 002 003

004 005 006

001 002 003

004 005 006

001 002 003

004 005 006

10 318 PATCHWORK PATTERNS PATCHWORK 11

Sweets

Introduction ... 7

PatchworkHow to Use the Patchwork Templates ... 9

Sweets ... 10

Tea Time ... 12

Sewing Goods ... 13

At the Circus ... 14

Fruits and Veggies ... 16

Baskets ... 19

Vehicles ... 20

Girls’ Night Out ... 22

Rain or Shine ... 24

At the Beach ... 25

In the Kitchen ... 26

Halloween ... 28

Christmas ... 30

Just Married ... 31

Baby’s First Quilt ... 32

Down on the Farm ... 34

In the Garden ... 36

On the Water ... 38

Toy Land ... 40

Friendly Faces ... 41

Dogs ... 42

Cats ... 43

Birds ... 44

Wild and Tame ... 45

Home Sweet Home ... 46

Letters and Numbers ... 47

Contents

A Note on Fabric ... 53

Appliqué How to Use the Appliqué Templates ... 55

Classic Flowers ... 60

Symmetry in Bloom ... 61

Wreaths... 62

Oak Leaves... 64

Hearts... 65

Circles... 66

Stems and Leaves ... 67

Love Birds ... 68

Bouquets ... 69

Tulips ... 70

Antique Roses... 71

Basic Baskets ... 72

Hearts in Bloom ... 73

Festive Florals ... 74

Flower Pots ... 75

Hawaiian Garlands ... 76

Heart Wreaths ... 77

Flower Baskets ... 78

Fruit Baskets ... 79

237 203

254

262 206

263

218

208

267

255

213

219

All of these blocks share a pink and black color scheme. When a design has a cohesive

color scheme, it is easy to combine stripes, dots, and checkered patterns effectively.

These blocks are composed entirely of red, white, and black fabrics.

Using fewer colors within a design creates a bold and modern look.

58 318 PATCHWORK PATTERNS APPliqué 59

Log Cabin Restructured23 Log Cabin Quilt Projects with Triangles, Diamonds, Hexagons and CurvesShizuko Kuroha


22

Be inspired by the versatility of the log cabin design! In addition to learning the basics of constructing a traditional log cabin block, with Log Cabin Restructured, you'll see innovative ways that this beloved motif can be used, such as diamonds, triangles, hexagons, and curves.

Based on one of the most popular quilting motifs in history, Shizuko Kuroha provides more than twenty distinctly different projects constructed from log cabin block variations, including pin cushions, potholders, pouches, pillows, wall hangings, and full-sized quilts.

About the Author Shizuko Kuroha first discovered the joy of quilting in the 1970s when she spent two years living in the United States in Maryland. Upon returning home to Japan, she began teaching classes and is credited as a key figure who helped make quilting popular in Japan. Kuroha is famous for her use of traditional Japanese indigo fabric and her work is exhibited around the world.

23

PARALLELOGRAM STAR QUILT

Combine traditional log cabin techniques with modern design to cre-ate this breathtaking quilted masterpiece. A black background shows off the dynamic starburst designs constructed from parallelogram log cabin blocks.


{ {

79

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Log

Cab

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①③⑦⑪

② ⑥ ⑩⑤⑨⑬

④⑧⑫

HOW TO SEW TRADITIONAL LOG CABIN BLOCKS

Method A: Hand Piece

With this basic log cabin method, you’ll hand sew the pieces together starting from the center and working outward in a clockwise direction. Refer to pages 10-13 for hand sewing tips.

Note: In the following example, all pieces are 3⁄4" (2 cm) wide without seam allowance. This means that the pieces will be 1 1⁄4" (3.2 cm) wide once seam allowance has been added.

3. Align pieces 1 and 2 with right sides together. Make two back-stitches starting 1⁄4" (0.6 cm) from the edge. Stitch to the other corner, stopping 1⁄4" (0.6 cm) from the edge and ending the seam with two backstitches.

1. Draw a traditional log cabin block following the instructions on page 8. Transfer the pattern onto tracing paper or a mylar sheet to make templates for each pattern piece. Remember, you only need one template for identically shaped pieces. Adhere small piec-es of sandpaper to the templates, as shown on page 10.

2. Arrange the templates on the wrong side of selected fabrics and cut out each piece, adding 1⁄4" (0.6 cm) seam allowance around each template.

4. Finger press the seam allowance towards the outside. This will be the center section of the block.

5. Align the center section and piece 3 with right sides together and pin.

6. Repeat step 3 to attach piece 3 to the center section.

7. Make sure to start and stop sewing at the seam allowances.

8. Finger press the seam allowance towards the outside.

9. Follow the same process to attach pieces 4 and 5. The first section of the block is now com-plete.

10. Follow the same process to attach pieces 6-9. The second sec-tion of the block is now complete.

11. Follow the same process to attach pieces -. The log cabin block is now complete.

3⁄4" (2 cm)

Completed view of the hand pieced block from the wrong side.

12

3

4

5

6

7

8

9

1⁄4" (0.6 cm)

1⁄4" (0.6 cm)

2 (rs)

1 (ws)

2 backstitches

2 backstitches

1 (ws)2 (ws)

Press

3 (rs)

2 backstitches 2 backstitches

1 (ws)2 (ws)

3 (ws)

5

4

(rs)

(rs)

9

8

7

6

(ws)

1 2

3

4

5

6

7

8

9

33

Part

One

: Bas

ic L

og C

abin

Blo

cks

32LO

G C

AB

IN R

ESTR

UC

TUR

ED

①② ③

④⑤⑨ ⑧

⑫

⑦⑪

⑥⑩

①② ③

④⑤⑨ ⑧

⑫

⑦⑪

⑥⑩

BIAS BLOCK POUCHESshown on page 24

Finished Size: 5 3⁄4" (14.5 cm) tall x 7 7⁄8" (20.1 cm) wide x 1 1⁄2" (4 cm) deep

Pouch template is located on Pattern Sheet A.

Variation 1

Construction Steps1. Make the log cabin blockCut out strips for the log cabin block pieces. All strips should be 3⁄8" (1 cm) wide without seam allowance. This means the pieces will be 7⁄8" (2.2 cm) wide once the seam allowance has been added. Sew the pieces together in numerical order to make the log cabin block. Note: Variations 1 and 2 use the same size block.

Variation 2

Binding (gray solid)

Quilting3⁄8" (0.8 cm)

3⁄8" (0.8 cm) 3⁄8" (0.8 cm)

3⁄8" (0.8 cm)

7 1⁄4" (18.5 cm)

10 3⁄4" (27.5 cm)

Beige print

Beige print

Gray solid

Gray solid

3⁄8" (1 cm)

Counterclockwise

Binding (indigo solid)

Indigo solid

Indigo print

Quilting

2. Quilt and trim the blockLayer the block, batting, and backing. Baste, then quilt as shown in the diagram at right. Use the template on Pattern Sheet A to mark the fin-ishing lines and notches. Trim into shape, leaving 3⁄8" (0.8 cm) seam allowance.

Backing

Batting

Block

Top

Quilting

3⁄8" (0.8 cm)

Left Right

Bottom

Sew using 1⁄4" (0.6 cm) seam allowances, unless otherwise noted.

MaterialsVariation 1

• Scraps of beige print and gray solid cotton (for log cabin pieces)

• Two 1 3⁄8" x 15 3⁄4" (3.5 x 40 cm) bias strips of gray solid cotton (for binding)

• 8 3⁄4" x 12 5⁄8" (22 x 32 cm) of brown print cotton (for lining)• 8 3⁄4" x 12 5⁄8" (22 x 32 cm) of gray solid cotton (for backing)• 8 3⁄4" x 12 5⁄8" (22 x 32 cm) of batting• One 7"-9" (18-23 cm) long beige zipper

Variation 2

• Scraps of indigo print and indigo solid cotton (for log cabin pieces)

• Two 1 3⁄8" x 15 3⁄4" (3.5 x 40 cm) bias strips of indigo solid cotton (for binding)

• 8 3⁄4" x 12 5⁄8" (22 x 32 cm) of navy blue check cotton (for lining)

• 8 3⁄4" x 12 5⁄8" (22 x 32 cm) of gray solid cotton (for backing)

• 8 3⁄4" x 12 5⁄8" (22 x 32 cm) of batting• One 7"-9" (18-23 cm) long navy zipper

RECOMMENDED CONSTRUCTION

TECHNIQUE:

Method C: Paper Piece…page 36

51

Part

One

: Bas

ic L

og C

abin

Blo

cks

50

LOG

CA

BIN

RES

TRU

CTU

RED

Housewarming Patchwork 77 Original Motifs and 10 ProjectsYoko Saito


24

Renowned quilt artist Yoko Saito offersquilters a cornucopia of original blockdesigns, ranging from traditional quiltingmotifs like stars, baskets, and flowers tomore whimsical subjects like animals,insects, and robots. Designs for ever-popularquilted alphabets are also included.

Use these blocks in your own creationsor make one of the 10 beautiful projectsincluded in the book. Included are Yoko’ssignature bags, baskets, and pouches inher uniquely charming style.

Indulge yourself in Yoko’s singular aesthetic.Included are easy-to-use gridded templatesfor enlargement of designs and piecing.

About the Author Yoko Saito appears regularly on Japanese television. She has been featured in magazines, authored multiple books, and created quilt exhibitions and workshops in France, Italy, and Taiwan.

25

Village Table PocketGive your sewing tools a home of their own with this stunningly detailed pocket depicting a beau-tiful rural village. The Church, Basic House, and Forest blocks combine to create a picturesque scene set among a woodland of tree-printed background fabric.


Country Life 37

1 Teapot

Enjoy tea time while quilting this energizing design. I used a muted floral print for the teapot to simulate subtly patterned china.

1 2 3

4

5

78

9

✤✤ When cutting your fabric, add 1⁄4" (0.6 cm) seam allowance around each patchwork piece. Seam allowance is not pictured in the construction steps.

✤✤ When adjacent pieces are divided with a gray line, use the same fabric.

✤✤ Always press the seam allowance in the direction indicated by the arrows.

✤✤ The marks to stop sewing at the seam allowance.

CONSTRUCTION STEPS

2 Teacup

Create a whole tea set by using coordinating fabrics for this teacup plus the teapot and sugar bowl designs featured in this collection. Embroider a bit of steam rising from the cup to add a special detail.

CONSTRUCTION STEPS

✤✤ When cutting your fabric, add 1⁄4" (0.6 cm) seam allowance around each patchwork piece. Seam allow-ance is not pictured in the construction steps.

✤✤ When adjacent pieces are divided with a gray line, use the same fabric.

✤✤ Always press the seam allowance in the direction indicated by the arrows.

✤✤ The marks to stop sewing at the seam allowance.

1 2 3

4 5 6

7 8

9

Outline stitchOutline stitch

6

10 HOUSEWARMING PATCHWORK Comforts of Home 11

PART ONE:

Spool Sewing BoxThis spool-inspired box is the perfect caddy for all your sewing essentials. With a sturdy, suitcase-shaped design and large inside pockets, this box is great for transporting your tools to class or keeping your sewing room organized.


New Classic Patchwork 78 Original Motifs and 10 ProjectsYoko Saito


26

Join renowned quilt artist Yoko Saito, who offers you a cornucopia of original block designs in her signature taupe quilting style. In this collection, Yoko brings her matchless interpretation of folk-inspired blocks: stars, crosses, triangles, pinwheels, circles, and other geometric shapes. Though the blocks are small in scale, each template is gridded and can easily be increased to any size.

Use these blocks in your own creations or make one of the 10 beautiful projects included in the book. These include Yoko's signature bags, baskets, and pouches in her uniquely charming style, with all templates on an enclosed pattern sheet.

New Classic Patchwork invites you to create beautiful patchwork projects using original blocks from a master quilter.

About the Author Yoko Saito appears regularly on Japanese television. She has been featured in magazines, authored multiple books, and created quilt exhibitions and workshops in France, Italy, and Taiwan.

27Also Available:

29 stitched projects from

YOKO SAITO

JAPANESEQUILTING

piece by piece

Japanese Quilting Piece by Piece29 Stitched Projects from Yoko SaitoYoko Saito

Paperback7 1⁄4" x 10" (184 x 254 mm) 152 pages

Sweet & Simple Patchwork Gifts25 Charming Projects to Make Using Classic Quilt MotifsHisako Arai and Yoko Sanjo


playful

suzuko koseki

endless

Patchwork Possibilities

www.creativepub.com

CATEGORY: Crafts

$19.99 US£14.99 UK$21.99 CANU

PC

ISBN – 13: 978-1-58923-605-9ISBN – 10: 1-58923-605-X

EA

N

playful patchwork

playful patchwork is a collection of useful, fun, and creative patchwork projects. It’s perfect for the sewing novice, or someone looking to improve his or her sewing skills. Step-by-step instructions and photo examples provide practical lessons on piecework, appliqué, and quilting, all while inspiring your creativity! Plus, the book’s patchwork pointers help you get the very best out of your projects each and every time.

This book contains hundreds of patterns, colors, and shapes that can be used to make purses, bags, quilts, pillows, hats, and much more! Inside you will find tips on selecting fabrics, guides to stitching, patchwork terms, the correct tools to use, and more.

You’ll find instructions on how to make: • Colorful Coasters

• a starflower tea Cozy

• a rose Drawstring satChel

• an assemblage-style ClutCh

• a Daisy mini-Quilt

• anD muCh more!

about the author:

Born in Tokyo, Suzuko Koseki graduated from Bunka Fashion College. In 1978, she began studying patchwork with master quilter Chuck Nohara. She is also the author of the following title now available in English: Patchwork Style: 35 Simple Projects for a Cozy and Colorful Life (Trumpeter, 2009).

The Quilting Bible978-1-58923-512-0

also available:

happy, colorful, and irresistible ideas

and instruction for Modern piecework,

applique, and Quilting`

suzuko koseki

PPatchwork_cov_122110.indd 1 12/21/10 6:28 PM

Playful PatchworkHappy, Colorful, and Irresistible Ideas and Instructions for Modern Piecework, Appliqué, and QuiltingSuzuko Koseki


Quilting Line and ColorTechniques and Designs for Abstract QuiltsYoshiko Jinzenji


Classic Quilts Contemporary StyleReiko Washizawa


Framed cross clutchThis pretty little bag is trimmed with fine wale corduroy, providing a stylish touch, which makes it perfect for special occasions. I carefully position the three Zigzag Framed Cross blocks so that the designs are not hidden by the tab and are not too near the bottom or edges. As an added touch, I covered the magnetic snap and button to make the bag beautiful both inside and out.


1 2

3

4

5 67

8

12

3 4

5

6

7

6 Zigzag sandwichThe linear nature of this motif makes it well-suited for quilt borders. Piece several of these blocks together in both vertical and horizontal repeats to make an ornate frame for your quilt. Only you will know how quick and easy it was to make!

5 hammering PegsThis design is reminiscent of pegs being driven into the four sides of a wooden square. To make the “pegs” stand out, select fabrics that contrast with the block background, but still work well together.

Make two sets

Make four sets

✤» When cutting your fabric, add 1⁄4" (0.6 cm) seam allowance around each patchwork piece.

✤» When adjacent pieces are divided with a gray line, use the same fabric.

✤» Always press the seam allowances in the direction indicated by the arrows.

✤» When cutting your fabric, add 1⁄4" (0.6 cm) seam allowance around each patchwork piece.

✤» When adjacent pieces are divided with a gray line, use the same fabric.

✤» Always press the seam allowances in the direction indicated by the arrows.

conStruction StePS conStruction StePS

12 new classic PaTchwOrk squares & rectangles 13

New TattingModern Lace Motifs and ProjectsTomoko Morimoto


28

Tatting is a means of creating lace by looping threads together using tiny shuttles and one's fingers (with occasional help from a crochet hook). It creates dainty chains and edgings as well as single motifs and is used as edging and decorations for textiles and clothing, as jewelry, or as large-scale lace projects in itself. Tatting is getting new respect in the crafting world as people discover its traditional beauty while giving it a more modern inflection.

With the growing interest in lace of all kinds, New Tatting is a fantastic book for getting started in this craft. Offering incredible step-by-step photos and beautiful projects, New Tatting explores modern color schemes and a fresh approach to tatting projects; it will appeal to people who have never tatted before as well as tatters looking for something new and interesting.

If you are interested in lace, you'll find New Tatting is your go-to book offering everything you need to get started.

About the Author Tomoko Morimoto learned tatting at a young age from her mother in her home country of Japan. She is an instructor at the Kasumigaoka Lace School in Tokyo and designs original tatting patterns.

29

48 49N E W T A T T I N G O N E - S H U T T L E T A T T I N G

Viola MotifThis sweet little floral motif works up quickly, which makes it perfect for embellishing everything from gift bags to greeting cards. Each motif requires only a small amount of thread, so this project is a great way to use up all of your scraps...have fun experimenting with color combinations!


Viola Motif ChokerCombine simple Viola Motifs with large, lacy flowers to create this statement-making choker. This stunning piece of jewelry may look intricate, but is actually constructed with a continuous strand of thread. The elegant design of this necklace complements formal attire, yet also pairs beautifully with more casual looks.


50 51N E W T A T T I N G O N E - S H U T T L E T A T T I N G | T A T T I N G O V E R V I E W

One-Shuttle Tatting Technique Overview

Doilies are great projects for tatting beginners. Design your own doily—simply make several of the same motif, joining the motifs as you work, then add an edge motif. This guide uses the Hydrangea Doily on page 42 as an example; however the basic principles apply to all projects involving one-shuttle tatting. Please note that the photos below use different colors of thread for visual clarity (refer to individual project instructions for specific thread colors).

How to Join Motifs (Join to Picot: Method A)

Tat the first motif. From the second motif onwards, join to the first motif as you work, using Join the Picot: Method A (refer to pages 26–27).

The first and second motifs are now joined. Knot and hide thread ends, as shown on page 31.

From the third motif onwards, join to the first motif, plus the previous motif as you work, using Join to Picot: Method A (refer to pages 26–27).

How to Tat an Edge Motif

Estimate the length of core thread necessary by creating a circle of thread around the motif. Wind the shuttle with this amount of thread plus a bit extra. The ( ) marks where the thread will join to the motif.

Position the ball on the left side of the motif. Hold the shuttle in your right hand and hold the ( ) with the index finger of your left hand. Position the picot from which the edge motif will start over the ( ) and join using Join to Picot: Method C (refer to page 28).

The first join is now complete.

Tat the chain, as shown in the Tatting Diagram on page 53. From the second join onwards, use Join to Picot: Method B (refer to page 28).

The second join is now complete. Repeat steps 4 and 5 to tat the edge motif.

As you work, adjust the tension as necessary. To tighten, pull the shuttle thread. To add slack, widen the space between your stitches.

To finish, pass the shuttle thread through the picot as indicated by the arrow.

Knot and hide thread ends, as shown on page 31.

321

Working threadShuttle thread

321

Join to Picot: Method C

Join to Picot: Method B654

7 8Chain (ws)

9

102 103N E W T A T T I N G S P L I T - R I N G T A T T I N G

Sea Spray Table RunnerThis design was inspired by the waves at my favorite beach. The large picots, made using a picot gauge, are reminiscent of the spray that results from crashing waves.


Crochet Monkey BusinessA Crochet Story with Amigurumi ProjectsMitsuki Hoshi


30

Follow Mockey the Monkey on his travels through a world of crochet! It's an imaginative world, full of wonderful crocheted friends, from Bear and Panda, to Elephant and Rooster.

About the Author After learning to crochet from a kit featuring her favorite cartoon character, Mitsuki Hoshi was inspired to start a career as an amigurumi designer. This self-taught artist believes that everything can be made out of yarn, from animals to food. Mitsuki lives in Japan, where she holds classes regularly and is the author of several craft books.

31

• Includes step-by-step illustrations of crochet techniques

• Overview of tools and materials• Includes project patterns and instructions for 15

friends and 10 miniature accessories!

Also Available:

Hisako and Shizue Okawa

Long-Legged FriendsCrochet Creatures to Create and Cuddle

Long-Legged FriendsCrochet Creatures to Create and CuddleHisako and Shizue Okawa


Crochet with COLOR 25 Contemporary Projects for the Yarn Lover

Kazuko Ryokai

Crochet with Color25 Contemporary Projects for the Yarn LoverKazuko Ryokai


Hello My Name is AminekoThe Story of a Crafty Crochet CatNekoyama


INSTRUCTIONS:

Mockey p. 36, Chicken and Chick p. 60, Parrot p. 64

Mockey is going on an adventure!His friends next door wave goodbye as he departs on his big trip. “Bon Voyage!”

40 Crochet Monkey Business Tools, Materials, & Techniques 41

Insert a stitch marker into the first single crochet (sc) stitch of row 2 (✩).

The first single crochet (sc) in the first stitch of row 2 is complete. This stitch is represented by the (✩).

Make another single crochet (sc) into the first stitch.

Reinsert the stitch marker into the first single crochet (sc) stitch of row 3. Follow the pattern and chart on page 58 to crochet rows 3-11.

The first single crochet increase (inc) is com-plete.

Following the same process, make two single crochet (sc) stitches into each of the next five stitches for a total of 12 stitches in row 2.

Remove the stitch marker and make the first single crochet (sc)stitch of row 3.

Start row 12 by making four single crochet (sc) stitches. To make a decrease in the fifth stitch, insert the hook into the next stitch, yarn over (yo), and pull the yarn through the stitch. There will be two loops on the hook.

Insert the hook into the next stitch, yarn over (yo), and pull the yarn through the stitch. There will be three loops on the hook now.

Yarn over and pull the yarn through all three loops.

ROWS 12-13: DECREASING

Row 12 will have 30 stitches and row 13 will have 24 stitches. This means that you’ll need to decrease 6 stitches each row.

One single crochet decrease (dec) is complete.

Am I done yet?!

INSTRUCTIONS: Squirrel p. 84, Red Maple Leaf p. 110, Ginkgo Leaf p. 110, Acorn p. 112, Mushroom p. 114

Mockey takes photos of the beautiful foliage.He meets a squirrel who is busy gathering acorns.

18 Crochet Monkey Business Meet Mockey and His Friends 19

Simply Sewn Clothes for Every SeasonMichiyo Ito

simplysewn

clothes for every season

Michiyo Ito


32

Discover easy-to-wear and easy-to-make clothing and accessories for all seasons in Simply Sewn. The 31 versatile, contemporary designs in this book include dresses, shirts, pants, and jackets that are comfortable and figure-friendly. Uncomplicated accessories, including scarfs, wraps, and bags, add even more options to the collection. The simple modern shapes found throughout allow for easy combinations to create a stylish everyday wardrobe. Numerous step-by-step photos and illustrations, as well as the full-size pattern pieces in a range of sizes, make this book perfect for sewists of all levels.

Simply Sewn offers many ideas for wearing the garments year round. A summery sleeveless dress is transformed into a winter look when it is layered with a turtleneck or cozy shrug, and checked capris work into fall when topped with a warm vest. With a variety of pattern options and versatile styles, you’ll fill your wardrobe in no time with these easy-to-make-and-wear garments.

About the Author Michiyo Ito is the founder of May Me, a clothing line based in Yokohama, Japan, that features simple, pretty, and timeless designs. She is the author of two books in Japan featuring May Me clothing.

33

Quilted Vest

25

32

This beautifully constructed vest is perfect for those in between days when you need an extra layer but it’s too warm for a bulky jacket. Full of special details such as a shirttail hem, angled pockets, and contrasting trim, you’re sure to receive compliments on this one-of-a-kind design.


94 SIMPLY SEWN

Cutting Instructions Construction Steps

Finished Size

Materials

PROJECTS: WRAP AROUND JACKET 95

1 Sew the pleats, make the gathers, and sew each top piece to the corresponding bottom piece (see page 71).

2 Sew the two top fronts to the top back at the shoulders (see page 72).

3 Attach the sleeves (see page 51).

4 Sew the front and back together, starting from the sleeve hem and stopping at the bottom hem. Hem the sleeves (see page 65).

5 Make the hood, as shown on page 96.

6 Finish the center front opening and hem the bottom (see page 73).

7 Make the loop, as shown on page 96.

8 Sew the buttons to the left front, following placement indicated on pattern sheet.

• 391⁄2" x 122" (100 x 310 cm) of khaki wool gauze

• 113⁄4" x 193⁄4" (30 x 50 cm) of fusible interfacing

• 783⁄4" (200 cm) of 1⁄2" (1.3 cm) wide linen tape

• Two 3⁄4" (1.8 cm) diameter buttons

19 Shown on page 26

Wrap Around Jacket

Bust Length

S 391⁄2" (100 cm) 311⁄2" (80 cm)

M 41" (104 cm) 311⁄2" (80 cm)

L 44" (112 cm) 321⁄4" (82 cm)

XL 471⁄4" (120 cm) 321⁄4" (82 cm)

e-4: Sleeve (cut 2)

FoldApply fusible interfacing to

seam allowance

e-2: Top back (cut 1)

11⁄4" (3 cm)

3⁄4" (2 cm)

e-3: Bottom back

(cut 1)

Loop(cut 2)3⁄4" x 4"(2 x 10 cm)

122"

(310

cm

)

e-5: Hood

(cut 1)

5⁄8" (1.5 cm)

391⁄2" (100 cm)

11⁄4" (3 cm)

e-1: Top front (cut 2)

Apply fusible interfacing to

seam allowance

e-3: Bottom front

(cut 1)

11⁄4" (3 cm)

11⁄4" (3 cm)

e-3: Bottom front

(cut 1)

Apply a 3⁄4" (2 cm) wide

strip of fusible interfacing to

seam allowance

5⁄8" (1.5 cm) e-5:

Hood (cut 1)

Trace and cut out the templates from pattern sheet #3.

Add 3⁄8" (1 cm) seam allowances, unless otherwise noted.

= Apply fusible interfacing after cutting out fabric pieces.

Cut two 3⁄4" x 4" (2 x 10 cm) loops.

1

2

3

4

5

6

7 +8

Sew using 3⁄8" (1 cm) seam allowances, unless otherwise noted.Winter

You can still wear your favorite pieces from other

seasons during the winter simply by layering.

Mix and match the outerwear designs included

in this section with your beloved blouses and

dresses to enjoy them all year long!

Polka Dot BoleroThis ladylike little jacket is a truly versatile piece. Wear it as a stylish topper over a skirt or dress, or pair it with jeans and a T-shirt for a more casual look. Try a warmer material for layering in winter, such as a playful polka dotted wool. Wool is much easier to work with than you think. Just try it!


37

27

34 Also Available:

Cut-Up CoutureEdgy Upcycled Garments to SewKoko Yamase


Shape ShapeSewing Clothing Patterns to Wear Multiple WaysNatsuno Hiraiwa


Shape Shape 2Sewing for Minimalist StyleNatsuno Hiraiwa

Paperback8" x 10 1⁄4" (203 x 260 mm) 120 pages

Simple Modern Sewing8 Basic Patterns to Create 25 Favorite GarmentsShufu-to-Seikatsusha


I am Cute Dresses25 Simple Designs to SewSato Watanabe


Carry Me20 Boutique Bags to SewYuka Koshizen


Free-Style Handmade Bags & SkirtsEditors at Woongjin Publishing


KOKO YAMASE

Edgy Upcycled Garments to Sew

COUTURECUT-UPNAT S U N O H I R A I WA

shapeshapeSewing

Clothing Patterns to Wear

Multiple Ways

NAT S U N O H I R A I WA

shapeshapeSewing for Minimalist Style

Shufu-To-Seikatsusha

SimpleModernSewing8 Basic Patterns to Create 25 Favorite Garments

35

DIY Wrap Bracelets25 Designs Using Beads, Thread, Charms, Ribbon, Cord, and MoreKeiko Sakamoto


36

Capitalizing on one of the hottest jewelry trends, DIY Wrap Bracelets presents a collection of 25 beautifully beaded accessories that would be at home on the shelves of the most stylish designer boutiques. DIY Wrap Bracelets also includes coordinating necklaces, earrings, and brooches made from a variety of materials, such as leather, gemstones, pearls, beads, fabric, and thread.

Step-by-step color photographs illustrate general jewelry-making techniques, while detailed diagrams provide instructions for individual designs. As an added bonus, the author provides suggestions on how to combine different designs and achieve the fashionable layered look.

About the Author Keiko Sakamoto worked as a floral designer for over 10 years before launching her jewelry business. In 1999, she opened her shop called Beads Café. Her vision was to a create a place where people could learn jewelry making in a relaxed setting similar to a café. Sakamoto’s work has been featured on television and in magazines.

37

MATERIALS

�� 6 mm Czech glass square beads (refer to page xx for bead colors and quantities)�� One 15 mm shell button�� 59" (150 cm) of 1.2 mm wide leather cord�� 138" (350 cm) of nylon beading thread

Technique OverviewTHE LADDER STITCH

As its name suggests, the ladder stitch is used to join beads together in a ladder-like pattern. This technique can be used with a variety of different beading materials.

The following guide uses the xx Bracelet shown on page xx as an example. However, the same technique is used for the Square Bead Wrap Bracelets shown on page xx.

Bead Quantities: A = 33 pieces B = 22 pieces C = 22 pieces Total = 77 pieces

1 pattern = 7 beadsRepeat this pattern 11 times

A: Ivory = 33 piecesB: Blue = 22 piecesC: Clear Gray = 22 piecesLeather Cord: BlueNylon Beading Thread: Blue

Center of leather cord

5⁄8" (1.5 cm)

1. String the shellbutton onto the center of the leather cord. Make a knot right after the button, then make another knot 5⁄8" (1.5 cm) away.

2. Insert a single strand ofnylon beading thread through the eye of the beading nee-dle. Leave a 6" (15 cm) long thread tail. Insert the needle through the bead, keeping the needle under the leather cords.

Thread tail

Refer to page xx for bead patterns for each bracelet variation.

As a general rule, make wrap brace-lets triple your desired finished size when worn on the wrist. Note: Always remember to keep the thread under the leather

cords on the first pass, then over the leather cords on the second pass.

TOOLS��Beading needle ��Jeweler’s awl

FINISHED SIZE

�� 24 ¾" (63 cm) long

XX BRACELET BEAD PATTERN

INSTRUCTIONS

3. Turn theneedle around and insert back through the same bead, keeping the needle above the leather cords this time. Knot the thread and thread tail together 3 times.

Knot 3 times

4 DIY Wrap Bracelets Wrap Jewelry: Technique Overview 5

Square Bead Wrap Bracelets

When worked in a darker color scheme, this bracelet is also suitable for men.

Insert the button through the knotted leather cord to fasten this wrap bracelet.

1

This triple wrap bracelet showcases flat, square beads. Experiment with different colors of leather cord and beads to create a variety of styles.

Instructions on page xx

2 DIY Wrap Bracelets Wrap Jewelry 32 DIY Wrap Bracelets

C otton Pearl Bracelets & Long NecklaceShown on page xx

MATERIALS

Gray Bracelet�� Nine 10 mm round gray cotton pearls �� Nine 8 mm round gray cotton pearls�� Two 3 mm round gray keshi pearls�� One 10 mm square rhine-stone button�� One bronze crimp bead�� 2" (5 cm) of bronze chain�� 31 1/2" (80 cm) of bead-ing thread

White Bracelet�� Nine 10 mm round white cotton pearls�� Nine 8 mm round white cotton pearls �� Two 3 mm round white keshi pearls �� One 12 mm cone-shaped rhinestone button�� One bronze crimp bead�� 2" (5 cm) of bronze chain�� 31 1/2" (80 cm) of bead-ing thread

Necklace

�� Fifteen 10 mm round white cotton pearls�� Fifteen 10 mm round gray cotton pearls�� Thirty 8 mm round white cotton pearls�� Thirty 8 mm round gray cotton pearls �� One hundred and eighty-two 3 mm round white keshi pearls�� One 24 mm round rhine-stone button�� One bronze crimp bead�� 2 1/2" (6 cm) of bronze chain�� 118 1/4" (300 cm) of beading thread

FINISHED SIZE

�� Bracelets: About 7" (18 cm) long�� Necklace: About 53 ¼" (135 cm) long

TOOLS

�� Beading needle�� Flat nose pliers

Gray Bracelet

a. Position button atcenter of thread

b. Insert threadthrough eye of needle

Beading needle

Rhinestone button

INSTRUCTIONS

1. String the rhinestone button onto the thread.

3 mm gray keshi pearls

10 mm gray cotton pearl


Crimp beadBronze chain

a. Insert threadthrough crimp bead

b. Insert threadthrough both ends of bronze chain

c. Insert thread back through crimp bead

d. Insert thread back through 2 or 3 beads and pull end taut

e. Squeeze crimpbead with flat nose

f. Trim excess thread

2. String the beads onto the thread.

15

12 DIY Wrap Bracelets Classic Jewelry: Cotton Pearl Bracelets & Long Necklace Jewelry 13

C otton Pearl Bracelets & Long NecklaceShown on page xx

MATERIALS

Gray Bracelet�� Nine 10 mm round gray cotton pearls �� Nine 8 mm round gray cotton pearls�� Two 3 mm round gray keshi pearls�� One 10 mm square rhine-stone button�� One bronze crimp bead�� 2" (5 cm) of bronze chain�� 31 1/2" (80 cm) of bead-ing thread

White Bracelet�� Nine 10 mm round white cotton pearls�� Nine 8 mm round white cotton pearls �� Two 3 mm round white keshi pearls �� One 12 mm cone-shaped rhinestone button�� One bronze crimp bead�� 2" (5 cm) of bronze chain�� 31 1/2" (80 cm) of bead-ing thread

Necklace

�� Fifteen 10 mm round white cotton pearls�� Fifteen 10 mm round gray cotton pearls�� Thirty 8 mm round white cotton pearls�� Thirty 8 mm round gray cotton pearls �� One hundred and eighty-two 3 mm round white keshi pearls�� One 24 mm round rhine-stone button�� One bronze crimp bead�� 2 1/2" (6 cm) of bronze chain�� 118 1/4" (300 cm) of beading thread

FINISHED SIZE

�� Bracelets: About 7" (18 cm) long�� Necklace: About 53 ¼" (135 cm) long

TOOLS

�� Beading needle�� Flat nose pliers

Gray Bracelet

a. Position button atcenter of thread

b. Insert threadthrough eye of needle

Beading needle

Rhinestone button

INSTRUCTIONS

1. String the rhinestone button onto the thread.

3 mm gray keshi pearls



Crimp beadBronze chain

a. Insert threadthrough crimp bead

b. Insert threadthrough both ends of bronze chain

c. Insert thread back through crimp bead

d. Insert thread back through 2 or 3 beads and pull end taut

e. Squeeze crimpbead with flat nose

f. Trim excess thread

2. String the beads onto the thread.

15

12 DIY Wrap Bracelets Classic Jewelry: Cotton Pearl Bracelets & Long Necklace Jewelry 13

Finger Weaving Scarves & Wraps18 Fun, Easy Projects Made without Loom, Needle or HookNaoko Minowa

FINGERFINGERFINGERFINGERFINGERFINGERFINGERFINGERFINGERFINGERFINGERFINGERFINGERweaving

FINGERFINGERFINGERweavingweavingweavingweaving

18 18 18

Naoko Minowa

FING

ER

WE

AV

ING

Minow

a

&scarves wraps

Fun, Easy Projects

Made without Loom, Needle

or Hook


38

Create beautiful scarves and other woolen accessories without ever picking up a hook or needle! Finger Weaving Scarves & Wraps uses three simple techniques to weave fashionable scarves, blankets, bags, and more.

Large color photos are used to clearly explain each weaving technique. Follow the step-by-step instructions to make one of the 18 beautiful projects included in the book, or design your own using the weaving pattern guide.

About the Author Born in Tokyo, Naoko Minowa studied home economics in college and graduated with a degree in dyeing. In 2011, she opened Studio A Week, a hand weaving and vegetable dyeing shop, school, and gallery. Naoko introduced the concept of finger weaving to provide her students with a friendly way to learn weaving. She is the author of many books and is the chairwoman of the Japan Senshoku Association, which celebrates the traditional Japanese art form of fabric dyeing.

39

22 v Finger Weaving Project Instructions: Checkered Scarf v 23

Checkered ScarfShown on page xx

MATERIALS• 44 yards (84 g) of super bulky-

weight (#6 super bulky) wool yarn in black

• 44 yards (84 g) of super bulky-weight (#6 super bulky) wool yarn in white

GAUGE• 6 weft yarns = 4" (10 cm)

GETTING STARTED1. For each color, cut 8 pieces of yarn that measure 197" (500 cm) long each. You should have a total of 16 pieces of yarn.2. Attach the yarn to the ruler using the Loop Start Method (see page xx). Refer to the photo below for yarn color order. Once the yarn is attached to the ruler, there will be 32 strands of yarn that measure 98 ½” (250 cm) long each. Insert a string through for three rows to prevent your work from unraveling (see page xx).

Note: You can also use the Single Knot Start Method (see page xx) or the Center Start Method (see page xx) for this project. To use either method, cut 16 pieces of each color yarn that measure 98 ½" (250 cm) long each.

INSTRUCTIONS1. Weave using the Link Weaving Technique (see page xx) until the work measures 61" (155 cm) long.2. Finish the fringe on both ends of the scarf using necktie knots (see page xx). Refer to the project diagram below for details on creating the fringe.

PROJECT DIAGRAM

Group yarn into bundles of 4 using necktie knot.

About 9 ¾"

(25 cm)

About 4 ¾" (12 cm)

About 61" (155 cm)

About 4 ¾" (12 cm)

A B C B A

A: 2 pieces of black wool yarnB: 4 pieces of white wool yarnC: 4 pieces of black wool yarn

54

Checkered ScarfThis fashion-forward scarf design features a bold checkered pattern. Black and white make a classic combination, but this style works well in any color.


Houndstooth ScarfThe Houndstooth Scarf uses the same yarn and weaving technique as the Checkered Scarf featured on the opposite page. The classic houndstooth pattern is created by arranging the yarn in a different order before weaving.


Alternate view of the Checkered Scarf from page xx

32

Romantic Ribbon ScarfThis scarf is woven using a wide, lacy yarn to create a soft impression. Braided fringe adds a feminine finishing touch. For a fun twist, try combining two scarves, as shown here.


Herringbone ShawlThis lightweight wrap was created with the same type of yarn used for the Romantic Ribbon Scarf featured on the opposite page. Use two colors of yarn to accentuate the herringbone pattern.


32

Romantic Ribbon ScarfThis scarf is woven using a wide, lacy yarn to create a soft impression. Braided fringe adds a feminine finishing touch. For a fun twist, try combining two scarves, as shown here.


Herringbone ShawlThis lightweight wrap was created with the same type of yarn used for the Romantic Ribbon Scarf featured on the opposite page. Use two colors of yarn to accentuate the herringbone pattern.


Sew Dolled UpMake Felt Dolls and Their Fun, Fashionable Wardrobes with Fabric Scraps and Easy Hand SewingBoutique Sha


40

Sew Dolled Up will show you how quick and easy it can be to make adorable small dolls, perfect for a dollhouse, and all the outfits and accessories that go along with them. Just combine easy-to-find materials and tools, simple-to-use templates, and basic sewing techniques with your limitless imagination, and you'll soon discover a whole world of charming possibilities.

Inside you'll find:

You'll have hours of fun creating! Every project is made from inexpensive fabric scraps, felt, and trims, and uses easy hand-sewing techniques.

Not only fun to make, but also fun to play with, these dolls will provide hours of endless imaginative dollhouse play or can be used as decorative ornaments or sweet gifts.

About the Author Boutique Sha is a leading craft and lifestyle publisher in Japan.

41

• More than 75 projects, featuring clearly illustrated step-by-step instructions

• Full-size templates for all of the dolls, clothes, and accessories

• A doll-making guide that covers the entire construction process, from cutting and sewing to embroidering and finishing touches

• A quick-reference embroidery stitch guide• Countless tips and suggestions for adding your

own personal touches and embellishments

2120 Sew Dolled Up Country Style

Running stitch

Extend into seam allowance

Front (rs)

Glue

1 Tank Top Blouse Shown on page 8

Materials• Red felt: 4" x 8" (10 x 20 cm)

• #25 embroidery floss in red and white (use 1 strand)

• 7" (18 cm) of ¼" (0.5 cm) wide mint rickrack, 7" (18 cm) of ⅛" (0.3 cm) wide white rickrack, and 8" (20 cm) of ⅛" (1 cm) wide beige rickrack

• Two sets of ¼" (0.5 cm) diameter snaps

Full-size templates included on page 93.

1. Glue rickrack to the hem of each piece. Running stitch around the neck and arms. Zigzag stitch the beige rickrack.

Back (rs)

2. Align front and back pieces with right sides together. Sew along the sides.

Front (ws)

Back (rs)

Backstitch

3. Turn right side out. Sew the snaps to each piece.

Turn right side out

Sew snaps

About 2½" (6.5 cm) long

2 Short Sleeve Top Shown on page 6

Materials• Pink felt: 2½" x 2¾" (6 x 7 cm)

• Polka dot cotton fabric: 6" x 7" (15 x 18 cm)

• 6" (15 cm) of ¼" (0.6 cm) wide white lace

• #25 embroidery floss in pink (use 1 strand)



Left back (rs)

1. Align the front and back pieces with right sides together. Sew along the shoulders and sides. Turn right side out.

Right back (rs)

Backstitch

Front (ws)

Tip: If the cotton fabric is too thin, adhere fusible interfacing to the wrong side.

Left back Right backFront (ws)

Fold seam allowance Running stitch

Fold seam allowance

Press open

2. Fold the seam allowance along the center back and bottom. Hem using running stitch.

Front (rs)

Sleeve

Slip stitch

a aAlign sleeve

3. Turn right side out. Align a on each sleeve and armhole, then slip stitch.

About 2½" (6.5 cm) long

Front (rs)

Right back Left back

Sew snapsSew snaps to wrong side

Glue lace

4. Glue the lace to the neckline. Sew the snaps to the back pieces.

3 Sleeveless Shirt Shown on page 8

1. Glue rickrack to the hem of each piece.

Front

Glue rickrack

Left back Right back

Materials• Light green felt: 4" x 8" (10 x 20 cm)

• #25 embroidery floss in light green and red (use 1 strand)

• 9¾" (25 cm) of ⅛" (0.3 cm) wide red rickrack



98 Sew Dolled Up Country Style

Irina is wearing this cheerful mix of the Sleeveless Shirt (3) and the Gingham Pants (11) for a Sunday picnic— don't forget the Flower Tote (14)!

This Party Dress (6) is great for many celebrations.

Try this fun vintage red outfit by coordinating the Tank Top Blouse (1) and the Tiered Skirt (7).

Go for a Bohemian style by combining the Vintage Vest (5), Linen Slacks (10), and the Lace Purse (15).

Let ’s go for a walk together!

Anya is going for a walk with her pooch. She’s put together a perfect outfit for the occasion: Linen Slacks (10), Peter Pan Collar Blouse (4), and the fabulous Vintage Vest (5). Tie her hair up with the Lace Headband (17).

Such a cute wardrobe and so many ways to mix and match! Here are fun outfit ideas for dressing Irina and Anya.

1 + 7

6

4 + 5 + 10 + 17

5 + 10 + 15

Woof!

3 + 11 + 14

Outfit Ideas

For more about the clothes and accessories shown on the left and above, see pages 14-15.

3534 Sew Dolled Up Uptown Girls

Laura and Lily have a tasteful, stylish wardrobe with a lot of mix and match options! Here are a few outfit ideas for all different occasions.

The brown Pochette (34) makes a striking addition to the red Shift Dress trimmed in lace (25).

Lily looks comfortable in her brown Cargo Pants (31) and Peasant Blouse (27). The white Shoulder Bag (33) is the perfect accessory.

Laura is cute and stylish in her Rolled Cuff Capris (32) and Peasant Blouse (27). The Camel Hair Coat (23) makes the perfect outerwear; she’s ready for a walk in the park.

Try coordinating the turquoise Sleeveless Shell (28) with the pink Pleated Skirt (29). Layer the ensemble with the white Waist-Length Jacket (24) for a ladylike look.

Take me with you!

Attach a key chain to the back using a piece of ribbon.

Trimmed in rickrack and floral ribbon, Laura’s blue Sundress (26) is the perfect outfit for a summer day. The mascot strap is a great addition and transforms Laura into a key chain. Now she can go wherever you go!

25 + 34

23 + 27 + 32

27+ 31 + 33

2624 + 28 + 29

Outfit Ideas

Decorative Knotsfor Jewelry and AccessoriesBoutique-Sha


42

Learn to tie 78 different decorative knots to use in making unique handmade jewelry and other accessories. Each knot includes detailed step-by-step instructions, with clear diagrams illustrating every step—plus helpful tips on alternative materials to try, tricks to make tying easier, how to use the knots, and decorative variations and color patterns.

Use the knots you've learned in 22 great projects for making bracelets, necklaces, pendant settings, and other jewelry, as well as buttons, bag handles, and knotted lace trim.

About the Author Boutique-Sha is a leading craft and lifestyle publisher in Japan.

43

152 153

Chinoiserie NecklaceInstructions on page 162

Spiral NecklaceInstructions on page 166

Helix BraceletInstructions on page 169

Wish BraceletInstructions on page 171

These modern interpretations are a bit more sophisticated than traditional friendship bracelets, but they’re just as fun and easy to make! Combine different colors of hemp to make a bold statement with the Helix Bracelet or embellish the ever-popular Wish Bracelet with small, round beads.

Showcase your favorite beads with these striking necklaces. Create the eye-catching pendant-style Chinoiserie Necklace with just a few simple knots or combine assorted knotting patterns for the Spiral Necklace.

Proj

ects

150

AB

163162

PROJECT DIAGRAMCHINOISERIE NECKLACE Shown on page 152

MATERIALSCord:

• A: One 98 ½" (250 cm) long piece of 1 mm wide Asian cord in sage green

• B: One 78 ¾" (200 cm) long piece of 1 mm wide Asian cord in sage green

Beads:• One 6 mm round aventurine bead• One 25 mm flower-shaped faux

jade bead

FINISHED SIZEAbout 37 ½" (95 cm) when worn around neck

INSTRUCTIONS

1. Thread cords A and B through the hole of the flower-shaped bead.

2. Make one double connection knot (page 102).

3. Make four clover leaf knots, as shown in the diagram on pages 164-165 (also refer to page 121).

4. Make one double connection knot.

5. Thread cords A and B through the round bead, as shown in the diagram on page 165.

6. Make five double connection knots.

7. Leave 2 ½" (6.5 cm) of slack in the cords. Make one double connection knot, one clover leaf knot, then another double connection knot.

8. Leave 2 ½" (6.5 cm) of slack in the cords. Make three double connection knots.

9. Leave 2 ½" (6.5 cm) of slack in the cords. Make two double connection knots.

10. Leave 5 ¾" (14.5 cm) of slack in the cords. Make two double connection knots.

11. Leave 2 ½" (6.5 cm) of slack in the cords. Make one double connection knot.

12. Make one Celtic button knot using both cords, as shown in the diagram on page 165 (also refer to page 104). Trim the cord ends and apply a dab of glue to secure.

Note: Repeat steps 6-12 to complete the other side of the necklace.

1. Thread cords through hole

Start2. One double connection knot

3. Four clover leaf knots (see page 164)

4. One double connection knot

5. Thread cords through bead

6. Five double connection knots

Center

2 ½" (6.5 cm)

2 ½" (6.5 cm)

2 ½" (6.5 cm)

7. One double connection knot + one clover leaf knot + one double connection knot

8. Three double connection knots

2 ½" (6.5 cm)

9. Two double connection knots

5 ¾" (14.5 cm)

10. Two double connection knots

11. One double connection knot

12. One Celtic button knot

Repeat steps 6-12

Continued on next page

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104 105

44 KNIFE LANYARD KNOT

This knot is actually a variation on the Celtic button knot (page 104) that is created with two cords. It is known as the knife lanyard knot because sailors often used it to hold their knives.

Difficulty: HHIII

Materials: One 11 ¾" (30 cm) long cord.

43 CELTIC BUTTON KNOTThe Celtic button knot is a round knot that is tied using a single cord. The size and shape of this knot make it well-suited for use as a decorative stopper for drawstring ends on bags and clothing.

Difficulty: HHIII

Materials: One 11 ¾" (30 cm) long cord.

How to Use This KnotAlternate between Celtic button knots and beads for a bold necklace or bracelet design. The knots will help hold the beads in place and serve as a decorative element at the same time.

1 Make a loop using end A. 2 Make an equally sized

loop using end B. 3 Insert end B through both loops, passing it over-under-over-under.

4 There are now three loops. Insert end B through the right and center loops, passing it over-under-under-over.

5 Pull the cord ends in the opposite direction and bring the knot segments towards you to tighten the knot and adjust the shape.

1 Fold the cord in half or tie two cords together. Make a loop using B.

4 Pull the cord ends in opposite directions until you have two equally sized loops.

2 Bring A underneath the loop and over B.

5 Insert A and B through the overlapping portion of the two loops (H).

3 Bring A under end B and insert it through the loop, passing it over-under-over.

6 Pull the cord ends in opposite directions to tighten into a round knot.

Center

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