27.04.2015 12:30:20

41
16.06.22 08:01 PM

Upload: caleb-gilbertson

Post on 14-Dec-2015

240 views

Category:

Documents


5 download

TRANSCRIPT

Page 1: 27.04.2015 12:30:20

18.04.23 12:48 PM

Page 2: 27.04.2015 12:30:20
Page 3: 27.04.2015 12:30:20
Page 4: 27.04.2015 12:30:20
Page 5: 27.04.2015 12:30:20
Page 6: 27.04.2015 12:30:20
Page 7: 27.04.2015 12:30:20
Page 8: 27.04.2015 12:30:20
Page 9: 27.04.2015 12:30:20
Page 10: 27.04.2015 12:30:20
Page 11: 27.04.2015 12:30:20
Page 12: 27.04.2015 12:30:20
Page 13: 27.04.2015 12:30:20
Page 14: 27.04.2015 12:30:20
Page 15: 27.04.2015 12:30:20
Page 16: 27.04.2015 12:30:20
Page 17: 27.04.2015 12:30:20
Page 18: 27.04.2015 12:30:20
Page 19: 27.04.2015 12:30:20
Page 20: 27.04.2015 12:30:20
Page 21: 27.04.2015 12:30:20
Page 22: 27.04.2015 12:30:20
Page 23: 27.04.2015 12:30:20
Page 24: 27.04.2015 12:30:20
Page 25: 27.04.2015 12:30:20
Page 26: 27.04.2015 12:30:20
Page 27: 27.04.2015 12:30:20
Page 28: 27.04.2015 12:30:20
Page 29: 27.04.2015 12:30:20
Page 30: 27.04.2015 12:30:20
Page 31: 27.04.2015 12:30:20
Page 32: 27.04.2015 12:30:20
Page 33: 27.04.2015 12:30:20
Page 34: 27.04.2015 12:30:20
Page 35: 27.04.2015 12:30:20
Page 36: 27.04.2015 12:30:20
Page 37: 27.04.2015 12:30:20
Page 38: 27.04.2015 12:30:20

Born and raised in Northwestern New Mexico, Chauncey Homer grew up in a rural environment where elements of the Old West still prevailed. Raised in a close-knit family, Chauncey's boyhood chores included helping with the garden and the animals. He developed a love for drawing at a young age and used western comic books, such as The Rawhide Kid and The Two-Gun Kid, as references for his sketches. He recalls: "I remember spending hours in painful determination trying to get the facial features to look just like they did in my reference." As a teen he continued drawing, using Conan comics and Frazetta art as inspiration.

During his years of study in the mid-1990s, he graduated from the Art Center of Tucson and studied with Ron Riddick, whom he credits with being an important influence in his developing style. For the first six months as Riddick's student, "all students would produce value paintings using only five values with burnt umber and white." The reliance on sound principles versus technique has been critical in the development of Chauncey's style thus far. He also credits Natalie Riddick for her support and the knowledge she has shared with him.

Page 39: 27.04.2015 12:30:20

The rural Western environment and a passion for getting the details right lead Chauncey to an artistic style that, although it is still evolving, he describes as "mysterious realism." While clearly influenced by a variety of schools, what

shows through most strongly in his work is Classical Realism. Yet the quality of softness in the lighting of his paintings suggests the influence of Impressionism. Chauncey cites Sargent, Zorn, Sorolla, Repin, and Bastin-LePage as among his

favorite artists. Perhaps it is best to conclude with the artist's own words:

"I want to depict the subtle beauty in simple, everyday moments. I'm not interested in dramatic vistas or postcard-perfect settings. I find my inspiration in

the things most other artists pass up."

Page 40: 27.04.2015 12:30:20