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2D Final By Meghan Gallagher

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2D FinalBy Meghan Gallagher

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Simulated texture in a work of art

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Visual Texture

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Texture that departs from the actual texture of an object, often simplifying of exaggerating it, but retaining some recognizable aspect of its texture.

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Abstract Texture

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Texture that makes no reference to real of actual texture.

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Invented Texture

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Stems from unconscious, irrational sources and therefore takes on fantastic forms.

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Surrealism

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Texture that is chosen or created by the artist to foil or undermine our ideas about the objects that it depicts.

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Subversive Texture

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An overall design that is based on the repetition or grouping of elements such as line, shape, color, or texture.

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Pattern

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Nearby objects appear more textured than distant objects

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Texture Gradient

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Art that makes no reference to visible reality.

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Nonobjective Art

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Color; the visual sensation created by specific parts of the visible spectrum

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Hue

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A transparent object with triangular ends, usually made of glass

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Prism

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Deflection of light from a straight path, as by passing it through a medium such as water.

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Refraction

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That segment of the spectrum of electromagnetic energy that excites the eyes and produces visual sensation, arranged in order of wave-lengths

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Visible Spectrum

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The traditional wheel for representing colors of pigments, consisting of twelve colors

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Color Wheel

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Colors that cannot be created by mixing other colors

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Primary Colors

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Colors created by mixing primary colors

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Secondary Colors

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Colors created by mixing primary and secondary colors

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Tertiary Colors

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A school of architecture that taught students to integrate science and technology in the works.

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Bauhaus School

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Combines 3 additive primary colors in equal intensities produces white light.

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Additive Color

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Colors created from pigments; the subtractive primary colors are red, yellow, and blue pigments.

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Subtractive Colors

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Colors on the yellow and red side of the color wheel

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Warm Colors

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Colors on the blue-green side of the color wheel

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Cool Colors

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The lightness or darkness of a color.

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Value

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Brightness of a color.

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Intensity

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The degree of purity of hue, as measured by its intensity of brightness.

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Saturation

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Colors mixed with gray and, sometimes, also weakened in intensity.

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Neutral Color

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Colors that sit across from one another on a color wheel and contrast most extremely.

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Complementary Colors

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The lingering impression made by a stimulus that has been removed.

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Afterimage

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A twelve-color color wheel with yellow at the top

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Triadic Color System

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The group of three primary color identified by the placement of an an equilateral triangle over a 12 color, color wheel

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Primary Triad

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The group of three secondary colors

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Secondary Triad

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Creates the illusion of vibrations through afterimages

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Op Art

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Juxtaposition of areas of bright color, distorted linear perspective, and drawing that is unrelated to the color.

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Fauvism

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A manner of using color in which one color dominates and is sometimes combined with its various tints and shades

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Monochromatic Color Scheme

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The combination of two or more colors that lie adjacent to one another on the color wheel, tending to create a feeling of harmony

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Analogous Color Scheme

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The combination of two or more colors that lie across from one another on the color wheel

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Complementary Color Scheme

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A manner of using color characterized by combining a color with the two colors adjacent to its complementary color

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Split-Complementary Color Scheme

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The combinnation of two adjacent color wheel with their direct complementaries

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Double-Complementary Color Scheme

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The color we typically associate with objects as they would be seen in direct sunlight

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Local Color

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The Depiction of colors as they are perceived under different lighting comditions

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Optical Color

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The use of colors that are not normally associated with the subjects being depicted.

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Arbitrary Color