3. bosch (c. 1450-1516) -- netherlands

33
3. Bosch (c. 1450-1516) -- Netherlands a. Master of symbolism and fantasy b. His art often looks surrealistic (like Dali of the 20th century) and focused often on death and the torments of Hell. c. Works reflect confusion and anguish that people felt in the Later Middle Ages (e.g. Black

Upload: adia

Post on 24-Feb-2016

41 views

Category:

Documents


0 download

DESCRIPTION

3. Bosch (c. 1450-1516) -- Netherlands. a. Master of symbolism and fantasy b. His art often looks surrealistic ( like Dali of the 20th century ) and focused often on death and the torments of Hell . - PowerPoint PPT Presentation

TRANSCRIPT

Page 1: 3.  Bosch (c. 1450-1516) -- Netherlands

3. Bosch (c. 1450-1516) -- Netherlands

a. Master of symbolism and fantasy

b. His art often looks surrealistic (like Dali of the 20th century) and focused often on death and the torments of Hell.

c. Works reflect confusion and anguish that people felt in the Later Middle Ages (e.g. Black Death)

Page 2: 3.  Bosch (c. 1450-1516) -- Netherlands

The Garden of Earthly Delights, Hieronymus Bosch, 1504

Page 3: 3.  Bosch (c. 1450-1516) -- Netherlands

4. Peter Brueghel the Elder (1520-1569)

a. Focused on lives of ordinary people

b. Little influence by the Italian Renaissance

Page 4: 3.  Bosch (c. 1450-1516) -- Netherlands

Brueghel the Elder’s “Peasant Dance” 1567

Page 5: 3.  Bosch (c. 1450-1516) -- Netherlands

Peasant Wedding Pieter Bruegel the Elder’s

Page 6: 3.  Bosch (c. 1450-1516) -- Netherlands

B. Germany 1. Albrecht Dürer (1471-1528)

a. Foremost northern Renaissance artist.

b. Master of the woodcut

c. First northern artist to master Italian Renaissance techniques of proportion, perspective, & modeling

d. Some notable works include Adam and Eve; Knight Death, and Devil; and Four Apostles

e. Painted numerous self-portraits

Page 7: 3.  Bosch (c. 1450-1516) -- Netherlands

Albrecht Dürer’s “Knight, Death and Devil”woodcut engraving, 1513

Page 8: 3.  Bosch (c. 1450-1516) -- Netherlands

“The Four Apostles” by Dürer,

1526

Page 9: 3.  Bosch (c. 1450-1516) -- Netherlands

Self-Portraits by Dürer

Page 10: 3.  Bosch (c. 1450-1516) -- Netherlands

2. Hans Holbein the Younger (1497-1543):

a. Premier portrait artist of his era: painted Erasmus, More, numerous portraits of King Henry VIII and also his family members

b. The Ambassadors (1533) encompasses some of the major themes of the era:

• exploration,

• religious discord,

• preoccupation with death

Page 11: 3.  Bosch (c. 1450-1516) -- Netherlands

Hans Holbein the Elder’s “The Ambassadors” 1533

Page 12: 3.  Bosch (c. 1450-1516) -- Netherlands
Page 13: 3.  Bosch (c. 1450-1516) -- Netherlands

3. Fugger family in Germany

especially Jacob Fugger (1459-1525) was significant in patronizing art of the Northern Renaissance

Their fortune was the result of international banking (much like the Medici family in Florence)

Page 14: 3.  Bosch (c. 1450-1516) -- Netherlands

VII. The ReformationA. Criticism of the Church

– Humanists criticize the Catholic Church for exploiting the population’s ignorance and the religious anguish of Christians.

– In favor of a reform of the Church and prepare the way for the Protestant Reformation

Page 15: 3.  Bosch (c. 1450-1516) -- Netherlands

B. Luther’s Criticism– Martin Luther – German monk preoccupied by

the question of salvation which he seeks through his monasterial life to ensure the forgiveness of his sins.

– He remains unsatisfied by the Church’s answers which relies on mortifications, giving to the poor (alms) attending Mass and praying. To Luther, these methods seem vain and ineffective.

– During Luther’s era, the Church sells indulgences, i.e. pieces of paper which shorten one’s stay in purgatory by a few centuries, depending on the amount of money one pays.

Page 16: 3.  Bosch (c. 1450-1516) -- Netherlands

B. Luther’s Criticism (cont’d)– For Luther, this practice is scandalous because the

indulgences are sold to finance the reconstruction of Saint Peter’s Basilica in Rome and it prolongs social inequalities into the hereafter. It also encourages wealthy people to sin. Luther believes that only God can determine punishment for one’s sins.

– For Luther, Man must follow the teachings of Christ. He believes that only faith can guarantee one’s salvation.

– Luther follows Erasmus in his criticism of the Church but goes further, even to break from Rome over questions of the freedom of Man and his salvation.

Page 17: 3.  Bosch (c. 1450-1516) -- Netherlands

Luther’s 95 Theses• 1517 Luther posts a list of grievances, called the

Ninety-Five Theses, against the Roman Catholic Church.

• "If, therefore, indulgences were preached according to the spirit and intention of the pope, all these doubts [the complaints of the laity] would be readily resolved. Indeed, they would not exist."

Source: Martin Luther’s 91st theses

Page 18: 3.  Bosch (c. 1450-1516) -- Netherlands

C. The Problem of the Freedom of Man and his salvation

1.Erasmus’ Humanist viewpoint:

For Erasmus, the freedom of will exists, i.e. the power to choose between good and evil, and Man does not determine his salvation alone but by the will to do good and can be saved thanks to the help of God. Man saves himself by following God. To ensure salvation, therefore, Man must pray and do good deeds, and God will do the rest.

“God helps those who help themselves.”

Page 19: 3.  Bosch (c. 1450-1516) -- Netherlands

2. Luther’s position at the Diet of Worms 1521:• Luther refuses to recant anything• No freedom of will - believes that God is all

powerful and omniscient• Man has no free will and faith alone can save him• Scripture alone counts – direct relationship w/God

3. Break between Luther and Erasmus - definitive• While the Humanists stay within the Catholic

Church out of fear of religious war• Luther not only challenges Papal authority, but

breaks from Rome and founds the Protestant faith which rejects Catholic tradition.

Page 20: 3.  Bosch (c. 1450-1516) -- Netherlands

Europe will be split in two by the schism and religious wars will tear apart Germany, France and the British Isles.

Thousands of people, burned at the stake, hanged, tortured on both sides

The martyrdom and burning of William Tyndale (1494-1536) Engraving, 16th century

Page 21: 3.  Bosch (c. 1450-1516) -- Netherlands

D. The Reformation and Art

• challenge to the spiritual and political power of the Church in Rome

• particular significance for art since the use (and abuse) of images was the topic of debate

(worship of icons)

• many images were attacked & destroyed during this period, a phenomenon called iconoclasm

Page 22: 3.  Bosch (c. 1450-1516) -- Netherlands

Destruction of works of art, Aug 20, 1566 after a Protestant predicationFranz Hogenberg, estampe, Paris, BNF

Page 23: 3.  Bosch (c. 1450-1516) -- Netherlands

The Massacre of Saint Barthélemy, 24 August 1572, François Dubois, Lausanne, Musée cantonal des Beaux

Arts

Page 24: 3.  Bosch (c. 1450-1516) -- Netherlands

Assassination of Coligny and St Barthelemy’s Massacre 1572

Page 25: 3.  Bosch (c. 1450-1516) -- Netherlands

Edict of Nantes 1598

• Finally puts an end to the Wars of Religion in France

• BUT gets worse one century later in the 30 years war…

Page 26: 3.  Bosch (c. 1450-1516) -- Netherlands

VIII. The Reformation and England

The Tudor Kings and the Church

Page 27: 3.  Bosch (c. 1450-1516) -- Netherlands

Time Line of Tudor England

Page 28: 3.  Bosch (c. 1450-1516) -- Netherlands

Henry VIII• Wants an annulment of his marriage to Catherine of

Aragon– Failed to produce a male heir to the throne

• Applies to the Pope who refuses (afraid of Holy Roman Emperor’s reaction)

• By Act of Parliament, makes the King the Head of the Church in England

Page 29: 3.  Bosch (c. 1450-1516) -- Netherlands

Henry VIII• Creation of Anglican Church not only result of

desire to remarry but also protest of Church abuses of power

• Protestantism spreading in Germany, Scandinavian countries, England, Scotland, Switzerland, etc

• Video: Horrible Histories King Henry VIII"Divorced, beheaded, died; divorced, beheaded,

survived."

Page 30: 3.  Bosch (c. 1450-1516) -- Netherlands

Seven Sacraments of the Catholic Church1. Baptism: where children were cleansed of original sin

2. Confirmation: for young people, they became members of the Church and were now allowed to take Mass

3. Marriage

4. Ordination: when a man becomes a priest

5. Last Rites: dying people were anointed with holy oil

6. Penance – confession of sins to a priest

7. The Mass – re-enactment of the Last Supper

Page 31: 3.  Bosch (c. 1450-1516) -- Netherlands

Dissolution of the MonasteriesHenry VIII sold off church land

Monasteries, friaries & nunneries destroyed

Destruction of grammar schools supported by Monasteries

Video: Renaissance Education 41’45 – 43’12

Page 32: 3.  Bosch (c. 1450-1516) -- Netherlands

Thomas More – religious opponent to the King

1529 More Appointed Lord Chancellor of the Realm under Henry VIII

1532 More refused Act of Supremacy and resigned office

1534 More Imprisoned, wrote religious works

1535 More Tried and beheaded

Video: A Renaissance Education 38’49 – 42’

Page 33: 3.  Bosch (c. 1450-1516) -- Netherlands

Renaissance - ConclusionEarly 17th Century

Counter-Reformation by the Catholic Church

Many orders created like the Jesuits to purify the Catholic faith from within

Age of Discovery from late 15th to 17th centuries

2 major powers in Europe: Rome and Madrid dominated Europe politically & culturally

Rome: hub of thriving religious empire, strong popesMadrid: fueled by gold from its American conquests