TA R Y N W I E N St a r y n l i n d s a y @ g m a i l . c o m5 7 1 . 3 3 4 . 4 2 4 5

EDUC ATION

University of Virginia, May 2020School of Architecture, Master of Landscape Architecture

Colorado College, 2014B.A. in Sculpture, Cum LaudeCoursework in plant biology, sociology, geology and art history

AC ADEMIC

ManifestA, 2019-2020The UVA School of Architecture’s student club for equity in design: co-leader and syllabus talk organizer

Benjamin C. Howland Lecture Co-organizer, 2019Co-organized Equity in + by Design with speakers Gina Ford, Maura Rockcastle, Sanjukta Sen, Jha D Williams, and Sara Zewde.

LUNCH Design Research Journal, 2018-19Editorial Board, UVA School of Arch.

Teaching Assistant, 2018-2019Theories of Landscape Architecture, Foundation Studio III, Ecology and Technology I, UVA

Events Chair, SALAD, 2018-2019UVA Student Association for Landscape Architecture and Design

Research Assistant, 2017-2018Landscape Studies Initiative, Center for Cultural Landscapes, UVA

PROFESSIONAL

Design Intern, Summer 2019Nelson Byrd Woltz, Charlottesville, VADeveloped planting pallettes and planting plans for two public park projects in Nashville, TN, drafted a Rhino model and renderings for a park project in Fayetville, AK. Drafted and edited construction documents, edited an avenue typology booklet for a master planning project, created concept collages for a ranch project in Missouri.

Design Intern, Summer 2018Ayers Saint Gross, Baltimore, MDAnalyzed the performance of an ASG bioswale project, researched suspended pavement systems, helped to develop modular planting design system, produced construction documents, punchlists, schematic diagrams and planting palettes.

Plant Nursery Associate, 2017Summer Winds, San Jose, CA

Gallery Manager, 2015-2017Disjecta Contemporary Art Center, Portland, ORManaged production of the Curator-in-Residence program, Portland Biennial, and fundraising events for a 3500 sq ft non-profit art center

Independent Curator and Arts Writer 2015-2018Portland, ORWrote for Temporary Art Review and Daily Serving, Co-curated and co-directed contemporary art exhibitions through S/PLI/T.

Farm Hand, 2014-2015Nikau Coopworth Sheep Farm, Waikeretu, NZ

Woodworking apprentice, 2014Keating Woodworks, Colorado Springs, CO

SKILLSPrograms | Autocad and Civil 3D, Adobe CS, Rhino and Grasshopper, After Effects, Revit, Arc GIS, Lumion, UnityMaterial Processes | Laser cutting, weaving, welding/small metals, woodworking, ceramics, letterpress, bookbinding, routing and casting (plaster and rockite), 3D printing

T A R Y NW I E N S

University of VirginiaMasters of Landscape Architecture, 2020

tarynlindsay@gmail.com, 571 334 4245

Canopy mapping / light study , Fall 2017 Studio

WORK SAMPLE

AWARDS

Benjamin C. Howland Traveling Fellowship, 2019

UVA Thesis Research Grant Recipient, 2019

Center for Global Inquiry and Innovation Research Grant Recipient, 2019

Virginia ASLA Commendation AwardFor studio projects Fall 2018 and Spring 2019

Winter Extern, 2019PLACE, Portland, OR

Winter Extern, 2018Ayers Saint Gross, Baltimore, MD

UVA Graduate Fellow, 2017-2020UVA Research Assistant Fellowship, 2017-2020Department of Landscape Architecture

Notational mapping (left) revealed a root system fragmented by roads. Research into mycorrhizae (center) provoked a design to reconnect the forest underground (below)

HIDDEN NETWORKS OF THE URBAN FORESTReconnecting fragments of urban forest in Charlottesville through fungal root networks

Forest / City: it doesn’t have to be a binary. Reconnecting root networks underneath (or even above) human activity provides urban forest patches access to the knowledge and resources of a larger forest, while creating new pathways for animals and people to move across the car and road-dominated landscape of box stores and suburbia. Capitalizing on existing road and culvert infrastructures and maintenance, this system is designed to be flexible – adaptable to wherever forests meet roads.

Spring 2018, Foundation Studio II Teresa Gali Izard, Emma Mendel, Andrea Hansen

CONNECTION STRATEGY ONEbasic under road configuration

FIRM WORK

NELSON BYRD WOLTZ AYERS SAINT GROSS

GARDENING THE TERRITORYMy in-process thesis project looks at time-based practices in landscape and the specific moments of connection between the human body and the environment that produce material change.

I begin with parallel examinations of the maintenance and management patterns in two seemingly geographically and typologically distant sites: Bos Park in Amsterdam and the Lower Klamath National Wildlife Refuge straddling Oregon and California. Site visits in the summer of 2019 gave evidence for their composition as complex systems of feedback cycles between maintenance personnel, water, earth, plants, wildlife, and the public. Mapping and visualizing these systems at many different scales I aim to show how they are materialized in the landscape, particularly through machines, movement, and material exchanges at a body scale.

From detailing the spatial implications of the current patterns I will adopt a historical geography lens, projecting backwards in time to show how the management system has changed, both gradually and suddenly, and how the landscape has changed with it. Both sites benefited from depression-era labor crews, and both hosted forced racialized labor camps during WWII (Bos Park held three Nazi labor camps within it and Klamath held two Japanese Internment Centers in close proximity.) How did these different bodies, tools, and processes both shape and experience the landscape?

After this first phase, I will project forward,creatively assembling suggestions for ways that design can thicken and support time-based practice in the landscape, through an ethic of relational care with attention to labor and the human body.