(USC) .
, (2015), “Tange Kenz’s Tokyo Plan, 1960, A
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24 1980, ‘’
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: 2018. 11. 28 | : 2018. 12. 7 | : 2018. 12. 8
1990 .

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|
: 2018. 12. 7 | : 2018. 12. 20 | : 2018. 12. 21

.
389
particularly asks how his photogrpahs of Buddhist statues were received as masterpieces of
photography within the rapidly growing market of art publication in the postwar era; and
how his works provided a wider range of audience a new interpretative frame through which
to perceive ‘Japanese art’ as the object for pure love and appreciation, as well as a recuperative
object to obliterate the contested memories of the wartime past. • Keywords: Domon Ken, Photographs of Buddhist Statues, ‘Japanese Art’ in the Mid-Twentieth
Century, Koji Junrei(Pilgrimages to Ancient Temples)
smallness in Japanese house: from postwar to post-postwar Japanese architecture | CHO Hyunjung The development of small and unique housing in Japan was a phenomenon that has not
been seen anywhere in the world. Responding to Western expectations of ‘small Japan,’ one
of the most influential stereotypes of Japanese people and its culture, the radical designs of
small detached houses have attracted international attention. This paper aims to examine the
‘smallness’ of Japanese housing not merely as Japan’s essential nature or a clever adaptation to
dozens of constraints, but rather as a strategic choice of architects who try to present a new
concept of architecture at the critical juncture in postwar Japanese society.
In the wake of World War II, architects’ radical proposals for minimum dwelling were
associated with American lifestyle and its democratic ideals, which were clearly distinct from
feudalism and imperialism of prewar Japan. Entering the 1990s, the popularity of extremely
small detached houses was identified with an alternative minimalist life of post-postwar
Japan. The Great East Japan Earthquake of 2011 served as a turning point in the discourse of
‘smallness’ in Japanese architecture. The past few years have witnessed the refashioning of the
implication ‘smallness’ as a highly ethical and therefore superior Japanese quality compared
with the bigness in Western modernism. Japanese architect Kuma Kengo is a key figure who
tries to promote Japanese peculiar ability to design small as an invaluable cultural asset and a
key survival skill in a time of global economic and environmental crisis. • Keywords: Small house, minimum dwelling, 9 tsubo house, Kuma Kengo, Atelier Bow-
Wow
arTiCLes arrogant nation, anxious empire: a search for new national and imperial identity in Taish Japan, 1912~1926 | HAN Jung-Sun This paper explores the changing national identities and foreign policies of Taish Japan by
focusing on its attitudes and policies toward China. During the Taish era, Japanese foreign
policies toward China oscillated between cooperative and unilateral policies. I argue that
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