7217 new jazz theory wbk-ch 9-pt 8.5x11...
TRANSCRIPT
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WRITTEN EXERCISES
1. Provide guide tones and bass notes for the minor blues progression given below.
CHAPTER 9
The Blues
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9–2 THE BLUES
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THE BLUES 9–3
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2. Provide guide tones and bass notes for the major blues progression given below.
9–4 THE BLUES
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THE BLUES 9–5
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3. Analyze the chord structure and voice leading of the progression below. Realize the progressionusing “drop 2” five-part voicings.
9–6 THE BLUES
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THE BLUES 9–7
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4. Using different blues scales and modes provide chord-scale relationships for the following bluesprogressions.
9–8 THE BLUES
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EAR TRAINING SECTION AUDIO TRACKS
Melodic Transcriptions
Track 68 contains FIVE four-bar blues melodies for you to transcribe. For each melody, the openingpitch is written in the score. Transcribe each melody. Each example begins with a two-bar count off.
THE BLUES 9–9
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9–10 THE BLUES
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THE BLUES 9–11
COMPOSITION
Compose a blues in Bb major using the principle of call and response. Derive your melodic materialexclusively from the Bb minor blues scale. (Answer not provided)
Compose a blues in D minor using the principle of call and response. Derive your melodic materialexclusively from the D minor blues scale. (Answer not provided)
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