9th lit mythologies

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Exeter Academy 9th Grade Literature

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Literary Techniques

The term literary techniques refers to the various literary devices the author uses

throughout the work, including but not limited to imagery, symbolism, metaphor,

simile, alliteration, deus ex machina, apostrophe, etc. Some techniques may be more

dominant than others, and it is important to consider why this might be so. Literarytechniques can be analyzed superficially – in terms of what they may mean within the

context of a sentence, paragraph or chapter – but it may be more meaningful to

consider how they affect the work as a whole, and how they contribute to any

identified themes.

Structure

Structure refers to the way in which the book or literary work is organized. Structurecan encompass many different kinds of organization from the work’s chronology to

the point of view it is written in. It may also refer to the form and/or genre of the

work. Many older British novels are epistolary – that is, they consist of a collection of 

letters written by one or more characters in the novel. Questions to consider whenreading an epistolary novel may include: What effect might this have on the way the

characters of the work are developed by the author? Does what the character decides

to reveal in the letters change according to whom the letter is addressed?

In contemporary literature, authors have often experimented with form, blurring the

line between poetry and prose, and even going so far as to toy with the physical

organization of the book. For example, one author from the sixties chose to presenthis reader with a collection of loose chapters that are not bound in book form. The

reader is expected to choose his or her own method of reading the chapters. In fact,

the author recommends scattering the pages and reading them in a random order. A

choose-your-own-adventure book is also a classic example of literature thatexperiments with the predetermined structure of a novel.

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discussion Question Assignments

Good discussion questions are designed to encourage critical thinking and push

readers to go beyond the surface. This means that questions should not ask “what

happens” as much as “why does this happen?” Questions should avoid asking “What

does the character do,” and be geared more towards “What motivates the character todo what s/he does?”

Discussion Question Exercise:

Legend has it that Hemingway once won a bet by declaring that he could write a short

story using fewer than ten words. Here is the alleged result:

For sale: baby shoes, never worn.

Despite being six words long, the story contains a multitude of narratives. Good

discussion questions will take these narratives as a starting point and attempt to

initiate a dialogue among readers about their possible meanings.

Good discussion questions:

1.  This story clearly emulates a classifieds ad in a newspaper or other kind of 

publication. Why do you think the poster of this ad chose to sell the new

baby shoes instead of throwing them away?

2.  Why do you think the author chose to word the last half of this ad as

“never worn” instead of “new”? What is the difference, and why does this

matter to the story?

3.  What kinds of emotions are expressed by this simple ad? What does this

ad tell you about the characters involved, and their relationship(s) with

each other?

Poor discussion questions:

1.  What kind of baby shoes is the author talking about?

2.  What happened in this story?

3.  What happened to the baby?

The good discussion questions stimulate dialogue and are open-ended, while the poor

discussion questions tend to limit or restrict discussion, because they aim to arrive at a

definite answer of sorts instead of encouraging a debate or a discussion.

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Vocabulary - Mythologies

1.  eon 

Context : Nothing is clearer than the fact that primitive man, whether in New Guinea today or eons agoin the prehistoric wilderness, is not and never has been a creature who peoples his world with bright

fancies and lovely visions. eon 

2.  embroider 

Context: The winds flee before her and the storm clouds; sweet flowers embroider the earth; the

waves of the sea laugh; she moves in radiant light.

3.  devastate 

He trusted her to carry the awful aegis, his buckler, and his devastating weapon, the thunderbolt.

4.  ambrosia 

Within were the god' dwellings, where they lived and slept and feasted on ambrosia and nectar and

listened to Apollo's lyre.

5. 

nemesis 

The same was true of two personified emotions esteemed highest of all feelings in Homer and

Hesiod: NEMESIS, usually translated as Righteous Anger, and AIDOS, a difficult word to translate,

but in common use among Greeks.

6.  venerate 

Nevertheless she was venerated in every home.

7.  elysian 

On his arrival each one is brought before three judges, Rhadamanthus, Minos, and Aeacus, who pass

sentence and send the wicked to everlasting torment and the good to a place of blessedness called

the Elysian Fields.

8.  aegis 

His breastplate was the aegis, awful to behold; his bird was the eagle, his tree the oak.

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9.  centaur 

The satyrs are goat-men and the centaurs are half man, half horse.

10.  circumvent 

Hera kept silence then, but her thoughts were busy as to how she might help the Greeks

and circumvent Zeus.

11.  demoniac 

The demoniac wizards and the hideous old witches who haunted Europe and America, too, up to quite

recent years, play no part at all in the stories.

12.  bestial 

In Mesopotamia, bas-reliefs of bestial shapes unlike any beast ever known, men with birds' heads and

lions with bulls' heads and both with eagles' sings, creations of artists who were intent upon producing

something never seen except in their own minds, the very consummation of unreality.

13.  omniscient 

Nevertheless he was not omnipotent or omniscient, either.

14.  trident 

He was commonly called "Earth-shaker" and was always shown carrying his trident, a three-pronged

spear, with which he would shake and shatter whatever he pleased.

15.  compendium 

Ovid is a compendium of mythology.

16.  zephyr 

The four chief Winds were BOREAS, the North Wind, in Latin AQUILO; ZEPHYR, the West Wind,

which had a second Latin name, FAVONIUS; NOTUS, the South Wind, also called in Latin AUSTER;

and the East Wind, EURUS, the sam in both Greek and Latin.

17.  paralyze 

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That is the miracle of Greek mythology--a humanized world, men freed from theparalyzing fear of an

omnipotent Unknown.

18.  invulnerable 

His mother Thetis when he was born had intended to make him invulnerable by dipping him into the

River Styx, but she was careless and did not see to it that the water covered the part of the foot by

which she was holding him.

19.  displace 

Gradually this Zeus displaced the others, until he occupied the whole scene.

20.  topple 

An entire tower standing on the roof of Priam's palace was lifted from its foundation andtoppled over.

21.  prate 

He wrote,

I prate of ancient poets' monstrous lies,

Ne'er seen or now or then by human eyes.

22.  redoubtable 

He never was to them the mean whining deity of the Iliad, but magnificent in shining

armor, redoubtable, invincible.

23.  revere 

Chief among them in beauty, the glorious lady

All the blessed in high Olympusrevere

,Honor even as Zeus, the lord of the thunder.

24.  colossus 

In Egypt, a towering colossus, immobile, beyond the power of imagination to endow with movement,

as fixed in the stone as the tremendous temple columns, a representation of the human shape

deliberately made inhuman.

25.  beguile 

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APHRODITE (VENUS)

The Goddess of Love and Beauty, who beguiled all, gods and men alike; the laughter-loving goddess,

who laughed sweetly or mockingly at those her wiles had conquered; the irresistible goddess who stole

away even the wits of the wise.

26.  nectar 

Within were the god' dwellings, where they lived and slept and feasted on ambrosia andnectar and

listened to Apollo's lyre.

27.  uninjured 

The walls stood uninjured.

28.  concise 

The capture of Troy is the subject of the second book of the Aeneid, and it is one of the best, if not the

best, story Virgil ever told--concise, pointed, vivid.

29.  satyr 

The satyrs are goat-men and the centaurs are half man, half horse.

30.  anthropologist 

How briefly the anthropologists treat the Greek myths is noteworthy.

31.  discomfit 

Hera was that stock character of comedy, the typical jealous wife, and her ingenious tricks

to discomfit her husband and punish her rival, afar from displeasing the Greeks, entertained them as

much as Hera's modern counterpart does us today.

32.  suppliant 

It is not very high, certainly, and seems chiefly applicable to others, not to himself; but he does punish

men who lie and break their oaths; he is angered by any ill treatment of the dead; and he pities and

helps old Priam when he goes as a suppliant to Achilles.

33.  annihilate 

Exulting the defenders saw it fall and annihilate a great band who were forcing the palace doors.

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34.  indisputable 

The Iliad is, or contains, the oldest Greek literature; and it is written in a rich and subtle and beautiful

language which must have had behind it centuries when men were striving to express themselves with

clarity and beauty, and indisputable proof of civilization.

35.  discerning 

At this crisis a brother of Hector's, wise in discerning the will of the gods, urged Hector to go with all

speed to the city and tell the Queen, his mother, to offer to Athena the most beautiful robe she owned

and pray her to have mercy.

36.  bane 

She urged her horses to Olympus and asked Zeus if she might drive that bane of men, Ares, from the

battlefield.

37.  clarity 

The Iliad is, or contains, the oldest Greek literature; and it is written in a rich and subtle and beautiful

language which must have had behind it centuries when men were striving to express themselves

with clarity and beauty, and indisputable proof of civilization.

38.  prehistoric 

Nothing is clearer than the fact that primitive man, whether in New Guinea today or eons ago in

the prehistoric wilderness, is not and never has been a creature who peoples his world with bright

fancies and lovely visions.

39.  incarnate 

Homer calls him murderous, bloodstained, the incarnate curse of mortals; and, strangely, a coward,

too, who bellows with pain and runs away when he is wounded.

40.  diffuse 

No wind, Homer says, ever shakes the untroubled peace of Olympus; no rain ever falls there or snow;

but the cloudless firmament stretches around it on all sides and the white glory of sunshine

is diffused upon its walls.

41.  omnipotent 

That is the miracle of Greek mythology--a humanized world, men freed from the paralyzing fear of 

an omnipotent Unknown.

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42.  voluminous 

Apollodorus, also a Greek, is, next to Ovid, the most voluminous ancient writer on mythology, but,

unlike Ovid, he is very matter-of-fact and very dull.

43.  bewail 

Then Hector's soul flew forth from his body and was gone to Hades, bewailing his fate, leaving vigor

and youth behind.

44.  trinket 

While the girls flocked around the trinkets, Achilles fingered the swords and daggers.

45.  upbraid 

"The other Trojans upbraid me," she said, "but always I had comfort from you through the gentleness

of your spirit and your gentle words.

46.  appropriately 

Appropriately, his bird was the vulture.

47.  buccaneer 

The buccaneering chieftains in the Iliad did not want justice.

48.  confuse 

She was the sister of Helios, the sun-god with whom Apollo was confused.

49.  erupt 

A volcano erupts because a terrible creature is imprisoned in the mountain and every now and then

struggles to get free.

50.  mythical 

A familiar local habitation gave reality to all the mythical beings.

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51.  primeval 

Horrors lurked in the primeval forest, not nymphs and naiads.

52.  irrational 

It may seem odd to say that the men who made the myths disliked the irrational and had a love for

facts; but it is true, no matter how wildly fantastic some of the stories are.

53.  appease 

One of her beloved wild creatures, a hare, had been slain by the Greeks, together with her young, and

the only way to calm the wind and ensure a safe voyage to Troy was to appease her by sacrificing to

her a royal maiden, Iphigenia, the eldest daughter of the Commander in Chief, Agamemnon.

54.  reassure 

If the mixture seems childish, consider how reassuring and how sensible the solid background is as

compared with the Genie who comes from nowhere when Aladdin rubs the lamp and, his task

accomplished, returns to nowhere.

55.  prologue 

Prologue:

THE JUDGMENT OF PARIS

The evil goddess of Discord, Eris, was naturally not popular in Olympus, and when the gods gave a

banquet they were at to leave her out.

56.  zenith 

This second story is the better known, because of Milton's familiar lines: Mulciber was

Thrown by angry Jove

Sheer o'er the crystal battlements; from morn

To noon he fell, from noon to dewy eve,

A summer's day, and with the setting sun

Dropt from the zenith like a falling star,

On Lemnos, the Aegean isle.

57.  inflexible 

Or a rigid figure, a woman with a cat's head suggesting inflexible, inhuman cruelty.

58.  onset 

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At the first onset of this new band of warriors the Trojans wavered; they thought Achilles led them on.

59.  fleece 

Neither has the Quest of the Golden Fleece, nor Orpheus and Eurydice, nor many another.

60.  raiment 

They clad her in raiment immortal,

And brought her to the gods.

61.  wily 

It was, as anyone would guess, the creation of Odysseus' wily mind.

62.  allegory 

The great hero of mythology, Hercules, might be an allegory of Greece herself.

63.  jovial 

He was a jovial fat old man who usually rode an ass because he was too drunk to walk.

64.  animate 

And we for a moment can catch, through the myths he made, a glimpse of that strangely and

beautifully animated world.

65.  inexorable 

He was unpitying, inexorable, but just; a terrible, not an evil god.

66.  incarnation 

Except in a story Homer and Hesiod tell, that Aglaia married Hephaestus, they are not treated as

separate personalities, but always together, a triple incarnation of grace and beauty.

67.  pinnacle 

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But only a little further on he says that if he willed he could hang earth and sea from a pinnacle of 

Olympus, clearly no longer a mountain.

68.  rustle 

The god's will was revealed by the rustling of the oak leaves which the priests interpreted.

69.  amorous 

So, back of the stories of an amorous Zeus and a cowardly Zeus and a ridiculous Zeus, we can catch

sight of another Zeus coming into being, as men grow continually more conscious of what life

demanded of them and what human beings needed in the god they worshiped.

70.  respite 

But the success brought only a short respite.

71.  ascribe 

But Hesiod has much to say about the gods, and a second poem, usually ascribed to him, the

Theogony, is entirely concerned with mythology.

72.  implacable 

Her implacable anger followed them and their children too.

73.  pallid 

Around it are wide wastes, wan and cold, and meadows of asphodel, presumably strange,pallid,

ghostly flowers.

74.  inconceivable 

Laughter in the presence of an Egyptian sphinx or an Assyrian bird-beast wasinconceivable; but it was

perfectly natural in Olympus, and it made the gods companionable.

75.  pestilence 

The Iliad, however, begins after the Greeks have reached Troy, when Apollo sends thepestilence upon

them.

76.  repute 

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When her suitors assembled in her home to make a formal proposal for her hand they were so many

and from such powerful families that her reputed father, King Tyndareus, her mother's husband, was

afraid to select one among them, fearing that the others would unite against him.

77.  crafty 

This was her doing, he said, her crafty, crooked ways.

78.  laboring 

Their longing for them was great enough to make them never give up laboring to see them clearly,

until at last, the thunder and lightning were changed into the Universal father.

79.  dupe 

Poseidon dupes him in the Iliad and so does Hera.

80.  havoc 

But Diomedes raged on, working havoc in the Trojan ranks until he came face to face with Hector.

81.  astronomy 

Astronomy is what the Greek mind finally made out of the stars.

82.  stratagem 

The result of this new determination and new vision was the stratagem of the wooden horse.

83.  discourage 

The wooden horse had been made, he said, as a votive offering to Athena, and the reason for its

immense size was to discourage the Trojans from taking it into the city.

84.  waft 

This sea-birth took place near Cythera, from where she was wafted to Cyprus.

85.  preposterous 

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Hercules, whose life was one long combat against preposterous monsters, is always said to have had

his home in the city of Thebes.

86.  beneficent 

Apollo at Delphi was purely a beneficent power, a direct link between gods and men, guiding men to

know the divine will, showing them how to make peace with the gods; the purifier, too, able to cleanse

even those stained with the blood of their kindred.

87.  cleft 

The trance was supposed to be caused by a vapor rising from a deep cleft in the rock over which her

seat was placed, a three-legged stool, the tripod.

88.  debris 

Over the debris of the tower and the crushed bodies they battered the doors with it.

89.  contrive 

The story was clever enough to have had by itself, in all probability, the desired effect; but Poseidon,

the most bitter of all the gods against Troy, contrived an addition which made the issue certain.

90.  dissension 

Up in Olympus there was dissension.

91.  calculate 

His plan was to leave a single Greek behind in the deserted camp, primed with a talecalculated to

make the Trojans draw the horse into the city--and without investigating it.

92.  slacken 

Terror and Destruction and Strife, whose fury never slackens, all friends of the murderous War-god,

were there to urge men on to slaughter each other.

93.  conceivable 

The story of Pygmalion and Galatea is an example; it has no conceivable connection with any event in

nature.

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94.  abhor 

They were tree, Clotho, the Spinner, who spun the thread of life; Lachesis, the Disposer of Lots, who

assigned to each man his destiny; Atropos, she who could not be turned, who carried

"the abhorred shears" and cut the thread at death.

95.  contradictory 

But the accounts of them are contradictory.

96.  dubious 

It does not mention the sacrificed of Iphigenia, and makes only a dubious allusion to the judgment of 

Paris.

97.  ruthless 

In the earliest account of her, the Iliad, she is a fierce and ruthless battle-goddess, but elsewhere she is

warlike only to defend the State and the home from outside enemies.

98.  chaste 

It is a strange transformation from the lovely Huntress flashing through the forest, from the Moon

making all beautiful with her light, from the pure Maiden-Goddess for whom

Whoso is chaste of spirit utterly

May gather leaves and fruits and flowers.

99.  semblance 

Until then, gods had no semblance of reality.

100. exult

 

All Troy exulted.

101. frivolous 

He and three other Alexandrians, who also wrote about mythology, the pastoral poets Theocritus, Bion

and Moschus, have lost the simplicity of Hesiod's and Pindar's belief in the gods, and are far removed

from the depth and gravity of the tragic poets' view of religion; but they are not frivolous like Ovid.

102. august 

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As the idea of Zeus became loftier, two august forms sat beside him in Olympus.

103. devise 

With this great encouragement the Greeks determined to wait no longer, but devise some way to put an

end to the endless war.

104. investigating 

His plan was to leave a single Greek behind in the deserted camp, primed with a tale calculated to

make the Trojans draw the horse into the city--and without investigating it.

105. boar 

They took part in the Calydonian boar-hunt; they went on the Quest of the Golden Fleece; and they

rescued Helen when Theseus carried her off.

106. pierce 

That armor was magical and could not be pierced.

107. fuse 

When his worship spread to a town where there was already a divine ruler the two were

slowly fused into one.

108. quench 

When all was burned they quenched the flame with wine and gathered the bones into a golden urn,

shrouding them in soft purple.

109. avenge 

Zeus had by now remembered his promise to Thetis to avenge Achilles' wrong.

110. invincible 

He never was to them the mean whining deity of the Iliad, but magnificent in shining armor,

redoubtable, invincible.

111. allude 

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He wrote Odes in honor of the victors in the games at the great national festivals of Greece, and in

every one of his poems myths are told or alluded to.

112. renown 

The warriors of the great Latin heroic poem, the Aeneid, far from rejoicing to escape from him, rejoice

when they see that they are to fall "on Mars' field of renown."

113. plausible 

His name was sinon, and he was a most plausible speaker.

114. counterpart 

Hera was that stock character of comedy, the typical jealous wife, and her ingenious tricks to discomfit

her husband and punish her rival, afar from displeasing the Greeks, entertained them as much as Hera's

modern counterpart does us today.

115. labored 

The Odyssey speaks of "the divine for which all men long," and hundreds of years later Aristotle

wrote, "Excellence, much and hundreds of years later Aristotle wrote, "Excellence, much labored for

by the race of mortals."

116. taunt 

The gods by now were fighting, too, as hotly as the men, and Zeus sittig apart in Olympus laughd

pleasantly to himself when he saw god matched against god: Athena felling Ares to the ground; Hera

seizing the bow of Artemis from her shoulders and boxing her ears with it this way and that; Poseidon

provoking Apollo with taunting words to strike him first.

117. malicious 

In later poems she is usually shown as treacherous and malicious, exerting a deadly and destructive

power over men.

118. aloof  

Or a monstrous mysterious sphinx, aloof from all that lives.

119. volcano 

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A volcano erupts because a terrible creature is imprisoned in the mountain and every now and then

struggles to get free.

120. translate 

The other notable Titans were OCEAN, the river that was supposed to encircle the earth; his wife

TETHYS HYPERION, the father of the sun, the moon and the dawn; MNEMOSYNE, which means

Memory; THEMIS, usually translated by Justice; and IAPETUS, impor

121. provoke 

The gods by now were fighting, too, as hotly as the men, and Zeus sittig apart in Olympus laughd

pleasantly to himself when he saw god matched against god: Athena felling Ares to the ground; Hera

seizing the bow of Artemis from her shoulders and boxing her ears with it this way and that;

Poseidon provoking Apollo with taunting words to strike him first.

122. apparition 

In front of the Scaean gates stood an enormous figure of a horse, such a thing as no one had ever seen,

an apparition so strange that it was vaguely terrifying, even though there was no sound or movement

coming from it.

123. assemble 

When her suitors assembled in her home to make a formal proposal for her hand they were so many

and from such powerful families that her reputed father, King Tyndareus, her mother's husband, was

afraid to select one among them, fearing that the others would unite against him.

124. revive 

Apollo had revived the fainting Hector and breathed into him surpassing power.

125. discord 

His sister is there, Eris, which means Discord, and Strife, her son.

126. dire 

Of course the mythical monster is present in any number of shapes, Gorgons and hydras and

chimaeras dire, but they are there only to give the hero his meed of glory.

127. wan 

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136. rapture 

What rapture to see the places empty, nothing in them now to fear.

137. oblige 

When Calchas declared that Chryseis must be given back to her father, he had all the chiefs behind him

and Agamemnon, greatly angered, was obliged to agree.

138. triple 

Except in a story Homer and Hesiod tell, that Aglaia married Hephaestus, they are not treated as

separate personalities, but always together, a triple incarnation of grace and beauty.

139. envelop 

Apollo enveloped him in a cloud and carried him to sacred Pergamos, the holy place of Troy, where

Artemis healed him of his wound.

140. treacherous 

In later poems she is usually shown as treacherous and malicious, exerting a deadly and destructive

power over men.

141. orbit 

Heraclitus says, "Not even the sun will transgress his orbit but the Erinyes, the ministers of justice,

overtake him."

142. investigate 

His plan was to leave a single Greek behind in the deserted camp, primed with a tale calculated to

make the Trojans draw the horse into the city--and without investigating it.

143. shroud 

When all was burned they quenched the flame with wine and gathered the bones into a golden

urn, shrouding them in soft purple.

144. cleave 

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The trance was supposed to be caused by a vapor rising from a deep cleft in the rock over which her

seat was placed, a three-legged stool, the tripod.

145. ensure 

One of her beloved wild creatures, a hare, had been slain by the Greeks, together with her young, and

the only way to calm the wind and ensure a safe voyage to Troy was to appease her by sacrificing to

her a royal maiden, Iphigenia, the eldest daughter of the Commander in Chief, Agamemnon.

146. vanquish 

This spirit often turned the victors into the vanquished.

147. accurately 

There is no way to date accurately any part of them.

148. pastoral 

He and three other Alexandrians, who also wrote about mythology, the pastoral poets Theocritus, Bion

and Moschus, have lost the simplicity of Hesiod's and Pindar's belief in the gods, and are far removed

from the depth and gravity of the tragic poets' view of religion; but they are not frivolous like Ovid.

149. destructive 

In later poems she is usually shown as treacherous and malicious, exerting a deadly

anddestructive power over men.

150. presumably 

Around it are wide wastes, wan and cold, and meadows of asphodel, presumably strange, pallid,

ghostly flowers.

151. define 

The later poets define the world of the dead more and more clearly as the place where the wicked are

punished and the good rewarded.

152. ferry 

An aged boatman named Charon ferries the souls of the dead across the water to the farther bank,where stands the adamantine gate to Tartarus (the name Virgil prefers).

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153. exceeding 

He felt shame before them and he told them he saw his own exceeding folly in allowing the loss of a

mere girl to make him forget everything else.

154. rout 

Patroclus, Achilles' beloved friend, saw the rout with horror.

155. celebrate 

Except for Aeschylus' Persians, written to celebrate the victory of the Greeks over the Persians at

Salamis, all the plays have mythological subjects.

156. cavern 

In later poets there are various entrances to it from the earth through caverns and beside deep lakes.

157. satire 

In Lucian's little satire, Apollo asks Hermes: "I say, why do we never see Castor and Pollux at the

same time?"

158. reluctant 

It made no difference to Hera how reluctant any of them were or how innocent the goddess treated

them all alike.

159. frenzy 

Then his frenzy left him.

160. kindred 

Apollo at Delphi was purely a beneficent power, a direct link between gods and men, guiding men to

know the divine will, showing them how to make peace with the gods; the purifier, too, able to cleanse

even those stained with the blood of their kindred.

161. mirth 

THE GRACES were three: Aglaia (Splendor), Euphrosyne (Mirth) and Thalia (Good Cheer).

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162. vigor 

Then Hector's soul flew forth from his body and was gone to Hades, bewailing his fate,

leaving vigor and youth behind.

163. lurk 

Horrors lurked in the primeval forest, not nymphs and naiads.

164. contradiction 

Nevertheless, with one of those startling contradictions so common in mythology, she kept the Greek

Fleet from sailing to Troy until they sacrificed a maiden to her.

165. epic 

Clio was Muse of history, Urania of astronomy, Melpomene of tragedy, Thalia of comedy, Terpsichore

of the dance, Calliope of epic poetry, Erato of love-poetry, Polyhymnia of songs to the gods, Euterpe

of lyric poetry.

166. sentimental 

And he does, often very prettily indeed, but in his hands the stories which were factual truth and

solemn truth to the early Greek poets Hesiod and Pindar, and vehicles of deep religious truth to the

Greek tragedians,become idle tales, sometimes witty and diverting, often sentimental and distressingly

rhetorical.

167. applaud 

All applauded the advice and Agamemnon confessed that he had acted like a fool.

168. hoof 

 

He was Hermes' son; a noisy, merry god, the Homeric Hymn in his honor calls him; but he was part

animal too, with a goat's horns, and goat's hoofs instead of feet.

169. splendor 

There cannot be a greater contrast than that between his poem, the Works and Days, which tries to

show men how to live a god life in a harsh world, and the courtly splendorof the Iliad an the Odyssey.

170. inspire 

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Yet he has a train of attendants on the battlefield which should inspire anyone with confidence.

171. dismay 

There to his dismay he saw Ares too.

172. monstrous 

Or a monstrous mysterious sphinx, aloof from all that lives.

173. identified 

There is no doubt that at first it was held to be a mountain top, and generally identifiedwith Greece'shighest mountain, Mt. Olympus in Thessaly, in the northeast of Greece.

174. infinitely 

In that infinitely remote time primitive man could

Have sight of Proteus rising from the sea;

Or hear old Triton blow his wreathed horn.

175. classical 

Mythology:

Timeless Tales of Gods and Heroes by Edith Hamilton

Introduction to Classical Mythology

Of old the Hellenic race was marked off from the barbarian as more keen-witted and more free from

nonsense.

176. rational 

With its coming, the universe becamerational

.

177. orphan 

Hesiod, not much later than the Odyssey if at all, says of a man who does evil to the suppliant and the

stranger, or who wrongs orphan children, "with that man Zeus is angry."

178. rejoice 

Occasionally the heroes "rejoice in the delight of Ares' battle," but far oftener in having escaped "thefury of the ruthless god."

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179. quest 

Neither has the Quest of the Golden Fleece, nor Orpheus and Eurydice, nor many another.

180. animated 

And we for a moment can catch, through the myths he made, a glimpse of that strangely and

beautifully animated world.

181. banquet 

They knew just what the divine inhabitants did there, what they ate and drank and where

they banqueted and how they amused themselves.

182. strife 

His sister is there, Eris, which means Discord, and Strife, her son.

183. shrewd 

Of all the gods he was the shrewdest and most cunning; in fact he was the Master Thief, who started

upon his career before he was a day old.

184. surpass 

Circe and Medea are the only witches and they are young and of  surpassing beauty--delightful, not

horrible.

185. devour 

He wrote, "Fishes and beasts and fowls of the air devour one another.

186. awe 

Homer says that he felt awe to slay a man who had been taught his divine art by the gods.

187. tragic 

Aeschylus, the oldest of the three tragic poets, was a contemporary of Pindar's.

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Vocabulary - Definitions

1.  eon 

the longest division of geological time

2.  embroider 

decorate with needlework

3.  devastate 

cause extensive destruction or ruin utterly

4.  ambrosia 

a mixture of nectar and pollen prepared by worker bees and fed to larvae

5.  nemesis 

something causing misery or death

6.  venerate 

regard with feelings of respect and reverence; consider hallowed or exalted or be in awe of 

7.  elysian 

relating to the Elysian Fields

8.  aegis 

kindly endorsement and guidance

9.  centaur 

(classical mythology) a mythical being that is half man and half horse

10.  circumvent 

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surround so as to force to give up

11.  demoniac 

frenzied as if possessed by a demon

12.  bestial 

resembling a beast; showing lack of human sensibility

13.  omniscient 

infinitely wise

14.  trident 

a spear with three prongs

15.  compendium 

a publication containing a variety of works

16.  zephyr 

a slight wind (usually refreshing)

17.  paralyze 

make powerless and unable to function

18.  invulnerable 

immune to attack; impregnable

19.  displace 

cause to move, usually with force or pressure

20.  topple 

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fall down, as if collapsing

21.  prate 

speak (about unimportant matters) rapidly and incessantly

22.  redoubtable 

inspiring fear

23.  revere 

love unquestioningly and uncritically or to excess; venerate as an idol

24.  colossus 

someone or something that is abnormally large and powerful

25.  beguile 

influence by slyness

26.  nectar 

a sweet liquid secretion that is attractive to pollinators

27.  uninjured 

not injured physically or mentally

28.  concise 

expressing much in few words

29.  satyr 

30.  anthropologist 

a social scientist who specializes in anthropology

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31.  discomfit 

cause to lose one's composure

32.  suppliant 

one praying humbly for something

33.  annihilate 

kill in large numbers

34.  indisputable 

not open to question; obviously true

35.  discerning 

having or revealing keen insight and good judgment

36.  bane 

something causing misery or death

37.  clarity 

free from obscurity and easy to understand; the comprehensibility of clear expression

38.  prehistoric 

belonging to or existing in times before recorded history

39.  incarnate 

possessing or existing in bodily form

40.  diffuse 

move outward

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41.  omnipotent 

having unlimited power

42.  voluminous 

large in volume or bulk

43.  bewail 

regret strongly

44.  trinket 

cheap showy jewelry or ornament on clothing

45.  upbraid 

express criticism towards

46.  appropriately 

in an appropriate manner

47.  buccaneer 

someone who robs at sea or plunders the land from the sea without having a commission from any

sovereign nation

48. 

confuse 

mistake one thing for another

49.  erupt 

start abruptly

50.  mythical 

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based on or told of in traditional stories; lacking factual basis or historical validity

51.  primeval 

having existed from the beginning; in an earliest or original stage or state

52.  irrational 

not consistent with or using reason

53.  appease 

cause to be more favorably inclined; gain the good will of 

54.  reassure 

cause to feel sure; give reassurance to

55.  prologue 

an introduction to a play

56.  zenith 

the point above the observer that is directly opposite the nadir on the imaginary sphere against which

celestial bodies appear to be projected

57.  inflexible 

incapable of change

58.  onset 

the beginning or early stages

59.  fleece 

the wool of a sheep or similar animal

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60.  raiment 

especially fine or decorative clothing

61.  wily 

marked by skill in deception

62.  allegory 

a short moral story (often with animal characters)

63.  jovial 

full of or showing high-spirited merriment

64.  animate 

heighten or intensify

65.  inexorable 

not to be placated or appeased or moved by entreaty

66.  incarnation 

a new personification of a familiar idea

67.  pinnacle 

(architecture) a slender upright spire at the top of a buttress of tower

68.  rustle 

make a dry crackling sound

69.  amorous 

inclined toward or displaying love

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70.  respite 

a (temporary) relief from harm or discomfort

71.  ascribe 

attribute or credit to

72.  implacable 

incapable of being placated

73.  pallid 

abnormally deficient in color as suggesting physical or emotional distress

74.  inconceivable 

totally unlikely

75.  pestilence 

a serious (sometimes fatal) infection of rodents caused by Yersinia pestis and accidentally transmitted

to humans by the bite of a flea that has bitten an infected animal

76.  repute 

the state of being held in high esteem and honor

77. 

crafty 

marked by skill in deception

78.  laboring 

doing arduous or unpleasant work

79.  dupe 

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fool or hoax

80.  havoc 

violent and needless disturbance

81.  astronomy 

the branch of physics that studies celestial bodies and the universe as a whole

82.  stratagem 

a maneuver in a game or conversation

83.  discourage 

try to prevent; show opposition to

84.  waft 

be driven or carried along, as by the air

85.  preposterous 

incongruous;inviting ridicule

86.  beneficent 

doing or producing good

87.  cleft 

having one or more incisions reaching nearly to the midrib

88.  debris 

the remains of something that has been destroyed or broken up

89.  contrive 

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make or work out a plan for; devise

90.  dissension 

disagreement among those expected to cooperate

91.  calculate 

make a mathematical calculation or computation

92.  slacken 

become slow or slower

93.  conceivable 

capable of being imagined

94.  abhor 

find repugnant

95.  contradictory 

of words or propositions so related that both cannot be true and both cannot be false

96.  dubious 

fraught with uncertainty or doubt

97.  ruthless 

without mercy or pity

98.  chaste 

pure and simple in design or style

99.  semblance 

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an outward or token appearance or form that is deliberately misleading

100. exult 

feel extreme happiness or elation

101. frivolous 

not serious in content or attitude or behavior

102. august 

of or befitting a lord

103. devise 

come up with (an idea, plan, explanation, theory, or principle) after a mental effort

104. investigating 

the work of inquiring into something thoroughly and systematically

105. boar 

Old World wild swine having a narrow body and prominent tusks from which most domestic swine

come; introduced in United States

106. pierce 

cut or make a way through

107. fuse 

an electrical device that can interrupt the flow of electrical current when it is overloaded

108. quench 

satisfy (thirst)

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119. volcano 

a fissure in the earth's crust (or in the surface of some other planet) through which molten lava and

gases erupt

120. translate 

restate (words) from one language into another language

121. provoke 

call forth (emotions, feelings, and responses)

122. apparition 

a ghostly appearing figure

123. assemble 

create by putting components or members together

124. revive 

cause to regain consciousness

125. discord 

lack of agreement or harmony

126. dire 

fraught with extreme danger; nearly hopeless

127. wan 

(of light) lacking in intensity or brightness; dim or feeble

128. ail 

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having three units or components or elements

139. envelop 

enclose or enfold completely with or as if with a covering

140. treacherous 

dangerously unstable and unpredictable

141. orbit 

the (usually elliptical) path described by one celestial body in its revolution about another

142. investigate 

investigate scientifically

143. shroud 

a line that suspends the harness from the canopy of a parachute

144. cleave 

separate or cut with a tool, such as a sharp instrument

145. ensure 

make certain of 

146. vanquish 

come out better in a competition, race, or conflict

147. accurately 

with few mistakes

148. pastoral 

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unwillingness to do something contrary to your custom

159. frenzy 

state of violent mental agitation

160. kindred 

group of people related by blood or marriage

161. mirth 

great merriment

162. vigor 

forceful exertion

163. lurk 

lie in wait, lie in ambush, behave in a sneaky and secretive manner

164. contradiction 

opposition between two conflicting forces or ideas

165. epic 

a long narrative poem telling of a hero's deeds

166. sentimental 

given to or marked by sentiment or sentimentality

167. applaud 

clap one's hands or shout after performances to indicate approval

168. hoof  

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the foot of an ungulate mammal

169. splendor 

a quality that outshines the usual

170. inspire 

heighten or intensify

171. dismay 

lower someone's spirits; make downhearted

172. monstrous 

abnormally large

173. identified 

having the identity known or established

174. infinitely 

without bounds

175. classical 

of or relating to the most highly developed stage of an earlier civilisation and its culture

176. rational 

consistent with or based on or using reason

177. orphan 

a child who has lost both parents

178. rejoice 

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feel happiness or joy

179. quest 

a search for an alternative that meets cognitive criteria

180. animated 

having life or vigor or spirit

181. banquet 

a ceremonial dinner party for many people

182. strife 

lack of agreement or harmony

183. shrewd 

marked by practical hardheaded intelligence

184. surpass 

distinguish oneself 

185. devour 

destroy completely

186. awe 

an overwhelming feeling of wonder or admiration

187. tragic 

very sad; especially involving grief or death or destruction