a fallen flower returning to the branch? it was a butterfly. --haiku poem. japan

105
1 A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan. by Moritake (1472-1549), high priest of Ise Shrine.

Upload: jaser

Post on 24-Jan-2016

75 views

Category:

Documents


11 download

DESCRIPTION

A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan. by Moritake (1472-1549), high priest of Ise Shrine. Mt. Fuji is a 10,000 year old still active volcano depicted by Artist Hokusai in the Thirty-Six Views of Mount Fuji (1831). Japan. Suggestion - PowerPoint PPT Presentation

TRANSCRIPT

Page 1: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

1

A fallen flowerReturning to the branch?

It was a butterfly.

--HAIKU POEM. Japan.by Moritake (1472-

1549),high priest of Ise

Shrine.

Page 2: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

2

Mt. Fuji is a 10,000 year old still active volcano depicted by Artist Hokusai in the Thirty-Six Views of Mount Fuji (1831).

Page 3: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

3

Japan

Page 4: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

4

Page 5: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

5

Utamaro. Woodblock printmaking.

SuggestionPerishabilityIrregularitySimplification

Page 6: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

6

From the age of six I had a mania for drawing the shapes of things. When I was fifty I had published a universe of designs. but all I have done before the the age of seventy is not worth bothering with. At seventy five I'll have learned something of the

pattern of nature, of animals, of plants, of trees, birds, fish and insects. When I am eighty you will see real progress. At ninety I shall have cut my way deeply into the mystery of life itself. At a hundred I shall be a marvelous artist. At a hundred and ten everything I create; a dot, a line, will jump to

life as never before. To all of you who are going to live as long as I do, I promise to keep my word. I am writing this in my old age. I used to call myself Hokusai, but today I sign my self 'The Old Man Mad

About Drawing. -- Hokusai

Artist: Hokusai.1760-1849, Tokugawa period)

Page 7: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

7

Perceptions

Page 8: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

8Hokusai. Great Wave. 1823-39.

Page 9: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

9Great Wave, reversed.

Page 10: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

10Vincent van Gogh. Starry Night. 1889.

Page 11: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

11

Portuguese Jesuits, merchants and African slave arrive in Japan, 1542.

Page 12: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

12

Hokusai, peasants dancing

Edgar Degas (French,19th c., Dancer

Page 13: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

13Utamaro. Three Beauties. Cover, New Yorker magazine.

Page 14: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

14

Seeking the TaoIn the AutumnMountains.N. Song. 10th c.By Juran.Hanging scroll,Ink on silk.

Page 15: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

15

BUDDHISM: ABOUT THE Laughing Buddha

In China he is known as "the laughing Buddha" and is usually represented as a rotund figure with a happy disposition. Originally a fertility figure, hebrought "goodies" in his bag to local townsfolk, especially children. In Japan, called Hotei, one of the seven lucky gods. Most people encounter this figure in Chinese shops and restaurants and confuse him for the historical Buddha. The common tradition is to rub his belly for good luck and prosperity, this is because his big figure is a sign of abundance.

Page 16: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

16

BUDDHISM and spread

Page 17: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

17

BUDDHISM.A world religion or philosophy based on the teachings of the Buddha* and holding that a state of enlightenment can be attained by detaching oneself from worldly desires.

*Buddha: One who has awakened. Founder of Buddhism:

Siddhartha Gautama (family name) (563?-483?)

meditation--> enlightenment-->nirvana (recognize that atman and brahman are reunited in this life)

Practice:Middle Way between extremesknowledge of 4 Truths8-Fold Path (right thoughts and actions)

Page 18: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

18

EAST, Buddhism:

NirvanaMoksha: release from Maya or

Samsara (daily life, lives)

Karma: deedsDharma: the Way

Enlightenment (satori)

Emptiness

WEST, Classicism: Plato’s Allegory of the Cave

Things are not what they appear to be.

Cave: World of Illusion.

Page 19: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

19

The Four Noble Truths

1. Life is full of "suffering".2 This suffering is caused by our desires.3. There is a cure.4. The cure is the Eightfold Path.

“right”: seeing and acting in accordancewith things as they are.

enlightenment:West: cognitive knowledge,

rational understanding.East: awakening, transcendingdesires and acceptance of the waythings are.

Page 20: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

20

BUDDHISM

From HINDUISMFounder: Siddhartha Gautama ca. 500 B.C.E.

Meditation

Other forms of Buddhism:

INDIA MAHAYANA THERAVADA/ TIBET: VAJRAYANA (Great Vehicle) HINAYANA (little vehicle) skill-based method: Bodhisattva individuals must seek visualization exercises: Prayers and rituals wisdom and nirvana (Mandala) CHINA KOREA JAPAN on their own. Mostly CHINA:

Chan monks and nuns MAITREYA: JAPAN Shintoism in SE ASIA Buddha of the Future

ZEN AMITABHA: Buddhaof the Western

Paradise VAIROCHANA:

Supreme Cosmic Buddha

Page 21: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

Dream of Maya,Birth of the Buddha

21The Buddha - biography + history

Page 22: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

Capitals to Monumental Buddhist Pillars, 3rd c BCE

22

Page 23: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

Stupa at Sanchi, India 3rd c BCE

23

Page 24: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

Torana (gate) and Yakshi (fertility deity)

24

Page 25: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

25

Stupa of Sanchi ca. 3rd c BCE-1st c CE

EggMandala

Jakatas vs. aniconic representation

Page 26: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

Kushan controlled Gandhara:Gandhara Style

26

ShowsW->E

Greco-Roman influence.

Robes,Naturalism.

Terms:Iconography

Wavy ushnishaurna

mudra

Page 27: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

Gandhara Mathura Style

27

Gandharan: Model of a Stupa. Grey schist, 2nd c.

Prana filled Buddhaw/ ushnisha top knot

Red sandstone

Page 28: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

Buddhist Art in India & China1st-7th centuries CE

28

Page 29: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

East-West: Architectural and Functional Similarities

29

Santa Sabina, Christian Church, Rome, 423-432 CeSection + Plan: Chaitya hall,

Karli, India CE 50-70

Page 30: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

Ajanta Caves, Maharashtra, Indialate 5th c: ca. 450-500 CE

30

Page 31: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

Ajanta Caves, late 5th c., India

31

Page 32: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

Naturalistic Ajanta murals: Prince Distributing Alms + Padmapani (Lotus Bearer).Think of : rasa

32

Page 33: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

Buddhist Expansion into China2nd-7th centuries CEVairochana Buddha

33Colossal Buddha ~40ft high, cave carving, Yungang, China, ca 450 CE Longmen, China, 6th centtury

Page 34: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

Vairochana Buddhas.

7th c., China 49ft high

34

2-5th century Bamiyan, Afghanistan.180 ft high.

Page 35: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

Parinirvana of the Buddha, Sri Lanka, 11th-12th c. 21’ x 46’ long.

35

Page 36: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

36

Page 37: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

Thailand: Emerald Buddha (Buddha as King) 15th c.

37

Page 38: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

USA: Nam June Paik (1932-2006)

TV Buddha, 1974

38

Page 39: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

39

Seated Buddha, Senso-ji Temple, Tokyo

Page 40: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

40

Seated Buddha.Iconography (symbolism):

Meditation: act of concentrating mind onsomething deeply and carefully.

Page 41: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

41

Page 42: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

42

Page 43: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

43

Tibetan Mandala

Page 44: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

44

Map ofThailand

Kowloon urban night scene(samsara).

Page 45: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

45

Wat (temple) Si Chum, Sukhothai, Thailand.

Access to Enlightenment => on path to Nirvana

Page 46: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

46

Sukhothai BuddhaWat Si Chum, Thailand

Page 47: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

47Giant Buddha at Sukhothai, northern Thailand.

Page 48: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

48Nun praying next to gold-fingered Buddha.

Page 49: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

49Rooftop view of the Buddha. Sukhothai.

Page 50: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

50

ZEN AND BUDDHISM

Mu Ch'i "Six Persimmons" Painting Southern Song Later 13th c. Ink on paper. 14 1/4". Elemental.

OriginsHinduismBuddhism

TaoismShintoism

EssenceKoan

practice

Page 51: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

51

ZEN BUDDHISM zen (Japanese) <= ch’an (Chinese)<= India

Enlightenment sought via meditation to tap into reality by means of intuition (non-mind).Break through daily, conventional, worldly chatter (samsara)Various Devices: koans (paradoxical riddles): “What is the sound of one hand clapping?”

Bodhidharma->brought Buddhism to China,spread to Japan.Ch’an --> Zen in Japan.

Page 52: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

52

The moon

shines

without

being polished.

Page 53: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

53

Hakuin Ekaku (1865-1908), Blind Men on a Bridge. Ink on paper.

Page 54: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

54

Landscape by

Sesshu Toyo(1420-1506), Dated 1495.

Hanging scroll;Ink on paper.

Donald Keene:Characteristics of

Japanese style

SuggestionPerishabilityIrregularity

Simplification

Page 55: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

55

Buddhist Meditation

Page 56: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

56

Tea Ceremony

Page 57: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

57

Zen: Impact on West

Zen: most popular form of Buddhism for Westerners.Mostly Unknown till modern times, ~ 50 years ago.

3 Channels:1) Western scholars: Alan Watts (Beat Zen, Square Zen)

2) American servicemen and women after WWII, 1940s+. Lawrence Ferlinghetti, Nagasaki, City Lights Bookstore,

SF

3) Arrival of Asian immigrants(Japanese Tea Garden, SF, Golden Gate Park)

Most Western Buddhist practice is meditation.Influenced NY and SF “Beat” writers, and artists.

Page 58: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

58

Once again in love

once again regrets, as fleeting

as cherry blossoms.

Ishikawa Toyonobu, 18th c.

The apparition of these faces in the crowd;

Petals on a wet, black bough.

Ezra Pound, “In a Station of the Metro.”England 1926.

Haiku and Imagist poetry. HAIKU form:3 lines:5-7-5 syllables17 syllables total (in Japanese)

Page 59: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

59

Much of admiration for Japanese art can be traced toZen influences on Japanese

Architecture, poetry, ceramics, calligraphy,

Gardening, tea ceremony, flower arrangements, crafts.

Qualities: Irregular, spontaneous, simple, suggestive :

By Isamu Noguchi

Page 60: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

60

Zen, admirable qualities:SimplicityEmptinessDirectnessnaturalnessCharacteristics of

Japanese styleSuggestion

PerishabilityIrregularity

Simplification

Meditation Gardens

Page 61: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

61

ZEN FLESH, ZEN BONES: 101 STORIES

Apperception

Self-discovered person

“A special teaching without scriptures, beyond words and letters,pointing to the mind-essence of man, seeing directly into one’s nature, attaining enlightenment.”

Page 62: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

62

1. A Cup of Tea Nan-in, a Japanese master during the Meiji era (1868-1912), received a university professor who

came to inquire about Zen.

Nan-in served tea.  He poured his visitor's cup full,

and then kept on pouring. The professor watched the overflow until he could no longer restrain himself. "It

is overfull.  No more will go in!"

"Like this cup," Nan-in said, "you are full of your own

opinions and speculations.  How can I show you Zen unless

you first empty your cup?"

ZEN FLESH, ZEN BONES: 101 STORIES

Page 63: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

63

ZEN FLESH, ZEN BONES: 101 STORIES

14. Muddy Road    Tanzan and Ekido were once traveling together

down a muddy road.  A heavy rain was still falling.  Coming around a bend, they met a lovely girl in a

silk kimono and sash, unable to cross the intersection.   "Come on girl," said Tanzan at once.  Lifting her

in his arms, he carried her over the mud.    Ekido did not speak again until that night when

they reached a lodging temple.  Then he no longer could restrain himself.  "We monks don't go near females," he told Tanzan, "especially not young and lovely ones.  It is dangerous.  Why did you do that?"   

"I left the girl there," said Tanzan.  "Are you still carrying her?"

Page 64: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

64

ZEN FLESH, ZEN BONES: 101 STORIES

18. A Parable. A man traveling across a field

encountered a tiger. He fled, the tiger after him. Coming to a precipice, he caught hold of the root of a wild vine and swung himself down over the edge. The tiger sniffed at him from above. Trembling, the man looked down to where, far below, another tiger was waiting to eat him. Only the vine sustained him.

Two mice, one white and one black, little by little started to gnaw away at the vine. The man saw a luscious strawberry near him. Grasping the vine with one hand, he plucked the strawberry with the other. How sweet it tasted!'

Page 65: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

65

ZEN FLESH, ZEN BONES: 101 STORIES

49.The Black-Nosed Buddha. A nun who was searching for enlightenment made a statue of Buddha and covered it with gold leaf. Wherever she went she carried this golden Buddha with her. Years passed and, still carrying her Buddha, the nun came to live in a small temple in a country where there were many Buddhas, each one with its own shrine. The nun wished to burn incense before her golden Buddha. Not liking the idea of the perfume straying to the others, she devised a funnel through which the smoke would ascend only to her statue. This blackened the nose of the golden Buddha, making it especially ugly.

Page 66: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

66

ReviewEarly Buddhism founded by: Bodhidarma Siddhartha Chuang Tzu? Where first? Spread?

Maya, samsara, cave: what have in common?

4 Noble Truths:

8-Fold Path: rightness standard?

Middle Way

Satori, Nirvana.

Enlightenment: West, East

Mandala

Mudra

Zen’s lineage:

Special qualities? ways of learning, achieving Enlightenment?

Spread to West via:

Koan.

Page 67: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

67

10 Bulls

or

the oxherding pictures

Page 68: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

68

10   B u l l s1.  The Search for the Bull 6.  Riding the Bull Home 2.  Discovering the Footprints 7.  The Bull Transcended 3.  Perceiving the Bull 8.  Both Bull and Self Transcended 4.  Catching the Bull 9.  Reaching the Source 5.  Taming the Bull 10.  In the World

metaphor spiritual journey

Page 69: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

69

1.  The Search for the Bull

In the pasture of this world,

I endlessly push aside the tall grasses

in search of the bull.

Following unnamed rivers,

lost upon the interpenetrating paths

of distant mountains,

My strength failing and my vitality exhausted,

I cannot find the bull.

I only hear the locusts chirring

through the forest at night.

Page 70: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

70

1.  The Search for the Bull 6.  Riding the Bull Home 2.  Discovering the Footprints 7.  The Bull Transcended 3.  Perceiving the Bull 8.  Both Bull and Self Transcended 4.  Catching the Bull 9.  Reaching the Source 5.  Taming the Bull 10.  In the World

10 Bulls.

Page 71: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

71

2.  Discovering the Footprints

Along the riverbank under the trees,

I discover footprints!

Even under the fragrant grass I see his prints.

Deep in remote mountains they are found.

These traces no more can be hidden than

one's nose, looking heavenward.

Page 72: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

72

3.  Perceiving the Bull

I hear the song of the nightingale.

The sun is warm, the wind is mild,

willows are green along the shore,

Here no bull can hide!

What artist can draw that massive head,

those majestic horns?

Page 73: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

73

4.  Catching the Bull

I seize him with a terrific struggle.

His great will and power are inexhaustible.

He charges to the high plateau

far above the cloud-mists,

Or in an impenetrable ravine he stands.

Page 74: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

74

5.  Taming the Bull

The whip and rope are necessary,

Else he might stray off down some dusty road.

Being well trained,

he becomes naturally gentle.

Then, unfettered, he obeys his master.

Page 75: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

75

6.  Riding the Bull Home

Mounting the bull, slowly I return homeward.

The voice of my flute intones

through the evening.

Measuring with hand-beats the pulsating harmony,

I direct the endless rhythm.

Whoever hears this melody will join me.

Page 76: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

76

7.  The Bull Transcended

Astride the bull, I reach home.

I am serene.

The bull too can rest.

The dawn has come.

In blissful repose,

Within my thatched dwelling

I have abandoned the whip and rope.

Page 77: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

77

8. Both Bull and Self Transcended.

Whip, rope, person, and bull--

All merge in No-thing.

This heaven is so vast no message can stain it.

How may a snowflake exist in a raging fire?

Here are the footprints of the patriarchs.

Page 78: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

78

9.  Reaching the Source

Too many steps have been taken

returning to the root and the source.

Better to have been blind and deaf

from the beginning!

Dwelling in one's true abode,

unconcerned with that without --

The river flows tranquilly on

and the flowers are red.

Page 79: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

79

10.  In the World

Barefooted and naked of breast,

I mingle with the people of the world.

My clothes are ragged and dust-laden,

and I am ever blissful.

I use no magic to extend my life;

Now, before me, the dead trees become alive.

Page 80: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

80

1.  The Search for the Bull 6.  Riding the Bull Home 2.  Discovering the Footprints 7.  The Bull Transcended 3.  Perceiving the Bull 8.  Both Bull and Self Transcended 4.  Catching the Bull 9.  Reaching the Source 5.  Taming the Bull 10.  In the World

Page 81: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

81

1-3 4-7 8.

9-10. 11.

Page 82: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

82

Page 83: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

83

Carl Andre. Sixteen Steel Cardinal 16. 1974.Style: Minimalism.

Page 84: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

84Carl Andre

Page 85: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

85

DonaldJudd (1928-94)

Woodcut, from portfolio“Artists Against Torture.”

galvanized steel

Sculpture

Page 86: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

86

Works by Robert Mangold, Anthony Caro, Robert Ryman

Page 87: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

87

Page 88: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

88

Zen meditation gardens

Characteristics of Japanese style

SuggestionPerishabilityIrregularity

Simplification

Garden of Daisenin, Kyoto .

Page 89: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

89

European monastery garden Middle Ages

Views ofJapanese Zen

monastery garden,1464-1548.

Page 90: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

90

Katsura Palace pleasure garden, Japan1615-1663

Versailles Palace garden, France 1669-1685

Taj Mahal, Agra, India 1631-1643+ 5 yrs: garden

Imperial Gardens

Page 91: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

91

Once again in love

once again regrets, as fleeting

as cherry blossoms.

Ishikawa Toyonobu, 18th c.

Screen paintingand

Haikupoem.

Page 92: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

92

Once again in love

once again regrets, as fleeting

as cherry blossoms.

Ishikawa Toyonobu, 18th c.

The apparition of these faces in the crowd;

Petals on a wet, black bough.

Ezra Pound, “In a Station of the Metro.” 1926.

Haiku and Imagist poetry. HAIKU form:3 lines:5-7-5,

17 syllables (in Japanese)

Page 93: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

93

Agnes Martin,

American.

I can see humility

Delicate and white

It is satisfying

Just by itself. . .

And Trust

absolute trust

a gift

a precious gift

Page 94: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

94

Page 95: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

95

Character for “Mu” for “no thing” “no”By Tori Enji (1721-1792)

Page 96: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

96

Villa Rotunda, Palladio,Vicenza, ItalyRenaissance

Page 97: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

97

Katsura Palace, Japan

Page 98: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

98

Frank Lloyd Wright, AmericanArchitect (1867-1959).

Falling Water, Bear Run, PA., 1936

Page 99: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

99

Wright, Fallingwater, 1936.

Katsura Palace

Page 100: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

100

Page 101: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

101

Page 102: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

102

Page 103: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

103

Hakuin Ekaku (1865-1908), Blind Men on a Bridge. Ink on paper.

Page 104: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

104

Pieter Bruegel, Christ’s Parable of the Blind Leading the Blind, 1568“And if the blind lead the blind, both shall fall into a ditch.”

Page 105: A fallen flower Returning to the branch? It was a butterfly. --HAIKU POEM. Japan

105

7 Dwarves on a Log—Inspiration? Parallels?