a portfolio of photographs of trisha brown's work...october editors rosalind krauss annette...
TRANSCRIPT
A Portfolio of Photographs of Trisha Brown's Work
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Locus, 1975 Dancers: Trisha Brown, Elizabeth Garren, Judith Ragir, Mona Sulzman.
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Line-Up, 1977 Dancers: Trisha Brown, Elizabeth Garren, Lisa Kraus, Wendy Perron, Judith Ragir, Mona Sulzman.
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Water Motor, 1978
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Glacial Decoy, 1979 Dancers: Trisha Brown, Elizabeth Garren, Lisa Kraus, Nina Lundborg.
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Art I Theory I Criticism I Politics
OCTOBER
10 Hubert Damisch
Trisha Brown and
Yvonne Rainer
Babette Mangolte
Daniel Buren
Jean-Francois Lyotard
Annette Michelson, Richard Serra, and
Clara Weyergraf
Birgit Pelzer
Craig Owens
$4.00/Fall 1979
The Duchamp Defense
A Conversation about Glacial Deocy A Portfolio of Photographs of Trisha Brown's Work The Function of the Studio
Preliminary Notes on the Pragmatic of Works: Daniel Buren
R ichard Serra's Films: A n Interview Vision in Process
Earthwords
Published by The MIT Press for The Institute for Architecture and Urban Studies
OCTOBER
editors Rosalind Krauss Annette Michelson
managing editor Douglas Crimp
associate editor
Craig Owens
editorial assistant Lawanda Still
trustees, IA US: Armand Bartos, Chairman; Charles Gwathmey, President; Douglas H. Banker; Richard F. Barter; A. Bruce Brackenridge; Colin B. Campbell; Peter D. Eisenman; Ulrich Franzen; Frank O. Gehry; Edward J. Logue; Robert Melzer; William Porter; Tim Prentice; Carl E. Schorske; Frederieke Taylor; Marietta Tree; Massimo Vignelli; John E. White; Peter Wolf
OCTOBER is published quarterly by the MIT Press for the Institute for Architecture and Urban Studies. Subscriptions: students &8 retired $14.00; individuals $16.00; institutions $30.00. Foreign subscriptions, including Canada, add $3.00 for surface mail, or $13.00 for air mail. Address subscriptions to OCTOBER, MIT Press Journals, 28 Carleton St., Cambridge, Massachusetts 02142. Manuscripts, accompanied by stamped, self-addressed envelopes, should be sent to OCTOBER, IAUS, 8 West 40 Street, NYC 10018. No responsibility is assumed for loss or injury of manuscripts. OCTOBER is supported in part by a grant from the National Endowment for the Arts, a Federal agency. ? 1979 by MIT and IAUS. OCTOBER does not reflect the views of the IAUS. OCTOBER is the property of its editors, who are wholly responsible for its contents.