a quarterly newsletter from nikon issue 23 • july 09 ... - 23.pdf• d3 series,d2 series, d5000,...

ISSUE 23 • JULY 09 • MICA (P) 155/07/2009A quarterly newsletter from NIKON

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QUICK GLANCE

EVENT• SNAP• Nikon Club Photo Hunt 50-69

70Q & A CONTEST

72CONTACTS

03-21

PHTOGRAPHY TIPS BY STEVEN YEE• Travel Photography 22-33

38-49FEATURED PHTOGRAPHER• Phil Date

CONTEST• Result of Issue 22th Photography Contest • Nikon Photography Contest 36-37

FEATURED PRODUCT • Digital Camera Bracket FSB-U1• New EDG Fieldscope Series• Digital SLR Camera Attachment FSA-L2• MONARCH X 8.5x45/10.5x45 DCF• AF-S Nikkor 70-200mm f/2.8G ED VR II• Nikon D300s• Nikon D3000

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Editor Brenda Ang

Contributors Max Sim

Co. Reg. No. 199503875K

Production Wang Design Station

Feedback [email protected]

Websitewww.nikon.com.sg/focus

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Focus Newsletter was created just for you, our Nikon Customer, to keep you updated with Nikon’s latest developments and products.

Each issue of FOCUS will be packed with information, valuable tips, insightful profi les and more.

We’re here for you, and we look forward to building on a relationship that Nikon has developed with its customers over the years, and taking it to new heights!

To obtain a copy of our newsletter every quarterly, kindly log in to www.nikon.com.sg/focus for free subscription.

Thank you and enjoy reading!

Distributor Nikon Singapore Pte Ltd 80 Anson Road #10-01/02 Fuji Xerox TowersSingapore 079907 Tel: (65) 6559 3630 Fax: (65) 6559 3671

FEATURED PRODUCT - DIGITAL CAMERA BRACKET FSB-U1

We have released several Nikon Digital Camera Bracket series (FSB-1, FSB-1A, FSB-2, FSB-3, FSB-4, FSB-5, and FSB-6) which was exclusively used with one COOLPIX model excepting FSB-5. To comply with customers’ requests for the versatile bracket to be used with more COOLPIXcameras, we have developed new Digital Camera Bracket FSB-U1.

We are pleased to announce the introduction of a new digital camera bracket FSB-U1 for Nikon Coolpix camera series. Placing the bracket between a Nikon Fieldscope, Spotting Scope or EZ-Micro and the COOLPIX digital cameras enables further COOLPIX users to shoot super-telephoto or macro shots.

DIGITAL CAMERA BRACKET FSB-U1UNIVERSAL DIGITAL CAMERA BRACKET FOR DIGISCOPING – COMPATIBLE WITH NIKON COOLPIX DIGITAL CAMERAS.

RCP S$540

Front cover page PHIL DATE

Taken by Nikon D2X, 1/250s – F/11

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FEATURED PRODUCT - DIGITAL CAMERA BRACKET FSB-U1 FEATURED PRODUCT - DIGITAL CAMERA BRACKET FSB-U1

Note: If the bracket is used to combine Spotting Scope RAIII and DS Spotting Scope Eyepiece 20x/25x, only shooting (closed) position should be used.

Enable easy switching between observation and digiscoping. Comes with a 50cm cable release which helps prevent camera shake when shooting.

KEY FEATURES

• Can be used with Coolpix cameras of L2, L3, L4, L6, L10, L11, L12, L14, L15, L16, L18, L19, L20, S200, S210, S220, S230, S500, S510, S520, S610, S610c, S600, S620, S700, S710, P1, P2, P3, P4, P50, P5000, P5100, P6000

(Vignetting may occur with some COOLPIX models)

• Enables easy switching between observation and digiscoping without removing the digital camera. (If the bracket is used to combine

the Spotting Scope RAIII and DS Spotting Scope

Eyepiece 20x/25x, only the shooting (closed)

position should be used)

• Comes with cable release (approx. 50cm), which helps prevent camera shake during shooting

COMPATIBLE DIGITAL CAMERAS (COOLPIX)(as of February, 2009)

P series – P6000, P5100, P5000, P50, P4, P3, P2, P1

S series – S710, S700, S620, S610, S610c, S600 S520, S510, S500 ,S230, S220, S210, S200

L series – L20, L19, L18, L16, L15,L14, L12, L11, L10, L6, L4, L3, L2

SPECIFICATIONS

Detentions: 155mm (w) x 95mm (d) x 105mm (h)Weight: 340g

Notes

• Vignetting may occur even with compatible

models; occurrence of vignetting also depends on the

subject and other shooting conditions

• Camera position may become misaligned during camera

operation or replacement of batteries or recording media;

adjust the camera if necessary before releasing the shutter

(Removing the camera is necessary when replacing

batteries or recording media.)

• If you notice external light on the monitor or picture

image, we recommend that you use a shield such as a

black cloth to prevent light entering between the mount

and lens of the camera

• Conventional MC eyepieces cannot be used; please use

DS eyepieces for connection with the FSB-U1

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Nikon Vision Co., Ltd., a subsidiary of Nikon Corporation, is pleased to introduce the EDG Fieldscope series, a new Nikon Sport Optics brand.

The new line is called “EDG” – pronounced “edge” – because that’s exactly what users will get from them: edge-to-edge brilliance and overall leading-edge performance. We believe that nature lovers, hunters, bird watchers, outdoor photographers - everyone who loves a good view and is into digiscoping – will welcome these new fi eldscopes from Nikon.

All EDG Fieldscopes benefi t from the use of performance-proven Nikon’s ED (Extra-low dispersion) glass that assures natural color reproduction and crisp clarity. Straight models, in addition, feature dielectric high-refl ectivity multi-

layer prism coatings for higher refl ection rate and contrast than ever.

The new EDG Fieldscope series has been developed to give users unparalleled optical and mechanical performance. They are the crowning achievement of Nikon’s current series of fi eldscopes, which have gained an excellent reputation, thanks to their superb performance even under adverse weather conditions.

Seven kinds of eyepieces have been developed to enable to use these new fi eldscopes for a variety of applications under various climatic conditions. The EFP-20-60, newly developed zoom eyepiece, employs aspherical lens to minimize distortion and comfortable long eye relief (18.4-16.5mm). The FEP-25LER eyepiece has superb long eye relief (32.3mm).

The new EDG fi eldscopes offer superb features as shown below and will surely position Nikon Sport Optics at the coming generation.

OPTICAL KEY FEATURES

• Nikon’s ED (Extra-low Dispersion) glass for chromatic aberration compensation and brighter, clear viewing.

• Phase correction coated roof prism for high resolution

• Dielectric high-refl ective multilayer prism coating on roof prism for the brightest view (straight models only)

• Full multi-layer coating

• Seven kinds of new eyepiece deliver optimum optical performance; FEP-20-60 employs

aspherical lens to minimized image distortion; FEP-25 LER has ultra long 32.03mm eye relief.

STRUCTURAL KEY FEATURES

• Waterproof up to 2m/6.6ft. for 10 minuets, and fog free with nitrogen gas and O-ring seals. (main body and eyepiece joint is water-resistant)

• Three tripod mount screw holes provided for fl exible mounting position; optimum balance achieved through CAE (Computer Aided Engineering).

• Built-in sliding hood protects objective lens

• Bayonet mount with lock for eyepiece lens

• EDG eyepieces (except FEP-20-60) can be attached to a wide variety of COOLPIX-series compact digital cameras using FSB-series Digital Camera Bracket.

SPECIFICATION

EDGE-TO-EDGE BRILLIANCE AND OVERALL LEADING-EDGE PERFORMANCE

FEATURED PRODUCT - NEW EDG FIELDSCOPE SERIES FEATURED PRODUCT - NEW EDG FIELDSCOPE SERIES FEATURED PRODUCT - NEW EDG FIELDSCOPE SERIES

EDG Fieldscope 65 EDG Fieldscope 65-A EDG Fieldscope 85 EDG Fieldscope 85-A

RCP EDG Fieldscope 65/65-A : S$3466




FEATURED PRODUCT - DIGITAL SLR CAMERA ATTACHMENT FSA-L2

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Thanks to the Aperture-priority Auto Mode of D-SLR Camera connected to the FSA-L2 and the EDG Fieldscope, the camera automatically selects the shutter speed that will produce the optimal exposure.

The new EDG Fieldscopes have been developed to offer unparalleled optical and mechanical performance not only for observations but for taking superb photographs. The FSA-L2 features bright optical path with it's fully multi-layer coated lenses.

The combination of the EDG Fieldscopes and the Digital SLR Camera Attachment FSA-L2 delivers brilliant images in super-telephoto shooting.

The Digital SLR Camera Attachment FSA-L2 transforms the newEDG Fieldscopes into a 3.5x zoom super-telephoto lens of 500-1750mm (f/5.9-21) with Nikon D-SLR Cameras.

FIELDSCOPE DSLR CAMERA ATTACHMENT FSA-L2

EDG Fieldscope 65-A

EDG Fieldscope 65

EDG Fieldscope 85-A

EDG Fieldscope 85

FEATURED PRODUCT - DIGITAL SLR CAMERA ATTACHMENT FSA-L2

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KEY FEATURES

• 3.5x zoom function offers 500-1750mm (f/5.9-21) super-telephoto shooting capability with EDG Fieldscope 85/85-A.

• Allows the use of Aperture-priority Auto mode and Manual exposure mode with most Nikon D-SLR cameras.

• Attaches directly to the EDG Fieldscopes and the F mount on Nikon D-SLR cameras.

• Fully multilayer coated optics.

• Allows the use of Movie mode with D90, D5000.

SPECIFICATIONS

• Compatible Fieldscopes EDG Fieldscope 85/85-A EDG Fieldscope 65/65-A

• Compatible Nikon Digital SLR cameras

• D3 series,D2 series, D5000, D700, D300,D200, D100, D90, D80, D70 series,

• D60, D50 & D40 series (As of June 2009)

Note:

• Focus manually with the focusing ring on the

EDG Fieldscopes.

• The actual f-number and the focal length vary depending

on the actual zoom setting, while the camera display a

nd image data show the constant f-number(13) and focal

length(800mm).

• Because the optical system of the EDG Fieldscopes with

the FSA-L2 has different characteristics from Nikkor

lenses, when the EDG Fieldscope and FSA-L2 are used

for D-SLR camera, exposure may vary with the camera

model used. Use exposure compensation if necessary.

Exposure compensation may be required for the shorter

focal length area of the zoom range.

• When using a D-SLR camera with FX-format, vignetting

occurs with the focal length between 500mm

and 750mm.

Zoom

Focal length (35mm equivalent focal length)*

f/number

Exposure Modes of DSLR

Exposure Metering Method of DSLR

Mount for EDG Fieldscope

Mount for Nikon DSLR Camera

Length / Weight

3.5x Zoom

500-1750mm(750 - 2625mm) 400-1400mm (600 - 2100mm)

f/5.9-21 f16.2-22

Aperture-Priority Auto Mode / Manual Mode

Center-Weighted Metering

Bayonet mount

F mount.

150m m / 435g

with EDG Fieldscope 85/85-A with EDG Fieldscope 65/65AModel Name

35mm equivalent focal length is about 1.5x of the composite focal length of EDG Fieldscope and FSA-L2, when used with Nikon DX format digital SLR Cameras.

*

RCP S$1988

FEATURED PRODUCT - MONARCH X 8.5x45/10.5x45 DCF FEATURED PRODUCT - MONARCH X 8.5x45/10.5x45 DCF

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The new Monarch X series binoculars have been developed to aim at outdoor market. They will be positioned as the top-line models of our well-received Monarch range, featuring dielectric high-refl ective multilayer prism coating. Monarch X binoculars are also great for hunting, fi shing, bird-and-animal watching, in addition to general nature observation purpose.

Outstanding optical quality distinguishes these new products - ensured by their large 45 mm objective diameter and innovative dielectric high-refl ective multilayer prism coating. The O-ring seals and nitrogen gas inside the slim, stylish body assure that the Monarch X binoculars will stay waterproof and fog-free. Rubber coating protects the binocular body and assures a fi rm and comfortable grip.

KEY FEATURES

• Dielectric high-refl ective multilayer prism coating assures uniform and high transmittance in full visible range for bright and natural color images

• All lenses and prisms are multilayer-coated for the brightest images

• Phase-correction-coated roof prisms for high resolution

• High-eyepoint design for clear fi eld of view, even for eyeglass wearers

• Waterproof (up to 1 m/3.3 ft. for 10 minutes) and fog-free with O-ring seals and nitrogen gas

• Turn-and-slide rubber eyecups with multi-click facilitate easy positioning of eyes at the correct eyepoint

• Flip-down objective lens cap

• Lightweight, durable body uses polycarbonate resin reinforced with fi berglass and carbon fi ber

Magnifi cation

Objective diameter

Angular fi eld of view (real)

Angular fi eld of view (parent)*

Field of view at 1,000 m

Exit pupil

Relative brightness

Eye relief •

Close focusing distance

Interpupillary distance adjustment

Length

Width

Weight

8.5x

45 mm

6.3°

50.1°

110 in

5.3 mm

28.1

20.6 min

3.0 m

56-72 mm

156 min

139 mm

720 g

10.5x

45 min

6.3°

60.0°

110 m

4.3 mm

18.5

16,0 mm

3.0 m

56-72 mm

156 mm

139 mm

730 g

MONARCH X 8.5x45 DCF MONARCH X 10.5x45 DCFModel Name

Binoculars MONARCH X Specifi cations

A roof prism features one surface that does not have total internal refl ection. It is very important for binoculars’ optical performance to raise the refl ectivity of this surface.

Dielectric high-refl ective multilayer prism coating, which is composed of multiple thin layers of transparent dielectric material instead of aluminum,

Refl ectance characteristics of prism coatings on mirror surface

or other metallic layers, assures uniform and ultra-high refl ectivity in full visible range.

As a result, this technique provides almost the same brightness as that perceived by the naked eye, and clear, high-contrast images that display accurate color reproduction.

Monarch X 10.5x45 DCF

Monarch X8.5x45 DCF

RCP Monarch X 10.5x45 DCF : S$1188

RCP Monarch X 8.5x45 DCF : S$1088

Specifi cations are subject to change without any noticeWith the conventional method used previously, the apparent fi eld of view was calculated by multiplying the real fi eld of view by the binocular magnifi cation. After revision, Nikon’s fi gures are now based on the ISO 14132-1:2002 standard, and obtained by the following formula:tan ω’ = τ x tan ω, Apparent fi eld of view: 2ω’, Real fi eld of view: 2ω

*

Tokyo—Nikon Corporation is pleased to announce the upcoming release of the new fast telephoto zoom lens AF-S NIKKOR 70-200mm f/2.8G ED VR II for use with digital- and film-SLR cameras. A number of unique Nikon technologies have been adopted for this lens, including the use of seven ED glass elements, Nano Crystal Coat, a vibration reduction (VR II) system that provides camera shake compensation equivalent to increases in shutter speed by four steps, and a Silent Wave Motor (SWM).

This fast telephoto zoom lens provides the excellent performance and superior image quality demanded by professional and advanced amateur photographers.

With release of this lens, Nikon has structured an incomparable NIKKOR zoom lens system that also includes the current AF-S NIKKOR 14-24mm f/2.8G ED and AF-S NIKKOR 24-70mm f/2.8G ED for complete coverage of focal lengths from 14mm to 200mm with support for a maximum aperture of f/2.8 throughout the entire range.

The AF-S NIKKOR 70-200mm f/2.8G ED VR II offers excellent performance throughout its range of focal lengths, from the natural rendering characteristics of mid-range telephoto positions to the compressed perspective of telephoto positions. The lens makes the most of a wide variety of scenes, from portraits to staged events as well as sports photography under nighttime lighting, press photography, and scenes that require soft rendering of out-of-focus portions.

The use of seven ED glass elements provides the ultimate in rendering characteristics for capture of images exhibiting excellent resolution and high contrast. The additional use of Nano Crystal Coat effectively suppresses ghost and flare for clear images. Adoption of the Silent Wave Motor (SWM) allows for smooth and quiet zooming that makes the most of camera autofocus subject

AF-S NIKKOR 70-200mm f/2.8G ED VR II MAJOR FEATURES

• Vibration reduction (VR I I ) equivalent to increases in shutter speed by four steps

• A new optical design uti l iz ing seven ED glass elements

• Ghost and f lare suppress ion with Nano Crystal Coat

• A Silent Wave Motor (SWM) for superior autofocus that is smooth and quiet

• Three focus modes built in: M, M/A, A/M

• Aperture diaphragm utilizing an odd number of rounded blades (nine) for natural blur characteristics

• Shooting at distances as close as 1.4 m throughout the entire zoom range

• High-quality exterior design

Focal length

Maximum aperture

Minimum aperture

Lens construction

Picture angle

Closest focusing distance

No. of diaphragm blades

Filter/attachment size

Diameter x length

Weight.

Supplied accessories

70-200mm

f/2.8

f/22

21 elements in 16 groups (with 7 ED and some Nano Crystal

Coat-deposited lens elements)

34°20’ - 12°20’ (22°50’ - 8° with Nikon DX format)

1.4 m/4.6 ft. (throughout entire zoom range)

9 (rounded)

77mm

Approximately 87 x 209 mm/3.4 x 8.2 in.

Approximately 1,540 g/3.4 lb

77mm Snap-on Front Lens Cap LC-77, Rear Lens Cap LF-1,

Bayonet Hood HB-48, Flexible Lens Pouch CL-M4

AF-S NIKKOR 70-200mm f/2.8G ED VR II Specifi cations

AF-S NIKKOR 7 0 - 2 0 0 m m f/2.8G ED VR IIFast Telephoto Zoom Lens Utilizing Nano Crystal Coat

FEATURED PRODUCT - AF-S NIKKOR 70-200mm f/2.8G ED VR II FEATURED PRODUCT - AF-S NIKKOR 70-200mm f/2.8G ED VR II

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tracking systems. The lens also provides superior operation with three focus modes—M, A/M, M/A—for manual focusing or manually fine-tuning focus acquired with autofocus by simply rotating the lens’ focus ring.

The vibration reduction system (VR II) provides camera shake compensation equivalent to increases in shutter speed by four steps*. Two vibration reduction modes are available.

NORMAL mode: The vibration reduction mechanism reduces ordinary camera shake. Panning is also supported.

ACTIVE mode: The vibration reduction mechanism reduces extreme camera shake, such as that which occurs with shooting from a moving vehicle.

*As determined in Nikon performance tests

Construction of AF-S NIKKOR 70-200mm f/2.8G ED VR II

Specifications and equipment are subject to change without notice or obligation on the part of the manufacturer.Information current as of July 2009.

RCP TBA

(extension from lens mount)

FEATURED PRODUCT - NIKON D300s FEATURED PRODUCT - NIKON D300s

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TOKYO – Nikon Corporation is pleased to announce the introduction of its new DX-format digital SLR fl agship, the Nikon D300S.

As well as inheriting the fi nest features of the highly acclaimed D300, the D300S boasts many innovative enhancements and is designed to meet an even broader scope of creative demands from serious photographers.

First and foremost, the D300S possesses the superb product quality required of the fl agship of Nikon’s DX-format digital SLR camera line: 7 frames-per-second*1 high-speed continuous shooting, exceptional accuracy thanks to the 51-point AF system and approx. 100% viewfi nder coverage,

plus dual card slots and the rugged durability that enables the camera to work under extreme conditions.

What’s more, an enhanced D-Movie function provides new features, such as an external microphone input for stereo sound recording and AF capability with contrast-detect AF during movie recording. Such outstanding specifi cations in a trim, responsive, versatile DX-format digital SLR will give any serious photographer an extra measure of agility, for traveling and shooting with greater ease.

On top of this, users can choose from the extraordinary range of more than 60 NIKKOR lenses, and Nikon’s Total Imaging System — benefi ts that

give the D300S a special advantage in terms of creative D-SLR versatility.*1 Based on CIPA Guidelines.

NIKON D300S FEATURE HIGHLIGHTSHigh-speed performanceOne major advancement of the D300S is its ability to shoot as fast as 7 frames per second,*1 with Rechargeable Li-ion Battery EN-EL3e (included), and up to 8 frames per second*2 when using the optional Multi-Power Battery Pack MB-D10 and Rechargeable Li-ion Battery EN-EL4a. It also offers a rapid startup time of approx. 130 milliseconds and an amazingly short shutter release time lag of only 49 milliseconds*1.*1 Based on CIPA Guidelines.

*2 Based on CIPA Guidelines. Battery Chamber Cover BL-3

required for Rechargeable Li-ion Battery EN-EL4a.

Refi ned D-MovieThe D300S’s advanced D-Movie function benefi ts from a number of functional and technological advancements, including an external stereo microphone input enabling high-fi delity audio, plus in-camera movie editing, allowing the trimming of clips. And in Tripod mode, the D300S features contrast-detect AF. Yet another means of enhancing the dramatic impact of HD video is by taking advantage of the wide selection of fi nest-quality NIKKOR interchangeable lenses – from ultra-wide-angle and fi sheye to super-telephoto – for incredibly sharp results. What’s more, the camera’s versatile Picture Control adjustment options let you modify the tone and color of HD video clips with remarkable ease.

AF system with high-density 51-point AFThe D300S’s Multi-CAM 3500DX AF sensor module provides an exceptionally wide area of AF coverage. With 51 AF points densely positioned across the frame, it’s designed to capture your subject accurately, even when its movement is unpredictable. Moreover, it utilizes 15 powerful cross-type sensors in the center of the frame to give

you the ultimate in detection performance with any AF NIKKOR lens of f/5.6 or faster. You can also choose to shoot with 11 focus points.

The 51 AF points are employed in various focus area modes, according to subject conditions. Single-point AF mode allows you to choose a single AF point from among the 51, and in dynamic-area AF mode, you can select from 9, 21 or 51 AF points.The 51-point option offers 3D-tracking mode, which automatically shifts the focus point to match the subject’s movements. Auto-area AF mode specializes in focusing on people, automatically detecting and prioritizing skin tones with all 51 points.

Large, bright viewfi nder with approximately 100% frame coverageThe D300S’s viewfi nder features an eye-level pentaprism with approx. 100% frame coverage

Nikon latest flagship DX-format DSLR combines professional-level performance with agility and enhanced D-Movie capabilities to deliver a new measure of creative versatility.

RCP TBA

FEATURED PRODUCT - NIKON D300s FEATURED PRODUCT - NIKON D300s

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and approx. 0.94x magnifi cation. The large, bright viewfi nder makes for easier, more accurate composition.

DX-format CMOS image sensor; 12.3 effective megapixelsThe D300S employs Nikon’s renowned DX-format CMOS image sensor that provides 12.3 effective

megapixels. It delivers extraordinary image quality throughout a wide ISO sensitivity range of ISO 200 to ISO 3200 with low noise. In addition, Lo 1 for ISO 100 equivalent and Hi 1 for ISO 6400 equivalent are also available.

Initial image capture data can be quickly and accurately transferred using 14-bit integrated A/D conversion. All successive internal processing is then handled at a full 16 bits. The resulting output reveals breathtaking details and remarkably smooth tonal gradations.

EXPEED image processingNikon’s comprehensive EXPEED image processing utilizes an accumulation of sophisticated Nikon

intelligence and technologies to ensure impeccable quality for both still images and movies, while also achieving high-speed processing and low power consumption. It also effectively reduces lateral chromatic aberration.

Scene Recognition System makes the most of the 1,005-pixel RGB sensorNikon’s intelligent and exclusive light metering sensor applications have undergone a refi ning

process that has led to a b reak th rough t e c h n o l o g y , the Scene R e c o g n i t i o n System, which uses precise color and brightness information from

the 1,005-pixel RGB sensor to push accuracy levels for autofocus, auto exposure, i-TTL fl ash control and auto white balance to an unprecedented level. And in playback mode, the added Face Detection System lets you instantly zoom in on a human face in the high-resolution, 920k-dot LCD monitor.

Dual card slots for CF/SD memory cardsNew for the D300, the D300S provides dual card slots, enabling the simultaneous use of

both CompactFlash* and SD memory cards and allows photographers to designate the primary recording slot. For the slot designated as secondary, photographers can select from three recording methods: “Overfl ow” recording lets you use the memory capacity of the secondary card when the primary card is full, automatically; “Backup” recording stores the same images on both cards;

and “RAW primary, JPEG secondary” recording lets you record RAW data and JPEG data separately to each card. You can also copy images between the two memory cards. And when shooting D-Movie clips, it allows you to select the slot containing the card with the most available capacity.* Type I compatible only.

Engineered durabilityTested on fully assembled cameras, the shutter mechanism assembly has been proven for 150,000 cycles under demanding conditions. The ruggedly constructed D300S employs a strong yet lightweight magnesium alloy for its exterior cover, chassis and mirror box, as well as for the cover of the optional

Multi-Power Battery Pack MB-D10. The camera also offers comprehensive countermeasures at key points to combat invasive moisture and dust.

Easy-to-access Live View modeLive View function, activated by pressing the dedicated Live View button, makes it easy to shoot while composing on the LCD monitor.

In Handheld mode, which allows you to recompose the frame prior to actual shooting, TTL phase-detection AF using 51 AF points is activated. Tripod mode is designed for precise focus accuracy with still subjects. It allows contrast-detect AF on a desired point within a frame.

Quiet Shutter-release mode for nonintrusive shootingOne more advancement over the D300 is that by selecting “Q” on the release mode dial,

photographers can opt to substantially reduce the sound of the camera’s mirror-down during shooting. This is particularly useful when shooting in restrictive conditions such as when photographing wildlife.

Active D-Lighting for smooth tone reproduction in high-contrast lightingBy localizing tone control, Active D-Lighting accurately restores the details in shadows and highlighted areas which are often lost in high-contrast lighting situations. Simply choose the appropriate setting — auto, extra high, high, normal, low or off — prior to shooting. For further options that will help you achieve your desired tone, the D300S also allows you to bracket your pictures with varying strength levels, for up to fi ve frames, perfect for diffi cult lighting situations or if you don’t have the time or experience to select just one Active D-Lighting setting.

Picture Control: Customize the visual style of your imagesNikon’s Picture Control enables you to create the pictures you envision, quickly and easily, by making specifi c selections and adjustments to image sharpening, contrast, brightness, saturation

FEATURED PRODUCT - NIKON D300s FEATURED PRODUCT - NIKON D3000

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and hue. And with other Picture Control-compatible cameras, as long as the settings are the same, you’re able to obtain the same picture tone. The D300S offers four preset Picture

Control options — Standard, Neutral, Vivid and Monochrome. Your can also download two additional presets, Portrait and Landscape, from the Nikon website.

Built-in fl ash with 16mm lens coverage With a guide number of approx. 17/56 (m/ft., ISO 200, 20°C/68°F) and 16mm lens coverage – wider than the 18mm of the D300 – the high-performance built-in fl ash supports Nikon’s original i-TTL fl ash control that evaluates fl ash exposure with greater precision for exceptional results. Compatible with the Nikon Creative Lighting System, the built-in fl ash controls up to two groups of remote units as a master/commander in Advanced Wireless Lighting.

Multi-Power Battery Pack MB-D10 (optional)The optional Multi-Power Battery Pack MB-D10 supports three types of batteries: R6/AA-size batteries, along with Nikon’s Rechargeable Li-ion

Battery EN-EL3e and Rechargeable Li-ion Battery EN-EL4a. It combines added stability with extended shooting of up to approx. 2,950 shots*1 per charge and enables faster high-speed continuous shooting at up to 8 fps*2.

Tokyo — Nikon Corporation is pleased to announce the newest addition to its family of quality DX-format digital SLRs, the D3000. Combining in-camera assistance and supreme ease-of-use with Nikon’s renowned technology, the D3000 is the ideal choice for people looking to upgrade from their point-and-shoot camera to a digital SLR.

The D3000 features a new Guide mode – a hassle-free way for less-experienced picture-takers to master the capabilities of digital SLR cameras. Through its intuitive user-friendly interface, Guide mode assists users in choosing shooting modes for a variety of situations and, if they choose, in exploring advanced photographic techniques. From close-ups and landscapes to portraits with soft backgrounds and picture-taking opportunities of fast-moving action, Guide mode eases users into the world of digital SLR photography. In addition, settings made with Guide mode can even be fi ne-tuned before the shot in order to achieve the best possible photos.

Despite its simple interface, the D3000 delivers exceptional picture quality. Thanks to 10.2

effective megapixels, Nikon’s DX-format CCD sensor, exclusive EXPEED image processing system, and compatibility with an extensive selection of legendary NIKKOR lenses, the D3000 produces fi nely detailed images that can be freely cropped and enlarged while retaining sharpness.

Extending the D3000’s excellent performance is Nikon’s exclusive Scene Recognition System, Active D-Lighting, continuous shooting up to 3 frames-per-second, advanced 3D Color Matrix Metering II, and 11-point selectable autofocus.

For comfortable viewing when playing back images and retouching photos, the D3000 features a bright 3.0-in., 230k-dot TFT LCD monitor. The large monitor also improves r e a d a b i l i t y of menus thanks to a font size that is 20% larger than that of the D60.

*1 Based on CIPA Standards. When Rechargeable Li-ion Battery

EN-EL3e is used for camera body, together with Rechargeable

Li-ion Battery EN-EL4a and Battery Chamber Cover BL-3 for the

Multi-Power Battery Pack MB-D10.

*2 Based on CIPA Guidelines. When Rechargeable Li-ion Battery

EN-EL4a and Battery Chamber Cover BL-3 are used for the Multi-

Power Battery Pack MB-D10, all of which are sold separately.

Additional Nikon D300S Features

• Virtual Horizon that is available in Live View shooting.

• 3-in., 920-k dot high-resolution LCD monitor.

• Highly effi cient energy-saving design allows as many as 950 images on a single charge of the Rechargeable Li-ion Battery EN-EL3e. (CIPA Standards)

• Nikon’s Integrated Dust Reduction System including Image Sensor Cleaning function that provides effective dust reduction.

• Versatile in-camera Retouch Menus let you enhance your images without using a computer.

• Compatible with HDMI (High-Defi nition Multimedia Interface) output. Type C connector (mini size) is employed.

• With the optional GPS Unit GP-1, location information such as latitude, longitude, altitude and time are automatically recorded to each image’s Exif data.

• Exclusive Nikon Software — Nikon Transfer and ViewNX software packages (supplied) for a range of basic photo browsing and editing operations; Capture NX 2, Camera Control Pro 2, and Image Authentication Software (all optional) enable more advanced operation and image editing.

July 30, 2009

New, Intuitive Guide mode and extraordinary

10.2-megapixel image quality provide first-time users with an

ideal way to experience the world of digital SLD photography.

RCP TBA

EN-EL3e EN-EL4a with optional BL-3

8 x AA-sizeBatteries

FEATURED PRODUCT - NIKON D3000 FEATURED PRODUCT - NIKON D3000

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Extensive in-camera image control is available using Nikon’s Picture Control System, which allows users to customize key digital image characteristics to suit personal preferences. For additional creative control, the D3000 includes comprehensive in-camera editing functions via its Retouch Menu that enhance photos with a variety of effects – without the need for a computer.

Whether it’s grabbing point-and-shoot snapshots or exploiting techniques commonly used by more advanced photographers, the D3000 offers an easy, inviting way to experience the world of digital SLR photography and obtain beautiful pictures.

NIKON D3000 FEATURE HIGHLIGHTS

New Guide modeIn-camera guidance is provided by new Guide mode, which employs an easy-to-use interface that makes it easy for fi rst-time users to select shooting modes. Additionally, after selecting an item in Guide mode, camera settings can be further adjusted in order to obtain optimal results. (See diagram A).

Nikon DX-format CCD sensor; 10.2 effective megapixels

At 10.2 effective megapixels, the D3000 produces high-resolution images that enable beautiful enlargements without loss of sharpness. Normal ISO sensitivity is ISO 100 to 1600. For added shooting versatility, a Hi 1 setting increases sensitivity to ISO 3200.

EXPEED image processing systemThe D3000 is equipped with Nikon’s EXPEED image processing system. EXPEED realizes excellent

resolution, long tonal scale, and superb color while also making possible fast processing of the D3000’s advanced imaging functions such as Scene Recognition and Active D-Lighting.

Scene Recognition SystemThis feature improves accuracy for exposure, white balance, and autofocus by analyzing color and illumination over the entire scene milliseconds prior to shooting. It then adjusts the D3000 accordingly for optimal picture quality.

Active D-LightingThe D3000 incorporates Nikon’s Active D-Lighting function to vastly improve details in the shadows and highlights of high-contrast scenes. Like the Scene Recognition System, Active D-Lighting utilizes the 420-pixel RGB sensor to analyze a scene then adjust exposure to achieve images that closely resemble what the human eye sees. During processing, this function also restores details in the highlight and shadow areas of the image that may have been lost.

11-point AF system with Multi-CAM 1000 autofocus sensor moduleEmploying 11-point autofocus driven by Nikon’s Multi-CAM 1000 autofocus sensor module, the

D3000 delivers fast, precise focus over a wide area of the frame. Four versatile AF modes are available: single-point AF for stationary subjects, especially ones that are off-center; dynamic-area AF for moving subjects; auto-area AF when you want the D3000 to automatically determine the proper focus method; and 3D-tracking (11 points) AF for maintaining focus on subjects even if the composition changes.

3.0-in. LCD monitorImage playback and viewing menus is now easier than ever thanks to the 3.0-in., 230k-dot TFT LCD monitor. The large monitor also results in text size that is 20% larger than on previous Nikon digital SLR cameras.

Picture Control SystemThe Picture Control System of the D3000 gives users

the ability to customize key digital image capture characteristics to suit personal preferences. Six settings are available: Standard, Neutral, Vivid, Monochrome, Portrait, and Landscape.

Diagram A

In-camera photo editingAfter shooting, the D3000’s photo editing functions allow for in-camera retouching, lessening the need for a computer to enhance or modify images. The D3000 introduces a new Miniature effect under its Retouch Menu that modifi es images to look like pictures of miniature models. Each editing function is applied to a copy of the image, with the original left unmodifi ed.

Nikon Integrated Dust Reduction SystemDust reduction is handled by the Nikon Integrated Dust Reduction System. This is a comprehensive

solution that reduces generation and accumulation of dust and also provides measures to remove dust. A key element of the solution is the Airfl ow Control System, which directs dust away from the image sensor. The system also includes an image sensor cleaning function that activates automatically when the D3000 is powered on or off. This vibrates the low-pass fi lter (located in front of the sensor) to free it from dust.

Superb NIKKOR lensesThe D3000 opens up a wide range of possibilities for dramatic expression thanks to full compatibility with the extensive lineup of NIKKOR AF-S and AF-I lenses. From ultra wide-angle and micro to super telephoto, NIKKOR lenses give users the means to explore their creativity to the fullest.

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PHOTOGRAPHY TIPS PHOTOGRAPHY TIPS

From my survey among most of my students, travel photography is arguably one of the most liked topics in photography. In itself, travel photography is also a specialization. From the above quotes, one can imagine how travel photography changes the lives of many people, especially their perception of what life is.

What exactly is travel photography? How do we defi ne travel photography? Do we simply just buy a ticket, fl y to some place out of the border of your country, take out your camera and snap whatever you see? Or for some, could it be merely snapshots of your loved ones with some famous mountains in the background? Can travel photography be defi ned?

Certainly it can be defi ned. Strictly defi ned and adapted from The Royal Photographic Society of Great Britain, travel photography is documentary record photography with a travel connection.

“The traveler was active; he went strenuously in search of people, of adventure, of experience. The tourist is passive; he expects interesting things to happen to him. He goes ‘sightseeing.’”

Daniel J. Boorstin. The Image:

A Guide to Psuedo-Events in America, 3.2, 1961

“A good traveller has no fi xed plan and has no intent on arriving.”

Lao Zhu

(Ancient Chinese Philosopher, c 604 B.C.)

“If it is better to travel than to arrive, it is because traveling is a constant arriving, while arrival that precludes further traveling is most easily attained by going to sleep or dying.”

John Dewey. Human Nature and Conduct:

An Introduction to Social Psychology, 4.1, 1992.

For example, it may record a journey, a travel experience, a place, which may include its people, a collection of items specifi c to a place, a culture in its natural state or an activity carried out at a place. The distance travelled to compile the portfolio is not important. The photography can be taken in any country in the world including Singapore. Manipulation by digital or other means, which SIGNIFICANTLY alters the truth of the situation or event, is unacceptable. With this defi nition, one can be more focused on this specialization call travel photography.

From my years of being in the shoes of a travel photographer, I would like to share with you the following pointers that could be useful in your journey of travel photography.

Research and PlanKnow yourself; know your terrain, half the battle won. It is important to do research

on the place you are going instead of going there and lose your way. You do not have the luxury of time to spend more than 3 months to slowly discover a place unless you decide to quit your job. If you hardly have less than a week, it is important to know what the things you are expected to see and what are the places you should visit. There are many guide books on the shelves of the book stores; at least they are mostly updated. If you borrow the guide books from other sources, do make sure that they are not outdated or else you will end up in a different place. It is also important to know who to contact if you need help, such as the contact number of the embassies.

If possible, get a local guide

If you are going on your own or with a few friends, you may like to hire the

services of an experienced local guide or driver who knows where are the places you should not miss. Do tell them to bring you to places where the locals often go, as this will shed new light to how the

TRAVEL PHOTOGRAPHY

In this fourteenth part of a series of techniques, Steven Yee shall

share with you tips in taking travel photography shots. A professional

photographer and photography instructor, Steven Yee conducts

the Nikon D40/40X, D60, D80, D5000, D90, D300, D700 workshop

monthly at Knowledge Bowl (www.knowledgebowl.com.sg)

“The traveler sees what he sees, the tourist sees what he has come to see. The whole object of travel is not to set foot on foreign land; it is at last to set foot on one’s own country as a foreign land.”

Gilbert K. Chesterton

“Who lives sees much. Who travels sees more.”

Arab proverb

The world is a book, those who do not travel read only one page.”

Saint Augustine (354-430)

“Travel makes one modest. You see what a tiny place you occupy in the world.”

Scott Cameron

“To feel at home, stay at home. A foreign country is not designed to make you comfortable. It’s designed to make its own people comfortable.”

Clifton Fadiman

1 2

2

MOTIFSNikon D2X, Centre Weighted metering, Daylight White Balance, ISO400, Aperture Priority Mode, Shutter speed 1/50s, Aperture f4.5, 18-200mm VR set at 62mm

Look out for motifs or patterns on the cloth, textile, walls of places of religion and you can see how the motifs refl ect the culture of a place.

RELIGIONNikon D2X, Centre Weighted metering, Daylight White Balance, ISO800, Aperture Priority Mode, Shutter speed 1/60s, Aperture f5.6, 18-200mm VR, set at 170mm, EV -0.7

Taken in Tibet, the monks were chanting and the burning incense added a feeling of spirituality to the image.

1

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locals live. If you are on those packaged tour groups with more than 40 people on the tour bus, this is probably more of a family sight seeing holiday. Hence, this is very much dependent on what type of tour you are looking at.

Things to shoot For myself, I have a checklist of things to look out for when I do my travel

photography. I would go to the book shop, to the library or search the internet for resources or photographs for reference. Samples of my checklist can be found in the subsequent pages. The checklist is as below:

Stay healthy The worst thing that can happen is to travel while you are sick. A terrible sinus can ruin

your morning shoot. A tummy ache from eating the unhygienic food from the roadside store (too tempting to resist) can cause much inconvenience especially in a place where toilet facilities are rare. To travel without adequate medicine supply is as bad as trying to fry a fi sh in a wok without oil but water only. If you are for the fi rst time going to places of high altitude, such as 3800m above sea level, you may like to be mentally prepared for breathlessness and spinning headache. I usually bring adequate supply of medicines, which I can share with my compatriots if they fall sick too.

Logistics Heard of the cruel cycle of digital travel photography? It goes something like this….

No power supply = no charging of batteries = batteries fl at = no photography

I always ensure that I will stay in a reasonably good hotel with adequate and constant power supply. The worst that can happen is while one try to save a few hundred dollars, stay in some crappy hotels that shut down power supply from 10pm to 6am, and next comes one of the best sunrise ever by the lake with boat rowers coming towards you out from the fog, and your battery is fl at! I also bring along the multi socket plug so that I can charge several devices at a go. I bring along 2 sets in case anyone of them got smashed in the luggage.

I also ensure that my transport is good to last the trip. There was once, due to peak season, we had to make do with a reasonably “good” vehicle which had tyre threads that seem to be smoothened. We had to pray we do not encounter slippery curbs.

Ethics

“To feel at home, stay at home. A foreign country is not designed

to make you comfortable. It’s designed to make its own

people comfortable.”

Clifton Fadiman

It is important to respect the ethics of the people in different places. What may seem disgusting to you may be a norm for them. For me, I just photograph and move on, do not make any negative comments which may make them unhappy.

Be mentally sane during long journey

The longest journey I have tried is to leave a town at 6am and reach another town at

12 midnight in Northern Xinjiang, China. Another long journey is to travel through the Taklimakan Desert in Southern Xinjiang, China. It is known as the Death Desert highway, as there is simply not much existence of any life along the highway, except for scenes of dunes after dunes. I can choose to be constantly on the lookout for subjects

Coming up in the next issue, do look out for an article on photographing texture. Do not miss this article as Steven Yee shares with you how to make the best out of textures.

COMING UP NEXT...COMING UP NEXT...

Text and Pictures By Steven Yee Pui ChungMBA, B.Eng (Mech), FRPS, FPVS, FPSS, FPSM, Hon.FPSM, Hon.FKCC, AFIAP

• Buildings Architecture

• Portraits & People

• Transport

• Leisure & Sports

• Motifs

• Places of Interest &

Landmark

• Alleys

• Cultural Performance

• Food

• Plants

• Night Life

• Scenery & Landscape

• Religion

• Small things & Signages

• Souvenirs & Handicrafts

• Animals

and shoot through the window of the moving bus, using Aperture Priority mode, ISO800 and with the biggest aperture. But there will be time when you are sick of shooting the dunes, and you have 6 more hours of travel journey. What I usually do is to bring along a few movie DVD. 6 hours is more than enough to watch 3 shows, and you will be amazed at how time fl ies and your mood remain good. For better mood, try watching MR BEAN DVDs.

Backup

You spend so much time, money and effort in getting the photographs. It is important

to bring along portable external hard disks to store your images. Do expect to have about 4GB to 8GB of JPEG images per day. This is why I do not shoot with RAW fi les, as the space will be horrendous. I also bring along backup DSLR bodies and lenses. For less important trips, I will bring along the digital compact camera as a backup.

Travel and Shoot wisely

What to bring along for the trip? I prefer to travel light; hence I usually have

my DSLR body, 10.5mm DX fi sheye, 12-24mm DX lens and the 18-200mm VR DX lens. I have seen photographers bringing along 8kg load of equipment with the various f2.8 fast lenses. If you intend to go for a trekking tour and without a Sherpa to help you, and you do not have a strong physique, it may not be advisable to tug along the 8kg load of equipment. Know your limits!

Time of the day

Our wakeup call is usually 4.30am, especially if we had to travel long

distances to our destination to photograph the sunrise or if the location experience very early sunrise. The better time to photograph with good lighting is the few hours after sun rise and the few hours before sunset. These are the time where we often experience that warm golden light. Midday sun tends to give harsh lighting which can wash out details, hence the need for ND4 fi lters.

Select pictures everyday

I try to make it a point to select my better pictures everyday instead of waiting to do

so when I get back to Singapore. Procrastination is something to be avoided. I have experienced it before. There is always the excuse “I have no time to run through so many images”, and before you know it, your next trip is coming.

The pointers above are not exhaustive but if you bear them in mind and study the case studies below, travel photography is enjoyable.

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PHOTOGRAPHY TIPS

SCENERY & LANDSCAPE (BELOW)

Nikon D2X, Centre Weighted metering, Daylight White Balance, ISO320, Aperture Priority Mode, Shutter speed 1/1000s, Aperture f4.5, 18-200mm VR set at 70mm, EV -0.3

What attracted me to photograph this picture is how the cloud formation cast shadow and highlight on the trees. This was taken in Northern Xinjiang, China, along the road. I shot this through the window of the moving bus.

FOOD (ABOVE)

Nikon D2X, 3D Matrix metering, Daylight White Balance, ISO400, Program Mode, Shutter speed 1/160s, Aperture f6, 18-200mm VR set at 200mm

Try to photograph food which is unique to the country. For Singapore, one can easily identify food like Char Kuay Teow, Rojak etc. I usually try to take pictures of the food before I eat them. The above pix is a takeaway Vietnamese noodles fried with beef, from the road side stall. Well, the takeaway is not mine but for a local Vietnamese, I just happen to pass by and request to take a shot.

PLACES OF INTEREST & LANDMARK(LEFT)

Nikon D90, 3D Matrix metering, Auto White Balance, ISO200, Aperture Priority Mode, Shutter speed 2s, Aperture f11, 18-200mm VR, set at 18mm, EV -0.7

When we mention places of interest and landmark in Singapore, one of the very fi rst thing that comes to one’s mind would be the Merlion, the Raffl es Hotel, the Esplanade etc. Every country has some places of interest and landmark. These are things that you should not miss.

SMALL THINGS AND SIGNAGES (LEFT)

Nikon D2X, Centre Weighted metering, Daylight White Balance, ISO320, Program Mode, Shutter speed 1/250s, Aperture f7.6, 18-200mm VR set at 70mm

Signage can tell a story of a place, be it the products or local specialty. No doubt English language is a universal language in many countries; you may expect to see some amusing texts on the signboards in certain places. These are images worth collecting.

PHOTOGRAPHY TIPS

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PORTRAITS AND PEOPLE (BELOW)

Nikon D2X, Centre weighted metering, Daylight White Balance, ISO800, Aperture Priority Mode, Shutter speed 1/80s, Aperture f4.2, 18-200mm VR at 24mm

Try to explore both the modern and rural side of the country. The below picture was taken in the Northern Territories of Hong Kong and I had to take a long journey via the MTR and by rail to reach this village. These three grand old ladies are probably the last few who still wear the old dresses and sport their unique hats.

ANIMALS (LEFT)

Nikon D2X, 3D Matrix metering, Daylight White Balance, ISO320, Program Mode, Shutter speed 1/200s, Aperture f7.1, 18-200mm VR set at 70mm

Stray cats, wild birds, any creatures which are unique to the country and that roam the streets or territory of the place deserve a place in your travel portfolio of images.

PLANTS (ABOVE)

Nikon D2X, Centre weighted metering, Daylight White Balance, ISO100, Aperture Priority Mode, Shutter speed 1/750s, Aperture f3.5, 18-200mm VR set at 125mm

Taken in Northern Xinjiang, China. I am not sure what species of Lalang (if it is Lalang in the fi rst place) is this, but what attracted me is how they glow under the back light. For Singapore, not to be missed will be our national fl ower Vanda Miss Joaquim orchid plant. There are many species of fungus, fl oral and fauna all over the world. If you can, try to photograph a few.

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PHOTOGRAPHY TIPS

NIGHT LIGHTS (BELOW)

Nikon D2X, Centre Weighted metering, Daylight White Balance, ISO100, Aperture Priority Mode, Shutter speed 14s, Aperture f9, 18-200mm VR set at 22mm

Look at brochures, internet resources and books and do not miss night scenes of the country you are visiting. This picture was taken at the Peak in Hong Kong.

CULTURAL PERFORMANCE (LEFT)

Nikon D2X, Centre Weighted metering, Auto White Balance, ISO800, Manual Mode, Shutter speed 1/200s, Aperture f5.6, 18-200mm VR set at 150mm

Do not miss those cultural performances. Many travellers avoided cultural performance because they thought these are nothing but commercialized performances. However, if you do manage to attend a good performance with authentic setups, you will be able to thoroughly enjoy the essence of the local cultural fl avour. No harm trying.

LEISURE AND SPORTS (ABOVE)

Nikon D2X, 3D Matrix metering, Daylight White Balance, ISO320, Program Mode, Shutter speed 1/640s, Aperture f12, 18-200mm VR set at 70mm

Taken from the Changi Sailing Club, this picture shows some of our local favourite sea sports. One can easily fi nd out from guide books on the locals’ favourite or unique leisure life and sports.

PHOTOGRAPHY TIPS

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PHOTOGRAPHY TIPS

BUILDINGS & ARCHITECTURE (BELOW)

Nikon D2X, 3D Matrix metering, Daylight White Balance, ISO500, Aperture Priority Mode, Shutter speed 1/125s, Aperture f4.5, 18-200mm VR set at 46mm, EV -1.0

The Buildings and architecture from past and present do refl ect about a country’s unique culture. Great

buildings or architecture from the past reveal a country’s past splendours and might, while new modern sky scrapers

or refurbished old buildings reveal a country’s economic strength and effort in

architectural preservation.

TRANSPORT (LEFT)

Nikon D2X, Centre Weighted metering, Daylight White Balance, ISO100, Shutter Priority Mode, Shutter speed 1/15s, Aperture f6.7, 18-200mm VR set at 82mm

For Singapore, one of our unique transports will be the trishaw. The rickshaws are long “extinct”. Though the trishaws are now mainly used to ferry tourists, you will be surprised that they do fetch some locals for short distances. Even our trolley buses, Duck tours etc are worth photographing. It will be a surprise also to fi nd out whether you know how many taxi companies we have in Singapore now. Do this likewise when you are in other country and see what are their transports systems.

ALLEYS (ABOVE)

Nikon D2X, Centre Weighted metering, ISO400, Aperture Priority Mode, Shutter speed 1/1000s, Aperture f5.3, 18-200mm VR set at 105mm, EV -0.7

If you not travelling alone, you may like to explore the alley and back lanes where you can fi nd some interesting objects such as abandoned stuff, people feeding the animals and others. But do be careful if you are doing so alone, as the very last thing you want to happen to you is getting mobbed at the alley.

SOUVENIRS AND HANDICRAFTS (RIGHT)

Nikon D2X, Centre Weighted metering, Daylight White Balance,

ISO400, Progra, Mode, Shutter speed 1/6s, Aperture f5.6, 18-200mm

VR set 24mm

Handicraft workshops or souvenir showroom are often shunned by some photographers who believe that these

are places mainly for tourists. What they may not realize is behind the scenes, especially in the workshop, you can

expect to see many interesting activities such as the production of the handicraft

and souvenir. This picture was taken at the back of a souvenir shop that sells

pottery. I asked the worker to help do a demonstration after seeking permission

from the shop manager.

PHOTOGRAPHY TIPS

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Send in your best ‘Travel’

shot and WIN a Nikon

COOLPIX S230 worth

S$399 plus a chance to have

your work featured in our

next issue. Contest is open

to all Nikon users.

To participate, fi ll in the form and attach it with your entry. Closing Date: 15 SEP 2009

TERMS & CONDITIONS• Eligibility – Open to all Nikon users residing in Singapore except Nikon staff; photo must be taken by Nikon camera only • Each photographer is only allowed one entry with one photo • Only prints in 8X10 size will be accepted or send to [email protected]. For more information, please visit: www.nikon.com.sg/focus • Print submitted are not returnable • Nikon will not be held for entries lost or damaged Nikon reserves the rights to use any photograph entered for publicity and other purposes • The entries will be judged on their relevance to the theme, creativity and overall technical quality • The winner will be notifi ed by post and his/her name will be published in the next issue of FOCUS

Send entry to: FOCUS PHOTOGRAPHY CONTESTNikon Singapore Pte Ltd, 80 Anson Road, #10-01/02, Fuji Xerox Towers, Singapore 079907

Contact No. (HP):Name: Age:Male:

Female:NRIC: Contact No. (O):

Address: Email:

Tile of Photo:

Photo Taken by (Model & Setting / Mode)

FOCUS PHOTOGRAPHY CONTEST – TRAVEL

PHOTOGRAPHY CONTEST PHOTOGRAPHY CONTEST

036036ISSUE.23

[ SINGLE LIGHT ]The Winning Entry Of Focus Photography Contest

WINNER JOEWIE KOH TITLE HIDING FROM THE LIGHTPHOTO TAKEN BY NIKON D70S, LENS: AF-S DX ZOOM-NIKKOR 18-70MM F/3.5-4.5G IF-ED AT 18MMSETTING: MANUAL, ISO 1600, F/3.5, 1/25 SEC

focus

contestPHOTOGRAPHY

PORTFOLIOFEATURED PHOTOGRAPHER - PHIL DATE FEATURED PHOTOGRAPHER - PHIL DATE

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Phil Date’s fresh, classic photography has

developed into his nationally-recognized

signature style referred to by cl ients and

fol lowers as, natural ly, “very Phil Date”.

What began as a hobby throughout his

travels in Asia developed into not only a

successful career change to professional

photography, but also Phil’s establishment

of one of the world’s top micro-stock

contributors, EastWest Imaging.

Phil studied Actuarial Science at the

University of Kent @ Canterbury, and went

on to London to work in f inance. During

this t ime he visited Malaysia frequently,

the country that was home to many of

his classmates from Kent. Each time he

returned, his love of Asia grew stronger, as

did his awareness that he was not meant

to be desk bound in London. He looked for

a change that could enable him to work in

Asia, and was soon teaching Mathematics

at Tanglin Trust School in Singapore. He

continued to enjoy travel l ing as he explored

the region (with his new F65 in tow), and

sharpened his ever-developing aptitude for

photography.

Phil, always up for a challenge, soon began

studying studio portraiture in Singapore.

As he began to build his home studio

(equipped his new D70) he photographed

friends and their kids, whom by word

of mouth quickly became his fr iends’

fr iends, and friends’ fr iends kids. His

quick popularity sowed the seeds of the

real ization that Phil Date, Math Teacher,

could easi ly become Phil Date, Professional

Photographer. With his growing cl ient

base and faith in the future of micro-stock

images in the digital age, Phil was able to

make the switch to ful l-t ime photographer,

thus founding Phil Date Photography in

2006. His ever growing portfol io and

confidence in stock photography soon led

to EastWest Imaging, which has already

outgrown its f irst studio, now includes a

ful l-t ime photo editor, and has traveled to

Austral ia, Indonesia, and Thailand to build

the company’s’ in-demand l ifestyle images

photography base.

As one who thrives on new challenges, Phil

has taken to his D300 with Ikel ite casing to

deliver underwater portraiture for children

and famil ies. His teaching background

makes him a natural with children, and no

doubt is useful as he works to coordinate

the diff icult task of photographing a child

underwater. Phil admits his new challenge

is tr icky, but well worth the one of a kind

photography he can produce.

Throughout Phil’s development, the one

constant has always been Nikon. Phil has

grown to rely on the build and image quality

that is undeniable Nikon. Phil now shoots

primari ly with the D3 which he adore,

along with a 85mm f1.4 or 70-200mm f2.8

VR lens.

While Phil now calls Singapore home, he sti l l

looks to travel with destinations l ike New

Zealand, Cuba, and Alaska on his mind. He

enjoys going back to his photography roots

of travel shots, and even sti l l enjoys using

an F80 fi lm camera from time to time.

Regardless if it’s a shot from the beaches of

Indonesia, one of Singapore’s lush outdoor

spots l ike Fort Canning, or a modern

portraiture from his newly upgraded studio,

Phil has mastered his recognizable style

cl ients ask for by name. No matter where

he is or what he is shooting, we can always

count on a classical ly fresh signature style

that is “very Phil Date”.

Words by Maggie Landy

Phil Date

FEATURED PHOTOGRAPHER - PHIL DATE

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Taken by Nikon D3, 1/200s – F/13, Exposure Mode: Manual, Metering Mode: Multi-Pattern, Exposure Comp.: 0 EV, Focal Length: 85mm

Taken by Nikon D2X, 1/250s – F/1.8,Exposure Mode: Aperture Priority, Metering Mode: Multi-Pattern, Exposure Comp.:0 EV, Focal Length: 85mm

FEATURED PHOTOGRAPHER - PHIL DATE

FEATURED PHOTOGRAPHER - PHIL DATE FEATURED PHOTOGRAPHER - PHIL DATE

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Taken by Nikon D3, 1/250s – F/2.8, Exposure Mode: Aperture Pr ior i ty, Metering Mode: Multi-Pattern, Exposure Comp:. +0.7 EV, Focal Length: 160mm

Taken by D300 with AF-S DX 12-24mm f4. (with Ikelite Under Water casing)

b3894

Typewritten Text


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Taken by Nikon D300, 1/160 s – F/4, Exposure Mode: Aperture Priority, Metering Mode: Multi-Pattern, Exposure Comp.: 0 EV, Focal Length: 200mm

Ta k e n b y N i k o n D 3 0 0 , 1/250s – F/2.8, Exposure Mode: Aper ture Priority, Metering Mode: Multi-Pattern, Exposure Comp.: 0 EV, Focal Length: 50mm

Taken by Nikon D300, 1/100s – F/1.8, Exposure Mode: Aperture Priority, Metering Mode: Multi-Pattern, Exposure Comp.: 0 EV, Focal Length: 50mm


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Taken by Nikon D3, 1/6400 s – F/4.8,Exposure Mode: Aperture Priority, Metering Mode: Multi-Pattern, Exposure Comp.: 0 EV, Focal Length: 175mm

Taken by Nikon D3, 1/1600 s – F/4, Exposure Mode: Aperture Priority, Metering Mode: Multi-Pattern, Exposure Comp.: 0 EV, Focal Length: 400mm


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(ABOVE) Taken by Nikon D2X, 30 s – F/16, Exposure Mode: Aperture Priority, Metering Mode: Multi-Pattern, Exposure Comp:.+0.3 EV, Focal Length: 18mm

(RIGHT) Taken by Nikon D2X, 30s – F/16, Exposure Mode: Manual, Metering Mode: Multi-

Pattern, Exposure Comp.:-0.7 EV, Focal Length: 19mm

The National Junior College Photographic Society (NJPS) organized SNAP! 2009 between March 2009 and June 2009 with the aim of helping Singaporean youths take a greater interest in the visual arts and the photographic medium, and take up photography as their hobby.

Targeted at youths aged 13 to 21, SNAP! had the theme of ‘Colours’ and the submission period was open from 15 March 2009 to 30 April 2009. Participants were required to

submit both the soft and hard copies of their entries to National Junior College by mail. 9 prizes were provided by Nikon Singapore.

On 30 April 2009, we received over 700 entries. Judging of the entries was done by Mr. Steven Yee and Mr. Chua Swee Ping, and we had the results by 03 May 2009. Results were officially released to the public and

to the participants on 09 May 2009. There were a total of 29 winners, and

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EVENT - SNAP EVENT - SNAP

SNAP! 2009A NATIONWIDE

YOUTH PHOTOGRAPHY COMPETITION,

EXHIBITION AND SEMINAR

12 May 2009 and 06 June 2009. The exhibition boards were provided by Nikon Singapore, and all prints and maintenance was done by the SNAP! organizing committee.

The exhibition was largely a success with a large and diverse audience viewing them. This is attributed to the timing of the exhibition,

Anderson Junior College was awarded the School Challenge Trophy. The list of winners is accessible at this link:http://njps-snap2009.org/snap_winners.html

The exhibition displayed all 29 of the winning entries, and was set-up in National Junior College’s air-conditioned INE Hub between


which was planned to coincide with the following events: 40th Anniversary College Day; 40th Anniversary Gala Dinner; 5th International Students Science Fair (http://www.njc.edu.sg/ISSF/); 3rd Leadership Symposium ( h t t p : / / w w w . n j c . e d u . s g / l e a d e r s h i p _symposium/) and 2nd Singapore International Science Challenge (http: / /s isc.sg/ info.php).

Tea break (By Steven Yee)

Seminar registration

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These events attracted a great number of local and overseas adults and students.

The seminar was held on 6 June 2009 from 1300HRS to 1700HRS at NJC’s Ngee Ann Kongsi Performing Arts Theatre. It consisted of talks on Flash Photography by Mr Edward Cheong, Nature Photography by Mr Raymond Chua and Photoshop by Mr Chan Kheng How.

Speaker on Photoshop - Mr Chan Kheng HowSpeaker on Flash Photography - Mr Edward Cheong

Speaker on Nature Photography - Mr Raymond Chua

Overall, SNAP! 2009 was a resounding success despite the fact that it was the first time the National Junior College Photographic Society organised an event of this scale.


Guest of honour - NJC’s Vice Principal Mrs Poon Kam Wai Chin

School Challenge Trophy - Anderson Junior College

Photograph of the entire SNAP! team

First prize winner - Ray Chew

Third prize winner - Aerilynn Tan

Second prize winner - Oon Ming Liang (Collected on behalf by the girl in the picture)

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All photographs are by NJPS members unless otherwise stated


BEST 3 WINNERS1. Ray Chew

(Anderson Junior College)

2. Onn Ming Liang(Hwa Chong Institution)

3. Aerilynn Tan(Cedar Girl Secondary School)

2

3

1

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CONSOLATION WINNERSA. Ang Jun Xiang

(Anderson Junior College)

B. FuDi (National Junior College)

C. Clara Tan May Ting (Anderson Junior College)

D. Lim Yu Cheng (Manjusri Secondary)

E. Ilyas Sujak Bakir (National Junior College)

F. Dennis Tan Jun Ming

F

E

D

B

C

A

EVENT - NIKON CLUB PHOTO HUNT EVENT - NIKON CLUB PHOTO HUNT

A shower of rain came in the morning and we were pondering if the trip to the last Kampong in Singapore would be affected.

Fortunately, the rain was there just to cool the day. Sun after the rain, we embarked on the journey with anticipation and excitement as most of the participants were newcomers to our Nikon Club outings.

NIKON CLUBPHOTO HUNT

@ THE LAST KAMPONG IN

SINGAPORE27 June 2009

Nikon Clubbers posing for a group shot.

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The photo hunt consisted of a set of photos by Steven Yee which participants were tasked to find. So together with Steven providing guidance along the way, we eagerly scanned the whole of this small little kampong, capturing everything from little kittens to dogs, birds, and chickens!

Finally, before the weather became too hot, it was time to head back. Most of us got all the shots we needed. One participant was even glad to have found a prized shot of a rare spider!

Back at the Nikon Office, although lethargic after the hunt, our enthusiasm for the photo critique session got over the better of us. So after a satisfying dinner, an interesting and educational photo critique session began!

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Images brought by some of the Nikon Clubbers for the photo critique session.


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The end of the photo critique session marked the end of Nikon Club’s June Photo Outing. We believe that everyone will forever remember this little journey to the last Kampong in Singapore, “Kampong Buangkok”, since some of us didn’t even know it existed!

Satisfi ed participants left with a big “thank you” to what was a fruitful and fulfi lling event for them,

and we at Nikon Club were once again inspired to continue to plan more of such events!

Keep yourself updated at www.nikonclub.com.sg for latest events, contests and hot shots!

LEXAR 4GB SD Card with Card Reader

Win

ISSUE 23

TERMS & CONDITIONS: This contest is opened to all readers except employees of Nikon Singapore Pte Ltd • Prize must be taken as provided and is neither transferable nor exchange for cash • Winner will be notifi ed by post.

Simply send the completed coupon with your answers to:

FOCUS Q & A CONTEST Nikon Singapore Pte Ltd80 Anson Road #10-01/02 Fuji Xerox Towers Singapore 079907 by 15 Spetember 2009

WINNER OF FOCUS 22TH ISSUE Q&A

CONTEST

Name : AYLWIN KUEH

NRIC : SXXX7869/E

ANSWER:

Q1: 2 Q2: 4 Q3: 2 Q4: 2

Q1. What devices can be attached to the FSB-U1

and a COOLPIX Camera?

1) Fieldscope

2) Spotting Scope

3) EZ-Micro

4) All of the above

Q2. What does EDG means in English?

1) EDGE

2) Extra Dispersion

3) Extreme Digital

4) Element Digital Glass

Q3. How many Focusing Areas does D3000

comes with?

a) 3

b) 5

c) 9

d) 11

Q4. What is the name of the mode implemented

in D300s to reduce the sound from the

camera’s mirror down during shooting

a) Silent Mode

b) Sound Reduction Mode

c) Soft Mode

d) Quiet Shutter-release Mode

Q & A CONTEST

070070ISSUE.23

CONTACTS

Service Centre : 80 Anson Road #10-01/02 Fuji Xerox Towers

Singapore 079907

Service Hours : Mon, Tue & Fri: 9am – 5pm

Wed & Thu: 9am – 7pm

Service Hotlines : Tel: (65) 6559 6363, Fax: (65) 6559 3669

Email: [email protected]

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Email: [email protected]

Technical Support : Email: [email protected]

Website : http://www.nikon.com.sg

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CHAIN STORES: [Best Denki Digital]: Century Square 6783 5607 • IMM Building 6564 7248 • Junction 8 6259 7140 • Ngee Ann City 6835 2932 • Plaza Singapura 6339 4309[Challenger]: Funan 6339 9008 • IMM 6426 9123 • Jurong Point 6793 7122 • Tampines 1 6260 6318 • Vivo City 6376 6100. [Courts]: Bukit Timah 6468 1355 • Causeway Point 6894 2030 • Jurong Point 6793 5676 • Tampines Mall 6788 8027 • Mega Store 6309 7888. [Harvey Norman]: Funan DigitaLife Mall 6334 5432 • Jurong Point 6795 2135 • Millenia Walk 6311 9988 • Parkway Parade 6346 4705 • Suntec City 6332 2312

AUTHORIZED DEALERS

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a quarterly newsletter from nikon issue 23 • july 09 ... - 23.pdf• d3 series,d2 series, d5000,...

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