a7s picture profile database

SOURCE David Shuttleworth Samuel H Kholi on DVXuser

NAME Canon DSLR look S-LOG 2 for A7s Flaat Kholi Slog2 PicProBaked in or to be graded? Baked in to be graded to be graded to be gradedBlack level 7 0 0Gamma S-log 2 s-log 2 s-log 2Black Gamma Range Movie Middle middle middleBlack gamma Level 0 -3 0 -3Knee mode manual Auto AutoAuto set max point 100 95Knee auto sensitivity 95 Mid midKnee manual point 0 95Knee manual slope 5Color Mode pro Pro Cinema ProSaturation -8 Pro 15 8Color Phase -3 Pro 0 -2Color Depth R 0 1 0 1Color Depth G 0 -1 1 -1Color Depth B 0 2 0 2Color Depth C 0 -2 5 -2Color Depth M 0 -1 -3 -1Color Depth Y 0 -3 0 3Detial Level 0 -5 -7 -5

Detail Mode auto Manual Auto ManualDetail V/H Balance 0 -2 0 -2

Please paste your settings into a column! SCROLL RIGHT to start a new column. Please add your comments for a profile in t

After you test out a profile pls leave a comment in the blue section.

B/W Balance type type3 3 type 3 3Limit 7 0 7 0Crispning 0 0 0 0Hi-Light Detial 0 0 0 0White Balance Tweak? no Grid setting B1

Preferred LUT? Vision Colour 6http://www.similaar.com/foto/a

7s/lut.html

FilmConvert setting isArri Alexa as the

camera. logC.

Example footage https://www.youtube.com/wa https://www.youtube.co https://youtu.be/u4Wuo8NAa5

http://www.dvxuser.com/V6/showthread.php?326049-A7S-PicPro-Settings

NOTES http://www.dvxuser.com/V6/showthread.php?328495-

Flaat-for-the-a7s

Add your comments for the profile in itscolumn

Hey guys!movie color mode is more

accurate than proAfter using a color chart I

think pro color mode is moreaccuarte than movie

gma

Kholi on Dvxuser Kholi and Spreeni SOURCE David Shuttleworth

Cine 2/Pro Pic Pro 2 Kholi Cine 2 PicPro Spreenu mod NAME Canon DSLR look S-LOG 2 for A7sto be graded to be graded Baked in or to be graded? Baked in to be graded

-11 -11 Black level 7 1Cine 2 Cine 2 Gamma S-log 3wide wide Black Gamma Range Movie Middle

7 7 Black gamma Level -3 -3.6Manual Manual Knee mode manual

95 95 Auto set max pointmid mid Knee auto sensitivity 96105 105 Knee manual point 1

0 0 Knee manual slopePro Pro Color Mode pro Pro6 5 Saturation -7 8-3 0 Color Phase -0.6666666667 -0.3809523813 3 Color Depth R 3.533333333 4.161904762-3 -3 Color Depth G -3.466666667 -4.1238095241 1 Color Depth B 1.4 1.514285714-3 -3 Color Depth C -3.333333333 -4.047619048-2 -1 Color Depth M -1.933333333 -2.104761905-5 0 Color Depth Y -1.133333333 -1.219047619-5 -5 Detial Level -6.8 -7.457142857

Manual Manual Detail Mode auto Manual-2 -2 Detail V/H Balance -2.533333333 -2.876190476

gmatype 3 type 3 B/W Balance type type4 4

0 Limit -1.4 -2.80 Crispning 0 00 Hi-Light Detial 0 0

Grid setting B1 none White Balance Tweak? noIn Resolve, a good way to start's switching to LOG

panel, setting LOW RANGE to .200 and HIGHRANGE to .700. Use Shadow, Mid, Highlight to

build the curve then LGG to adjust contrast. Preferred LUT? Vision Colour 7

https://vimeo.com/118833828 Example footage https://www.youtube.com/w https://www.youtube.chttp://www.dvxuser.com/V6/showthread.php?3260

49-A7S-PicPro-Settings&p=1986456526&viewfull=1#post198645

6526

NOTES

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Colors are accurate, I set the manual knee point to95 to protects highlights much better flesh tones Hey guys!

movie color mode is moreaccurate than pro

After using a color chart Ithink pro color mode is

more accuarte than movie

gma

Samuel H Kholi on DVXuser Frank Glencairn adapted by Michael Tapp

Flaat Kholi Slog2 PicPro K-Tone Picture Profile for fs100to be graded to be graded To be graded

-18.33333333 1s-log 2 s-log 2 cine 1 outdoorsmiddle middle Middle

-4.2 -4.8 7Auto Auto manual92.5 91Mid mid96 906 2

Cinema Pro ITU 70915 3.333333333 -2

-0.09523809524 0.1904761905 -74.79047619 5.419047619 7

-4.780952381 -5.438095238 01.628571429 1.742857143 6-4.761904762 -5.476190476 5-2.276190476 -2.447619048 6-1.304761905 -1.39047619 5-8.114285714 -8.771428571 0

Auto Manual Manual-3.219047619 -3.561904762 0

type 4 4 type 3-4.2 -5.6 7

0 0 00 0 0

Grid setting B1 LB-5, CC+2http://www.similaar.com/foto/a7s/lut.ht

mlFilmConvert setting is Arri Alexa as the

camera. logC. K-Tone LUT in Magic Bullet

https://youtu.be/u4Wuo8NAa54 https://vimeo.com/118833828 https://vimeo.com/36863951rhttp://www.dvxuser.com/V6/showthread

.php?328495-Flaat-for-the-a7shttp://www.dvxuser.com/V6/showthread.php?3

26049-A7S-PicPro-SettingsExpose 1-2 stops under and dial in WBmanualy, by looking at skin tones only

Flesh tones are whacked. Adds in green.

Frank Glencairn adapted by Claus Andersen Abel Cine Tech Abel Cine Tech Abel Cine Tech Abel Cine Tech

G-LOG Ultimate for FS100 JR45 Cine JR45 Video AB NORM AB HighSATto be graded to be graded baked in baked in baked in

variablecine 2 Cine 1 Cine 3 Cine 1 Cine 1

Manual801

Cinema Still Movie Movie ITU 709 Matrix-2 -2 -1 1 2-7 1-3 -2 1 32 250 -400 4-3

manual0

type 3700

no

https://youtu.be/6VHQJiPzSEc http://blog.abelcine.co http://blog.abelcine.com http://blog.abelcine.com http://blog.abelcine.com/2Make sure you dial in the color temperature (WB) manually with the littlewheel, don`t do auto or push button (greycard) balance, since that will

screw up your color on the magenta/cyan axis.

In a bright, highcontrast scene, you

may choose to go withS-Log2 for more range

in the highlights.

It is designed to giveyou nice colors and a

good amount ofcontrast. We used Cine3 gamma as a startingplace, which provides a

nice fall-off in thehighlights, but with

enough contrast so thatit doesnt require much

post correction.

With this look, we usedCine 1 for a good

amount of range, but ifyou like it, then also tryit with Cine 3 or 4 for

more contrast.

We used Cine 1 to matchour other files, but you

could use Cine 3 or 4 formore contrast.

Miguel de Olaso Jason Li by Jeremy Dulac

Macgregor's Cine 4 PPOFF Autumn Leaves PP OFF Neutralto be graded to be graded

15Cine 4Wide

7

Pro Autumn Leaves -3, 0, -3 Neutral -3, 0, -3

Dynamic Range Optimization (DRO) Level 4

Impulz luts

http://www.dvxuser.com/V6/showt https://vimeo.com/116044343 https://vimeo.com/106292534Replicate S-log 2 dynamic rangewhile using normal iso values and

avoiding noise.Underexpose by 1 2/3 stops and

bring back in post.

black/mid/white levels modification andthen you applied a LUT on top (ImpulzLUT Fujicolor 200 superior FC)

super milky, not much saturation even at0

moire issues with sharpening turned allthe way down

needs more saturation

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