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Acquisitions

African ArtEquestrian Figure; possibly 18th century; Nigeria, Yoruba people; copper alloy (brass?); 31.3 x 10.8 x 25.4 cm; Alma Kroeger Fund 2007.160.

Leopard Caryatid Stool; possibly 19th century; Cameroon, Bandjoun Kingdom; wood, cotton fabric, and glass beads; 51 x 43 cm; Severance and Greta Millikin Purchase Fund 2006.138.

Wig Headdress; possibly early to mid 20th cen-tury; Democratic Republic of the Congo or Angola, Chokwe people; fiber, animal pelt, and clay; 12.7 x 24.8 x 27.3 cm; The Jane B. Tripp Charitable Lead Annuity Trust 2007.1.

American ArtJacob Lawrence (1917–2000); Fulton and Nostrand; 1958; tempera on Masonite; 60.9 x 76.2 cm; Mr. and Mrs. William H. Marlatt Fund 2007.158.

Reginald Marsh (1898–1954); A Paramount Picture; 1934; tempera on Masonite; 90.8 x 70.5 cm; Leonard C. Hanna Jr. Fund 2006.137.

Charles L. Sallée Jr. (1911–2006); Bedtime; 1940; oil on canvas; 79 x 66.2 cm; Gift of June Sallee Antoine in honor of our parents, Charles Louis Sallee Sr. and Cora Nell Collier Sallee 2006.202.

Art of the Ancient AmericasDipper; 100 BC–AD 700; Peru, North High-lands, Recuay people; ceramic, slip; 25.5 x 17.5 x 10 cm; Alma Kroeger Fund 2006.157.

Textile Fragments; about AD 50–650; Peru, North Coast, Moche people; cotton warp, camelid fiber weft; John L. Severance Fund 40 x 25.4 cm; 2007.2.1. 39.4 x 27.9 cm; 2007.2.2. 38.7 x 29.3 cm; 2007.2.3. 40.6 x 30.5 cm; 2007.2.4. 43.2 x 27.6 cm; 2007.2.5. 40 x 29.3 cm; 2007.2.6.

Asian ArtDurga Slaying the Buffalo Demon Mahisha; 800s; India, Badra, Central Northeastern style; Medieval period; stone; 39.5 x 16.1 x 12 cm; Gift of Dr. Norman Zaworski 2006.204.

Krishna Supporting Mt. Govardhana; 1700s; India, Rajasthan, Bundi school; ink and color with shell gold on paper; 32.3 x 24.1 cm; Gift of Eugene and Joan Savitt in memory of Dr. and Mrs. E. K. Zaworski, her grandparents 2006.203.

Peaches and Bats; 1600s; China, Qing dynasty; jade; 9.9 x 13.5 x 11.5 cm; Gift of William Kelly Simpson in memory of his wife, Marilyn M. Simpson, and her grandparents Mr. and Mrs. John D. Rockefeller Jr. 2006.141.

Durga Slaying the Buffalo Demon Mahisha; 800s; India, Badra, Central Northeastern style; Medieval period; stone; 39.5 x 16.1 x 12 cm; Gift of Dr. Norman Zaworski 2006.204.

Equestrian Figure; possibly 18th century; Nigeria, Yoruba people; copper alloy (brass?); 31.3 x 10.8 x 25.4 cm; Alma Kroeger Fund 2007.160.

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Unkoku Togan (Japanese, 1547–1618); Su Shi (Sotoba) and Pan Lang (Hanro); early 1600s; Momoyama period; pair of six-fold screens; ink, light color, and gold on paper; 155.5 x 360 cm (each); John L. Severance Fund 2006.135.1–2.

Contemporary ArtRackstraw Downes (American, b. 1939); Under the Gowanus at Hamilton Avenue, 1999; oil on canvas; 4 panels; l. 532.7 cm overall; Purchase from the J. H. Wade Fund 2007.159.a–d. Pedestrian Crossing at W. 9th Street Looking Northwest; 38.4 x 79.2 cm. Pedestrian Crossing at Garnet Street Looking Southeast; 46.6 x 89 cm. Untitled; 46.6 x 89 cm. On the Median Strip at W. 9th Street Looking Southeast; 38.4 x 79.5 cm.

Joseph O’Sickey (American, b. 1918); Untitled, late 1950s to early 1960s; oil on canvas; 101.5 x 80.6 cm; Bequest of Shuree Abrams 2007.168.

Joseph O’Sickey (American, b. 1918); Untitled; late 1950s to early 1960s; oil on canvas; 101.5 x 80.6 cm; Bequest of Shuree Abrams 2007.168.

Seated Guanyin, Bodhisattva of Compassion; 1368–1644; China, Ming dynasty; gilt-bronze with pigment; 30.2 x 19.3 x 20.4 cm; Gift of William Kelly Simpson in memory of his wife, Marilyn M. Simpson, and her grand-parents Mr. and Mrs. John D. Rockefeller Jr. 2006.140.

Shiva as Brahma; late 900s; South India, Chola dynasty; granite; 162.6 x 48 x 80 cm; Leonard C. Hanna Jr. Fund, this work was accepted in honor of Stainslaw Czuma in recognition of his long service to the CMA 2007.155.

Kano Naonobu (Japanese, 1607–1650); Winter Scene with Plum Trees and Pheasants; early 1600s; early Edo period; pair of six-fold screens; mineral pigments and gold leaf on paper; 170.2 x 369.4 cm (each); Gift of William Kelly Simpson in memory of his wife, Marilyn M. Simpson, and her grand-parents Mr. and Mrs. John D. Rockefeller Jr. 2006.142.1–2.

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Decorative Art and DesignAmerican Chinaware Corporation (Sebring, Ohio, active 1929–32); “Nouvelle” Shape Covered Casserole Dish; designed about 1929; earthenware with printed decoration; h. with cover 15.3 cm, diam. with handles 24.5 cm; Gift of Martin K. Webb and Charles L. Venable 2006.144.a–b.

Ott & Brewer Company (Trenton, New Jersey, 1871–93); Tray; 1882–90; porcelain with gilt decoration; 7 x 38 x 40 cm; Gift of the Foster Family Foundation 2007.161.

Designed by Harold Stabler (British, 1872–1945), manufactured by J. R. O & Sons (British), retailed by Ogdens (British); Tea Service; about 1935; bakelite, silver, ivory; 7.8 x 31.9 x 19 cm; The Mary Spedding Milliken Memorial Fund 2007.3.1–5.

Design attributed to Gale Turnbull (American, 1889–1962), manufactured by Leigh Potters (Alliance, Ohio, active 1926–about 1934);“The Aristocrat” Covered Casserole Dish; designed about 1932; earthen-ware with printed decoration; h. with cover 13.5 cm, diam with handles 23.7 cm; Gift of Martin K. Webb and Charles L. Venable 2006.143.a–b.

Shape designers Gale Turnbull (American, 1889–1962) and Jane Bennison (1913–2001), pattern designer Rockwell Kent (1882–1971), manufactured by Vernon Kilns (Vernon, California, active 1916–60); Our America Din-nerware; about 1937; earthenware with printed decoration; 2.6 x 34.9 cm; Gift of Martin K. Webb and Charles L. Venable 2006.145.1–5.

DrawingsThomas Gainsborough (British, 1727–1788); A Herdsman with Three Cows by an Upland Pool; mid 1780s; watercolor, ink, and oil, heightened with white chalk on paper and varnished; 21.3 x 30.5 cm; Purchase from the J. H. Wade Fund 2006.156.

John Jackson (American, 1955–2006); Green Goddess; 2005; watercolor, gouache, charcoal, and graphite with collage; 91 x 124.9 cm; Gift of Achala Wali in memory of the artist 2007.169.

Jane Kent (American, b. 1952); The Blue Optimist; 2006; watercolor, black ink, and graphite; 59.7 x 46 cm; Gift of The Print Club of Cleveland 2007.16.

Richard Pousette-Dart (American, 1916–1992); Untitled; 1977; graphite on paper prepared with gesso; 57 x 76.2 cm; Norman O. Stone and Ella A. Stone Memorial Fund 2007.162.

Kano Naonobu (Japanese, 1607–1650); Winter Scene with Plum Trees and Pheasants; early 1600s; early Edo period; pair of six-fold screens; mineral pigments and gold leaf on paper; 170.2 x 369.4 cm (each); Gift of William Kelly Simpson in memory of his wife, Marilyn M. Simpson, and her grandparents Mr. and Mrs. John D. Rockefeller Jr. 2006.142.1–2.

Designed by Harold Stabler (British, 1872–1945), manufactured by J. R. O & Sons (British), retailed by Ogdens (British); Tea Service; about 1935; bakelite, silver, ivory; 7.8 x 31.9 x 19 cm; The Mary Spedding Milliken Memorial Fund 2007.3.1–5.

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Islamic Art Illuminated Folios from the Bustan of Sa‘di; 2 folios; about 1520; Iran, Safavid period; opaque watercolor, ink, gold, and silver on paper; 30.1 x 19 cm overall; Gift of William Kelly Simpson in memory of his wife, Marilyn M. Simpson, and her grandparents Mr. and Mrs. John D. Rockefeller Jr. 2006.147.a–b and 2006.148.a–b.

A Prince and Lady, Dressed in White, Seated in a Palace with Musicians and Attendants (from the Khamsa of Nizami); about 1560–80; Iran, Shiraz, Safavid period; opaque watercolor, ink, and gold on paper; 30.7 x 19.7 cm overall; Gift of William Kelly Simpson in memory of his wife, Marilyn M. Simpson, and her grand-parents Mr. and Mrs. John D. Rockefeller Jr. 2006.146.a–b.

Two Ducks (from the Manafi’ al-Haywan of Abu Sai’d ’Ubayd Allah ibn Bakhtishu’); late 1200s; Iran; opaque watercolor, ink, and gold on paper; 25.7 x 18.5 cm overall; Gift of William Kelly Simpson in memory of his wife, Marilyn M. Simpson, and her grandparents Mr. and Mrs. John D. Rockefeller Jr. 2006.149.a–b.

Medieval ArtFiligree Disk Brooch with Central Boss; late 600s; Frankish (late Merovingian); metalwork (gilt-silver, copper alloy, glass, almandine); 4.2 x 4.3 x 1.8 cm; Andrew R. and Martha Holden Jennings Fund 2007.163.

Parade Halberd (from the bodyguard of Ludwig Rudolf, Duke of Brunswick-Wolfenbüttel [1671–1735]); dated 1717; Germany; blued, etched, and gilded steel, wood haft, silk fringe; l. 276.9 cm; Alma Kroeger Fund 2007.164.

Parade Partisan (from the bodyguard of August Wilhelm, Duke Brunswick-Wolfenbüttel [1662–1731]); dated; 1718; Germany; blued, etched, and gilded steel, wood haft, silk fringe; l. 258.5 cm; Alma Kroeger Fund 2007.165.

Bartolommeo Caporali (Italian, Perugia, about 1420–about 1505), assisted by Giapeco Caporali (Italian, Perugia, d. 1478); Missale (400 vellum leaves; 3 full-page illuminations; 31 historiated initials); 1469; ink, tempera, and burnished gold on vellum; 35 x 25 cm (folios)

Thomas Gainsborough (British, 1727–1788); A Herdsman with Three Cows by an Upland Pool; mid 1780s; watercolor, ink, and oil, heightened with white chalk on paper and varnished overall; 21.3 x 30.5 cm; Purchase from the J. H. Wade Fund 2006.156.

John L. Severance Fund 2006.154. Fol. 9: Ordo Missalis (full borders); 2006.154.9.a. Fol. 22: Nativity; 2006.154.22.a. Fol. 22v: Foliage with Fish; 2006.154.22.b. Fol. 25: St. John with Eagle; 2006.154.25.a. Fol. 30v: Adoration of the Magi; 2006.154.30.b. Fol. 116: St. Matthew with Angel; 2006.154.116.b. Fol. 124v: Christ Holding the Cross; 2006.154.124.b. Fol. 131: St. Luke with Bull; 2006.154.131.a. Fol. 141v: St. John with Eagle; 2006.154.141.b. Fol. 183: Foliage Decoration; 2006.154.183.a. Fol. 183v: Cross, Foliage; 2006.154.183.b. Fol. 184: Foli-age; 2006.154.184.a. Fol. 184v: Cross, Foliage; 2006.154.184.b. Fol. 185v: Crucifixion with Borders (full page); 2006.154.185.b. Fol. 186: Decorated Initial T[e igitur] (full page); 2006.154.186.a. Fol. 193v: Resurrection of Christ; 2006.154.193.b. Fol. 208v: Ascension of Christ; 2006.154.208.b. Fol. 214: Pentecost; 2006.154.214.a. Fol. 222: Chalice with Host; 2006.154.222.a. Fol. 259: St. Andrew; 2006.154.259.a. Fol. 260: Foliage with Fruit; 2006.154.260.a. Fol. 263: St. Thomas; 2006.154.263.a. Fol. 270: Presentation of Christ to Simeon; 2006.154.270.a. Fol. 275v: Annun-

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PhotographyBerenice Abbott (American, 1898–1991); 2 gelatin silver prints; John L. Severance Fund. Hudson River Bridge; 1930–36; 23.7 x 17.3 cm; 2007.20. Starrett Lehigh Building; 1936; 19.8 x 24.5 cm; 2007.21.

Manuel Alvarez Bravo (Mexican, 1902–2002); 2 gelatin silver prints; John L. Severance Fund. The Balloon Seller; 1947; 16.3 x 11 cm; 2007.25. Ladder of Ladders (Escala de Escalas); 1931; 24.4 x 18.3 cm; 2007.142.

Herbert Ascherman Jr. (American, b. 1947); Viktor Groschedl; 2005; platinum print; 24.5 x 19.5 cm; Gift of the Artist 2006.189.

Eugène Atget (French, 1857–1927); Mullein in Bloom (Bouillon Blanc en Fleur); 1900; albumen print; 21.8 x 17.6 cm; John L. Severance Fund 2007.26.

Edouard Baldus (French, 1813–1889); Portrait of Paul Chenevard; from the series “Histoire des Artistes Vivants”; about 1852; salt print from wet collodion negative; 17.6 x 13.2 cm; Alma Kroeger Fund 2006.164.

Hans Bellmer (German, 1902–1975); The Doll (La Poupée); 1936; gelatin silver print; 7.8 x 11.8 cm; John L. Severance Fund 2007.27.

Hans Bellmer; The Doll (La Poupée); 1936; 10 gelatin silver prints; John L. Severance Fund. 1; 11.7 x 7.8 cm; 2007.28.1. 2; 11.7 x 7.9 cm; 2007.28.2. 3; 11.7 x 7.9 cm; 2007.28.3. 4; 11.8 x 7.8 cm; 2007.28.4. 5; 11.6 x 7.8 cm;

2007.28.5. 6; 11.7 x 7.8 cm; 2007.28.6. 7; 11.7 x 7.7 cm; 2007.28.7. 8; 11.6 x 7.8 cm; 2007.28.8. 9; 11.6 x 7.6 cm; 2007.28.9. 10; 11.5 x 7.8 cm; 2007.28.10.

Herman Berkman (German); The Film (Der Film); 1930; gelatin silver print; 29.8 x 23.9 cm; John L. Severance Fund 2007.29.

Ilse Bing (American, b. Germany, 1899– 1998); 3 gelatin silver prints; John L. Severance Fund. Balancoire, Amusement Park Ride; 1933; 28.3 x 22.3 cm; 2007.30. Laundry; 1929; 11.5 x 17.4 cm; 2007.32. Paris; 1933; 21.6 x 28.3 cm; 2007.31.

Théodore Blanc (French, 1898–1985) and Antoine Demilly (French, 1892–1964); Sign with Hat; 1935; gelatin silver print; 29.7 x 29.6 cm; John L. Severance Fund 2007.33.

Erwin Blumenfeld (American, b. Germany, 1897–1969); John L. Severance Fund. Boxers Over New York; 1920; collage; gelatin silver print and photomechanical reproductions; 19.4 x 24.4 cm; 2007.34. Profile Study; about 1944; gelatin silver print, ferrotyped; 31.6 x 26.4 cm; 2007.35.

Bill Brandt (British, b. Germany, 1904–1983); John L. Severance Fund. Barcelona; 1932; gela-tin silver print; 29.3 x 22 cm; 2007.143. Nude, Vasterival, Normandy; 1954 (printed mid to late 1950s); gelatin silver print with hand-applied surface manipulation; 23 x 19.6 cm; 2007.36.

Louis Marcoussis (French, 1883–1941); Night Café (Café de la nuit); about 1923; oil on canvas; 70.5 x 88.1 cm; Given in loving memory of W. Chave and Mary Tyler McCracken by their daughters 2006.139.

ciation; 2006.154.275.b. Fol. 287: St. John the Baptist; 2006.154.287.a. Fol. 290v: Sts Peter and Paul; 2006.154.290.b. Fol. 306: Assumption of the Virgin; 2006.154.306.a. Fol. 311v: St. Anne Holding the newborn Virgin; 2006.154.311.b. Fol. 318v: St. Francis; 2006.154.318.b. Fol. 322v: The Virgin among the Apostles and Saints; 2006.154.322.b. Fol. 324v: St. Martin; 2006.154.324.b. Fol. 327: St. Bartholomew; 2006.154.327.a. Fol. 387v: Death Represented as a Skeleton with a Sickle; 2006.154.387.b. Folio 400: Colophon; 2006.154.400.a.

Modern European ArtMarcel Duchamp (French, 1887–1968); From or by Marchel Duchamp or Rrose Sélavy (La Bôite-en-valise); 1935–40, 1963–66 (Series F); red leather box containing 80 objects; gouache, green lacquer, varnish, celluloid, wood, ob-jects of glass, oilcloth, ceramic, and collotype, letterpress, pouchoir, and lithographic prints; 41.5 x 38.5 x 9.9 cm; Andrew R. and Martha Holden Jennings Fund 2007.157.

Louis Marcoussis (French, 1883–1941); Night Café (Café de la nuit); about 1923; oil on can-vas; 70.5 x 88.1 cm; Given in loving memory of W. Chave and Mary Tyler McCracken by their daughters 2006.139.

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Brassaï (French, b. Austria-Hungary, 1899– 1984); 5 gelatin silver prints, ferrotyped; John L. Severance Fund. At the White Ball, Mont-parnasse (Á la Boule Blanche, Montparnasse); 1932; 24 x 18.1 cm; 2007.39. A Two in One Suit; 1932 (printed mid 1950s); 29.8 x 22.1 cm; 2007.40. Fireworks at Longchamps; 1930s; 17.6 x 23.2 cm; 2007.37. Two Acrobats, Cirque Medrano; 1932–33; 27.7 x 23.4 cm; 2007.38. A Couple at the Ball Quat’z’ Arts (Un Couple le Bal des Quatre Arts); 1931 (printed 1950s); 28.5 x 20.9 cm; 2007.144.

Joseph Breitenbach (American, b. Germany, 1896–1984); John L. Severance Fund. Electric Back; 1947; montage; gelatin silver print; 34.2 x 26.8 cm; 2007.145. Fireworks; late 1930s; photogram; gelatin silver print; 35.4 x 27.9 cm; 2007.41.

Horace Bristol (American, 1908–1997); For-tune Teller with Glass; 1940s; gelatin silver; 5.6 x 5.6 cm; John L. Severance Fund 2007.42.

Robert Capa (American, b. Hungary, 1913– 1954); Hyppique, Paris; 1936–37; gelatin silver print, ferrotyped; 24 x 17.2 cm; John L. Severance Fund 2007.43.

Keith Carter (American, b. 1948); 2004; 2 gelatin silver prints; Gift of the Contem-porary Art Society. Fishbowl; 38.7 x 38.9 cm; 2006.167. Thirty Plates; 38.6 x 39 cm; 2006.168.

Père Català-Pic (Spanish, 1889–1971); Untitled (image montage); 1930; gelatin silver print; 13 x 9.3 cm; John L. Severance Fund 2007.109.

Paula Chamlee (American, b. 1944); 2 gela-tin silver prints; Michael A. Smith and Paula Chamlee. Big Bend, Texas; 1998; 19.5 x 24.4 cm; 2006.205. Near Vaiano, Umbria; 1999; 9.4 x 12 cm; 2006.206.

Paula Chamlee; 3 gelatin silver prints; The Jane B. Tripp Charitable Lead Annuity Trust. High Plains Farm, Adrian, Texas, 1994; 19.4 x 24.3 cm; 2007.7. High Plains Farm, Adrian, Texas, 1995; 19.4 x 24.3 cm; 2007.8. San Rafael Valley, Arizona, 1990; 19.5 x 24.3 cm; 2007.9.

Lynne Cohen (American, b. 1944); Classroom, Beauty School, 1979; gelatin silver print; 19.1 x 24.4 cm; Gift of Friends of Photography; 2007.177.

Gregory Conniff (American, b. 1944); 1996; 8 gelatin silver prints; The George Gund Foun-dation Collection in honor of David Bergholz, The Cleveland Museum of Art. E. 84th and Wade Park; 24.7 x 24.9 cm; 2006.222. E. 84th and Wade Park; 24.7 x 24.7 cm; 2006.223. E. 92nd and Parkgate; 24.6 x 24.9 cm; 2006.225. E. 114th between St. Clair and Sellers; 24.6 x 24.9 cm; 2006.218. E. 125th and Mayfield; 24.6 x 24.6 cm; 2006.220. Elmwood and W. 117th; 24.6 x 24.9 cm; 2006.224. W. 38th and Franklin; 24.6 x 24.6 cm; 2006.219. W. 38th and Franklin; 24.6 x 24.6 cm; 2006.221.

Erich Consemüller (German, 1902–1957); Bauhaus Sculptural Study; 1927; gelatin silver print; 10.6 x 7.6 cm; John L. Severance Fund 2007.44.

Horacio Coppola (Argentinean, b. 1906); Royal Wedding; 1934; gelatin silver print; 13.5 x 20.4 cm; John L. Severance Fund 2007.45.

Louise Dahl-Wolfe (American, 1895–1989); Fashion Study; 1930s; gelatin silver print; 23.8 x 42.6 cm; John L. Severance Fund 2007.46.

Larry Fink (American, b. 1941); The Oscar Photographs Portfolio (printed 2005); 12 inkjet prints, Epson; Gift of Mark Schwartz and Bettina Katz in honor of Timothy Rub. Anjelica Houston and Her Husband, Robert Graham; 2002; 81.4 x 81.4 cm; 2006.190.1. Graydon Carter’s Fiancé, 2004; 81.4 x 81.4 cm; 2006.190.4. Man Looking into the Camera; 2005; 81.4 x 68.5 cm; 2006.190.6. Matching Dresses; 2000; 81.4 x 81.4 cm; 2006.190.10. The Oscar; 2005; 81.4 x 81.4 cm; 2006.190.9. Table at Vanity Fair Oscar Party; 2003; 81.4 x 81.4 cm; 2006.190.2. Two Men Embracing; 2000; 81.4 x 81.4 cm; 2006.190.3. Two Women with Handbags; 2001; 81.4 x 81.4 cm; 2006.190.5. Waitress Holding a Tray; 2005; 81.4 x 81.4 cm; 2006.190.12. Warren Beatty Speaking to Woman; 2001; 81.4 x 81.4 cm; 2006.190.7. Woman in a Revealing Dress; 2004; 81.4 x 81.4 cm; 2006.190.11. Women Appraising One Another; 2004; 65.1 x 81.4 cm; 2006.190.8.

Lee Friedlander (American, b. 1934); 1995; 10 gelatin silver prints; The George Gund Foun-dation Collection in honor of David Bergholz, The Cleveland Museum of Art. Encore Manu-facturing; 26.1 x 26.1 cm; 2006.208. Horsburgh & Scott; 26.2 x 26 cm; 2006.216. Hugo Boss; 26.1 x 26 cm; 2006.212. Lincoln Electric; 26.1 x 25.9 cm; 2006.215. LTV Steel; 26.1 x 26 cm; 2006.214. NASA Lewis Research Center; 26.2 x 26 cm; 2006.217. University Hospitals of Cleveland; 25.2 x 25.6 cm; 2006.209. Vocation-al Guidance Services; 26.2 x 26 cm; 2006.210. Vocational Guidance Services; 26.2 x 26 cm; 2006.211. Vocational Guidance Services; 26.2 x 26 cm; 2006.213.

Viktor Groschedl (Austrian, 1954–2006); 1997; 3 gelatin silver prints; Gift of Herb Ascherman Jr., Robert and Jane Herbst, Chanho and Sung-a Park, James R. Schutte, and Jerald Smith and Susan Starett. Untitled; 23.7 x 36.2 cm; 2006.160. Untitled; 26 x 38.1 cm; 2006.161. Untitled; 36.3 x 24.8 cm; 2006.162.

John Gutmann (American, b. Germany, 1905–1998); That Inward Eye; 1940s; montage; gelatin silver print; 22.7 x 17.5 cm; John L. Severance Fund 2007.140.

Heinz Hajek Halke (German, 1898–1983); The Princess in the Backyard; 1930; montage; gelatin silver print; 23.3 x 17.5 cm; John L. Severance Fund 2007.47.

Fan Ho (Chinese, b. 1937); 2 gelatin silver prints; 49.4 x 39.1 cm; Dudley P. Allen Fund. Down, 1961; 2006.166. The Omen; 1964; 2006.165.

George Hugnet (French, 1906–1974); John L. Severance Fund. Angkor Wat; 1930s; collage; photomechanical reproductions and gallery announcement; 13.1 x 10 cm; 2007.54. Beach; 1937; collage; photomechanical reproductions

on magazine paper; 27 x 17.7 cm; 2007.51. Bra and Girdle; 1961; collage; photomechanical reproductions; 34.6 x 19.2 cm; 2007.50. Bride; 1937; collage; photomechanical reproductions on magazine paper; 25 x 17.3 cm; 2007.52. The First Inspection of the Castle (D’emblée en Visiste au Chateâu); 1930s; collage; photo-mechanical reproductions on magazine paper; 21.3 x 14.8 cm; 2007.49. The Architect of Mage (L’architect du Mage); 1935; collage; photo-mechanical reproductions on drawing (graph-ite, watercolor, black pen, and ink); 31.5 x 22.7 cm; 2007.53. My Travels Brought Me Here (Mes d’ambulations m’amenent); 1930s; collage; gelatin silver print and photomechanical reproductions; 20.3 x 19.5 cm; 2007.148. Two Women; 1934; collage; photomechanical reproductions; 16.4 x 12.5 cm; 2007.48.

Michael Kenna (British, b. 1953); The Rouge, Study #41; 1994; gelatin silver print; 19.2 x 19 cm; Gift of John C. Williams in honor of Audrey and Albert Ratner 2006.187.

André Kertész (American, 1894–1985); Clock and Rope; 1928; gelatin silver print; 22.5 x 13.4 cm; John L. Severance Fund 2007.55.

Willy Kessels (Belgian, 1898–1974); Untitled; 1960s; photogram; gelatin silver print; 23.2 x 17.5 cm; John L. Severance Fund 2007.56.

Edmund Kesting (German, 1892–1970); Dean Goodelle; 1930; montage; gelatin silver print; 23.7x 18.9 cm; John L. Severance Fund 2007.57.

François Kollar (French, 1904–1979); Wood Milne; 1930; montage; gelatin silver print; 37.5 x 28.1 cm; John L. Severance Fund 2007.58.

Vasilij Komardenkov (Russian, 1897–1973); Kino Design; early 1920s; collage; photo-mechanical reproductions; 41.5 x 30.7 cm; John L. Severance Fund 2007.59.

Nikolai Koubeev (Russian, 1910–1956); Pervoie Maiav Krasnoj Stolitse; 1932; gelatin silver print; 15.3 x 22.2 cm; John L. Severance Fund 2007.60.

Germaine Krull (Polish, 1897–1985); 2 gelatin silver prints; John L. Severance Fund. And by Chance (Et du Hasard); 1930s; 15.2 x 22 cm; 2007.62. Hands and Noose; 1928; 22.8 x 13.2 cm; 2007.61.

Jacques-Henri Lartigue (French, 1894–1986); 1931; 5 toned gelatin silver prints; John L. Severance Fund. With Lulu in the Woods of Boulogne (Avec Lulu au Bois du Boulogne); 26 x 24.4 cm; 2007.63. In the Studio (Dans l’atelier); 7.8 x 13 cm; 2007.64. The Crystal Ball (La Boule de Verre); 23.7 x 30 cm; 2007.149. Paint-ing of a Necklace (Tableau au Collier); 13.8 x 7.8 cm; 2007.65. Socoa; 7.7 x 13.5 cm; 2007.66.

Guy LeBoyer (French); Headlight, Paris; 1940s; gelatin silver print; 22.9 x 17 cm; John L. Severance Fund 2007.141.

Marcel G. Lefrancq (Belgian, 1916–1974); With the Hands of Light (Aux Mains du Lumière); 1948; 25 gelatin silver prints, ferrotyped; John L. Severance Fund. Countryside (Paysage); 20.6 x 16.4 cm; 2007.67.7. Crystallized Countryside (Paysage Cristallisé); 13.9 x 16.4 cm; 2007.67.14.

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Elected (Elue); 22.9 x 15.4 cm; 2007.67.5. End-less Repetition (Eternal Retour); 22.8 x 15.5 cm; 2007.67.25; The Enemy (L’Ennemi); 11.9 x 16.4 cm; 2007.67.22. Eulogy of Carnage (Eloge du Carnage); 10.7 x 16.4 cm; 2007.67.12. Exercise in Purity (Exercice de la Pureté); 22 x 16.1 cm; 2007.67.23. Haunted Eyes; 22.8 x 16.4 cm; 2007.67.2. Head of Christ (Tête de Christ); 22.5 x 16.1 cm; 2007.67.10. Heide; 11.9 x 16.3 cm; 2007.67.8. Photogram (Photogramme); 22.9 x 16.4 cm; 2007.67.9. Hope is Out the Window (L’Espoir est au-delà de la Fenêtre); 22.9 x 15.2 cm; 2007.67.11. Illustration for ‘The Adventures of A.G. Pym’ by E. A. Poe; 11 x 16.4 cm; 2007.67.19. In a Far Off Country (En Pays Lointain); 22.8 x 15.7 cm; 2007.67.20. Large Net to Capture the Wind (Grands Filets à Capturer le Vent); 12.2 x 16.5 cm; 2007.67.16. The Law of Coincidence (La Loi des Coïncidences); 19.7 x 16.4 cm; 2007.67.6. The Melancholy Door (La Porte Triste); 17.6 x 16.4 cm; 2007.67.1. Scien-tific Objectivity (Objectivité Scientifique); 22.8 x 16.3 cm; 2007.67.3. Small Fairy in a Park (Petite Fée dans un Parc); 22.7 x 16.1 cm; 2007.67.18. Smoking (Fumée); 11 x 16.3 cm; 2007.67.4. The Song of the Roofs (La Chanson des Toits); 22.8 x 15.3 cm; 2007.67.13. Spray of Sunshine (Poussière de Soleil); 22.8 x 15.2 cm; 2007.67.24. Statue of Snow (Statue de Neige); 22.8 x 16.4 cm; 2007.67.17. Study of Form I (Etude de Forme I); 17.6 x 16.4 cm; 2007.67.21. Study of Form V (Etude de Forme V); 22.7 x 16 cm; 2007.67.15.

El Lissitzky (Russian, 1890–1941); Mannequin; 1920s; gelatin silver print from photogram negative; 29.4 x 23.5 cm; John L. Severance Fund 2007.147.

Herbert List (German, 1903–1975); Sant Angelo, Ischia; 1937; gelatin silver print; 22.7 x 27.8 cm; John L. Severance Fund 2007.68.

Eli Lotar (French, 1905–1969); Tomorrow (Lendemain); late 1920s; gelatin silver print; 15.6 x 22. cm; John L. Severance Fund 2007.69.

Dora Maar (French, 1907–1997); John L. Severance Fund. Beggar Woman, Barcelona; 1932; gelatin silver print, ferrotyped; 24.2 x 17.9; 2007.83. Carousel at Night; 1930; gelatin silver print, ferrotyped; 25 x 19.8 cm; 2007.79. Crowd in Front of Car; 1934; gelatin silver print; 18.1 x 26.6 cm; 2007.72. Couple Kissing; 1930s; gelatin silver print, ferrotyped; 19.1 x 17.4 cm; 2007.80. Child Playing (Enfant Jouant); 1932; gelatin silver print; 29 x 27.3 cm; 2007.71. Fashion Study; 1936; gelatin silver print; 27.7 x 22.2 cm; 2007.84. Gypsy Palmist; 1932; gelatin silver print, ferrotyped; 26.8 x 24 cm; 2007.150. Headstand, Barcelona; 1932; gelatin silver print, ferrotyped; 27.5 x 24 cm; 2007.86. Horse and Carriage; 1934; gelatin silver print; 23.6 x 17.6 cm; 2007.77. Forbidden Games ( Jeux Interdits); 1935; gelatin silver print; 28 x 21.6 cm; 2007.85. The Girner (La Grimace); 1935; gelatin silver print, ferrotyped; 28.2 x 22.9 cm; 2007.88. Medically Unfit; 1934; gelatin silver print, ferrotyped; 18.2 x 22.7 cm; 2007.75. Plant and Window Study; 1930s; gelatin silver print, ferrotyped; 22.5 x 26.5 cm; 2007.73. Plants in Covent Gardens; 1934; gelatin silver

print; 24 x 26.3 cm; 2007.74. Repent for the Kingdom of Heaven is at Hand; 1934; gelatin silver print; 28.4 x 23.9 cm; 2007.70. Row of Aquariums; 1930; gelatin silver print, ferro-typed; 20.3 x 18.3 cm; 2007.78. Sky Pinwheels and Bottles; 1930s; gelatin silver print, ferro-typed; 20.5 x 18.3 cm; 2007.81. Stairwell and Plants in Covent Gardens; 1934; gelatin silver print, ferrotyped; 28 x 24 cm; 2007.76. Street Orchestra, Blind Musicians; 1934; gelatin silver print; 32 x 28.4 cm; 2007.89. Three Covered Statues; 1930s; gelatin silver print; 39.9 x 29.8 cm; 2007.87. Trees and Ominous Sky (Looking Up); 1934; gelatin silver print, ferrotyped; 28.2 x 24 cm; 2007.82.

René Magritte (Belgian, 1898–1967); Georgette at the Table; 1933–35; gelatin silver print, chlorobromide emulsion; 8 x 6 cm; John L. Severance Fund 2007.90.

Man Ray (Emmanuel Rudnitzky) (American, 1890–1976); John L. Severance Fund. Lee Miller; 1930; gelatin silver print; 8.8 x 6.2 cm; 2007.92. Untitled (Rayograph); 1928; photo-gram; gelatin silver print; 16.5 x 12.3 cm; 2007.91.

Marcel Marien (Belgian, 1920–1993); A Pair of Shoes Climbing a Staircase (Paire de Chausseurs Semblant Monter un Escalier); 1949 (printed later); gelatin silver print; 12.7 x 8.8 cm; John L. Severance Fund 2007.93.

Herbert Matter (American, 1907–1984); Dolls; 1930s; gelatin silver print; 20.2 x 25.8 cm; John L. Severance Fund 2007.94.

Cecil McDonald (American, b. 1965); 1200 Meditation, Things My Mother Gave Me; 2005; inkjet print, Epson, edition 1/12; 43.5 x 59.9 cm; Gift of Friends of Photography 2007.178.

Cecil McDonald; Frances Before Dinner; 2006; inkjet print, Epson, edition 1/12; 46.7 x 60.9 cm; Gift of the Artist and Catherine Edelman Gallery, Chicago 2007.171.

Edouard Léon Théodore Mesens (Belgian, 1903–1971); Untitled Photogram; 1925; photo-gram; collodion silver printing out paper; 17.9 x 23.8 cm; John L. Severance Fund 2007.95.

Auguste Mestral (French, 19th century); Statue of the Virgin, Notre Dame de Paris; 1853; salted paper print from paper negative; 35.2 x 25.8 cm; Andrew R. and Martha Holden Jennings Fund 2007.12.

László Moholy-Nagy (American, 1895–1946); Mother Europe Cares for Her Colonies; 1925; gelatin silver print; 16.1 x 12.3 cm; John L. Severance Fund 2007.96.

Monsieur X (French, 20th century); Three Graces; 1925; gelatin silver print; 18 x 23.9 cm; John L. Severance Fund 2007.97.

Oskar Nerlinger (German, 1893–1969); Ar-rival at Sea; 1928; photogram; gelatin silver print; 17.6 x 22.8 cm; John L. Severance Fund 2007.98.

Jean Painlevé (French, 1902–1989) and Eli Lotar (French, 1905–1969); Lobster Claw (Pincer d’Homard); 1929; gelatin silver print; 22.9 x 17.3 cm; John L. Severance Fund 2007.99.

Alexander Rodchenko (Russian, 1891–1956); At the Telephone; 1928; gelatin silver print; 13.8 x 8.9 cm; John L. Severance Fund 2007.146.

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Gaston Paris (French, 20th century); gelatin silver prints; John L. Severance Fund. Entertainers; 1930s; 23.9 x 17.5 cm; 2007.100. Manikin (Dali); 1938; 19.7 x 18 cm; 2007.101.

Roger Parry (French, 1905–1977); John L. Severance Fund. Carousel Horse; 1930; gelatin silver print; 22.5 x 16.8 cm; 2007.151. Dirty Sink (Cuvette Sale); 1930–31; gelatin silver print; 23.5 x 17.1 cm; 2007.104. Hands with Crystal Ball, Variation (Mains avec Boule de Cristal Variante); 1930; gelatin silver print; 17.7 x 23.9; 2007.107. Still Life (Nature Morte); 1930; gelatin silver print mounted on board; 23 x 17.4 cm; 2007.105. Still Life; 1930; gelatin silver print; 22.4 x 16.5 cm; 2007.103. Surim-pression (Robert Couturier); 1931; gelatin silver print, montage; 17.4 x 22.9 cm; 2007.106. Surimpression (Woman on Bed); 1933; montage; gelatin silver print; 16.6 x 23 cm; 2007.108. Untitled, Nude; 1930; gelatin silver print; 23.7 x 17.6 cm; 2007.102.

Eugène Piot (French, 1812–1891); Parthenon; 1852; salted paper print from waxed paper negative; 22.8 x 32.9 cm; Alma Kroeger Fund 2006.158.

Edward W. Quigley (American, 1898–1977); Photogram (Number 9); 1930s; photogram; gelatin silver print; 20.7 x 16.6 cm; John L. Severance Fund 2007.110.

Albert Renger-Patzsch (German, 1897–1966); 1920s; 3 gelatin silver prints; John L. Severance Fund. Cactus/Close Up; 17 x 23 cm; 2007.23. Leaves; 17 x 23 cm; 2007.24. Pine-apple; 23.1 x 16.9 cm; 2007.22.

Alexander Rodchenko (Russian, 1891–1956); At the Telephone; 1928; gelatin silver print; 13.8 x 8.9 cm; John L. Severance Fund 2007.146.

Franz Roh (German, 1890–1965); John L. Severance Fund. Fitness Training in Den Kolonien; 1930; collage; photomechanical reproductions; 14.8 x 18.8 cm; 2007.114. The Isolation of the Narzisms (Die Einsamkeit de Narzisms); 1930; collage; photomechanical reproductions; 9.2 x 15.8 cm; 2007.113. Nude in Light; 1925; montage; gelatin silver print; 14.5 x 21.2 cm; 2007.111. Woman with a Comb; 1930; gelatin silver print from a negative image; 23.6 x 18.6 cm; 2007.112.

Werner Rohde (German, 1906–1990); John L. Severance Fund. Dompteuse (Renata); 1930–32; gelatin silver print; 30 x 21.7 cm; 2007.115. Rule Brittania; late 1950s–early 1960s; photo-collage; gelatin silver prints; 39.5 x 29.1 cm; 2007.116.

Thurman Rotan (American, 1905–1991); New York Montage; 1928; montage; gelatin silver print; 11.5 x 8.2 cm; John L. Severance Fund 2007.117.

Tokihiro Sato (Japanese, b. 1957); 2 gelatin silver prints; The Jane B. Tripp Charitable Lead Annuity Trust. #375 Sakatashibi 3; 1999; 53.7 x 43.2 cm; 2007.10. Nikko 3; 2001; 43.2 x 54 cm 2007.11.

Ernst Schieron (German); John L. Severance Fund. Montage; 1920s; montage; gelatin silver print; 17.1 x 23.2 cm; 2007.120. Reflection in Mirror; 1930; gelatin silver print on artist’s

mount; 37.8 x 28.2 cm; 2007.118. Stuttgart Central Station; 1930s; gelatin silver print; 23.2 x 17.4 cm; 2007.119.

Michael A. Smith (American, b. 1942); Near Pienza, Tuscany; 2000; gelatin silver print; 19.3 x 50 cm; Michael A. Smith and Paula Chamlee; 2006.207.

Michael A. Smith; 3 gelatin silver prints; The Jane B. Tripp Charitable Lead Annuity Trust. From Cortona, Tuscany; 1999; 19.3 x 50 cm; 2007.6. Spider Rock, Canyon de Chelly, Arizona; 1993; 44.5 x 54.8 cm; 2007.4. Yosemite, California; 1988; 19.6 x 49.7cm; 2007.5.

Rosalind Solomon (American, b. 1930); 2 gelatin silver prints (printed 1993); Gift of Friends of Photography. Boy with Coke and Cotton Candy, Scottsboro, Alabama; 1976; 38.5 x 38.5 cm; 2007.175. House with a Double Tombstone, Sand Mountain, Alabama; 1977; 38.3 x 38.3 cm; 2007.176.

Emmanuel Sougez (French, 1889–1972); Untitled (Film Strip); late 1920s; camera-less photograph; gelatin silver print; 28.7 x 22.4 cm; John L. Severance Fund 2007.121.

Anton Stankowski (German, 1906–1998); John L. Severance Fund. Eye; 1927; montage; gelatin silver print; 10.9 x 14.5 cm; 2007.122. Self Portrait “Der Trager”; 1930; gelatin silver print; 16.9 x 11.9 cm; 2007.152.

André Steiner (Austrian, 1901–1978); Untitled; 1940s; gelatin silver print; 18.9 x 18 cm; John L. Severance Fund 2007.123.

Mark Steinmetz (American, b. 1961); 2 gelatin silver prints; 30.4 x 41.9 cm; Gift of Friends of Photography. Athens, Georgia; 1996; 2007.17. Bourbon Street, New Orleans; 1995; 2007.18.

Carl Struwe (German, 1898–1988); John L. Severance Fund. Chlorophyll; 1928; gela-tin silver print, micrographed; 36 x 29 cm; 2007.124. The Spiral (Die Spirale); 1935 (printed 1950); gelatin silver print, ferrotyped; 23.4 x 18 cm; 2007.126. Crystal Formation (Konstruktionsform Crystal); 1933; gelatin silver print, micrographed; 18 x 22.6 cm; 2007.125.

Maurice Tabard (French, 1897–1984); John L. Severance Fund. Dancer George Pomies; 1931; montage; gelatin silver print; 23.7 x 17.5 cm; 2007.127. Portrait of a Man/Self Portrait; 1930; gelatin silver print; 22.6 x 17 cm; 2007.153.

Roger Tepe (b. 1915); 1900s; 2 silver prints on printing out paper; John L. Severance Fund. Birdsnest with Eggs; 11.7 x 16.5 cm; 2007.129. Eggs on Ground; 11.7 x 16.8 cm; 2007.128.

Raoul Ubac (Belgian, 1910–1985); 2 gelatin silver prints; John L. Severance Fund. The Battle of the Penthesilea (Le Combat de Penthesil-iées); 1937; 17 x 22.9 cm; 2007.154. Manikin (André Masson); 1937; 22.8 x 9.4 cm; 2007.130.

Brian Ulrich (American, b. 1971); Cleveland, OH (Disney); 2004 (printed 2007); chromoge-nic process color print; 110.6 x 132.1 cm; Gift of Katherine Solender and William E. Katzin 2007.170

Brian Ulrich; Lyndhurst, OH (Guns); 2004 (printed 2007); chromogenic process color print; 110.6 x 132.1 cm; Gift of Friends of Photography 2007.172

Unidentified photographer (American, 19th century); Incline on the Morris and Essex Canal, Newark, New Jersey; about 1870; albumen print from wet collodion negative; 24.6 x 19.2 cm; Dudley P. Allen Fund 2006.163.

Willem van de Poll (Dutch, 1895–1970); Moulin Rouge; about 1930; montage; gelatin silver print, ferrotyped; 17.3 x 23.6 cm; John L. Severance Fund 2007.131.

Emil van Moerkerken (Dutch, 1916–1995); Happening with Van Geel; 1938; gelatin silver print; 22.8 x 17.7 cm; John L. Severance Fund 2007.132.

Garie Waltzer (American, b. 1947); Aguas Calientes, Baths; 2005; inkjet print; 56.3 x 55.7 cm; Gift of the Artist; 2006.188.

Garie Waltzer; Shanghai Overpass #1; 2005; inkjet print, Epson; 56.3 x 56.1 cm; Gift of Linda Butler, William S. Lipscomb, and Judith McMillan 2006.159.

William E. Williams (American, b. 1950); 2 gelatin silver prints; Gift of Friends of Photog-raphy. Arlington National Cemetery, Section 27, Arlington, Virginia; 2000 (printed 2001); 20.4 x 20.5 cm; 2007.174. Jamestown Island, Virginia; 1996 (printed 1998); 19.2 x 19.3 cm; 2007.173.

Paul Wolff (German, 1887–1951); John L. Severance Fund. Airship Hindenberg; 1930s; gelatin silver print; 23.4 x 17.4 cm; 2007.134. Wire Strainers (Drahtsiebe); 1937; gelatin silver print, ferrotyped; 23.8 x 17.9 cm; 2007.133.

Wolfgang Schulze Wols (German, 1913–1951); John L. Severance Fund. Antique Seller, Paris; 1930s; gelatin silver print; 23.4 x 17.2 cm; 2007.136. Posts (Poteaux); 1933; gela-tin silver print, ferrotyped; 29.6 x 24.2 cm; 2007.135. Untitled Portrait; 1938; gelatin silver print; 22.2 x 25.8 cm; 2007.137.

René Zuber (French, 1902–1979); Grid over Coins (Quadrillage sur Pieces); 1932; gelatin silver print; 22.8 x 17.3 cm; John L. Severance Fund 2007.138.

Piet Zwart (Dutch, 1885–1977); Typographic Composition; 1931; gelatin silver print; 17.4 x 12.3 cm; John L. Severance Fund 2007.139.

PrintsShusaku Arakawa (American, b. Japan, 1936); Iris Field: I See the Ceiling from My Bed; color lithograph, screenprint, and embossing; 76 x 106.4 cm; Gift of Mitzie Verne in memory of Dr. Daniel Verne 2006.195.

Mary Lee Bendolph (American, b. 1935); Housetop Blocks/Purple; 2005; color aquatint and softground etching; 60.4 x 60.6 cm; Gift of Thomas R. Roese 2006.198.

Louis-Marin Bonnet (French, 1736–1793); Love Requests Venus to Return His Weapons to Him (L’Amour Prie Vénus de Lui Rende ses Armes) (after François Boucher); 1768; color chalk-manner etching and engraving; 27.3 x 36.7 cm; Herold 17, state I/V; James Parmelee Fund 2006.182.

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1802; softground etching and aquatint printed in brown; 22.9 x 49.1 cm; Abbey 102, 9 with-out letters; 2006.228. View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c Taken from Pont Notre Dame (aquatint by Frederick Christian Lewis I [British, 1779– 1856]); 1803; softground etching and aquatint printed in brown, hand-colored with water-color; 30.2 x 56.2 cm; Abbey 102, 9 with let-ters; 2006.227. View of the Pont de la Tournelle & Notre Dame Taken from the Arsenal (aquatint by Frederick Christian Lewis I [British, 1779–1856]); 1802; softground etching and aquatint printed in brown, hand-colored with watercolor; 22.7 x 53.8 cm; Abbey 102, 11 with letters; 2006.230. View of Pont de la Tournelle & Notre Dame Taken from the Arse-nal (aquatint by Frederick Christian Lewis I [British, 1779–1856]); 1802; softground etching and aquatint printed in brown; 15.1 x 44.5 cm; Abbey 102, 11 without let-ters; 2006.243. View of St. Cloud and Mount Calvary Taken from the Pont de Sêve (aquatint by Frederick Christian Lewis I [British, 1779–1856]); 1802; softground etching and aquatint printed in brown; 12.7 x 48 cm; Abbey 102, 18 without letters; 2006.241. View of St. Cloud & Mount Calvary Taken from Pont de Sêve (aquatint by Frederick Christian Lewis I [British, 1779–1856]); 1802 (printed 1810 or after); softground etching and aqua-tint printed in brown, hand-colored with watercolor; 20.1 x 53.6 cm; Abbey 102, 18 with letters; 2006.233. View of the Village of Chaillot, &c Taken from Pont de la Concorde (aquatint by Frederick Christian Lewis I [British, 1779–1856]); 1803 (printed 1810 or after); softground etching and aquatint printed in brown, hand-colored with water-color; 20.1 x 55.1 cm; Abbey 102, 17 with letters; 2006.235. View of the Village of Chail-lot, &c Taken from Pont de la Concorde (aqua-tint by Frederick Christian Lewis I [British, 1779–1856]); 1802; softground etching and aquatint printed in brown; 5 x 19 cm; Ab-bey 102, 17 without letters; 2006.242. The Water Mill above the Bridge at Charenton (aqua-tint by Frederick Christian Lewis I [British, 1779–1856]); 1803 (printed 1810 or after); softground etching and aquatint printed in brown, hand-colored with watercolor; 20.6 x 33 cm; Abbey 102, 20 with letters; 2006.232. The Water Works at Marli, and St. German en Laye seen in the distance (aquatint by J. B. Harraden [British]); 1803; softground etching and aquatint printed in brown, hand-colored with watercolor; 22.7 x 54.5 cm; Abbey 102, 15b with letters; 2006.226. Natalia Gontcharova (Russian, 1881–1962); The Fourth Bauhaus Portfolio: Female Half Figure (Weibliche Halbfigur); 1922–23 (printed 1924); color lithograph; 50.4 x 33.9 cm; L. E. Holden Fund 2006.180.

Arshile Gorky (American, b. Armenia, 1904–1948); Mannikin; 1931; lithograph; 37.2 x 28.9 cm; Miller pp. 57–61; Andrew R. and Martha Holden Jennings Fund 2007.166.

Henri Charles Guérard (French, 1846–1897); Punchinello, after Meissonier (Polichinelle, d’après Meissonier); 1876; etching; 9 x 5.7 cm; Bertin 11, state I/III; Gift of Bernard Derroitte and Sonia Kupfer in honor of Celine Deroitte 2006.193. Punchinello on Stilts (Polichinelle sur des Echasses); about 1888; etching; 26.2 x 7.7 cm; Bertin 117, state II/of II?; Gift of Elizabeth Carroll Shearer in memory of Robert Lundie Shearer 2006.192. Punchinello, Three-quarters to the Right (Polichinelle, de trios-quart à droite); about 1887; color etching, aquatint, and roulette; 16 x 8 cm; Bertin 116, proof, state III/III; Gift of Elizabeth Carroll Shearer in honor of Heather Lemonedes 2006.191.

Philip Guston (American, 1913–1980). A Suite of Ten Lithographs by Philip Guston: Untitled #10; 1966; lithograph; 51 x 68.3 cm; L. E. Holden Fund 2006.176.

Wilhelm Heise (German, 1892–1965); Konigskerzen; lithograph; 48.7 x 30.8 cm; L. E. Holden Fund 2006.181.

William Holman Hunt (British, 1827–1910); The Father’s Leave-Taking; 1879; etching; 19.1 x 25 cm; Bronkhurst App. B26; L. E. Holden Fund 2006.173.

Juste de Juste (French, 1505–1559); Pyramid of Five Men; about 1543; etching; 27.8 x 20.7 cm; Zerner J.5; Alma Kroeger Fund 2007.167.

Ellsworth Kelly (American, b. 1923); Suite of Plant Lithographs: Pear III (Poire III); 1965–66; lithograph; 49 x 50 cm; Axsom 47; Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment Fund 2006.184.

Jane Kent (American, b. 1952); 2 color aqua-tints, mezzotint, and roulette; 38.1 x 30.2 cm; The Print Club of Cleveland Publication Number 85, 2007. Gift of The Print Club of Cleveland. The Blue Optimist; 2006; 2007.14. The Blue Optimist, B.A.T.; 2005; 2007.15.

Maxime Lalanne (French 1827–1886); 14 etchings; Gift of John Bonebrake. At Harlem (Holland) (À Haarlem [Hollande]); 1877; 20.9 x 30.3 cm; Villet 121, state I/III; 2006.248. Boulevard Montmartre; 1884; 20.1 x 25.6 cm; Villet 155, state II/II; 2006.245. Conflagration in the Port of Bordeaux (Incendie dans le Porte de Bordeaux); 1869; 15.8 x 23.8 cm; Villet 50, state III/III; 2006.251. Demolition for the Opening of Boulevard St. Germain (Demolitions pour le Percement du Boulevard St. Germain); 1862; 32.1 x 24.4 cm; Villet 2, state IV/IX; 2006.253. Demolition for the Opening of the Rue des Écoles (Demolitions pour le Percement de la Rue des Écoles); 1862; 23.8 x 32 cm; Villet 3, state II/VI; 2006.249. Paris in 1867, View from the Trocadero (Paris en 1867, Vue Prise du Tro-cadéro); 1867; 43.7 x 66.8 cm; Villet 41, state II/III; 2006.254. Paris, View from the Concorde Bridge (Paris, Vue Pris du Pont de la Concorde); 1866; 20.1 x 25.6 cm; Villet 40, state III/III; 2006.258. Richmond; 1871; 18.2 x 26.7 cm; Villet 82, state III/III; 2006.247. Rue des Marmousets (Old Paris) (Rue des Marmousets [Vieux Paris]); 1862; 26 x 8 cm; Villet 1, state III/VII; 2006.255. Ruins of the Gallien Palace in

Charles Burwell (American, b. 1905); Pink Ground and Two Figures; 2005; color digital print; 15.2 x 15.2 cm; Gift of Sandra and Gary Kaufman in honor of the Fine Print Fair 2006.199.

Philibert Louis Debucourt (French, 1755–1832); Annette and Lubin (Annette et Lubin); 1789; color engraving and etching; 40.8 x 30.9 cm; Fenaille 22, state II/V; L. E. Holden Fund 2006.172.

Sonia Delaunay (Russian, 1885–1979); Untitled; etching and aquatint; 69.2 x 49.7 cm; Gift of Helen A. Weinberg in memory of her husband, Kenneth G. Weinberg 2006.271.

John Girtin (British, about 1780–after 1820); A Selection of Twenty of the Most Picturesque Views in Paris, and Its Environs; 1803; engrav-ings; Gift of John Bonebrake. Dedication Page; 34.5 x 42.5 cm; Abbey 102 with letters; 2006.239. Title Page; 33 x 40.5 cm; Abbey 102 with letters; 2006.238.

Thomas Girtin (British, 1775–1802); A Selec-tion of Twenty of the Most Picturesque Views in Paris, and Its Environs; 18 prints; Gift of John Bonebrake. View from Palace Terrace, at St. Germain en Laye, with Aqueduct of Marli Seen in the Distance (aquatint by Joseph Constantine Stadler [German, active 1780–1812]); 1803 (printed 1810 or after); softground etching and aquatint printed in brown, hand-colored with watercolor; 22.6 x 53.7 cm; Abbey 102, 16 with letters; 2006.236. View of Belle Vue & Pont de Sêve Taken from the Terrace near Pont de St Cloud (aquatint by Frederick Christian Lewis I [British, 1779–1856]); 1802; soft-ground etching and aquatint printed in brown, hand-colored with watercolor; 22.5 x 54 cm; Abbey 102, 13 with letters; 2006.234. View of Belle Vue & Pont de Sêve (aquatint by Frederick Christian Lewis I [British, 1779–1856]); 1802; softground etching and aquatint printed in brown; 14.5 x 46.5 cm; Abbey 102, 13 without letters; 2006.244. View of the Gate of St. Denis Taken from the Suburbs (aquatint by Frederick Christian Lewis I [British, 1779–1856]); 1803; softground etch-ing and aquatint, hand-colored with water-color; 23 x 49.3 cm; Abbey 102, 10 without letters; 2006.229. View of the Louvre & Bridge of the Thuilleries Taken from Pont Neuf (aquatint by J. B. Harraden [British]); 1802; softground etching and aquatint printed in brown, hand-colored with watercolor; 25.1 x 52.6 cm; Abbey 102, 2 with letters; 2006.237. View of the Palace & Village of Choisi on the Banks of the Seine (aquatint by Frederick Christian Lewis I [British, 1779–1856]); 1802; softground etch-ing and aquatint printed in brown; 15 x 46 cm; Abbey 102, 14 without letters; 2006.240. View of the Pantheon Taken from the Arsenal (aquatint by Frederick Christian Lewis I [British, 1779–1856]); 1803; softground etching and aquatint printed in brown, hand- colored with watercolor; 22.6 x 53.6 cm; Abbey 102, 12 with letters; 2006.231. View of Pont au Change (aquatint by Frederick Christian Lewis I [British, 1779–1856]); about

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Adolphe Martial Potemont (French, 1828– 1883); Siège de la Société des Aquafortistes; 1864; etching; 28.5 x 38.9 cm; Mr. and Mrs. Richard W. Whitehill Art Purchase Endow-ment Fund 2006.183.

Rembrandt van Rijn (Dutch, 1606–1669). Abraham’s Sacrifice; 1655; etching and dry-point; 15.6 x 13.2 cm; White and Boon 35; Andrew R. and Martha Holden Jennings Fund 2007.156.

Rembrandt van Rijn. Christ Presented to the People; 1655; drypoint; 35.9 x 45.6 cm; White and Boon 76, state V/VIII; Leonard C. Hanna Jr. Fund 2006.155.

Linda Schwarz (German, b. 1963); Sign Language; 2002; etching, hand-colored with watercolor; 76.3 x 57.4 cm; Gift of 24 members of The Print Club of Cleveland’s 2006 Minneapolis Trip 2006.196.

Armand Seguin (French, 1869–1903); Trees at Night (Arbres au soir); about 1894; etching (sugar-lift aquatint?); 16.5 x 25 cm; Field, Strauss, Wagstaff 74A; Gift of the Estate of Charles F. Brush 2006.177.

Alois Senefelder (German, 1771–1834); 2 plates from Art of the Lithograph; published 1819; L. E. Holden Fund. Dedication Sheet, Plate VII (Dédicace); lithograph; 21.2 x 14.2 cm; Winkler 711-48.7,VII; 2006.179. Psalter—Initial B, Plate VIII (Psalter—Initial B); color lithograph; 14.5 x 22.2 cm; Winkler 711-48.8; 2006.178.

Alois Senefelder; Art of the Lithograph; published 1819; Gift of Susan Schulman Print-sel ler and Carolyn Bullard Fine Prints in honor of Jane Glaubinger. Volume I; 2006.194.1. 15 lithographs from Volume II. Albanian, Plate XVIII (Albanier); 7.2 x 11.2 cm;

Bordeaux (Ruines du Palais Gallien à Bordeaux); 1866–68; 35.2 x 26 cm; Villet 45, state V/VII; 2006.256. A Street in Rouen (Une rue de Rouen); 1884; 28 x 19.7 cm; Villet 152, state II/II; 2006.250. Traité de la Gravure à l’Eau-Forte: Traveler on a Road in a Forest; 1866; etching and drypoint; 18.3 x 11.6 cm; Villet 32, state IV/VI; 2006.257. View from St. Michel Bridge (Vue Prise du Pont St. Michel); 1865; 24.8 x 33.4 cm; Villet 22, state I/VI; 2006.252. View from the Louvre (Vue Prise du Louvre); 1822; 18.5 x 28.7 cm; Villet 146, state II/III; 2006.246.

Ethel Mars (American, 1876–1959); Head of a Woman; 1907–10; color woodcut; 12 x 7.5 cm; L. E. Holden Fund 2006.169.

Todd Norsten (American, b. 1967); Untitled; 2003; etching with chine collé (recto) and color spit bite (verso); 39.1 x 29.9 cm; Gift of 24 members of The Print Club of Cleveland’s 2006 Minneapolis Trip 2006.197.

Chiura Obata (American, b. Japan, 1885–1975); World Landscape Series: Evening Glow at Yosemite Falls; 1930; color woodcut with mica; 39.9 x 27.8 cm; Mr. and Mrs. William E. Ward Collection Fund 2007.19.

Johann Friedrich Overbeck (German, 1789–1869); 1826; 2 etchings; L. E. Holden Fund. A Praying Monk (Ein betender Pilge); 11.4 x 7.6 cm; Nagler 1; 2006.174. St. Philip Neri (S. Filippo Neri); 14.1 x 8.3 cm; Nagler 2; 2006.175.

Stephen Parrish (American, 1846–1938); 4 etchings; Gift of Carole W. and Charles B. Rosenblatt. Farm Near a Pond; 10.5 x 17.1 cm; 2006.265. Gale at Fecamp; 34.8 x 40.2 cm; 2006.268. Harbor Scene; 14.1 x 20 cm; 2006.266. On the Thames; 13.5 x 23.3 cm; 2006.267.

Jacques Villon (French, 1875–1963); The Little Girls’ Cake Walk (Le Cake Walk des Petites Filles); 1904; Ginestet and Pouillon 102, state IV/IV; color drypoint, aquatint, and roulette; 30.5 x 42.3 cm; Gift of The Print Club of Cleveland 2006.273.10.

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2006.273.5. Color drypoint, aquatint, and roulette, hand-colored with watercolor; 31 x 42.3 cm; state III/IV; 2006.273.6. Drypoint, aquatint, and roulette; 30.9 x 42.5 cm; state IV/IV; 2006.273.7. Color drypoint, aqua-tint, and roulette; 31 x 42.5 cm; state IV/IV; 2006.273.8. Color drypoint, aquatint, and roulette, hand-colored with watercolor; 31 x 42.3 cm; state IV/IV; 2006.273.9. Color dry-point, aquatint, and roulette; 30.5 x 42.3 cm; state IV/IV; 2006.273.10.

Edouard Vuillard (French, 1868–1940); Cook-ing: The Cook (Cuisine: La Cuisinière); 1934; lithograph; 33.1 x 25.6 cm; Roger-Marx 57, proof, state II/III; L. E. Holden Fund 2006.171.

Levon West (American, 1900–1968); 6 etch-ings and drypoint. Gift of Carole W. and Charles B. Rosenblatt. The Blizzard; 1935; 22.8 x 37.8 cm; not in Torrington; 2006.263. The Eagle; 1927; 20.1 x 33.9 cm; Torrington 98, state IV/IV; 2006.260. English Bay; 1927; 22.8 x 27.3 cm; Torrington 91, state II/II; 2006.259. Fishing Schooners, Havana; 1930; 23.6 x 32.7 cm; not in Torrington; 2006.261. La Punta; 1927; 31.8 x 16.5 cm; Torrington 94, proof, state I/III; 2006.262. Sawback Val-ley; 1928; 9.1 x 11.6 cm; Torrington 114, state II/II; 2006.264.

Anders Zorn (Swedish, 1860–1920). 2 etchings. Gift of Carole W. and Charles B. Rosenblatt. Beadle; 1911; 16 x 11.8 cm; Hjert and Hjert 154, state III/III; 2006.269. Ols Maria; 1919; 20 x 29.7 cm; Hjert and Hjert 167; 2006.270.

Textiles Canopy; 16th century; India, Sultanate period; combination of two weaves (lampas), satin weave and twill weave; silk; 177.8 x 185.4 cm; Purchase from the J. H. Wade Fund 2006.136.

Ikat Textiles; Central Asia, Bukhara, present-day Uzbekistan; Gift of Dr. Guido Goldman. Panel; third quarter of 19th century; velvet ikat, velvet weave; silk; 69.2 x 33.7 cm; 2006.153. Wall Hanging; first half of 19th cen-tury; warp ikat, warp-faced plain weave; silk warp, cotton weft (5 panels); modern lining; 208.9 x 141.6 cm; 2006.150. Wall Hanging; first half of 19th century; warp ikat, warp-faced plain weave; silk warp, cotton weft (5 1/2 half panels); lining: block-printed plain weave; cotton (3 panels); 180.3 x 128.9 cm; 2006.151. Wall Hanging; third quarter of 19th century; warp ikat, warp-faced plain weave; silk warp; cotton weft (5 panels); lining: printed plain weave; cotton (2 panels); 192.4 x 144.2 cm; 2006.152.

Long Shawl with Woven Figures and Animals; about 1855; India, Kashmir; 2/2 twill tapes-try, pieced; goat hair wool; 354.3 x 141.6 cm; Gift of Arlene C. Cooper 2006.200.

Main Carpet of the Saryk Tribe; 1870s; Turkmenistan, Turkmen people; wool and silk; 257.7 x 250.2 cm; Gift of Arlene C. Cooper 2006.201.

Winkler 711-53.18; 2006.194.14. Four Engraving Samples: War Tent, Map of Toni, Bird, Dutch Farmer and Woman (Vier Gravurproben: Kriegszelt, Karte von Toni, Vogel, holländischer Bauer und Frau); 19.8 x 17.5 cm; Winkler 711-53.19; 2006.194.15. Head of an Amazon, Plate XIV (Amazonenkopf); 16.8 x 13.9 cm; Winkler 711-50.14; 2006.194.10. Italian Church Ruin, Plate XVII (Italienische Kirchenruine); 17.6 x 15.7 cm; Winkler 711-53.17; 2006.194.13. Landeck in Tirol, Plate III (Landeck in Tirol); 15.3 x 20.7 cm; Winkler 711-44.3; 2006.194.4. Madonna and Child on the Clouds, Plate II (Madonna und Kind auf den Wolken); 11.5 x 17 cm; Winkler 711-44.2; 2006.194.3. Printing Letters, Plate XV (Schriftumdrucke): Transport 1. fresh proof (d’une epreuve fraiche); 30 x 23.3 cm; 2. an old book (d’un ancien livre); 6.5 x 8.5 cm; 3. writing with chemical ink (d’une ecriture a l’encre chimique); 4.3 x 13.3 cm; Winkler 711-51.15, XV; 2006.194.11. Printing Press (Kurbel-Reiberpresse); 19.2 x 15.6 cm; Winkler 11-54.20; 2006.194.16. River Landscape, Plate XIII (Flusslandschaft); 10.9 x 16.3 cm; Winkler 711-50.13; 2006.194.9. Saint Cecily, Plate XII (Hl. Cäcilie mit der harfe); 21.1 x 16.3 cm; Winkler 711-49.12; 2006.194.8. Title Page, Plate I (Titel), 18 x 16 cm; Winkler 711-43.1; 2006.194.2. Three Designs from Dürer’s Prayer Book, Plate V (Drei Zeichnungen aus Dürers Gebetbuch); 20.5 x 15.9 cm; Winkler 711-46.5; 2006.194.5. Three Engraving Examples, Plate XI (Drei Gravur-Beispiele); 16.8 x 7.8 cm; Winkler 711-49.11; 2006.194.7. Toning Samples, Plate XVI (Abtönungsproben); 17.2 x 13.4 cm; Winkler 711-52.16; 2006.194.12. Transfer of a Wood Engraving, Plate VI (Umdruck eines Holzstiches); 9.5 x 13.3 cm; Winkler 711-47.6; 2006.194.6.

James Siena (American, b. 1957); No Man’s Land; 2004; engraving with chine collé; 28.3 x 22.3 cm; Jo Hershey Selden Fund 2006.185.

Shahzia Sikander (Pakistani, b. 1969); Afloat; 2001; color screenprint; 88 x 60.8 cm; Jo Hershey Selden Fund 2006.186.

Phyllis Sloane (American, b. 1921); Helen; 1969; screenprint; 43.2 x 53.5 cm; Gift of Helen A. Weinberg in memory of her hus-band, Kenneth G. Weinberg 2006.272.

Fabien Vieillard (called Fabien Launay) (French, 1877–1904); Before the Bath (Avant Le Bain); about 1895; woodcut, hand-colored with watercolor; 23.4 x 30.7 cm; L. E. Holden Fund 2006.170.

Jacques Villon (French, 1875–1963); The Little Girls’ Cake Walk (Le Cake Walk des Petites Filles); 1904; 10 prints; Ginestet and Pouil-lon 102; Gift of The Print Club of Cleveland. Color drypoint and aquatint, hand-colored with watercolor; 34.7 x 45.3 cm; state I-II/IV; 2006.273.1. Color drypoint, aquatint, and graphite; 34.7 x 45.3 cm; state I-II/IV; 2006.273.2. Color drypoint, aquatint, and roulette, hand-colored with watercolor; 34.2 x 45.4 cm; state II/IV; 2006.273.3. Drypoint, aquatint, and roulette; 34.2 x 45.6 cm; state II-III/IV; 2006.273.4. Drypoint, aquatint, and roulette; 28.6 x 41.4 cm; state II-III/IV;

A Prince and Lady, Dressed in White, Seated in a Palace with Musicians and Attendants (from the Khamsa of Nizami); about 1560–80; Iran, Shiraz, Safavid period; opaque watercolor, ink, and gold on paper; 30.7 x 19.7 cm overall; Gift of William Kelly Simpson in memory of his wife, Marilyn M. Simpson, and her grandparents Mr. and Mrs. John D. Rockefeller Jr. 2006.146.a.

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Ottoman Cushion Cover; early 17th century; Turkey, Istanbul, Ottoman period; combina-tion of two weaves (lampas), satin weave and twill weave; silk and gilt-metal thread; 141 x 68.4 cm; Purchase from the Andrew R. and Martha Holden Jennings Fund 2007.13.1.

Striped Surround ( frame) for Ottoman Cushion Cover; Iran, Safavid period, late 17th–early 18th century; plain weave with inner warps and continuous and discontinuous supplemen-tary wefts bound in plain and 1/3 Z twill or-der; silk and silver-metal thread; 142.2 cm. x 23.5 cm overall. Purchase from the Andrew R. and Martha Holden Jennings Fund 2007.13.2–5.

Education Art CollectionAlbum of Japanese Paintings: Copies of Works by Sesshu and Korin; late 1800s or early 1900s; Japan; ink on paper; 39.4 x 49.5 cm; Gift of Mitzie Verne in memory of Dr. Daniel Verne 2006.1002.

Bowl; 1900s; China; porcelain with Ch’ing Pei type glaze; diam. 20.7 cm; From Krakatoa Asian Art, Gallery Group Fund 2007.1012.

Calligrapher Set (modern reproduction); 1900s; Korea; reproduction of original 12th-century set made by Professor Kim Ik-young of Kook-min University, Seoul, Korea; blue-gray por-celain; wood box; Gift of The National Mu-seum of Korea at the opening of “5000 Years of Korean Art” exhibition in 1980 2007.1010.

Chariot-Shaped Vessel, Reproduction of Catalogue no. 54; 1900s; Korea; stoneware, ash-glazed; 16.2 x 11.9 cm; Gift of The National Museum of Korea at the opening of “5000 Years of Ko-rean Art” exhibition in 1980 2007.1011.

Chrysanthemum Patterned Lidded Box Containing Four Smaller Lidded Boxes; early 1900s; Japan; lacquer; 1.1 x 11.9 x 9.2 cm; Bequest of Lillian M. Kern 2007.1009.1–5.

Female Imperial Portrait; 1900s; China; ink on paper; 38.5 x 34.3 cm; Bequest of Lillian M. Kern 2007.1003.

Ibeji (Twin Figure); late 1800s; Africa, Yoruba people; wood, pigment, and beads; 27 x 6.9 x 8.7 cm overall; Bequest of Lillian M. Kern 2007.1007.

Letter from Matsumoto (February 6, 1912); Japan, Nagoya; ink on paper; 30 x 20.4 cm; Bequest of Lillian M. Kern 2007.1008.

Male Imperial Portrait; late 19th century; China; paper; 35.7 x 33.8 cm; Bequest of Lillian M. Kern 2007.1004.

Narasimha Killing Hiranyakasipu; late 1800s or early 1900s; India, Pahari Hills; color and gold on paper; 8.2 x 6.7 cm; Bequest of Lillian M. Kern 2007.1005.

Scroll; late 1800s or early 1900s; Ethiopia; 2 drawings; ink or pigment on vellum; Gift of Steven E. Sender and family in memory of Lester E. and Ann M. Sender. 195 x 15 cm; 2006.1000. 213.3 x 15 cm; 2006.1001.

Sword (reproduction); early 20th cenury; bronze; h. 55.9 cm; Gift of Jeff Rick 2007.1013.

Main Carpet of the Saryk Tribe; 1870s; Turkmenistan, Turkmen people; wool and silk; 257.7 x 250.2 cm; Gift of Arlene C. Cooper 2006.201.

Vishnu and Lakshmi; late 1800s or early 1900s; India, Pahari Hills; color and gold on pa-per; 7.9 x 7 cm; Bequest of Lillian M. Kern 2007.1006.

George G. Adomeit (American, 1879–1967); Process Kit–Winter Landscape Scene; about 1940; copper plate, four-color etching process kit with each color step print and final art-ist’s proof; 18.2 x 15.7 cm; Anonymous Gift 2007.1014.1–12.

Paul Beaver Arnold (American, b. 1918); Thai Grocery; 2000; color woodcut; 16.2 x 33.7 cm; Gift of The Print Club of Cleveland 2007.1000.

Henry G. Keller (American, 1869–1949); Wild Horses; 1900s; lithograph; 34.4 x 48.2 cm; Gift of The Cleveland Museum of Art Ingalls Library 2007.1001.

Laurent Schkolnyk (French, b. 1953); Le Vase au Poisson; about 1975; color mezzotint; 12.8 x 18.8 cm; Gift of Mr. and Mrs. Thomas French, in memory of Barbara Wamelink 2007.1002.

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Bard Graduate Center for Studies in the Decorative Arts, New York CitySheila Hicks, Small Works: Substance of Illusion, 1956–2006

Cleveland Museum of Natural HistoryJohn James Audubon: American Artist and Naturalist

Columbus Museum of Art, OhioEdgar Degas: The Last Landscapes

Dallas Museum of ArtVan Gogh’s Sheaves of Wheat

Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institution, WashingtonEncompassing the Globe: Portugal and the World in the 16th and 17th Centuries

The Frick Collection, New York CityDomenico Tiepolo: A New Testament

Governor’s Residence Foundation, Bexley, OhioLong-term loan

High Museum of Art, Atlanta; Museum of Contemporary Art San Diego; Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, WashingtonMorris Louis Now: An American Master Revisited

Isabella Stewart Gardner Museum, BostonA Bronze Menagerie: Mat Weights of Early China

Japan Society Gallery, New York CityAwakenings: Zen Figure Painting in Medieval Japan

Long Beach Museum of Art, California Painting with Fire: Masters of Enameling in America, 1930–1980

Massillon Museum of Art, Ohio; Riffe Gallery, Columbus, OhioMidwestern Visions of Impressionism

The Metropolitan Museum of Art, New York CitySet in Stone: The Face in Medieval Sculpture

Michael C. Carlos Museum, Emory University, AtlantaLong-term loan

Milwaukee Art MuseumBiedermeier: The Invention of Simplicity

MOCA ClevelandShort-term loans

Musée Cernuschi, Paris; Asia Society Galleries, New York CityLes Perses Sassanides ou les Fastes d’un empire oublié

Musée Fabre, Montpellier; Musée de GrenobleL’Impressionnisme vu d’Amérique

Museu Picasso, Barcelona; Fondation Pierre Gianadda, Martigny, SwitzerlandPicasso and the Circus

Museum of Fine Arts, Boston; National Gallery of Art, Washington; The Art Institute of ChicagoEdward Hopper

The Museum of Fine Arts, Houston; Los Angeles County Museum of ArtThe Modern West: American Landscapes, 1890–1950

National Gallery of Art, WashingtonJasper Johns: An Allegory of Painting, 1955–1965

Royal Academy of Arts, LondonChola: Sacred Bronzes of Southern India

Salvador Dalí Museum, St. Petersburg, FloridaDalí and the Spanish Baroque

Solomon R. Guggenheim Museum, New York CitySpanish Painting from El Greco to Picasso: Time, Truth, and History

Western Reserve Historical Society, ClevelandHanna House, long-term loan

Loans to Other Institutions

The idea sounds simple: while the mu-seum is under construction, send parts of the collection around as exhibitions. Making the idea a reality—as the mu-seum has done these past two years—was, and is, a considerable undertaking. First, the curators developed con-cepts that gathered together groups of works into coherent presentations. Curator of Modern European Art William Robinson, for example, came up with the Impressionist and Modern Masters exhibition that toured Asia last year and is still traveling in North America. Before anything could go anywhere, the Conservation Division had to prepare each object for travel or decide, in some cases, that a work of art was too fragile to leave the muse-um. Further, Collections Management department staff had to confirm that none of the works in question were already committed for loan elsewhere. Once the final checklist was verified, the Exhibitions Office then contacted museums around the world to create the actual tour. To host the show, a venue had to have a spot in its exhibi-tion schedule that aligned with open slots at the other venues. Some venues, not surprisingly, asked for fewer works because of space restrictions, while others requested additional works. All the venues were required to provide detailed reports about their security and climate control systems to assure

World Tour How-to

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the CMA of the safety of its works of art. As usual, this process demanded in-ternational travel as museum represen-tatives visited potential exhibition sites to verify the conditions and confer with colleagues at those institutions and review design schemes for the exhibi-tion layout. Laboriously, contracts were signed and all the individual details and negotiations needed to produce the tour were eventually put in place. But the work was far from finished. There remained the matter of safely delivering hundreds of works of art to places halfway around the world. As the opening date of the first venue approached, the museum’s art handlers and packers swung into action. Custom shipping cases were built and packed, some housing individual works, others containing multiple pieces. Art handlers and staff members from Collections Management, Conservation, and the curatorial office traveled with the shipment every step of the way to its destination, where they watched over the unpacking and installation. For Sacred Gifts and Worldly Trea-sures, the exhibition of masterworks from Cleveland’s medieval collection, a similar process took that show to the Bayerisches Nationalmuseum in Munich and then to the J. Paul Getty

Museum in Los Angeles—garnering considerable acclaim for the Cleveland Museum of Art along the way. The story of the medieval works’ tour comes full circle in 2009 when the objects return from a third venue to be installed in the lower level of the museum’s 1916 south building, their permanent home.

Art handlers Hannah Ries and John Beukemann ready Byzantine and medieval objects for the tour of the exhibition Sacred Gifts and Worldly Treasures.