Addendum 6, Part 11

CMT Music Awards: Geo-Politicized to Service the

Ubiquity of Chinada Condemnation When the American country music family assembled to celebrate the best in what the genre produced during the period covered by the awards, it once again turned its television platform into a geo-stage to

fire salvoes of anger at the psychopathic Chinada High Command and its followers.

June 9, 2010 was like each and every award show back to early 2008 –

designed to maintain the pressure on those who believe they’re not

accountable for most egregious violations of domestic and international law.

The 2½-hour Nashville broadcast was from beginning to end another

example of how tenaciously resolved the global community of democracy,

rule of law, human rights and free market capitalism advocates are in

containing China and fixing Canada.

When the broadcast commenced the very first message the malfeasant got

was “we’re gonna f _ _ k you up real good”; motivated by what lies at

Canada’s political and corporate core - a bizarre fascination with the occult.

It’s delivered on behalf of the entire country music industry by the award

show’s host Kid Rock.

He’s choreographed to appear as if he was putting the final touches on his

wardrobe for the show. First comes a close-up of him slipping a mammoth

ring on his middle finger - the Powell Maneuver, followed by picking up and

putting on sunglasses – a Colbert Maneuver; then arranging his unique belt

– one with the Garden of Eden serpent buckle to draw attention to what’s at

Canada’s core; and then walking out the dressing room and adjusting his

cowboy hat – a McGraw-Jackson Maneuver.

As the opening number’s delivered, the director points the camera at the

audience and the very first celebrity to be shown is Brad Paisley. It’s timed

to the lyrics of the Waylon Jennings song being performed “the mountain

might get 'em, but the law never will”; highlighting the Chinada High

Command’s attitude about escaping international justice.

The first two presenters are chosen because both are recipients of a high

coalition honor, the Uber-Achievement Geo Award – Faith Hill in 2008 and

Taylor Swift in 2010. A few minutes later it was confirmed a third honoree

was present, Nicole Kidman, who also was a recipient in 2008. During the

presentation Taylor employs the Diaz Maneuver to generate communiqués:

Taylor: Hello Nashville. Faith: Yes, hello Nashville and [Taylor: Diaz M.] everyone

watching across America. Taylor and I are honored to be here tonight in a room filled with so many [Taylor: Diaz M.] amazing artists…

Taylor: …and some of the most unbelievable fans in the world.

Thanks for being with us tonight. [audience applause]. You know, when you’re touring for months on end, the fans are what keep you inspired; and thank-you for that

as well [Diaz M.]

In addition to servicing my international persona she acknowledges how the

coalition and I led her to produce a multitude of diplomatic initiatives. As is

observed in her nine Geo Award nominations for 2009, her ‘Partner of the

Year’ honor and the Uber-Achievement Geo Award she certainly was

“inspired”.

The first time the ‘Partner of the Year’ is seen sitting in the audience, she’s

right next to Brad Paisley to link her achievements with several of the

coalition’s objectives.

Where else the lexicon is embedded became evident swiftly. The stage, as

had been the case with all award shows, is designed to articulate the

certainty of prison. And there are a quantum ratifying five video screens.

Graphics for announcing nominees includes a coalition identifier.

And voting for video of the year by the at-home audience is done by texting

to the number “8603” – a triple combination China identifier, quantum

ratifier and coalition identifier; again articulating that the partnership is

arranging for me to take possession of the quantum I’m entitled to from

those who made me suffer over a two decade period.

Quantum is again present when Reba McIntyre sits beside the coalition’s

‘Partner of the Year’.

When Blake Shelton takes the stage with Lara Bell Bundy he uses his few

moments on the geo-stage to full advantage; employing multiple lexiconic

gestures timed to remarks; with one having diplomatically coercive

connotations. And an initiative in the isolation-deprivation (marriage)

category is embedded.

Lara: [Blake: Cl.M. X2] You’ve had a pretty good year yourself. […] [Blake: Erin-Federer M.] You are blowing up Twitter. [Blake: Cl.M.] You’re nominated tonight. But you have

[Blake: Becky M.] something way way more exciting coming up.

Blake: Yea, that’s correct. I have a new album comin’ out.

August 10th. Lara: No, no you dirt bag. [Blake: Protracted Cl.M.] That’s not

what I meant. Don’t you think you’re forgetting something?

Blake: All right. All right. I’m getting’ married to Miranda Lambert.

Lara: Ding, ding, ding, ding, ding.*

* quantum ratifier

When Keith Urban wins an award and the camera captures his reaction,

Nicole employs a Diaz Maneuver, which naturally leads to generating a

reference to ‘Dogville’.

Leann Rimes performs and dancers are assigned numbers to recreate a

country ballroom competition. The only visible numbers on stage are 13 – a

Taylor Identifier - and on the video screens a coalition identifier.

The last instance of scripted geo-remarks is when Taylor takes the stage to

announce another performance. She employs the Diaz Maneuver as the

graphics on the screen behind her articulate a coalition identifier – prison

certainty theme, timed to “I’ve been waiting all night for this very special

performance; it’s a moment music fans dream about”. The purpose is to

underscore how much coalition partners are looking forward to the day when

I can leave the torturous confines of Dogville and have years-in-the-making

visits and celebrations with my fellow partners.

MTV Music Video Awards: Stealth Cognition Technologies, Prison

Certainty, a Beijing Olympics Assassination Reminder and Occult Condemnation

On September 12, 2010 one of the major institutions of American music, MTV, held its annual award show and as has been the case with every event of that nature producers employed the lexicon to generate communiqués for geo-political consumption. The difference this time:

the International Criminal Court complaint; and with the synergistic cooperation of many of music’s biggest stars there were a series of messages they want the ICC to hear as it assesses the Canadian lawyer’s submissions.

It was evident from the outset of the two-hour broadcast what the primary

issue for everyone associated with its design and production was: that

moment in time when the Chinada threat morphed into more of a lethal

global threat – the assassination of American Todd Bachman attending

Beijing’s Summer Olympics.

MTV producers began the September 12th award show with a performance

that included a stage full of drums to recall this barbaric act and what it

represented then and now since more diplomacy over the last two years

didn’t produce any significant results.

Confirmation this was one of three major geo-themes came a bit later with

the announcement when coalition darling Taylor Swift would be performing.

An assassination reminder was employed:

And to underscore to whom this condemnation was in part directed towards,

it was immediately preceded by the announcement when a Canadian singer

was going to perform. Plus the digits 47 and 9 add up to twenty – another

initiative underscoring trepidation over the R&D, deployment and global

proliferation of stealth cognition technologies.

A second geo-theme producers emphasize for ICC purposes is occult

condemnation. It was embedded in the number the at-home audience could

text to when voting for the fan favorite award. Lexiconically, the number

66333 includes ‘666’ and a coalition identifier. Additionally, there is a series

of three coalition identifiers – which itself mirrors the triple digit number of

the beast.

To make it absolutely clear this was the intent, (i) in the coalition identifying

third slot on the list is the name of that Canadian singer, (ii) the text

number for him includes the letter ‘C’, which stands for both Canada and

coalition, and (iii) this communiqué is contextualized in terms of what the

Canadian lawyer suffered being a twenty-year plus enslaved, tortured

human experimentation victim and what he’s entitled t. Producers arranged

for a confectioner to be the sponsor of this award – Five gum.

The third geo-theme has been standard since award shows were turned into

national and international coalition stages -- embedding prison certainty

somewhere on stage. Its design in the floor in fact served two purposes;

the other to high profile stealth cognition technologies, being the revolving

wheel hypnotists use to put their subjects in a trance.

Kanye West, who concluded the broadcast with a performance, included the

colors and pattern of Chinada prison certainty and choreographed a coalition

identifying three ballerinas; and, including him, near the end a total of five

people on stage.

The much-anticipated performance by Taylor Swift was scripted to include a

standard warning. As she sang the lyric “everyone has messed up”, she

raises her left hand to reveal a diamond ring on her middle finger – a Powell

Maneuver. And near the end the stage was lit up with the colors of Chinada.

View video

The 2011 Grammy Awards: High Profiling the Assassination

of Todd Bachman and Dogville Coercive Diplomacy

The only question there was about how the award show was going to be geo-politicized was what categories of diplomacy were going to be embedded in the broadcast.

The American music industry has been a major contributor to containing

China’s unlawful global ambitions and fixing Canada’s systemic

dysfunctionalities that contribute to them since 2006. Over the years that

extraordinary creativity found only where democracy combines with

capitalism has been committed to keeping the Chinada High Command on

notice that its egregious violations of Canadian and international law attract

severe and life-lasting consequences. Producers and sponsors and

participants of the 2011 Grammy Awards continued the tradition

established in 2007 and carried on in 2008, 2009 and 2010 of embedding

the lexicon to articulate specific themes in the diplomacy and service the

ubiquity of condemnation as has been the case in past years and with

programs in that genre of television.

There were two principal themes in the February 13th broadcast, which

was comprised of an hour of red carpet interviews and then the 3½ hour

award show. The performance of Canada’s newest superstar Justin Beiber,

who’d spent the previous few weeks doing the promo circuit for his feature

film and revealing himself to be a committed coalition partner as

documented, was scripted to high profile that which proved the Chinada

threat was morphing into a truly action-necessitating danger – the cold

blooded murder of American entrepreneur success Todd Bachman during

the first full day of the 2008 Beijing Summer Olympics. (A little less than a

month before the Grammies, on January 15, 2011, the matter returned to

geo-political center stage.) It’s to be noted that producers prepared this

diplomacy in full knowledge of the A7AI undertaking and so those invited to

help trigger the international incident that will hold Beijing, Ottawa and

their private sector partners to account can appreciate partners’

trepidations about doing nothing to halt the global proliferation of

everything inimical to democracy, rule of law, human rights and free

market capitalism.

To prove that the original outrage still resonates within the partnership,

Justin’s performance began with a China-identifying eight men dressed in

warrior outfits that contained the prison certainty (chain link fence)

pattern. They marched through the audience to the stage where they

delivered a choreographed dance sequence.

The second theme was observed in the program’s logo and graphics for the

award constituent of the broadcast. Since it was the 53rd Grammy Awards,

lexiconically the fifty-third – a quantum ratifier and coalition identifier –

they created two types of moving graphic that mimicked being crushed to

articulate that is exactly what’s going to happen to those who engaged in

some of the most egregious human rights violations on the international

books.

Graphics colors and patterns were of the Chinada prison certainty variety:

When it came time to give out the award for Best Female Country Vocal

Performance, Dirks Bentley and Zac Brown presented. They were scripted

to deliver this quantum ratifier, coalition identifier and an

acknowledgement that everything in the Fiefdom treatise and diplomacy

archive is “the truth, the whole truth and nothing but the truth”:

Dirks: The great country songwriter Harlan Howard once said country music is three chords and the truth.

Zac: And here are five women who all told the truth

beautifully.

Another geo-contribution came during the performance of a song entitled

‘Forget You’. Producers and the multi-talented entertainer who introduced

it, Jamie Foxx, made fun of the title for the audience but were profoundly

serious in its relevance to the coalition vs. Chinada conflict. His scripted

intro sought to say in words and song what the Powell Maneuver says with

a gesture:

I got no problem here. See here the network begged me not to use an inappropriate word when I’m introducing the next performer. But you know, I said F-ah get that. [audience laughter] This is America right? Is this America? Make some noise! [audience cheers] As far as I’m concerned they can F-ah get themselves. America, I f-ah gettin’ right, or what? All right, here to perform ‘Forget You’ and some colourful F-ah gettin’ puppets is Cee-Lo Green.

When the performance begins the East-West audience observes that

producers have arranged for one of the Muppets to be immediately to the

left of the artist, choosing a canine to articulate the ‘Dogville’ theme and its

lethal military force option.

When Marc Anthony and Jennifer Lopez took the stage to present an award

JLo turned one of her husband’s scripted lines into another instance of

servicing the Canadian lawyer’s international persona; employing a

lexiconic gesture to “Some of the most [CBS M.] celebrated classics of

music have been part of this category”.

Rolling Stones lead Mick Jagger took the stage for the first time and made

geo-history when doing so, choosing the color of quantum and the pattern of

prison certainty (chain link fence) to demonstrate he and his band continue

to be coalition partners.

As has been the case every time an award show aired, the red carpet was

turned into a geo-stage. This time there was one remarkable outfit that

was so lexiconically loud it out-shined everything else. Rihanna arrived

intending to be the coalition spokesperson for the certainty of prison for

Canadians who thought they were invincible, insulated and immune in

perpetuity:

The Academy Of Country Music Awards 2011: Another Event

Turned into a Geo-Platform to Hold the Chinada High Command to Full Account

For country music aficionados it was three hours of pure bliss. For lovers of democracy, rule of law, human rights and free market

principles it was another remarkable indicator to what lengths the partnership will go to ensure the 21st century carries on with a process that’s been centuries in the making.

The April 3, 2011 broadcast of the ACMs was as was expected – full of great

music, appearances by the superstars of the industry and chalk full of

diplomatic communiqués designed to keep the pressure on those who think

the rule of law and moral codes apply to everyone but them. After the

opening comedy sketch Brad Paisley performs...

... which is followed by the first geo-moment of the evening. Onto the stage

walks Canada’s Celine Dion, who was employed at the February 27th

Academy Awards to turn the ‘In Memoriam’ segment into coercive

diplomacy. As she delivers her scripted text the East-West audience saw for

the first time how producers designed the stage – choosing what’s been a

regular constituent for years: prison certainty. Putting Celine in front of this

lexiconic pattern was another reminder where the Chinada High Command

and many of its operatives are going to end up.

Next comes the graphic of those nominated for the coveted ‘Entertainer of

the Year’ award. Two-time Partner of the Year Taylor Swift is a quantum

ratifying fifth. And the texting number to vote contains a coalition

identifying China identifier. 'Brad' and Taylor are side-by-side given their

coalition significance:

When co-host Blake Shelton performs producers saturate the stage with the

colors of China prison certainty.

Pop superstar Rihanna teams up with Jennifer Nettles for a duo performance

and wardrobe is scripted to generate a Canada -- justice combination.

Taylor’s performance of her new hit song ‘Mean’ is geo-politicized. Using the

power of body language she puts it to ‘em over being psycho-pubescent

perverts who continue to enjoy causing pain, suffering, injury, loss and

death. Her first ‘if looks could kill’ moment comes when singing the lyric

“pickin’ on the weaker man”, referring to the Canadian lawyer who’s got no

assets or no major organization to effect reform, no ability to build a defense

against hourly assaults to his person and privacy through the deployment of

stealth cognition technologies and other military grade assets; nor has

access to institutional accountability agencies that can help against this

unlawfulness and non-stop death threats and “climate of fear” generated

street stalking.

Her next stare is to “flaws, as if you don’t already see them” – referring to

Chinada’s known characteristics which galvanized a large section of the

international community into a committed coalition.

View video

Before the show she:

(i) arranges with partners to pose for a photo of her pointing to a

performance list – color quantum – to underscore she’s positioned

number eight:

(ii) and conducts two interviews – one in which she offer her informed

belief that the idea of making a movie about the Canadian lawyer’s

journey is floating around within the Hollywood constituent of the

coalition. She effects an embellished lexiconic gesture to red flag her

public remarks as referring to this:

Interviewer: And now of course you're going to be doing this new Dr. Seuss project.

Taylor: Yea!!

Interviewer: Now do you have a special voice or a special character you're going to play.

Taylor: Yea I'm playing a character named Audrey and it's a really well [Cl.M.] written movie and I'm really stoked about being involved with it.

View video

The other interview was on the ACM red carpet, executing a Clooney M.

when responding to the question “What have you discovered overseas?”,

publicly referring to her Asia-Europe tour and geo-politically to everything

coalition:

View video

For her attendance at the ACMs she chose the lexiconic color of Presidential

quantum and white and knowing it would combine with the red carpet to

create the color of Chinada:

Taylor won the most coveted and prestigious 'Entertainer of the Year' award,

and goe-ed her acceptance speech by executing a Diaz-Powell M.:

There is one joke delivered by co-hosts Reba McIntyre and Blake Shelton

that has an MK-Ultra Gate motive.

Reba: This is the week Vegas goes country. In fact, yesterday

Blake here hosted the first ACM Celebrity Shoot. Blake: Ha, ha. It went great. I shot three celebrities. Reba: That’s why I stick to poker.

2011 CMT Music Awards: The Country Music Industry’s

Recommendation on How to Solve the Chinada Problem and High Profiling a Form of Arrogant Belligerence

There was no doubt the genre of modern music that is distinctly American and which reflects strong patriotic and take no guff values would geo-politicize the award show. The only question was how.

Turning the live broadcast into geo-platform on June 8th began right from

the start just like the year previous, combining the supra-celebrity of two

time Partner of the Year Taylor Swift with Canada’s claim to country music

fame, Shania Twain. Doing so was another instance of mobilizing made-in-

the-USA superstars to draw attention to what the leaders of America’s

northern neighbor have become – pariahs. We saw this approach on

February 27th with Celine Dion at the Oscars, on March 5th with Justin Beiber

on ‘Saturday Night Live’ and on June 5th Jim Carrey at the MTV Music

Awards.

The intro was a spoof of the famous movie ‘Thelma & Louise’ – two gun

tottin’, cop avoidin’ ladies. The first geo-ed scene is at the beginning of the

segment when the two are driving down the highway. A close up of the

coalition’s most adored partner reveals she's wearing prison certainty

earrings.

The next scene involves the two firing pistols at some tin cans for target

practice. A sign’s been added “No Trespassing, Keep Out”, a demand that

China has no business joint governing Canada and must vacate the premises

or face the consequences. Taylor’s attired in yellow and the coalition

identifying three cans are red; the communiqué in the coercive diplomacy

category of warnings.

Behind them up walks a red neck who cracks a chauvinist joke. He’s attired

in a T-shirt with a dog on his chest. The color combination is Chinada.

Forthwith he’s lookin’ down the barrel of two guns – the exact same image

Nicole Kidman et al. delivered in early 2004 in ‘Dogville’ and wasn’t heeded.

After departing the area they stop into a gas station and are confronted by

an attendant. The interaction has a romantic attraction element, which

becomes another entry in the isolation-deprivation category when producers

insert a compensation ratifier that has both a lexiconic number constituent

(7 - 2 = 5) and the first letter of the word ‘damages’.

When the show commences some of the performances are observed to be

on a stage that was designed with the lexicon and coalition interests and

objectives in mind. Toby Keith sang in front of a stack of lights that had

segments that had a quantum ratifying five rows and a total of 50 lights.

There was also a prison certainty pattern to them.

Big & Rich appeared in the color combination of Chinada and played in front

of a prison certainty patterned backdrop, as did another group.

The final award of the night was the most coveted ‘Video of the Year’.

Throughout the broadcast the segment identifying the nominees was aired

several times – with Taylor being in the fifth position to place her in the

same class of significance as the Canadian lawyer. She couldn’t attend the

event because of concert tour obligations. But producers, knowing the

results in advance, arranged for a live feed from where she was performing.

Upon it being announced she was the winner she and the crowd of some

15,000 celebrated. After waving hello to the watching coalition partnership

with a Diaz M. the director cued what had been planned. They observed how

many times Taylor’s music videos on the Canadian’s television were targeted

for TV signal disruption – an expression of the Chinada High Command’s

pubescent thought processes and arrogant belligerence towards the coalition

and its most celebrated partner; so they decided to high profile that

profound stupidity.

They added the exact same kind of TV signal distortion documented in the

diplomacy archive.

The pre-show red carpet was, like in the past, turned into a geo-carpet.

Attending with her country music superstar husband was 'Dogville' star

Nicole Kidman, who chose her outfit with the coalition-Chinada conflict in

mind. In front of a Chinada colored backdrop she stood for cameras and

the history books in quantum, prison certainty and justice – juxtaposing the

Custodian’s entitlements for what he’d been turned into and had to

experience and what his enslavers, experimenters and torturers get.

Proceed to the next addendum