Sr.No Topic

1 Hydro Geology

2 Hydro Geology

3 Hydro Geology

4 Hydro Geology

5 Hydro Geology

6 Hydro Geology

7 Principles of Remote Sensing

8 Principles of Geographic Information System (GIS)

9 Image Processing

10 1.1 Concept of remote sensing and EMS, Atmospheric window, spectral signature

principles of radiation, digital images – concept and types.

1.2 Process of remote sensing, Image resolutions (spectral, radiometric, spatial and

temporal), Types of sensors and platforms, Advantages of remote sensing

Advance Geology

1.3 History of remote sensing, Indian Space Programme, LANDSAT and other satellite

programmes.

2.1 Concept and definition of GIS - Geoinformatics, history of GIS, Data formats (Raster

and Vector), concept of database, data types (spatial and aspatial), map projections

and scale

2.2 GIS data input (raster and vector) – scanning, georeferencing, digitization, data

attachment, editing.

2.3 Data display – symbolization, labeling, annotations, map composition. Distance and

area measurements.

2.4 GIS operations – Vector operations – overlays, proximity analysis, query, buffer

2.5 Topology in GIS, its applications, GIS modeling and simulation

11 3.1 Image interpretation – elements of image interpretation, displaying digital images

3.2 Image enhancements and filters

3.3 Image Classification (Supervised, Unsupervised, Hybrid)

3.4 Change Detection

3.5 Image indices – NDVI, Cj index, tasseled cap index.

12 4. Geoinformatics for Geohydrology

4.1 Geohydrological Modeling with GIS – purpose, data requirements,

Data sources, data inputs and preprocessing

4.2 Model building with Analytic hierarchical process

4.3 Preparing criteria layers and performing overlay analysis

4.4 Interpretation of results ,

CAMERA ACTING

Chart of the Film Acting Course for Beginners /fresher Age group 17 Above

Duration: 3 Months, 2 Days a Week, Time : (4 hrs Per Day)

Topics

Breaking of ice Mime

Self Analysis Solo Performance

Grooming Improvisation

Discipline & Fitness Characterisation of a Role

Dance & Grace Introduction to Emotional connect

Speech & Diction Introduction of different genres of Acting

Text Analysis & Understanding Basics Technique of Camera Performance

Epigraphy

(Expert lectures in italics)

1. Keynote Lecture: From Antiquarian Approach to Scientific Approach - Dr A P Jamkhedkar

2. The Archaeology of Epigraphy - writing materials and instruments

3. The history of epigraphy and palaeography in India & the World

4. Reading an epigraph

5. Differences between scripts and languages

6. Evolution of Scripts across the world

7. Types of Scripts- Dr.AbhijitDandekar, DCPGRI, Pune

8. Using epigraphs to reconstruct history - Dr.KurushDalal, CEMS, Mumbai

9. Pictographs, Logographs and Phonographs in Mumbai - Field Trip

10. Evolution of Human Speech - Genetics, Palaeontology and Animal Behaviour -

Dr.SushamaYermal, Bangalore

11. Cryptography and Cryptanalysis - Ciphers, Codes, Steganography - Prof. ShantaLaishram, ISI,

New Delhi

12. Bilingual Decipherment - Egyptian, Kharosthi

13. Statistical Decipherment - Brahmi, Linear B

14. Assignment:Decipherment of Mayan, Cuneiform; Undeciphered scripts - Rongorongo,

ProtoElamiteetc

15. Indus Script - Dr.TejasGarge, MSDAM, Mumbai / Dr.VasantShinde, DCPGRI, Pune

16. How Inscriptions are made - GopalGangavane (Workshop)

17. Eye copy of epigraphs, Estampage& Photography - Dr.AbhijitDandekar (Workshop)

18. Indian Phonetics - Varnamala, Sandhi, Metre - Dr.PrachiMoghe, Bhavan’s College, Mumbai

19. Sanskrit Grammar and grammatical peculiarities of inscriptions - Dr.PrachiMoghe, Bhavan’s

College, Mumbai

20. Basics of Prakrit Grammar & Phonology in inscriptions - Dr.MeenaTalim/RajyashriMohadikar

21. Overview of Evolution of Indian Scripts: North India - Dr.AbhijitDandekar

22. Palaeographs from many periods at Kanheri Caves - Field Trip

23. Kharosthi Script, inscriptions and manuscripts - Dr AbhijitDandekar

24. Brahmi Before Ashoka Arguments for and against; Writing in ancient India (second

urbanisation)

25. Ashokan Edicts: Content & classification of edicts; socio-political perspective- Dr

AbhijitDandekar

26. Brahmi from post-AshokanMauryan to Gupta Brahmi to Nagari - Dr.Suman Jain, BHU,

Varanasi (1-day workshop)

27. SatavahanaPalaeographs at Naneghat - Field Trip

28. Overview of Evolution of Indian Scripts: South India - Dr S Padigar

29. Inscriptions of the Pallavas, BadamiChalukyas, Gangas, Cholas and Kadambas - Dr S Padigar

30. Inscriptions of the Rashtrakutas, KalyaniChalukyas, Hoysalas, Pandyas, Vijayanagar and

Nayaks - Dr S Padigar / Dr.Devarakonda Reddy

31. CSVMS filed trip - Harappan Seals, Achaemenid Cylinder seals, Edict of Sopara, Shilahara

inscriptions

32. Epigraphy of Nepal - SeemaSontakke

33. Sharada - ShailajaBapat/ RajyashriMohadikar

34. Gunjala Gondi & Scripts, literacy and social status among Indian scheduled tribes -

Dr.JayadheerTirumalRao, Hyderabad / G Manoja, PalamuruUniv, Mahbubnagar

35. Cuneiform to Pahlavi - ErvadRamiyaarKaranjia, Mumbai

36. Full-Day Modi Workshop at Maratha History Museum Modi- GirishMandke, DCPGRI, Pune

37. Scripts of Indian micro-communities - Armenian, Syriac, Hebrew

38. Grantha and Vattezhuthu

39. Epigraphy of Sri Lanka - AnuraManatunga, Kelaniya University, Colombo

40. The Arabic Script in South Asia - GulamSayyedKhwaja

41. Epigraphy of the Portuguese & English periods - Agnes D'Sa / Pascal Lopes

42. Numismatic Epigraphy - from punch-marked symbols to Mughal coins - Dr Mahesh Kalra

43. Computer science in the service of epigraphy - B Vaidyanathan / Dr ABhijitDandekar

44. Future of Epigraphy and Palaeography - AP Jamkhedkar

45. Examination

विशेष अविनय प्रवशक्षणाची रूपरेषा

म ुंबई विद्यापीठ बवह:शाल नाट्य प्रवशक्षण वििागातरे्फ नाट्य प्रवशक्षणा बरोबर जावहराती, वचत्रपट, तसेच दरूदशशन मावलका मध्ये

अविनय करून आपली ओळख वनमाशण करू इवछिणार याुंसाठी विशेष अविनय प्रवशक्षणाचे आयोजन केले आह.े तरी ह्या विशेष

अविनय प्रवशक्षणाची रूपरेषा खवलल प्रमाणे रावहल.

ह ेप्रवशक्षण प्राथवमक अविनय ि समकालीन अविनय अश्या दोन स्तरात वििागलले ेअसेल .

प्राथवमक स्तरात सिश होतकरू ि निख्या कलाकाराुंना प्रिेश दऊेन प्रवशक्षण ददले जाईल

समकालीन स्तरात अविनयाची जाण असलेल्या कलाकाराुंना अविनय प्रविण्यासाठी प्रवशक्षण ददले जाईल.

प्रवशक्षणासाठी वनयोवजत कलािधी खवलल प्रमाण ेरावहल.

नाट्य प्रवशक्षण : एकूण कालािधी ६ महीने दर शवनिार- रवििार (२ तास)

प्राथवमक अविनय िळे: सायुंकाळी (४:००-६:००)

तात्कालीन अविनय िळे: सायुंकाळी (६:००-८:००)

अपेवक्षत प्रिेश मूल्य १२,०००/-

विशेष अविनय प्रवशक्षण : समकालीन कॅमेरा अविनय प्रवशक्षणाचा वनयोवजत कलािधी खवलल प्रमाण ेराहील

एकूण कालािधी २ महीने दर शवनिार- रवििार (१:३० तास)

प्राथवमक अविनय िेळ: सायुंकाळी (८:००-९:३०)

समकालीन अविनय िळे: सायुंकाळी (८:००-९:३०)

अपेवक्षत प्रिेश मूल्य १५,०००/-

विशेष अविनय प्रवशक्षण अभ्यासक्रम :

*जावहराती, वचत्रपट, तसेच दरूदशशन मावलका मध्ये आिश्यक असलले्या सहजस लि अविनयाची ओळख

*काल्पवनक िािविश्वाची जाण करून दऊेन त्याछया अविष्काराुंची ओळख ,

*िािवनक जाटीलता सकरण्याच ेप्रवशक्षण

*व्यविरेखा सादरी करणाचे प्रवशक्षण

*विशषे अविनय प्रवशक्षणाच ेआकषशक िवैशष्य:

*विद्यार्थयाांना प्रवशक्षणा अखरेीस सामवूहक /ियैविक वचत्रर्फीत ददली जाईल .

*जावहराती, वचत्रपट, तसचे दरूदशशन मावलका ह्या क्षते्रात पदापशणासाठी योग्य मागशदशशन ददल ेजाईल.

* विशषे अविनय प्रवशक्षणासाठी शौक्षवणक पात्रतचेी, ियाची ककिा पिूाशन ििाची अट नसले.