aesthetic analysis of the face

Upload: ishtiii

Post on 03-Jun-2018

221 views

Category:

Documents


0 download

TRANSCRIPT

  • 8/12/2019 Aesthetic Analysis of the Face

    1/94

    Soft tissue facial analysis

  • 8/12/2019 Aesthetic Analysis of the Face

    2/94

    Introduction

    One of the primary goals of orthodontics is to

    attain & preserve optimal facial attractiveness To achieve this orthodontist needs to carry out a

    thorough facial examination so that orthodontic

    correction of the malocclusion doesnt adverselyaffect facial traits

    Bite correction doesnt always lead to

    maintenance of facial harmony (contrary to

    Angles beliefs)

  • 8/12/2019 Aesthetic Analysis of the Face

    3/94

    Introduction

    Relying on cephalometric analyses can lead to

    problems in terms of overall aesthetics Measurements are often made around the

    cranial base. Since the position of nasion is

    variable these measurements should be takenas a rough guide

    Soft tissue appearance is only partly dependent

    on underlying hard tissue. To predict soft tissue

    response to hard tissue changes is difficult.

  • 8/12/2019 Aesthetic Analysis of the Face

    4/94

    Soft tissue predictability decreases as you

    go down face Proffit values for soft tissue responses

    Copy page 39 & 40 (deformities manual)good summary of soft tissue responses

    following orthognathic surgery

  • 8/12/2019 Aesthetic Analysis of the Face

    5/94

    Outline

    What is attractive

    Important soft tissue measurements

    Looking from the side Looking from the front

    Arnette material if time. ?Dolphin planning

  • 8/12/2019 Aesthetic Analysis of the Face

    6/94

    What is attractive

    For centuries, artists and physicians have

    tried to quantify the ideal proportion of theface.

    This concept of quantification is appealingto orthodontists because they want

    guidelines for aesthetics

  • 8/12/2019 Aesthetic Analysis of the Face

    7/94

    What is attractive

    Subjective.Beauty is altogether in the

    eye of the beholder (Margaret Hungerford1878)

    Listen to patients concerns It is a great error to try and put everyone in

    the same aesthetic framework and an

    even greater error to do this from hard

    tissue relationships alone

  • 8/12/2019 Aesthetic Analysis of the Face

    8/94

    What is attractive

    Love of averageness. We tend to plan

    patients so that they become average.(Edler 2001)

    Keating (1985) constructed Identi-kitcomposite portraits of male and female

    faces, altering sizes of each component,

    eyes, lips etc

  • 8/12/2019 Aesthetic Analysis of the Face

    9/94

    What is attractive: Keatings

    findings

    Female raters selectedmens faces that had

    dominant, mature

    features such as largejaws, small eyes, thin

    lips

  • 8/12/2019 Aesthetic Analysis of the Face

    10/94

    What is attractive

    Males preferred non-

    dominant or neo-nataltype, large foreheads,

    large wide set eyes,

    small nose & chin & fulllips. Simulate nurturing

    or caring instinct

  • 8/12/2019 Aesthetic Analysis of the Face

    11/94

    What is attractive

    Most attractive females

    had additionally some

    mature features such as

    prominent cheekbones

    The combination of

    mature with neonate

    features may signal that

    the female is at anoptimum age for mating

  • 8/12/2019 Aesthetic Analysis of the Face

    12/94

    What is attractive

    Normal values are used to define

    acceptable facial traits and to establish arange of values within which lies

    acceptability

    Norms should only be used as a guide.

    They vary according to ethnicity of the

    patient

  • 8/12/2019 Aesthetic Analysis of the Face

    13/94

    Facial Diagnosis

  • 8/12/2019 Aesthetic Analysis of the Face

    14/94

    Diagnosing skeletal pattern

    All 3 planes considered:

    1. AP2. Vertical

    3. Transverse

    Assess with patient in NHP and CR with lipsrelaxed

  • 8/12/2019 Aesthetic Analysis of the Face

    15/94

    Diagnosis

    Start by looking at patient from side

    Assess a-p relationship of jaws

    Estimate FMPA

    Look at nose, lips & chin

    Then look at patient from front

    Assess vertical dimension Look at nose, lips and chin

    Look for asymmetries

  • 8/12/2019 Aesthetic Analysis of the Face

    16/94

    Posture important; NHP or photographic

    position

  • 8/12/2019 Aesthetic Analysis of the Face

    17/94

    Zero meridian

    Soft tissue perpendicularfrom Frankfurt plane

    through soft tissue

    nasion

    Chin point should lie

    near this line

    Subnasale should be

    approx 8mm infront of

    this line

  • 8/12/2019 Aesthetic Analysis of the Face

    18/94

    Lip protrusion: Ricketts E Plane

    Soft tissue pogonion to tip

    of nose

    -2 +/- 3mm. Upper lip

    slightly further back thanlower lip. Ortho range = -5

    to +1mm

    ?patient with large nose

    +/- chin.

    Consider growth

  • 8/12/2019 Aesthetic Analysis of the Face

    19/94

    Lip protrusion: Steiners S-line

    This line extends from

    chin to the middle of an

    S formed by the lowerborder of the nose

    Lips should lie approx

    on this line

  • 8/12/2019 Aesthetic Analysis of the Face

    20/94

    AP: Nasolabial angle

    NLA

    The angle formed by the intersection of a line

    originating at Subnasale tangent to the lowerborder of the nose and a line from Subnasale to

    Labrale Superious

    Approx 94-110

  • 8/12/2019 Aesthetic Analysis of the Face

    21/94

    NLA

    Useful in evaluating AP position of the

    maxilla Obtuse/increased angles generally

    indicate retrusive maxilla. If lips slantbackwards, there is almost certainly

    maxillary retrusion

    Increased angles can be due to turned up

    nose.

  • 8/12/2019 Aesthetic Analysis of the Face

    22/94

    NLA

    This angle is greatly

    affected byorthodontics

    NLA increases by

    1.6 for every mm ofupper incisor

    retraction (Lo &

    Hunter 1982)

  • 8/12/2019 Aesthetic Analysis of the Face

    23/94

    Nasal projection

  • 8/12/2019 Aesthetic Analysis of the Face

    24/94

  • 8/12/2019 Aesthetic Analysis of the Face

    25/94

    Upper lip curvature

  • 8/12/2019 Aesthetic Analysis of the Face

    26/94

    Anterior cheek convexity

  • 8/12/2019 Aesthetic Analysis of the Face

    27/94

    AP: Labiomental fold

    The depth is measured at

    right angles to Li Pg line=4mm (2-6)

    A deep labio-mental fold canindicate strong muscle

    activity

    Lower incisors may be

    retroclined. It is typically seen

    in II/II malocclusions

  • 8/12/2019 Aesthetic Analysis of the Face

    28/94

    Labio-mental fold

    Diagnosing hyperactive

    mentalis function is

    important in terms ofstability

    In this case, the patient

    has increased vertical

    proportions but strong

    mentalis activity iscausing retroclination of

    the LLS

  • 8/12/2019 Aesthetic Analysis of the Face

    29/94

    Throat angle

    Mean 93-107

    Length = 56

    56mm

  • 8/12/2019 Aesthetic Analysis of the Face

    30/94

    Reference plane: Sn

    Origin of reference plane must be near the lower

    1/3

    rd

    structures The point must not be affected with position or

    size structure changes that take place in almost

    all the traditional reference planes. Sn is therefore a useful reference plane. The

    vertical should be dropped perpendicular to

    THL. Canut, Epker, Arnette

  • 8/12/2019 Aesthetic Analysis of the Face

    31/94

    Sn reference line

    118

    103 62

    60

    6

    -11

    136

    24

    4

    47

    74

    4

    27

    52

    10

    -9

    -27

    -32

    -21

    -15

    17

    -3

    -5

    -5-16

    -27

    -12-24

    -32

    22

    151

    5

    -23

    11

    11

    410

    -6

    29

    19

    7

    -5

    20

    -8

    46

    -2

    109

    66

    64

    92

    25

    5

    13

    Mx1 to Mx Molar:

    Md1 to Md Molar:

    Md1 to Soft Pog:

    32

    32

    42

    96197

    0

  • 8/12/2019 Aesthetic Analysis of the Face

    32/94

  • 8/12/2019 Aesthetic Analysis of the Face

    33/94

    Frontal view

    Face can be divided

    into 1/3rds

    Proportions important

  • 8/12/2019 Aesthetic Analysis of the Face

    34/94

    Proportions

    important not

    actual

    measurements

    Normal range for

    lower face

    height to totalface height

    ratio(measured

    from glabella to

    menton) is 53-56% (Epker)

  • 8/12/2019 Aesthetic Analysis of the Face

    35/94

    Studies differ, OK to quote these values

  • 8/12/2019 Aesthetic Analysis of the Face

    36/94

  • 8/12/2019 Aesthetic Analysis of the Face

    37/94

  • 8/12/2019 Aesthetic Analysis of the Face

    38/94

    High mid face

    Shape of forehead

    Symmetry eyebrows Inter pupillary width (63mm)

    Outer canthal distance (98mm) Inner canthal distance (35mm)

  • 8/12/2019 Aesthetic Analysis of the Face

    39/94

    Mid face

    Cheekbone symmetry/prominence

    Symmetry of nose Alar base width (35mm)

    See Arnette chart

    L f

  • 8/12/2019 Aesthetic Analysis of the Face

    40/94

    Lower face

    Look closely at lower face, very important inorthodontic & surgical planning

    Lower face height (LFH) is measured fromSubnasale (Sn) to soft tissue Menton (Me)

    71.9 +/- 6 M

    65.5 +/- 4.5 F

    L f h i h b di id d i 1/3 d

  • 8/12/2019 Aesthetic Analysis of the Face

    41/94

    Lower face height can be divided into 1/3rds

    L f

  • 8/12/2019 Aesthetic Analysis of the Face

    42/94

    Lower face

    Measure lip lengths

    Upper lip height 19-22mm Lower lip height 42-48mm

    19-22

    42-48

  • 8/12/2019 Aesthetic Analysis of the Face

    43/94

    L f

  • 8/12/2019 Aesthetic Analysis of the Face

    44/94

    Lower face

    Also measure:

    Upper incisor show

    at rest (2-5mm)

    smiling 8mm crown to 2mm gingivae. F>M

    Inter-labial gap 2-5mm

    Lip competence. Gentle contact without strain

    T h i i h

  • 8/12/2019 Aesthetic Analysis of the Face

    45/94

    Too much incisor show

    VME

    Short upper lip Everted upper lip

    Hypermobile lip

    (smiling)

    Incompetent lips

  • 8/12/2019 Aesthetic Analysis of the Face

    46/94

    Incompetent lips

    VME

    Increased overjet Short/everted upper lip

    Transverse

  • 8/12/2019 Aesthetic Analysis of the Face

    47/94

    Facial 5ths

    Inter canthal width =alar base width

    Look for asymmetries Vertical canting of

    occlusal plane

    Asymmetry

  • 8/12/2019 Aesthetic Analysis of the Face

    48/94

    Asymmetry

    To check for maxillary

    cant, use spatula

    Can also measure to

    pupil/lower eyelid

    Vertical:transverse ratio

  • 8/12/2019 Aesthetic Analysis of the Face

    49/94

    Vertical:transverse ratio

    Watch ratio

  • 8/12/2019 Aesthetic Analysis of the Face

    50/94

    Watch ratio

  • 8/12/2019 Aesthetic Analysis of the Face

    51/94

  • 8/12/2019 Aesthetic Analysis of the Face

    52/94

    Summary

  • 8/12/2019 Aesthetic Analysis of the Face

    53/94

    Summary

    We need to acknowledge 2 things

    1. Aesthetic considerations are paramountin planning appropriate orthodontic

    treatment

    2. Rigid rules cannot be applied to the

    process

    Summary

  • 8/12/2019 Aesthetic Analysis of the Face

    54/94

    Summary

    First look at patient from side. Take

    horizontal & vertical measurements.Measure naso-labial angle, lip protrusion,

    depth of labio-mental fold, throat angle

    and throat length, cheek bone prominence

    Summary

  • 8/12/2019 Aesthetic Analysis of the Face

    55/94

    Summary

    Then look at patient from front. Measurevertical dimension by looking at facial1/3rds

    Take a closer look at LFH, measure upper

    and lower lip lengthMeasure Incisor display at rest and onsmiling

    Measure inter-labial gap and assesscompetency of lips

    Summary

  • 8/12/2019 Aesthetic Analysis of the Face

    56/94

    Summary

    All details

    must be

    accurately

    recorded

  • 8/12/2019 Aesthetic Analysis of the Face

    57/94

  • 8/12/2019 Aesthetic Analysis of the Face

    58/94

  • 8/12/2019 Aesthetic Analysis of the Face

    59/94

  • 8/12/2019 Aesthetic Analysis of the Face

    60/94

    Cases

  • 8/12/2019 Aesthetic Analysis of the Face

    61/94

    Cases

  • 8/12/2019 Aesthetic Analysis of the Face

    62/94

  • 8/12/2019 Aesthetic Analysis of the Face

    63/94

  • 8/12/2019 Aesthetic Analysis of the Face

    64/94

  • 8/12/2019 Aesthetic Analysis of the Face

    65/94

  • 8/12/2019 Aesthetic Analysis of the Face

    66/94

  • 8/12/2019 Aesthetic Analysis of the Face

    67/94

    3 TC

  • 8/12/2019 Aesthetic Analysis of the Face

    68/94

    3. TC

    Initialappearance

  • 8/12/2019 Aesthetic Analysis of the Face

    69/94

  • 8/12/2019 Aesthetic Analysis of the Face

    70/94

  • 8/12/2019 Aesthetic Analysis of the Face

    71/94

    Pre-op & post op

  • 8/12/2019 Aesthetic Analysis of the Face

    72/94

  • 8/12/2019 Aesthetic Analysis of the Face

    73/94

  • 8/12/2019 Aesthetic Analysis of the Face

    74/94

  • 8/12/2019 Aesthetic Analysis of the Face

    75/94

  • 8/12/2019 Aesthetic Analysis of the Face

    76/94

  • 8/12/2019 Aesthetic Analysis of the Face

    77/94

  • 8/12/2019 Aesthetic Analysis of the Face

    78/94

    SS

    Start

  • 8/12/2019 Aesthetic Analysis of the Face

    79/94

    Movements?

  • 8/12/2019 Aesthetic Analysis of the Face

    80/94

  • 8/12/2019 Aesthetic Analysis of the Face

    81/94

    R.M.

    Severe

  • 8/12/2019 Aesthetic Analysis of the Face

    82/94

    crowdingMandibular

    retrognathia

  • 8/12/2019 Aesthetic Analysis of the Face

    83/94

    Start Ceph: 06/07/2000

  • 8/12/2019 Aesthetic Analysis of the Face

    84/94

    SNA = 78

    SNB = 71.5

    ANB = 6.5

    UiMxP = 120/93.9

    Li MnP = 96.5

    MxMn = 23.5

  • 8/12/2019 Aesthetic Analysis of the Face

    85/94

    SNA = 77.4SNB = 71

    ANB = 6.4

    UiMx = 118

    LiMn = 93

    MxMn = 23.7

  • 8/12/2019 Aesthetic Analysis of the Face

    86/94

    SNA = 78SNB = 76

    ANB = 2

    UiMx = 116

    LiMn = 93

    MxMn = 23.9

  • 8/12/2019 Aesthetic Analysis of the Face

    87/94

  • 8/12/2019 Aesthetic Analysis of the Face

    88/94

  • 8/12/2019 Aesthetic Analysis of the Face

    89/94

    Pre-op Post-op

  • 8/12/2019 Aesthetic Analysis of the Face

    90/94

    With correct diagnosis and planning

    & and a little help from our surgical friends

  • 8/12/2019 Aesthetic Analysis of the Face

    91/94

  • 8/12/2019 Aesthetic Analysis of the Face

    92/94

  • 8/12/2019 Aesthetic Analysis of the Face

    93/94

  • 8/12/2019 Aesthetic Analysis of the Face

    94/94