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TRANSCRIPT
African American Literary
Criticism, 1773 to 2000
edited by
HAZEL ARNETT ERVIN
Twayne Publishers
New York
Contents•
Preface xxiiiAcknowledgments xxvIntroduction 1
READINGS ARRANGED IN CHRONOLOGICAL ORDERAND PHILOSOPHICAL CONTEXTS
1773-1894: NURTURE VS. NATURE
Phillis Wheatley
ON IMAGINATION (1773) 23
To M^CENAS (1773) 25
Ignatius SanchoLETTER LVII (1778). IN LETTERS OF THELATE IGNATIUS SANCHO (1782) 27
Charlotte Forten GrimkeJOURNAL OF CHARLOTTE FORTEN (JULY 28, 1854) 29
Frances Ellen Watkins HarperFANCY ETCHINGS (APRIL 24, 1873) 30
Charles ~W. ChesnuttSECOND JOURNAL (MAY 29, 1880) 32
1895-1954: ART OR PROPAGANDA?
Victoria Earle MatthewsTHE VALUE OF RACE LITERATURE: AN ADDRESS (1895) 37
W. E. B. DuBoisCRITERIA OF NEGRO ART (1926) 39
VII
viii • CONTENTS
Langston Hughes
THE NEGRO ARTIST AND THE RACIAL MOUNTAIN (1926) 44
Alain Locke
ART OR PROPAGANDA? (1928) 49
Sterling A. Brown
FROM "OUR LITERARY AUDIENCE" (1930) 51
NEGRO CHARACTERS AS SEEN BY WHITE AUTHORS (1933) 55
Richard Wright
BLUEPRINT FOR NEGRO WRITING (1937) 82
James Baldwin
FROM "EVERYBODY'S PROTEST NOVEL" (1949) 91
Ann Petry
THE NOVEL AS SOCIAL CRITICISM (1950) 94
James Baldwin
FROM "MANY THOUSAND GONE" (1951) 99
1955-1975: CULTURAL AUTONOMY AND UNDERSTANDING
THE ART OF BLACK POETRY, DRAMA, FICTION, AND CRITICISM
Ralph Ellison
FROM "THE ART OF FICTION: AN INTERVIEW" (1955) 105
James Baldwin
THE CREATIVE PROCESS (1962) 111
Max Roach
JAZZ (1962) 113
Ossie Davis
THE SIGNIFICANCE OF LORRAINE HANSBERRY (1965) 117
Larry Neal
THE BLACK ARTS MOVEMENT (1968) 122
Carolyn F. Gerald
THE BLACK WRITER AND HIS ROLE (1969) 129
Lloyd W. Brown
THE EXPATRIATE CONSCIOUSNESS IN
BLACK AMERICAN LITERATURE (1972) 135
Stephen E. Henderson
FROM "THE FORMS OF THINGS UNKNOWN." IN
UNDERSTANDING THE NEW BLACK POETRY: BLACK SPEECH
AND BLACK MUSIC AS POETIC REFERENCES (1973) 141
CONTENTS • ix
1976-2000: AESTHETIC VALUES, RECONSTRUCTIONS OF
BLACKNESS AND BOUNDARIES, AND POSTMODERNISM
Alice WalkerSAVING THE LIFE THAT IS YOUR OWN:
THE IMPORTANCE OF MODELS IN THE ARTIST'S LIFE (1976) 155
Barbara SmithTOWARD A BLACK FEMINIST CRITICISM (1977) 162
Ralph EllisonTHE LITTLE MAN AT CHEHAW STATION:
THE AMERICAN ARTIST AND HIS AUDIENCE (1977) 172
Sherley A. WilliamsTHE BLUES ROOTS OF CONTEMPORARY
AFRO-AMERICAN POETRY (1979) 179
Houston A. Baker Jr.FROM "TOWARD A CRITICAL PROSPECT FOR THE FUTURE."
IN THE JOURNEY BACK: ISSUES IN BLACK
LITERATURE AND CRITICISM (1980) 192
Toni MorrisonFROM "ROOTEDNESS: THE ANCESTOR AS FOUNDATION" (1984) 198
Toni Cade BambaraSALVATION IS THE ISSUE (1984) 203
James A. SneadREPETITION AS A FIGURE OF BLACK CULTURE (1984) 206
William L. AndrewsTHE FIRST CENTURY OF AFRO-AMERICAN AUTOBIOGRAPHY:
THEORY AND EXPLICATION (1984) 223
Joseph HenryA MELUS INTERVIEW: ISHMAEL REED (1984) 235
Shauneille Perry RyderWILL THE REAL BLACK THEATER PLEASE STAND UP? (1984) 242
Joanne V GabbinTHE POETRY OF STERLING A. BROWN:
A STUDY IN FORM AND MEANING (1985) 247
Henry Louis Gates Jr.SIGNIFYIN(G): DEFINITIONS [AND THEORY] (1988) 259
Homi K. BhabhaCULTURAL DIVERSITY AND CULTURAL DIFFERENCES (1988) 268
x • CONTENTS
Joy HarjoA N INTERVIEW WITH JUNE JORDAN (1988) 273
Jerry W Ward Jr.FROM "ALVIN AUBERT: THE LEVEE, THE BLUES,
THE MIGHTY MISSISSIPPI" (1989) 278
Eleanor W TraylorA BLUES VIEW OF LIFE (LITERATURE AND
THE BLUES VISION) (1989) 285
Richard J. PowellTHE BLUES AESTHETIC: BLACK CULTURE
AND MODERNISM (1989) 289
John Edgar WidemanPREFACE. I N BREAKING ICE: AN ANTHOLOGY OF
CONTEMPORARY AFRICAN AMERICAN FICTION (1990) 303
Terry McMillanFROM "INTRODUCTION." IN BREAKING ICE: AN ANTHOLOGY OF
CONTEMPORARY AFRICAN-AMERICAN FICTION (1990) 309
Gale JacksonTHE WAY W E D O : A PRELIMINARY INVESTIGATION
OF THE AFRICAN ROOTS OF AFRICAN AMERICAN
PERFORMANCE (1991) 312
Charles I. NeroTOWARD A BLACK GAY AESTHETIC: SIGNIFYING IN
CONTEMPORARY BLACK GAY LITERATURE (1991) 321
Karla F. C. HollowayA FIGURATIVE THEORY: A CRITICAL CONSIDERATION
OF VOICE, GENDER AND CULTURE (1992) 328
Tommy L. LottA NO-THEORY THEORY OF CONTEMPORARY
BLACK CINEMA (1992) 339
bell hooksINTRODUCTION: REVOLUTIONARY ATTITUDES.
IN BLACK LOOKS: RACE AND REPRESENTATION (1992) 349
Jerry W Ward Jr.FOREWORD. IN BLACK SOUTHERN VOICES:
AN ANTHOLOGY (1992) 353
Thulani DavisFROM "WALTER MOSLEY (AN INTERVIEW)" (1993) 359
CONTENTS • xi
Sandra G. ShannonBLUES, HISTORY AND DRAMATURGY: A N INTERVIEW
WITH AUGUST WILSON (1994) 364
Dolan HubbardVOICES AND VISIONS. IN THE SERMON AND THE
AFRICAN AMERICAN LITERARY IMAGINATION (1994) 382
Ropo SekoniFEATURES OF YORUBA TRICKSTER TALE AESTHETICS (1994) 385
Geneva SmithermanFROM "WORD FROM THE AFRICAN AMERICAN COMMUNITY."
IN BLACK TALK: WORDS AND PHRASES FROM THE
HOOD TO THE AMEN CORNER (1994) 400
Madhu DubeyINTRODUCTION: BLACK FEMINIST CRITICISM. IN BLACK WOMEN
NOVELISTS AND THE NATIONALIST AESTHETIC (1994) 412
Farah Jasmine GriffinINTRODUCTION. IN "WHO SET YOU FLOWIN'?"
THE AFRICAN-AMERICAN MIGRATION NARRATIVE (1995) 423
Tuzyline Ji ta AllanINTRODUCTION: DECODING WOMANIST GRAMMAR
OF DIFFERENCE. IN WOMANIST AND FEMINIST AESTHETICS,
A COMPARATIVE REVIEW (1995) 433
Mtume ya SalaamTHE AESTHETICS OF RAP (1995) 445
E. Ethelbert MillerA N INTERVIEW WITH CORNELIUS EADY (1995) 453
Trudier HarrisMISS-TRAINED OR UNTRAINED? JACKLEG CRITICS AND
AFRICAN AMERICAN LITERATURE (OR, SOME OF
M Y ADVENTURES IN ACADEMIA) (1995) 461
Joan FryA N INTERVIEW WITH OCTAVIA BUTLER (1997) 471
Duane Frank"SOUL FOOD" DIRECTOR ISN'T HOLDING HIS BREATH.
IN MILWAUKEE SENTINELJOURNAL (1997) 479
Claudia TateINTRODUCTION: RACE AND PSYCHOANALYSIS. IN PSYCHOANALYSIS
AND BLACK NOVELS, DESIRE AND PROTOCOLS OF RACE (1998) 481
xii • CONTENTS
Alexs PateMAKING HOME IN THE N E W MILLENNIUM: REFLECTIONS (1999) 487
READINGS ARRANGED UNDER CRITICAL APPROACHES
BLACK POETICS
Ropo SekoniFEATURES OF YORUBA TRICKSTER TALE AESTHETICS (1994) 385
Gale JacksonTHE WAY W E D O : A PRELIMINARY INVESTIGATION OF THE
AFRICAN ROOTS OF AFRICAN AMERICAN PERFORMANCE (1991) 312
Toni MorrisonFROM "ROOTEDNESS: THE ANCESTOR AS FOUNDATION" (1984) 198
Dolan HubbardVOICES AND VISIONS. IN THE SERMON AND THE
AFRICAN AMERICAN LITERARY IMAGINATION (1994) 382
Eleanor W TraylorA BLUES VIEW OF LIFE (LITERATURE AND
THE BLUES VISION) (1989) 285
Joanne V GabbinTHE POETRY OF STERLING A. BROWN:
A STUDY IN FORM AND MEANING (1985) 247
Joseph HenryA MELUS INTERVIEW: ISHMAEL REED (1984) 235
Joy HarjoA N INTERVIEW WITH JUNE JORDAN (1988) 273
Sherley A. WilliamsTHE BLUES ROOTS OF CONTEMPORARY
AFRO-AMERICAN POETRY (1979) 179
Henry Louis Gates Jr.SIGNIFYIN(G): DEFINITIONS [AND THEORY] (1988) 259
Jerry W Ward Jr.FROM "ALVIN AUBERT: THE LEVEE, THE BLUES,
THE MIGHTY MISSISSIPPI" (1989) 278
Jerry W Ward Jr.FOREWORD. IN BLACK SOUTHERN VOICES:
AN ANTHOLOGY (1992) 353
CONTENTS • xiii
Farah Jasmine GriffinINTRODUCTION. IN "WHO SET YOU FLOWIN'?"
THE AFRICAN-AMERICAN MIGRATION NARRATIVE (1995) 423
Max RoachJAZZ (1962) 113
Houston A. Baker Jr.FROM "TOWARD A CRITICAL PROSPECT FOR THE FUTURE."
IN THE JOURNEY BACK: ISSUES IN BLACK LITERATURE
AND CRITICISM (1980) 192
CULTURE-BASED STUDIES
Langston HughesTHE NEGRO ARTIST AND THE RACIAL MOUNTAIN (1926) 44
Richard WrightBLUEPRINT FOR NEGRO WRITING (1937) 82
Ralph EllisonTHE LITTLE MAN AT CHEHAW STATION:
THE AMERICAN ARTIST AND HIS AUDIENCE (1977) 172
James Baldwin
FROM "EVERYBODY'S PROTEST NOVEL" (1949) 91
FROM "MANY THOUSAND GONE" (1951) 99
Larry NealTHE BLACK ARTS MOVEMENT (1968) 122
Stephen E. HendersonFROM "THE FORMS OF THINGS UNKNOWN."
IN UNDERSTANDING THE NEW BLACK POETRY: BLACK
SPEECH AND BLACK MUSIC AS POETIC REFERENCES (1973) 141
Joseph HenryA MELUS INTERVIEW: ISHMAEL REED (1984) 235
Farah Jasmine GriffinINTRODUCTION. IN "WHO SET YOU FLOWIN'?"
THE AFRICAN-AMERICAN MIGRATION NARRATIVE (1995) 423
James A. SneadREPETITION AS A FIGURE OF BLACK CULTURE (1984) 206
Richard J. PowellTHE BLUES AESTHETIC: BLACK CULTURE
AND MODERNISM (1989) 289
xiv • CONTENTS
Houston A. Baker Jr.FROM "TOWARD A CRITICAL PROSPECT FOR THE FUTURE."
IN THE JOURNEY BACK: ISSUES IN BLACK
LITERATURE AND CRITICISM (1980) 192
bell hooksINTRODUCTION: REVOLUTIONARY ATTITUDES.
IN BLACK LOOKS: RACE AND REPRESENTATION (1992) 349
Tommy L. LottA NO-THEORY THEORY OF CONTEMPORARY
BLACK CINEMA (1992) 339
Homi K. BhabhaCULTURAL DIVERSITY AND CULTURAL DIFFERENCES (1988) 268
Max RoachJAZZ(1962) 113
Mtume ya SalaamTHE AESTHETICS OF RAP (1995) 445
Duane Frank"SOUL FOOD" DIRECTOR ISN'T HOLDING HIS BREATH.
IN MILWAUKEE SENTINELJOURNAL (1997) 479
Lloyd W BrownTHE EXPATRIATE CONSCIOUSNESS IN
BLACK AMERICAN LITERATURE (1972) 135
INTERTEXTUAL HISTORIOGRAPHY
Karla F. C. HollowayA FIGURATIVE THEORY: A CRITICAL CONSIDERATION OF
VOICE, GENDER AND CULTURE (1992) 328
James A. SneadREPETITION AS A FIGURE OF BLACK CULTURE (1984) 206
Geneva SmithermanFROM "WORD FROM THE AFRICAN AMERICAN COMMUNITY."
IN BLACK TALK: WORDS AND PHRASES FROM
THE HOOD TO THE AMEN CORNER (1994) 400
Joseph HenryA MELUS INTERVIEW: ISHMAEL REED (1984) 235
William L. AndrewsTHE FIRST CENTURY OF AFRO-AMERICAN AUTOBIOGRAPHY:
THEORY AND EXPLICATION (1984) 223
CONTENTS • xv
Madhu DubeyINTRODUCTION: BLACK FEMINIST CRITICISM. IN BLACK WOMEN
NOVELISTS AND THE NATIONALIST AESTHETIC (1994) 412
GENDER-BASED STUDIES
Barbara SmithTOWARD A BLACK FEMINIST CRITICISM (1977) 162
Tuzyline Ji ta AllanINTRODUCTION: DECODING WOMANIST GRAMMAR OF
DIFFERENCE. IN WOMANIST AND FEMINIST AESTHETICS,
A COMPARATIVE REVIEW (1995) 433
Toni Cade BambaraSALVATION IS THE ISSUE (1984) 203
Karla F. C. HollowayA FIGURATIVE THEORY: A CRITICAL CONSIDERATION
OF VOICE, GENDER AND CULTURE (1992) 328
Madhu DubeyINTRODUCTION: BLACK FEMINIST CRITICISM. IN BLACK WOMEN
NOVELISTS AND THE NATIONALIST A ESTHETIC (1994) 412
Charles I. NeroTOWARD A BLACK GAY AESTHETIC: SIGNIFYING IN
CONTEMPORARY BLACK GAY LITERATURE (1991) 321
LINGUISTICS
Stephen E. HendersonFROM "THE FORMS OF THINGS UNKNOWN." IN
UNDERSTANDING THE NEW BLACK POETRY: BLACK SPEECH
AND BLACK MUSIC AS POETIC REFERENCES (1973) 141
Houston A. Baker Jr.FROM "TOWARD A CRITICAL PROSPECT FOR THE FUTURE."
I N THE JOURNEY BACK: ISSUES IN BLACK
LITERATURE AND CRITICISM (1980) 192
Henry Louis Gates Jr.SIGNIFYIN(G): DEFINITIONS [AND THEORY] (1988) 259
James A. SneadREPETITION AS A FIGURE OF BLACK CULTURE (1984) 206
xvi • CONTENTS
Geneva SmithermanFROM "WORD FROM THE AFRICAN AMERICAN COMMUNITY."
IN BLACK TALK: WORDS AND PHRASES FROM THE
HOOD TO THE AMEN CORNER (1994) 400
William L. AndrewsTHE FIRST CENTURY OF AFRO-AMERICAN AUTOBIOGRAPHY:
THEORY AND EXPLICATION (1984) 223
SEMIOTICS AND STRUCTURALISM
Stephen E. HendersonFROM "THE FORMS OF THINGS UNKNOWN." IN
UNDERSTANDING THE NEW BLACK POETRY: BLACK SPEECH
AND BLACK MUSIC AS POETIC REFERENCES (1973) 141
Houston A. Baker Jr.FROM "TOWARD A CRITICAL PROSPECT FOR THE FUTURE."
IN THE JOURNEY BACK: ISSUES IN BLACK LITERATURE
AND CRITICISM (1980) 192
Henry Louis Gates Jr.SIGNIFYIN(G): DEFINITIONS [AND THEORY] (1988) 259
Karla F. C. HollowayA FIGURATIVE THEORY: A CRITICAL CONSIDERATION OF
VOICE, GENDER AND CULTURE (1992) 328
Ralph EllisonFROM "THE ART OF FICTION: AN INTERVIEW" (1955) 105
Joanne V GabbinTHE POETRY OF STERLING A. BROWN:
A STUDY IN FORM AND MEANING (1985) 247
MYTHOLOGY/ARCHETYPAL
Gale JacksonTHE WAY W E D O : A PRELIMINARY INVESTIGATION OF THE
AFRICAN ROOTS OF AFRICAN AMERICAN PERFORMANCE (1991) 312
Karla F. C. HollowayA FIGURATIVE THEORY: A CRITICAL CONSIDERATION OF
VOICE, GENDER AND CULTURE (1992) 328
Ralph EllisonFROM "THE ART OF FICTION: A N INTERVIEW" (1955) 105
CONTENTS • xvii
PSYCHOANALYTIC
Claudia Tate- INTRODUCTION: RACE AND PSYCHOANALYSIS. IN
PSYCHOANALYSIS AND BLACK NOVELS, DESIRE AND
PROTOCOLS OF RACE (1998) 481
RHETORIC AND READER-RESPONSE
Ignatius SanchoLETTER LVII (1778). IN LETTERS OF THE
LATE IGNATIUS SANCHO (1782) 27
Charlotte Forten GrimkeJOURNAL OF CHARLOTTE FORTEN (JULY 28, 1854) 29
Frances Ellen Watkins HarperFANCY ETCHINGS (APRIL 24, 1873) 30
Charles W ChesnuttSECOND JOURNAL (MAY 29, 1880) 32
Victoria Earle MatthewsTHE VALUE OF RACE LITERATURE: AN ADDRESS (1895) 37
W E. B. DuBoisCRITERIA OF NEGRO ART (1926) 39
Alain LockeART OR PROPAGANDA? (1928) 49
Langston HughesTHE NEGRO ARTIST AND THE RACIAL MOUNTAIN (1926) 44
Richard WrightBLUEPRINT FOR NEGRO WRITING (1937) 82
Sterling A. BrownNEGRO CHARACTERS AS SEEN BY WHITE AUTHORS (1933) 55
FROM "OUR LITERARY AUDIENCE" (1930) 51
Ralph Ellison 'THE LITTLE MAN AT CHEHAW STATION:
THE AMERICAN ARTIST AND HIS AUDIENCE (1977) 172
Ossie DavisTHE SIGNIFICANCE OF LORRAINE HANSBERRY (1965) 117
Ann PetryTHE NOVEL AS SOCIAL CRITICISM (1950) 94
xviii • CONTENTS
James Baldwin
FROM "MANY THOUSAND GONE" (1951) 99
THE CREATIVE PROCESS (1962) 111
FROM "EVERYBODY'S PROTEST NOVEL" (1949) 91
Alice WalkerSAVING THE LIFE THAT IS YOUR OWN:
THE IMPORTANCE OF MODELS IN THE ARTIST'S LIFE (1976) 155
Stephen E. HendersonFROM "THE FORMS OF THINGS UNKNOWN." IN
UNDERSTANDING THE NEW BLACK POETRY: BLACK
SPEECH AND BLACK MUSIC AS POETIC REFERENCES (1973) 141
Jerry W Ward Jr.FOREWORD. I N BLACK SOUTHERN VOICES:
AN ANTHOLOGY (1992) 353
Carolyn F. GeraldTHE BLACK WRITER AND HIS ROLE (1969) 129
Lloyd W BrownTHE EXPATRIATE CONSCIOUSNESS IN
BLACK AMERICAN LITERATURE (1972) 135
Houston A. Baker Jr.FROM "TOWARD A CRITICAL PROSPECT FOR THE FUTURE."
IN THE JOURNEY BACK: ISSUES IN BLACK
LITERATURE AND CRITICISM (1980) 192
Karla F. C. HollowayA FIGURATIVE THEORY: A CRITICAL CONSIDERATION OF
VOICE, GENDER AND CULTURE (1992) 328
Madhu DubeyINTRODUCTION: BLACK FEMINIST CRITICISM. I N BLACK WOMEN
NOVELISTS AND THE NATIONALIST A ESTHETIC (1994) 419
E. Ethelbert MillerAN INTERVIEW WITH CORNEOUS EADY (1995) 453
Trudier HarrisMISS-TRAINED OR UNTRAINED? JACKLEG CRITICS AND
AFRICAN AMERICAN LITERATURE (OR, SOME OF M Y
ADVENTURES IN ACADEMIA) (1995) 461
Shauneille Perry RyderWILL THE REAL BLACK THEATER PLEASE STAND U P ? (1984) 242
CONTENTS • xix
Alexs PateMAKING HOME IN THE NEW MILLENNIUM: REFLECTIONS (1999) 487
POSTCOLONIALISM
Carolyn F. GeraldTHE BLACK WRITER AND HIS ROLE (1969) 129
Homi K. Bhabha
CULTURAL DIVERSITY AND CULTURAL DIFFERENCES (1988) 268
GENRES
SLAVE NARRATIVE/AUTOBIOGRAPHY
William L. AndrewsTHE FIRST CENTURY OF AFRO-AMERICAN AUTOBIOGRAPHY:
THEORY AND EXPLICATION (1984) 223
NOVEL
James Baldwin
FROM "MANY THOUSAND GONE" (1951) 99
FROM "EVERYBODY'S PROTEST NOVEL" (1949) 91
THE CREATIVE PROCESS (1962) 111
Ann PetryTHE NOVEL AS SOCIAL CRITICISM (1950) 94
Ralph EllisonFROM "THE ART OF FICTION: AN INTERVIEW" (1955) 105
Carolyn F. GeraldTHE BLACK WRITER AND HIS ROLE (1969) 129
Lloyd W BrownTHE EXPATRIATE CONSCIOUSNESS IN
BLACK AMERICAN LITERATURE (1972) 135
Toni MorrisonFROM "ROOTEDNESS: THE ANCESTOR AS FOUNDATION" (1984) 198
Farah Jasmine GriffinINTRODUCTION. IN "WHO SET YOU FLOWIN'?"
THE AFRICAN-AMERICAN MIGRATION NARRATIVE (1995) 423
Jerry W Ward Jr.FOREWORD. IN BLACK SOUTHERN VOICES:
AN ANTHOLOGY (1992) 353
xx • CONTENTS
John Edgar WidemanPREFACE. I N BREAKING ICE: AN ANTHOLOGY OF CONTEMPORARY
AFRICAN-AMERICAN FICTION (1990) 303
Terry McMillan
FROM "INTRODUCTION." IN BREAKING ICE: AN ANTHOLOGY OF
CONTEMPORARY AFRICAN-AMERICAN FICTION (1990) 3 09
SHORT STORY
Carolyn F. Gerald
THE BLACK WRITER AND HIS ROLE (1969) 129
Toni Cade Bambara
SALVATION IS THE ISSUE (1984) 203
John Edgar Wideman
PREFACE. IN BREAKING ICE: AN ANTHOLOGY OF
CONTEMPORARY AFRICAN-AMERICAN FICTION (1990) 303
Terry McMillan
FROM "INTRODUCTION." IN BREAKING ICE: AN ANTHOLOGY OP
CONTEMPORARY AFRICAN-AMERICAN FICTION (1990) 309
Alexs Pate
MAKING HOME IN THE N E W MILLENNIUM: REFLECTIONS (1999) 487
POETRY
Phillis Wheatley
ON IMAGINATION (1773) 23
Carolyn F. Gerald
THE BLACK WRITER AND HIS ROLE (1969) 129
Larry Neal
THE BLACK ARTS MOVEMENT (1968) 122
Stephen E. Henderson
FROM "THE FORMS OF THINGS UNKNOWN."
IN UNDERSTANDING THE NEW BLACK POETRY: BLACK SPEECH
AND BLACK MUSIC AS POETIC REFERENCES (1973) 141
Sherley A. Williams
THE BLUES ROOTS OF CONTEMPORARY
AFRO-AMERICAN POETRY (1979) 179
Joanne V Gabbin
THE POETRY OF STERLING A. BROWN: A STUDY IN
FORM AND MEANING (1985) 247
CONTENTS • xxi
Joy HarjoA N INTERVIEW WITH JUNE JORDAN (1988) 273
Jerry W Ward Jr.FROM "ALVIN AUBERT: THE LEVEE, THE BLUES,
THE MIGHTY MISSISSIPPI" (1989) 278
E. Ethelbert MillerA N INTERVIEW WITH CORNELIUS EADY (1995) 453
DRAMA
Ossie DavisTHE SIGNIFICANCE OF LORRAINE HANSBERRY (1965) 117
Larry NealTHE BLACK ARTS MOVEMENT (1968) 122
Shauneille Perry RyderWILL THE REAL BLACK THEATER PLEASE STAND U P ? (1984) 242
Sandra G. ShannonBLUES, HISTORY AND DRAMATURGY:
A N INTERVIEW WITH AUGUST WILSON (1994) 364
CONTEMPORARY LITERATURE
Carolyn F. GeraldTHE BLACK WRITER AND HIS ROLE (1969) 129
John Edgar WidemanPREFACE. IN BREAKING ICE: AN ANTHOLOGY OF
CONTEMPORARY AFRICAN-AMERICAN FICTION (1990) 303
Terry McMillanFROM "INTRODUCTION." IN BREAKING ICE: AN ANTHOLOGY OF
CONTEMPORARY AFRICAN-AMERICAN FICTION (1990) 309
E. Ethelbert MillerA N INTERVIEW WITH CORNELIUS EADY (1995) 453
Charles I.NeroTOWARD A BLACK GAY AESTHETIC: SIGNIFYING IN
CONTEMPORARY BLACK GAY LITERATURE (1991) 321
Alexs PateMAKING HOME IN THE N E W MILLENNIUM:
REFLECTIONS (1999) 487
xxii • CONTENTS
FILM
Carolyn F. GeraldTHE BLACK WRITER AND HIS ROLE (1969) 129
bell hooksINTRODUCTION: REVOLUTIONARY ATTITUDES.
IN BLACK LOOKS: RACE AND REPRESENTATION (1992) 349
Tommy L. LottA NO-THEORY THEORY OF CONTEMPORARY
BLACK CINEMA (1992) 339
Duane Frank"SOUL FOOD" DIRECTOR ISN'T HOLDING HIS BREATH.
IN MILWAUKEE SENTINEL JOURNAL (1997) 479
DETECTIVE NOVEL
Thulani DavisFROM "WALTER MOSLEY (AN INTERVIEW)" (1993) 359
SCIENCE FICTION
Joan FryAN INTERVIEW WITH OCTAVIA BUTLER (1997) 471
JAZZ, RAP, AND HIP-HOP
Max RoachJAZZ (1962) 113
Mtume ya SalaamTHE AESTHETICS OF RAP (1995) 445
Geneva SmithermanFROM "WORD FROM THE AFRICAN AMERICAN COMMUNITY."
IN BLACK TALK: WORDS AND PHRASES FROM THE HOOD
TO THE AMEN CORNER (1994) 400
African American Literary Criticism in Context 493Index 531