aga khan award for architecture

Aga Khan Award for Architecture

ARCHITECT'S RECORD

2010 AWARD CYCLE

Document B

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Project Title

Street Address

City

Name

Mailing Address

City Postal Code

Country

Facsimile E-mail

Principal Designer

Name

Mailing Address

City Postal Code

Country Telephone

Facsimile E-mail

Please list those involved in the project and indicate their roles and areas of responsibility (e.g. engineers, contractors, economists, mastercraftsmen, other architects, clients, etc.). Please cite addresses and telephone numbers separately.

Name Role

Country

Telephone

3592.CHI

I. IDENTIFICATION

II. PERSONS RESPONSIBLE

A. Architect/Planner

B. Client

C. Project Affiliates / Consultants

Jishou University Research and Education Building and Huang Yong Yu Museum（Qi Lu Building）

Ren Min Zhong Lu ,Jishou, Hunan Province, China

Jishou, Hunan Province China

Atelier Feichang Jianzhu

Yuan Ming Yuan East Gate, Northside, Yard No.1, Hai Dian District

Beijing 100084

China 86 10 82622712

86 10 82622712 [email protected]

Yung Ho Chang

Jishou University

Ren Min Zhong Lu ,Jishou, Hunan Province, China

Jishou, Hunan Province 416000

China :86 743 8564200

86 743 8563702 [email protected]

Yung Ho Chang Principal Designer

Liu Yang

Chen Long

Hu Xian, Zhang Bo, He Huishan, Ni Jianhui

Xu Minsheng， Hao Yufan

Yang Chao, Zhu Ming

Qin Yalong

Wu Jing, Mei Shujie, He Juanjuan

Project Manager

Project Architect

Project team

Structural consultant

Architectural consultant

Electrical consultant

Engineering consultant

(please specify year and month)

A. Commission

B. Design

C. Construction

D. Occupancy

Remarks, if any:

(please indicate in square metres)

A. Total Site Area

B. Ground Floor Area

C. Total Combined Floor Area including basement(s),ground floor(s) and all upper floors)

Remarks, if any:

(please specify the amounts in local currencies and provide the equivalents in US dollars. Specify the dates and the rates of exchangein US dollars at the time.)

A. Total Initial Budget

B. Cost of Land

C. Analysis of Actual Costs

1. Infrastructure

2. Labour

3. Materials

4. Landscaping

5. Professional Fees

6. Other

D. Total Actual Costs (without land)

E. Actual Cost (per sq. meter)

Remarks, if any, on costs:

Amount inLocal Currency

Amount inUS dollars

Exchange Rate Date

2/4

CompletionCommencement

Commencement Completion

3592.CHI

III. TIMETABLE

IV. AREAS AND SURFACES

V. ECONOMICS

November 2003

November 2003 April 2004

April 2004 May 2006

June 2006

12,908 sq. meters

6,784.3 sq. meters

25,727.2 sq. meters

36,000,000 RMB 5,274,262 6.8256 Oct. 10, 2009

6.8256671,0034,580,000 RMB Oct. 10, 2009

6.82562911985 RMB Oct. 10, 2009

Oct. 10, 20096.82561,446,0269,870,000 RMB

Oct. 10, 20096.82564,338,08029,610,000 RMB

Oct. 10, 20096.8256336,9672,300,000 RMB

Oct. 10, 20096.8256293,0152,000,000 RMB

Oct. 10, 20096.8256398,500 2,720,000 RMB

Oct. 10, 20096.82567,483,59151,080,000 RMB

university.Owned by the

3/4

3592.CHI

VI. PROJECT DESCRIPTION

VII. MATERIALS, STRUCTURE, AND CONSTRUCTION

Jishou City is the capital of Jishou Miao and Tujia Minority Autonomous Region in Wunan Province in central China. The region is well-known for its mountainous landscape and hill towns, Fenghuang (meaning phenix in Chinese) in particular. The University is one of the few national institutions of higher education for minority students and aims to preserve and promote minority cultures. Arts are important component of its curriculum. The Jishou University Research and Education Building and Huang Yongyu Museum (Jishou Project) we designed is on the northern edge of the campus and is presently occupied by a number of the departments and their research facilities as well as the Huang Yongyu Museum. Huang Yongyu, one of the best known living visual artists in China, is a Tujia native from Fenghuang and the museum houses both his own work and his collection. The modern Chinese literary giant, Qian Zhongshu, was born in Fenghuang as well. While working on the design, we visited Huang's home in Fenghuang and discussed with him on subjects as broad as art and architecture and culture in general. The design challenge of Jishou Project has to do with how to make two specific connections between the architecture and the site, one is topographical and the other cultural. The site was part of a hillside, a typical condition of the mountainous Jishou region, but was completely leveled before the architectural design took place. The building mass of the Jishou Project was strategically arranged – organizing the low-rise "skirt buildings" into a sloped configuration and turning a high-rise building into a “hilltop” architectural aggregate – so that it reconstructs the original topography. The flattening alteration of the site changed the way human relates to and perceives the landscape. Thus, our design approach is also an attempt to restore the unique man-nature relationship in a hill town. Jishou region is known for its hill town architecture but its heritage is being lost in the rapid urbanization in recent decades. We carefully studied the local hillside architecture. Rather than style, we see small building increments, rich roof-scapes, and intimate urban spaces as essential ingredients of the hill-town urbanism. Our design is aimed to re-establish the scale of the traditional architecture and to interpret the diverse urban syntax of adjacent, (semi-)autonomous structures as different articulations of building elements, such as volumes, roofs, and windows, which distinguish the various programs inside. As the result, on one hand the building seems to grow out of the site thus repairs the site; on the other, the design simulates the architectural multiplicity in a hill town without repeating the vernacular literally. This is still an unabashedly contemporary design of a singular edifice, which however reclaims the quality of life in the indigenous hill town.

Structure: Reinforced concrete frame with steel beams as components of the roofs. Exterior walls: Concrete blocks, a contemporary interpretation of the traditional clay bricks, wood for the projected windows for the classrooms, and glass curtain walls for the lobby and halls of the museum. Roofs: Cement tiles, resonant of the vernacular. Windows: Aluminum sashes. Floor finishes: Local stones and slates. Ceilings: primarily plaster with partially wood in the museum. Mechanical system design: Most of the circulation spaces are semi-outdoor to reduce air-conditioning. The open passages on the upper two levels of high-rise portion allow the music practice rooms to achieve cross ventilation.

Name (please print)

Signature Date

4/4

3592.CHI

VIII. PROJECT SIGNIFICANCE AND IMPACT

Please note: The submission of this Record is a prerequisite to candidacy for the Award. All information contained in and submittedwith the Record will be kept strictly confidential until announcement of the Award is made. Subsequently, such material may be madeavailable by the Aga Khan Award for Architecture and you hereby grant the Aga Khan Award for Architecture a non-exclusivelicence for the duration of the legal term of copyright (and all rights in the nature of copyright) in the Material submitted to reproducethe Material or licence the reproduction of the same throughout the world.

An observation: The development of contemporary Chinese architecture in the past decades has been dominated by an array of international formal languages, from European Classicism to Modernism. The very issue is that the identity crisis of Chinese architecture has not been acknowledged as a crisis and, even more unfortunately, this has been the mainstream mentality for architecture in China. A counter argument: We think that architecture can and should help us to establish a sense of where we are and who we are. In other words, we believe in cultural diversity. In case of Jishou Building, architecture becomes part of the educational experience for the students, who are Miao and Tujia minorities studying primarily arts. Besides, there are always specific local conditions – from geography to culture – architects can discover and embrace. A design attitude A local architecture does not necessarily mean duplicate the traditional forms since building technologies and life style evolve constantly; however, it must be sensitive and respectful to the heritage of the indigenous culture. Architecture can make connection between the past and the present. The product of this attitude is a local, contemporary architecture and an architecture of respect and responsibility.

Yung Ho Chang

Yungho Chang Digitally signed by Yungho Chang DN: cn=Yungho Chang, o=Yungho Chang, ou=Atelier FCJZ, [email protected], c=CN Date: 2009.10.11 13:00:19 +08'00'

Oct. 10, 2009

3592.CHIJishou University Research and Education Builiding and Huang Yongyu Museum (Qi Lu Building) Sheet 1

-6.000

-0.4504.180

3.750

-2.700

-3.900

-0.450

1F

Academic Building Entrance


AcademicBuilding Entrance



Academic BuildingEntrance

Museum Entrance

Museum Entrance

Museum Entrance

Lake

4F 3F3F 3F

Plaza

3F 3F 3F

2F

2F2F

2F2F

2F1F1F

1F 1F

1F

Lab/Reseach Building Entrance


8F(H=34.07)


The site was part of a hillside but bulldozed flat, which changed how human relates to and perceives the landscape.

The local hillside architecture: Small building increments, rich roof-scape, inti-mate urban spaces.

The five main programs are composed to re-build the slope.

Entrance / Public Area

Music Practice Rooms

Art Classrooms

Huang Yongyu Museum

Labs / Research Facilities

Site plan

Conceived as a slope leading up an aggregate of buildings, the architecture of this complex restores the unique man-nature relationship in a hill town.

The building elements – volumes, roofs, and windows – are organized according to the hill town syntax.

Overall view of the complex from the lake on the north side.

Bird’s-eye view from northeast.

Circulation Flow

The design challenge of Jishou Project has to do with how to make two specific connections between the architecture and the site, one is topographical and the other cultural. The site was part of a hillside, a typical condition of the mountainous Jishou region, but was completely leveled before the architectural design took place. The building complex was strategically conceived in such a way so that it reconstructs the original topography. Jishou region is known for its hill town architecture but its heritage is being lost in the rapid urbanization in recent decades. Our design is aimed to re-establish the scale of the traditional architecture and to interpret the rich urban relationship of adjacent, (semi-)autonomous structures as the articulations of building elements. As the result, on one hand the building seems to grow out of the site thus repairs the site; on the other, the design simulates the aggregate of buildings in a hill town without repeating the vernacular literally. This is still an unabashedly contemporary design of a singular edifice which however reclaims the quality of life in an indigenous hill town.

Geography

3592.CHI

Tradition

Programs

Public Flow Museum Flow Lab/Research Flow Art Classroom Flow Music Practice Room Flow

N

0 4020 60m

Research Building & Huang Yong Yu Museum

Ren Min Zhong LuJishou, China

Architects Atelier Feichang Jianzhu / Yung Ho ChangBeijing, China

Clients Jishou UniversityJishou, China

Commission 2003

Design 2003 - 2004

Construction 2004 - 2006

Occupancy 2006

Site 12,908 m2

Ground floor 6,785 m2

Total floor 25,727 m2

Costs 7,483,591 USD

Programme Located in a mountainous central region, Jishou is one of China’s few universities for minority cultures. This new complex is focused on the arts, with a museum housing the work and collection of an eminent local artist. Based on a belief in cultural diversity, the project refers to the small increments, rich roof-scapes and intimate urban spaces of the local hillside architecture: although the site had previously been levelled, a skirt of low-rise buildings steps up to a high-rise to reconstruct the original topography. By respecting the indigenous culture, the project aims to connect past and present in an architecture that is both contemporary and local.

Building Type Museums & Exhibition Facilities2010 Award Cycle 3592.CHI

3592.CHIJishou University Research and Education Builiding and Huang Yongyu Museum (Qi Lu Building) Sheet 2

1. Music Practice Room

Entrance plaza

Passage outside music practice rooms on eighth floor Roof of research building Interior of classroom

Connection between research buildings Academic building facade

2. Classroom 3. Lab 4. Storage 5. Reception 6. Changing Room 7. Service Room 8. Stage 9. Lounge 10. WC 11. Office 12. Exhibition Hall

2nd Floor Plan North Elevation A-A Section

Key

3592.CHI

N

A

5

12

12

2 2

2

2

2

2

21010

3

3

3333

3 310 10 11

55

3

3

3

3

33

12

12

11 11

9

B C

0 10 20m A B C 0 10 20m 0 10 20m

1

1

1

1 1

2

11

3

3

3

4 0.00

-6.00

0.20

4

4

4

4

12

12

12

10

5

3

3

3

11

1

1

32.71

3592.CHI3592.CHIJishou University Research and Education Builiding and Huang Yongyu Museum (Qi Lu Building) Additional Sheet 1

View from lake on north side


Entrance plaza


Academic building facade

3592.CHIJishou University Research and Education Builiding and Huang Yongyu Museum (Qi Lu Building) Additional Sheet 4

Bird’-eye view from east


View from east


Bridge between academic buildings and museum


Pathway at the front of museum


View of museum from west


Museum entrance hall


Skylights in museum

3592_01.jpg


-6.000

-0.450

4.180

3.750

-2.700

-3.900

-0.450

1F

Academic

Building

Entrance

Academic

Building

Entrance

Academic

Building

Entrance

Academic

Building

Entrance

Academic

Building

Entrance

Academic

Building

Entrance

Museum

Entrance

Museum

Entrance

Museum

Entrance

Lake

4F 3F

3F 3F

Plaza

3F 3F 3F

2F

2F

2F

2F

2F

2F

1F

1F

1F 1F

1F

Lab/Reseach

Building Entrance

Lab/Reseach

Building

Entrance

8F(H=34.07)

Lab/ReseachBuilding Entrance

Site Plan

0 20 40 60m

N


2nd Floor Plan

1. Music Practice Room 2. Classroom 3. Lab 4. Storage 5. Reception 6. Changing Room 7. Service Room 8. Stage 9. Lounge 10. WC 11. Office 12. Exhibition HallKey

0

N

A B C

10 20m

A B C

5

12

12

2 2

2

2

2

2

2

10

10

3

3

3333

3 310 10

115

5

3

3

3

3

33

12

12

11 11

9


Basement Floor Plan


0 5 15

N

10 20m

7 10 10 4

9

4

8

7 7

7

77444

4444

4 4 47 7 7

1010

6 6 6


Fourth Floor Plan

Eighth Floor Plan


0

0

5

5

15

15

N

N

10

10

20m

20m

2 2 2 2 2 2

2299

1010

22

1

1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 17

7

7

1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1

1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1


North Elevation

0 105 15 20m


East Elevation

0 105 15 20m


West Elevation

0 105 15 20m


A-A Section


0 105 15 20m

1

1

1

1 1

2

11

3

3

3

4 0.00

-6.00

0.20

4

4

4

4

12

12

12

10

5

3

3

3

11

1

1

32.71


B-B Section


0 105 15 20m

111

1

2

2

2

2

3

3

3

3

4678910

4

5

3

1 1

0.00

4.00

-6.00

32.71


C-C Section


0 105 15 20m

11

111

1

1

2

22

2

3

3

3

3

3

33

333

3

22

2222

22

33

4

4 4

0.00

-6.00

7.50

32.71

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aga khan award for architecture

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