aggregation & copyright in museums

26
The Challenge of Aggregation or ‘just when you thought online publishing was hard enough’

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Presentation to the Museums Copyright Group looking at the technical trends toward Aggregation, and the legal and institutional challenges this might present.

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Page 1: Aggregation & Copyright in Museums

The Challenge of Aggregationor ‘just when you thought online publishing was hard enough’

Page 2: Aggregation & Copyright in Museums

These slides online at...http://www.slideshare.com/nickpoole

Twitter...#collectiontrust

With thanks to Mike Ellis at Eduserv

Page 3: Aggregation & Copyright in Museums

In the Valley of the Geeks...

...a new momentum is building

Page 4: Aggregation & Copyright in Museums

It’s no longer about websites

...it’s about data

Page 5: Aggregation & Copyright in Museums

There’s a new mantra...

...aggregate, federate, syndicate

Page 6: Aggregation & Copyright in Museums

Data that is ‘locked in’ is...

...a wasted opportunity...a liability

Locked in = single useSingle use = published on one web page

Page 7: Aggregation & Copyright in Museums

Information, content, images are being

‘atomised’taken from their contextshared machine-to-machinesyndicated into other contextsaggregated into other databasesserved up through other services

Page 8: Aggregation & Copyright in Museums

It’s partly this guy’s fault...

Page 9: Aggregation & Copyright in Museums

It’s partly this guy’s fault...“There are two philosophies to putting data on the web.

The top-down one is to make a corporate or national plan, by getting committees together of all the interested parties, and make a consistent set of terms (ontology) into which everything fits.

This in fact takes so long it is often never finished, and anyway does not in fact get corporate or national consensus in the end.

The other method experience recommends is to do it bottom up. A top-level mandate is extremely valuable, but grass-roots action is essential. Put the data up where it is: join it together later. “

Sir Tim Berners LeeSpecial Adviser to the Cabinet Office

Page 10: Aggregation & Copyright in Museums

By data, he means

...everything

Page 11: Aggregation & Copyright in Museums

It’s partly technology’s fault...

Atom API

RSSmicroformats

RESTf

ul

SWORD

Page 12: Aggregation & Copyright in Museums

It’s partly technology’s fault...

Atom API

RSSmicroformats

RESTf

ul

SWORD All of these technologies were designed to facilitate the flow of content between machines, they are

totally oblivious to organisational context or ownership

Page 13: Aggregation & Copyright in Museums

In this vision of the future, your content and images may be used on your own website...

...but they are just as likely to appear somewhere else, on someone else’s

website, in a completely different context

Page 14: Aggregation & Copyright in Museums

Look at your geeks...

...chances are they’re a closet social media activist, plotting to expose your

data to the crowd. Say ‘API’ to them and watch for the glint of excitement.

Page 15: Aggregation & Copyright in Museums

Two pathways...

Legitimate: Harvesting/automated exchange

Not so much:Screen scraping

Both are regarded as equally valid, it’s just that screen scraping is mildly more difficult and hence annoying

Page 16: Aggregation & Copyright in Museums

So far, so familiar, this is just stealing...

...except that this is coming as a policy direction from Government, and is

being picked up by funders as a priority

Page 17: Aggregation & Copyright in Museums

Funders who, from this year, will demand that your content is available to be aggregated into 3rd party services...

MLA/DCMSAHRC

JISC/HEFCEHLF (probably)

Page 18: Aggregation & Copyright in Museums

The problem...Managing the use of copyright material is about licensing

Licensing is about managing the transitions

Recognising the transitions is about recognising the boundary points

Aggregate, federate, syndicate is about eroding the boundaries

Page 19: Aggregation & Copyright in Museums

The other problem...

The Internet is a network

Networks work their way round points of failure

Copyright law is regarded as a point of failure

The network is simply re-routing to avoid the problem

Page 20: Aggregation & Copyright in Museums

The other other problem...

Transactional economies depend on constraining supply

The technology community is working towards an economy in which content is free and we monetise added value and brand equity instead

Trading on trust and mediation rather than the unit value

Is your organisation ready to manage that transition?

Page 21: Aggregation & Copyright in Museums

Case 1...

16 organisations signed up to enable their content to be harvested for the BBC CenturyShare pilot project

8 withdrew when they received the License

Most of these were because their content wasn’t sufficiently ‘robust’ or ‘fit for purpose’

Page 22: Aggregation & Copyright in Museums

Case 2...The European Commission has said that it will divert European Structural Funds into funding Digital content

In the UK, that content has to be made available to be aggregated by our Grid infrastructure

Each national aggregator has to be available to be aggregated by Europeana

Page 23: Aggregation & Copyright in Museums

As the Copyright community...

...what is our response?

Page 24: Aggregation & Copyright in Museums

2 options...

We can either stick to our guns, and in turn confirm the view that copyright is a barrier which should either be ignored or disrupted

Or, we can take the initiative and think our way through the problem in a way which minimises our organisations exposure to risk while maximising their ability to participate in aggregated services

Page 25: Aggregation & Copyright in Museums

Thank you!

Page 26: Aggregation & Copyright in Museums

http://openculture.collectionstrustblogs.org.uk

http://www.collectionstrust.org.uk

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