alice hammel d.m.a. ryan hourigan ph. d.. use labels to gain general information concentrate on...
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A LABEL-FREE APPROACH TO
TEACHING MUSIC TO STUDENTS WITH SPECIAL NEEDS
Alice Hammel D.M.A.
Ryan Hourigan Ph. D.
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WHY WE DO THIS!
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THE BASICS OF A LABEL-FREE APPROACH
Use labels to gain general information
Concentrate on Music Teaching and Learning
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5 DOMAINS Cognitive Communication Behavioral/Emotional Sensory Physical
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INCLUSION BASICS IEP Document
Know your team
Communication with Parents
Observation of student in other settingsObservation Protocols on P.14
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COGNITIVE DOMAIN The ability of a student to receive,
process, and commit information to memory (Davis, Gfeller, and Thaut, 1999)
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COGNITIVE DOMAINCognitive Processes
Receive through sensory
receptors (i.e. ears, eyes,
etc.)
Understand and
Process Informatio
n
Commit to Long Term Memory
Express Understanding
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STRATEGIES FOR MUSIC TEACHERS (ALL LEVELS) Observe student in other settings and
look specifically at cognitive issues
Self-assess your delivery of materialAre there ways to make the cognitive
process easier for the the student
At either step (previous slide)
Discuss and strategize with Special Ed. Team
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ACCOMMODATION MODIFICATION EXAMPLES (ALL LEVELS)
Modify projects, assignments, and exams to include less material but same expectations (if possible)
Provide peer support for re-directing or simplifying directions
Allow for pull out time with a peer or team teacher to reinforce understanding
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ACCOMMODATION MODIFICATION EXAMPLES (SECONDARY PERFORMANCE)
Have the student perform only what they can contribute a meaningful performance.
Provide material well in advance.
Rehearse a segment and allow student to go and practice this exact segment before moving on (see #3 above as well)
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ELEMENTARY ACTIVITIES TO STRENGTHEN THE COGNITIVE DOMAIN
I love my little rooster
Jack in the Box
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COMMUNICATION DOMAIN 4 areas of concern
Receptive LanguageExpressive LanguageCognitive Functioning (discussed
before)Cultural use of Language
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RECEPTIVE AND EXPRESSIVE LANGUAGEReceptive language refers to the ability of
a student to receive and process/decode information.
Receptive Language
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EXPRESSIVE LANGUAGE
Expressive Language
Expressive language is the ability to use symbols of language to express thoughts (Lewis & Doorlag, 2006)
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PECS (BOARDMAKER)/EXPRESSIVE LANGUAGE HELP
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ACCOMMODATION MODIFICATION EXAMPLES (ALL LEVELS)
Provide simple clear instructions. May need to provide individual instructions for a specific student.
Partner written instructions with modeling (either by a peer or teacher).
Establish a communication journal between you, the special education team and the parents (if possible).
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ACCOMMODATION MODIFICATION EXAMPLES (SECONDARY/PERFORMANCE)
Utilize digital video and audio recordings for students to bring home and practice Write instructions to go with
Finale: Use to incorporate instructions with parts in written form
Write down instructions as well as express verbally (including assignments etc.)
Allow for materials/equipment access outside of class (e.g. lunch) to practice
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ELEMENTARY ACTIVITIES TO STRENGTHEN COMMUNICATION Find your family
Jim Along Josie
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BEHAVIOR OR EMOTIONAL DOMAIN Emotional Disturbance (from IDEA) an inability to learn that cannot be explained
by intellectual, sensory, or health factors an inability to develop and maintain
interpersonal relationships with peers or teachers
inappropriate types of behavior or fears in normal circumstances
a general pervasive mood of unhappiness or depression
a tendency to develop physical symptoms related to fears associated with personal or school problems
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ISSUES IN THE MUSIC CLASSROOM
Outbursts
Inattentiveness or lack of engagement
Other?
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BEHAVIOR CHALLENGES is there an antecedent to the behavior? is the behavior considered inappropriate
for a student’s sex or age? is the behavior interrupting his learning
(e.g. attention, impulsivity, hyperactivity)
is the behavior external (e.g. aggression) or internal (e.g. withdrawl)
is the behavior interrupting the learning of other students in your classroom?
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TIPS (ALL LEVELS)
Establish a clear rehearsal routine.
Be aware of anxiety with concerts, festivals, trips, and special events. This may lead to new behaviors.
Try to praise appropriate behavior as well as ignore inappropriate behavior.
Attempt to use positive reinforcement (i.e. earning privileges) rather than negative.
Be aware of students who are introverted. Consult counseling staff when you have questions. These students may need assistance with socialization.
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PERSONAL BEHAVIOR CHECKLIST
Found my folder/book
✔
Sat in my seat ✔
Followed Directions
✖
Kept my hands to myself
✔
Inside Voice X
Participated in music
✔
Lined up at the end of class
✔
5 Days of no “x”s = ???
4 Days of no “x”s = ???
Etc.
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POSITIVE INDIVIDUALIZED BEHAVIOR PLAN
Level 4 Level 3 Level 2 Level 1
Can have choice time with drums, computer, or music books
Can have choice time with drums or music books
Can have choice time with music books
No choice time
Move up:Move down:
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SENSORY DOMAIN Often associated with vision or hearing
impairments
Hypo or Hyper sensitivity
Sound, sight, touch, smell, and/or taste etc.
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ELEMENTARY ACTIVITIES TO STRENGTHEN THE BEHAVIORAL/EMOTIONAL DOMAIN Hey How about You!
The Uh Huh Song
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OTHER SENSORY ISSUUES YOU MAY NOT HAVE THOUGHT OF… Vestibular Sensory Issues
Balance and movement
Proprioceptive Body position
Music and Movement
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SENSORY INTEGRATION ISSUES
Often occurs in many persons with disabilities
Seeking sensory inputHyper/hypo
Issues in the music classroom
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TEACHING MUSIC TO STUDENTS WITH SENSORY CHALLENGES (ALL LEVELS)
Establish communication (e.g. reading lips, Braille, etc.)
Examine your learning environment (e.g. seating, lighting, volume, etc.)
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SENSORY CONSIDERATIONS (ELEMENTARY) Elementary
Parachutes
Stretchy Bands
Be understanding when it comes to devices such as fidgets, weighted vests, and other sensory needs
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ADAPTATIONS AND ACCOMMODATIONS (SECONDARY)
Be mindful of dynamics (extreme loud and soft dynamics). Student may need a warning before rehearsing.
Be aware of proximity to unpredictable sounds or instruments (e.g. drums).
Try to understand your learning environment from the students prospective (e.g. someone who has visual challenges) and make adjustments.
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ADAPTATIONS AND ACCOMMODATIONS (SECONDARY) SmartMusic
Allows student to control/desensitize to sound. Some individual parts (method books)
Finale: Highlight, enlarge, extract parts (visual)
Headphones/Microphones for amplification (or DE amplification)
Sunglasses/Lamps/Christmas Lights
Other technology
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ADAPTATIONS AND ACCOMMODATIONS (ALL LEVELS)
(for students who are visually impaired) set up room exactly the same way every day.
Understand that new environments (e.g. concert hall) are different than classroom environments. Adjustments may need to be made.
Provide materials well in advance
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PHYSICAL AND MEDICAL CONDITIONS
Permanent or Temporary
504 plans
Assumptions
Gross and Fine motor abilities
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LESSON EXAMPLES (ALL LEVELS)
Place students on equipment that have less fine motor requirements (e.g. percussion, trombone, etc.) Modify lessons based on these requirements.
Allow for extra space around student.
Seat student near a good model
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LESSON EXAMPLES
Consider all of your physical activities in your lessons. Many students with special needs may not appear to have coordination and muscle tone challenges. Consult with special education staff.
Provide materials well in advance.
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GENERAL IDEAS Elementary/Secondary
Allow students more time on written exams.
Allow for oral exams for students who struggle with writing.
Review the difference between accommodation, and modification. Check IEP to see what they are doing in other academic classes.
Many students with special needs have fine motor challenges. This may require less writing, manipulation of certain instruments or equipment.
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TIPS FOR ALL STUDENTS WITH SPECIAL NEEDS Secondary
Seek IEP or 504 Document and consult with special education staff.
Allow time to speak with the student before and after class to clarify.
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TIPS FOR ALL STUDENTS WITH SPECIAL NEEDS Technology
Finale Use to simplify, reduce, enlarge, extract parts for
students in performing ensembles
SmartMusic Break down individual part Allowed to practice without the distractions Assessment tools (allows the
student/parent/private teacher in.
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TIPS FOR ALL STUDENTS WITH SPECIAL NEEDS Secondary (continued)
Be aware of bullying. This might lead to outbursts in class.
If behavioral intervention is needed, work with special education staff to provide an individual behavior plan.
Work to provide a social connection in the music classroom for the student.
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FOR ALL STUDENTS Always being thinking about the
personhood and dignity of the student. They can sometimes be very aware of their peers perception of them.
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PUTTING IT ALL TOGETHER
Use labels to gain broad understanding
Focus on music teaching and learning
Each child is an individual