born in bergen, norway in 1843. his mother was a gifted pianist. she taught him music and piano. ...
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Peer Gynt Suite No. 1By Edvard Grieg
Edvard Grieg (1843-1907)
Born in Bergen, Norway in 1843. His mother was a gifted pianist. She taught him music and piano. Grieg was a nationalist composer. He used Norwegian folk music in his
compositions. He composed orchestral, chamber and
piano music as well as 120 songs.
Henry Ibsen asked Grieg to compose the music for his play Peer Gynt.
The premiere of this play was in 1876 It was a huge success. This made Grieg a well known national
figure. The incidental music from Peer Gynt
was later arranged into a suite by Grieg.
Grieg died in 1907 after a long period of illness.
The Story of Peer Gynt
Peer Gynt is a character from the 18th century.
Legend has it that he wasn’t invited to a wedding so he gate crashed it.
He took the bride and abandoned her in the mountains, making him a wanted criminal.
He took refuge in the underground caves in the land of the trolls
He was attacked by the trolls. He built a hut high in the mountains,
with a village girl, Solveig who loved him.
He left her to visit his dying mother He was still in risk of capture. He also went to Morroco and met Anitra She danced for him and stole
everything from him. Leaving him stranded in the dessert. Finally he returned home where Solveig
had been waiting for him.
About Peer Gynt Suite No. 1
It was originally Incidental Music: background music performed before and between acts of a play.
It was later arranged into a Suite: music originally composed for a ballet or play which a composer rearranges into for performance in a concert.
It is also Programme music which is music that tells a story.
The Three Sections
Morning Intended to introduce scene in the
Sahara Desert. It is influenced by the Norwegian
landscape. The sun rising over the mountains and
fjords.
The Three Sections
Anitras Dance Anitra is a dancer who dances for Peer. She then steals everything from him. And leaves him stranded in the
dessert.
The Three Section
In the Hall of the Mountain King The trolls emerge from the dark shadowy
caves and surround Peer. They dance and taunt him until he is terrified. The tension is built up by a melodic ostinato,
played 18 times. It begins low and dark which is registered by
the cellos, basses and bassoons. The music builds to a high point in a dramatic
crescendo.
The InstrumentsOrchestra Morning Anitras Dance In the Hall of
the Mountain King
Woodwind FlutesOboesClarinets in A (transposing)Bassoons
PiccoloFluteOboeClarinet in ABassoon
Brass 4 French horns2 Trumpets
4 French horns2 Trumpets2 Tenor trombonesBass tromboneTuba
Percussion Timpani Triangle TimpaniBass drumCymbals
Strings Violin 1/2ViolaCelloDouble bass
Violin 1/2 (mute)Viola (mute)Cello (mute)Double bass
Violin 1/2ViolaCelloDouble bass
MO
RN
ING
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Morning
Time Signature: 6/8 Key Signature: E major Texture: homophonic-a melody
supported by chords Tempo: Allegretto pastorale, a little
fast and pastoral. Tonality: major Form: Ternary: A B A Coda
Morning: 4 Musical features
Ornamentation: decoration in melody e.g. grace notes (bar 2), trills (bar 72).
Antiphony: question and answer, the flute and the oboe have a “conversation” in bars 1-20.
Dynamics: capture the scene of the sunrise.
Sequence: the repetition of a melodic idea up or down a step bar 39.
The Music in words
a. The movement begins with the (i)f_ _ _ _ playing the main 4-bar melody. This is repeated an (ii)o_ _ _ _ _ lower by another woodwind instrument the (iii)o_ _ _. These two instruments continue to share this theme, alternating with each other, at 4-bar, the 1-bar, then half-bar intervals. The (iv)s_ _ _ _ family then takes over the theme, playing (v)f_ _ _ _ (loudly). There is a crescendo building up to the highpoint in bar 30.
b. The next section begins with a dramatic flowing melody on a lower string instrument, the (i)c_ _ _ _. The (ii)d_ _ _ _ _ _ _ vary a lot, from piano to (iii)f_ _ _ _ _ _ _ _ _ _. The strings have lots of (iv)s_ _ _-q_ _ _ _ _ _. The music in this section (v)m _ _ _ _ _ _ _ _ (changes key) several times.
c. At bar 50, the (i)h_ _ _ plays the main tune, now in the key of C major. This instrument belongs to the (ii)b_ _ _ _ family. A long chord follows on the (iii)s_ _ _ _ _ _. The (iv)c _ _ _ _, (v)b _ _ _ _ _ _ and (vi)o_ _ _ then take up the melody and it returns to E major. The (vii)h_ _ _ finishes this section with some long notes.
d. The coda begins quietly on the (i)s_ _ _ _ _ _, answered by a mellow-sounding woodwind instrument, the (ii) c_ _ _ _ _ _ _ _. Long sustained chords on the horn, with rallentando, lead to the (iii) f_ _ _ _ echoing the first two bars of the piece, followed by the (iv)b_ _ _ _ _ _. The final bars feature the strings and the full orchestra, (v)t_ _ _ _.
AN
ITR
AS
DA
NC
E
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Anitras Dance
Time Signature: 3/4 Key Signature: A minor and D major Texture: homophonic- melody supported
by chords and polyphonic- more than one melody playing at the same time.
Tempo: Mazurka- lively Tonality: modal, minor in section A and
major in section B Form: Ternary: A B A
4 Musical Features
It has only one percussion instrument, the triangle. The other instruments are from the string section the violin, viola, cello and double bass.
The stringed instruments play both pizzicato (plucked) e.g. bar 3 and arco (with a bow) e.g. bar 23.
Trills are rapid alternation between 2 notes, e.g. bar 9 and grace notes e.g. bar 54.
The tonality changes from minor (bars 1-38) to major (bars 39-41) and then minor again (bars 42-91), therefore it is modal.
IN T
HE H
ALL O
F TH
E M
OU
NTA
IN
KIN
G
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In the Hall of the Mountain King
Time Signature: 4/4 Key signature: B minor Texture: homophonic- melody supported
by chords and polyphonic- more than one melody playing at the same time.
Tempo: alla marcia e molto marcato: march like but marked
Tonality: minor Form: ritarnello: which is a recurring
passage of music
4 Musical Features
A 4 bar melody is repeated 18 times throughout the piece, this is a melodic ostinato.
• An ostinato is a melodic or rhythmic pattern repeated over and over again.
The dynamics are gradually leading to a highpoint at the end therefore it is crescendo throughout the whole piece.
Sringendo al fine is written on this music, this means hurry to the end.
Tremolo: technic used on drums, if there are 2 lines on the note you quarter the value playing in the same time and if there is only 1 then you half it.
By Éle, Emma and Orlaigh.
29th/10th/2012
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