5. moments in time · •fstop (aperture) around f8 •experiment using shutter priority or the...

5. Moments in Time

The camera can capture moments in different ways. When photographing sport and movement Lev Akhsanov and Ray Demskiuse a fast shutter speed to freeze a moment in time. David Hilliard creates composite images using photographs of separate moments in time. Many animators use the technique of stop motion to produce the effect of movement from a sequence of isolated moments in time.

Study appropriate sources and produce your own work in response to Moments in time.

Key words

• David Hilliard • Ray Demski• Lev Akhsanov• Movement• Motion • Shutter speed• Moments • Animation• Moving image• Sequence • Time • Blur

TIME DEFINITION: a measurement / the indefinite continued progress of existence and events in the past, present, and future regarded as a whole. MOVEMENT and MOTION DEFINITON: in photography motion explores shutter speeds experimenting with motion blur or frozen motion imagery

• Freeze• Frozen motion• Move • Change • Wave • Past / present• Old new • Timeframe• Stop motion

When photographing sport and movement Ray Demskiuses a fast shutter speed to freeze a moment in time

When photographing sport and movement Lev Akhsanovuses a fast shutter speed to freeze a moment in time

David Hilliard creates composite images using photographs of separate moments in time

Nir Arieli

Michael Bosanko Light graffiti

http://www.michaelbosanko.com/light-sculptures-light-graffiti

Scott Dickson balloon burst photography

Markus Reugels

Alberto Seveso

Ian Egner motoway light trails • Slow shutter speed for light blur (10-20 seconds)• Fstop (aperture) around f8

• Experiment using shutter priority or the manual setting

• Or use the bulb mode to allow yourself time to shut the shutter after so many seconds

Natasha Alipour-Faridani – painted fruit

Alias Grace

Linden Gledhill – paint sculptures

http://www.designboom.com/art/dentsu-paint-sound-sculptures/

http://www.pondly.com/2011/05/colorful-high-speed-photography-by-linden-gledhill/

Marc Laroche often photographs the movement and structure of hair.

https://www.photographize.co/articles/marclaroche/

Vivian Maier

Spencer Murphy

Jonathan Bielaski

Sally Mann

Richard Brocken expression

Sophie Calle Journey of personal life, sleep, expression

Bart Nagel

A/symmetrical portraits

Jimmy Owenns

Martin Parr

Henri Cartier Bresson

Jacques Henri Lartigue

6. Hair

Images of hair have held a cultural and fashion interest for photographers. Marc Laroche often photographs the movement and structure of hair. Fabien Baron and Alex Styles have explored unusual hair styles in their fashion photography. In her project ‘East Flatbush, Brooklyn’, Sabrina Santiago documents hair salons and the part they play in the African Caribbean community. J.D. ’Okhai Ojeikeredocumented the intricacy of patterns and textures in hundreds of Nigerian hairstyles.

Study appropriate sources and produce your own work inspired by Hair.

Key words

• Marc Laroche• Fabien Baron • Alex Styles • Sabrina Santiago• Fur • Wool • Coat • Fleece• Macro• Human hair• Animal hair

HAIR DEFINITION:

Any of the fine threadlike strands growing from the skin of humans, mammals, and some other animals.

Hairs collectively, especially those growing on a person's head.

• Wrap• Man-made hair• Food hair• Natural hair• Head of hair• Locks• Curly • Hairstyles• Bob • Braided• Sleek• Long

• Wavy • Perm • Blonde, brown, black, auburn• Eyelash hair• Eyebrows• Haircut • Plaits• Mane• Sideburns• Wig • Beard • Bristles

Marc Laroche often photographs the movement and structure of hair.

https://www.photographize.co/articles/marclaroche/

Alex Styles explores unusual hair styles in his fashion photography

Fabien Baron explores unusual hair styles in his fashion photography

J.D. ’Okhai Ojeikere documented the intricacy of patterns and textures in hundreds of Nigerian hairstyles.

In her project ‘East Flatbush, Brooklyn’, Sabrina Santiago documents hair salons and the part they play in the African Caribbean community.

Solve Sundsbo

Antonio Mora

In their joint project ‘What’s on your mind’, Anïs Faubert and Geneviève Bellehumeur added fantasy digital landscapes to the hair of their portraits

Marko Prelic “Granny House”

Ideas

Ana Lora

Emi Haze Double exposure

Alon Avissar double exposure

Nevess

7. Rhythm The theme Rhythm can be interpreted in many ways. Refer to appropriate sources to develop your own interpretation of Rhythm, or respond to one of the following:

(a) explore aspects of rhythm in the repetition of products displayed on shelves or in shop windows

(b) (b) explore the rhythm found in the textures and patterns of naturalforms

(c) (c) ‘Rhythm’: an online music magazine featuring images of a range of stringed instruments requires a title page for their latest issue.

Writing Frame 1Writing about artists work

• What do you see?

• How does this photographer link to the theme?

• What can you say about the lighting? Shadows? Highlights?

• Is the photography in focus? Blurry? How can you tell?

• What do you like? Dislike? Why?

Writing about your own work• What steps did you take to create this photo?

• What do you like or dislike about your work? Why?

• What photographer influenced your work? Why?

• How could you improve the idea further?

Writing Frame 2Writing about artists work

• Describe what you see in detail.

• What is the work about? Is there a theme to the work? (You may need to research this on the internet)

• What can you say about the lighting? Shadows? Highlights?

• Is the photography in focus? Blurry? How can you tell?

• What photography techniques do you think the artist has used? (consider: shutter speed, aperture (fstop),lighting, photoshop)

• Gaze: Where are people in the photograph looking?

• What is significant about where they are looking or what they are looking at?

• What do you like? Dislike? Why?

• How could you use this to help with your own work?

Writing about your own work• Describe what have done in detail.

• What techniques did you use? (manual/auto settings, aperture, shutter speed, photoshop etc)

• What can you say about the lighting and depth of field (focus)?

• What do you like or dislike about your work? Why?

• What artists (if any) influenced your work? Why?

• How could you improve the idea further?

WORD BANK

Colour Lighting Composition elements Focus and camera techniques

Feeling Style

Black and whiteBright Bold Cold Clashing Contrasting Colourful Desaturated Dark Glowing Grayscale IntenseLuminous MonochromaticMysterious MixedNeutral Pastel Rich SolarisationVibrant VividWarm

ArtificialBack (halo)Dark DuskEveningHazyFuzzy Fill Intense Overhead SpotOver-exposedSideUnder-exposed Underneath ShadowyWarm Cinematic Studio Natural Spot Flash Atmospheric

Rule of thirds Leading linesGolden ratioPatternsTextureRepetitionForm Colour Fill the frameCropping SymmetryShapeJoinersTone Line PerspectiveForegroundBackgroundSimplisticMinimal Busy Juxtaposition

Pixelated Blurry Focused Shallow depth of fieldSharp Deep depth of fieldFast shutter speedSlow shutter speedHigh ISO (brighter)Low ISO (darker)Low aperture (fstop)High aperture (fstop)Continuous shotsAnimation Moving Panoramic Macro/ close-upZoom

AtmosphericDelicateDepressing Disturbing Fresh Expressive Humorous Funny Sad SentimentalLove Happy Calm curious frustratedgentle horror sweet Eye-catchingGripping Elegant

Realistic Surreal Out of placeImaginativeAbstractLandscapeBuildingsArchitectureNatural formsStill lifeFantasy Religious Emotional Distorted DisguisesPortraiture Fashion Macro/close-up Motion/Movement DetailedJoiners Nightscape

Picture Feeling …..

Composition…… Colour…..

Style…..

Light…..

ASSESSMENT OBJECTIVES

(AO1) DEVELOP (AO2) REFINE (AO3) RECORD (AO4) PRESENT

MARKS Develop ideas throughinvestigations,demonstrating criticalunderstanding of sources.

Refine work by exploringideas, selecting andexperimenting with appropriate media, materials, techniques and processes.

Record ideas, observations and insights relevant to intentions as work progresses.

Present a personal and meaningful response that realises intentions and demonstratesunderstanding of visual language.

24 Convincingly An exceptional ability to effectively develop ideasthrough creative and purposeful investigations.

An exceptional ability to engage with and demonstrate critical understanding of source.

An exceptional ability to thoughtfully refine ideas with discrimination.

An exceptional ability toeffectively select and purposefully experiment with appropriate media, materials, techniques and processes.

An exceptional ability to skilfully and rigorously record ideas, observations and insights through drawing and annotation, and any other appropriate means relevant to intentions, as work progresses

An exceptional ability to competently present a personal and meaningful response and realise intentions with confidence and conviction.

An exceptional ability to demonstrate understanding ofvisual language.

23 Clearly

22 Adequately

21 Just

20 Convincingly A highly developed ability to effectively develop ideas through creative and purposeful investigations.

A highly developed ability to demonstrate criticalunderstanding of sources.

A highly developed ability to thoughtfully refine ideas.

A highly developed ability to effectively select and purposefully experiment with appropriate media, materials, techniques and processes.

A highly developed ability to skilfully record ideas,observations and insights through drawing andannotation, and any other appropriate means relevant to intentions, as work progresses.

A highly developed ability to competently present a personal and meaningful response and realise intentions with confidence and conviction.

A highly developed ability to demonstrate understanding of visual language.

19 Clearly

18 Adequately

17 Just

16 Convincingly A consistent ability to effectively develop ideasthrough purposeful investigations.

A consistent ability to demonstrate criticalunderstanding of sources

A consistent ability to thoughtfully refine ideas.

A consistent ability to effectively select and purposefully experiment with appropriate media, materials, techniques and processes.

A consistent ability to skilfully record ideas, observations and insights through drawing andannotation, and any other appropriate means relevant to intentions, as work progresses.

A consistent ability to competently present a personal and meaningful response and realise intentions.

A consistent ability to demonstrateunderstanding of visual language.

15 Clearly

14 Adequately

13 Just

CONTINUED...MARKS (AO1) DEVELOP (AO2) REFINE (AO3) RECORD (AO4) PRESENT

12 Convincingly A moderate ability to effectively develop ideasthrough purposeful investigations.

A moderate ability to demonstrate critical understanding of source.

A moderate ability to thoughtfully refine ideas.

A moderate ability to effectively select and purposefully experiment with appropriate media, materials, techniques and processes.

A moderate ability to skilfully record ideas, observations and insights through drawing and annotation, and any other appropriate means relevant to intentions, as work progresses

A moderate ability to competently present a personal and meaningful response and realise intentions.

A moderate ability to demonstrate understanding of visual language.

11 Clearly

10 Adequately

9 Just

8 Convincingly Some ability to develop ideas through purposeful investigations.

Some ability to demonstrate critical understanding of sources.

Some ability to refine ideas.

Some ability to select andexperiment with appropriate media, materials, techniques and processes.

Some ability to record ideas,observations and insightsthrough drawing andannotation, and any other appropriate means relevant to intentions, as work progresses.

Some ability to present a personal and meaningful response and realise intentions.

Some ability to demonstrate understanding of visual language.

7 Clearly

6 Adequately

5 Just

4 Convincingly Minimal ability to develop ideas through investigations.

Minimal ability to demonstrate criticalunderstanding of sources

Minimal ability to refine ideas.

Minimal ability to select and experiment with appropriate media, materials, techniques and processes.

Minimal ability to record ideas,observations and insights through drawing andannotation, and any other appropriate means relevant to intentions, as work progresses.

Minimal ability to present apersonal and meaningful response and realise intentions.

Minimal ability to demonstrateunderstanding of visual language.

3 Clearly

2 Adequately

1 Just

0 Work not worth any marks