div class=ts-pagebuttonPage 1button div class=ts-image amp-img class=ts-thumb alt=Page 1: 93fusehimecu-tokyoacjpgottschewskidoccomputing_inCarl Reinecke in his recorded arrangement for piano solo Welte-Mignon 1905 changes the formal disposition of the exposition src=https:reader033vdocumentsnetreader033viewer202206090760a1da87d62fbd0eae0bdc43html5thumbnails1jpg width=142 height=106 layout=responsive amp-img divdivdiv class=ts-pagebuttonPage 2button div class=ts-image amp-img class=ts-thumb alt=Page 2: 93fusehimecu-tokyoacjpgottschewskidoccomputing_inCarl Reinecke in his recorded arrangement for piano solo Welte-Mignon 1905 changes the formal disposition of the exposition src=https:reader033vdocumentsnetreader033viewer202206090760a1da87d62fbd0eae0bdc43html5thumbnails2jpg width=142 height=106 layout=responsive amp-img divdivdiv class=ts-pagebuttonPage 3button div class=ts-image amp-img class=ts-thumb alt=Page 3: 93fusehimecu-tokyoacjpgottschewskidoccomputing_inCarl Reinecke in his recorded arrangement for piano solo Welte-Mignon 1905 changes the formal disposition of the exposition src=https:reader033vdocumentsnetreader033viewer202206090760a1da87d62fbd0eae0bdc43html5thumbnails3jpg width=142 height=106 layout=responsive amp-img divdivdiv class=ts-pagebuttonPage 4button div class=ts-image amp-img class=ts-thumb alt=Page 4: 93fusehimecu-tokyoacjpgottschewskidoccomputing_inCarl Reinecke in his recorded arrangement for piano solo Welte-Mignon 1905 changes the formal disposition of the exposition src=https:reader033vdocumentsnetreader033viewer202206090760a1da87d62fbd0eae0bdc43html5thumbnails4jpg width=142 height=106 layout=responsive amp-img divdiv