blair kitrick november 20, 2013 hollywood renascence final presentation
Post on 01-Jan-2016
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HOLLYWOOD RENAISSANCE Rejecting Establishment Value/Moral
Ambiguity Elliptical Nature Not Morally Satisfying Self-Consious Muse of Cinematic Effects Rejects the Production Code Social Values Presented in a New Way
FRANCIS FORD COPPOLA Director/Screenplay “Film Brat” 31 Years Old Going against Studios Wishes Followed 3 other films Wrote half of the script while Puzo wrote
the other
MORALLY SATISFIED At the end of The Godfather the
audience is NOT morally satisfied. Although the central question is
answered.
INTERTEXTUAL RUPTURES Simple intertextual ruptures such as
“Don sits” when he is really standing in the film.
Three main, important, BIG intertextual ruptures.
Oranges Enzo’s reaction to the possible shooting. Luca Brasi sleeps with the fishes.
ORANGES Through out the script there are scenes
were oranges are around but the script does not say anything about oranges.
“Int. Woltz dining room-Night. Hagen and Woltz are seated at the table being served.” (Page 20)
No mention of oranges Importance of oranges Why were oranges not mentioned?
ENZO’S REACTION TO THE POSSIBLE SHOOTING “A long black car drives up and stops.
Michael and Enzo pretend they are armed. The car drives of.”
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