bye bye birdie script
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Bye Bye Birdie: Working Script for Carlisle Musical, March 2010 1
ACT 1, Scene 1 – ALMAELOU MUSIC CORP. OFFICE 1
2 Albert: (on phone) I know that, sir, but… 3
4
General: (on phone) Think of the disastrous effect this might have on the morale of the 5
American teenager! 6
7
Albert: But… 8
9
General: Are you suggesting that Conrad Birdie doesn’t want to go into the army??!! 10
11
Albert: No, sir. It’s just that… (picks up copy of song) 12
13
General: He’s going, and he’s going two weeks from today! 14
15
Albert: Yes, sir. Yes, sir. He’ll be there… (hangs up) Why? Why did they have to draft him? 16
Just when I finally write a song he’s going to do: the title song of his next picture “Mumbo 17
Jumbo Gooey Gumbo”. Now there isn’t going to be a picture! (tears up song) 18
19
Bookkeeper: Albert, I have your financial statement, if you really want it. Total assets 20
$312.08. (Albert starts to choke on pills) Liabilities $4,030.00. (gets up) Confidentially, 21
you’re a fiscal fiasco. Goodbye, Albert. (gets hat and starts to leave) 22
23
Albert: In six years, I never sold a single song. It’s just that I’m my momma’s sole source of 24
support. I wasted every cent my father left on the Almaelou Music Corporation… 25
26
Bookkeeper: It’s not your fault! Your mother wants you to be a songwriter! You could make 27
a good living as a teacher… 28
29
Albert: (shocked, nervous): Well, but, momma’s sensitive. When I upset her, she faints. 30
31
Bookkeeper: But you love poetry, and you could make a great living teaching English. 32
33
Albert: English, English, you sound like Rosie. (looks around) Hey, where is she anyway? 34
She was supposed to be here an hour ago… (Rosie enters briskly) 35
Rosie, this is the end of Almaelou! Conrad Birdie is going into the Army! 36
37
Rosie: And your faithful secretary is hereby submitting (slaps down letter) her resignation! 38
39
Albert: What? 40
Rosie: I just dropped in to say goodbye, Albert, darling. Lots of luck! (blows kiss, turns) 41
42
Albert: Rosie, you can’t! Not today of all days! (Runs back to desk, looks through drawers.) 43
My pills, where are my pills… the little ones I take when I’m overwrought. 44
45
Bookkeeper: (Picks up bottle from the desk, opens it, and hands him one.) Here. 46
Bye Bye Birdie: Working Script for Carlisle Musical, March 2010 2
Albert: Not so much. Break it in half. 47
48
Rosie: You’re thirty-three years old, Albert. You can take a whole aspirin. (He takes one) 49
50
Albert: I am not thirty-three! I won’t be thirty-three until tomorrow… (gasping) Water! 51
Bookkeeper pours and hands him the glass) 52
53
Rosie: It’s no use, Albert. I’ve spent eight years on “Project Albert.” 54
55
Albert: (moans, starts to sway dizzily, Bookkeeper tries to be ready to catch him): If it’s part 56
of the company you’re after, the answer is no. Any change would kill my Momma. 57
58
Bookkeeper: Nothing could kill your mother, Albert. 59
60
Rosie: Except maybe a silver bullet. 61
62
Bookkeeper: There’s nothing to discuss, Rosie. Conrad Birdie’s going into the army. 63
64
Rosie: And I’ve quit. (to Albert) You have to go back to college and get your… 65
66
Albert: (hands on ears) Rosie, I’m up to my ears in debt! And I’ve just taken a severe 67
overdose of aspirin. (faints in chair provided by Bookkeeper) 68
69
Bookkeeper: Albert, this may be your last chance. Listen to me, Albert… 70
71
No. 3: An English Teacher 72 Bookkeeper: HIS GOING IN THE ARMY IS THE BEST THING HE COULD DO. 73
74
Rosie: NOW YOU’RE FREE TO DO WHAT YOU WANTED TO, 75
76
Both: ALBERT, ALBERT, AL---BERT…! 77
78
Both: IT WAS ONLY A SIDELINE, THAT’S WHAT YOU SAID. 79
YOU JUST NEEDED SOME MONEY, THAT’S WHAT YOU SAID. 80
YOU WERE GOING TO COLLEGE AND GET AHEAD, 81
INSTEAD OF BEING A MUSIC BUSINESS BUM, 82
YOU WERE GOING TO N.Y.U. AND BECOME… (she runs to open door) 83
An English teacher! (Albert rushes to door and closes it) 84
85
Rosie: (backing him to center stage) And in the NYU yearbook for 1952, under “Albert 86
Peterson’s favorite piece of literature,” you know what it says? (shows it to Bookkeeper) 87
88
Albert: (groans) 89
Rosie and Bookkeeper: Little Women! 90
91
Albert: (sinks into chair) I’m ruined in show business. 92
Bye Bye Birdie: Working Script for Carlisle Musical, March 2010 3
Rosie: AN ENGLISH TEACHER, AN ENGLISH TEACHER, 93
IF ONLY YOU’D BEEN AN ENGLISH TEACHER, 94
WE’D HAVE A LITTLE APARTMENT IN QUEENS 95
YOU’D GET A SUMMER VACATION 96
AND WE WOULD KNOW WHAT LIFE MEANS. 97
98
Bookkeeper: A MAN WHO’S GOT HIS MASTERS IS REALLY SOMEONE. 99
HOW PROUD WE’D BE IF YOU HAD BECOME ONE! 100
101
Rosie: IT COULD HAVE BEEN SUCH A WONDERFUL LIFE 102
I COULD HAVE BEEN MRS PETERSON, MRS. ALBERT PETERSON, 103
MRS. PHI BETA KAPPA PETERSON, THE ENGLISH TEACHER’S WIFE. 104
105
Albert: (Suddenly rising) Rose, I’ll make a deal with you! Stay with me, and as soon as I’m 106
out of the red, I’ll dissolve the company and go back to the academic life! 107
108
Rosie: Albert, you’re on! (She goes to her desk and takes out a small file folder.) 109
110
Albert: Of course, it may take awhile, but I’m sure that by 1973 or ’74 at the latest, 111
we’ll… (Rosie opens a file, pulls a card, and slams it on his desk.) What’s that? 112
113
Rosie: I have a plan: something that’s going to push that date up a few years. (reads card) 114
MacAfee. Kim MacAfee. Age 15, president and recording secretary, Conrad Birdie Fan Club 115
number 2748 of Sweet Apple, Ohio. (picks up the phone) Mary? (they all freeze) 116
117
SPLIT SCENE – ABOVE and STAGE LEFT, FRONT 118 Ursula: Hello? 119
Kim: Hello, Urs? This is Kim. And if I don’t tell somebody, I’m just going to burst! So, 120
Ursula, you are the very first to know. I just got pinned by Hugo Peabody! 121
Ursula: Oh, no! Kim MacAfee, you didn’t! You really got pinned? You mean you and 122
Hugo have a (sighs) permanent understanding? 123
Kim: Uh-huh! Oh, it’s Hugo and I, forever. 124
Mary: Yes, Miss Alvarez? 125
126
Rosie: Mary, would you get me Sweet Apple, Ohio. 127
128
Mary: Yes, Ma’am. Do you have the number? 129
130
Rosie: I have it right here: the number’s (reads slowly from card) …Capitol 7 131
double 8, 2, Zero. Sweet Apple, Ohio. And call me right back. (hangs up) 132
133
Albert: (rising and looking into the phone) Now wait a minute! What’s going on here? Who’s 134
Kim What-ever-her-name is? 135
136
Rosie: Kim MacAfee, Albert, is what’s going to send you back to college with the 137
biggest hit song this business has ever seen! It’s called “One Last Kiss.” 138
Bye Bye Birdie: Working Script for Carlisle Musical, March 2010 4
Albert and Bookkeeper: I’ve never heard of it. 139
140
Rosie: (to audience) He hasn’t written it, yet. (Leads Albert to piano and seats him.) 141
But when you do… 142
and when that “one last kiss” is from Conrad Birdie on his way into the big cold army 143
for two long years… 144
and when he gives that “one last kiss” to one of his fans chosen at random from 145
one million hysterical teenagers… 146
it’ll make Mr. Birdie the hottest soldier since Joan of Arc! 147
148
Albert: (he rises) Rose, I’m beginning to see it! We cut the record here in New York… 149
150
Rosie: (she pushes him back down) Take Conrad Birdie to Sweet Apple, Ohio. 151
152
Albert: (he rises again) Let him kiss the kid… 153
154
Rosie: (she pushes him down again) And release the record! (she crosses to sit at desk) 155
156
Bookkeeper: Why, you’ll make enough money to stay in college for the rest of your life! 157
158
Albert: I promise you, as soon as this thing is settled, it’ll be just the two of us, Rose! 159
In perfect bliss… (chime sounds) Bliss! Kiss! That rhymes! I wonder if anyone’s ever used 160
it before? Oh what difference does it make? 161
(sings) Oh one last kiss; it gives me so much bliss… I love your dentifrice… 162
No, that’s too clinical… (he writes furiously at the piano for the rest of the scene) 163
164
Rosie: (phone rings) Yes? 165
166
Mary: (on phone) I can’t reach her, Ma’am. The lines are jammed. 167
168
Rosie: Well, every phone in Sweet Apple, Ohio can’t be busy; what’s going on there? 169
170
Mary: Kim MacAfee just got pinned to (muffled) Hugh Peabody… 171
172
Rosie: She got pinned to who? 173
174
Mary: To Hugh! 175
176
Rosie: To who?! Never mind, Mary, keep trying and call me back. (hangs up) 177
THEN WE WOULD HAVE SUCH A WONDERFUL LIFE 178
THEN I MIGHT BE MRS. PETERSON, MRS ALBERT PETERSON, 179
MRS. PHI BETA KAPPA PETERSON, THE ENGLISH TEACHER’S WIFE. 180
181
[Blackout]182
Bye Bye Birdie: Working Script for Carlisle Musical, March 2010 5
ACT 1, Scene 2 – SWEET APPLE PHONE LIMBO 183
184
No. 4: The Telephone Hour (Sweet Apple Teen Chorus) 185 Helen: HI NANCY! 186
Nancy: HI HELEN! 187
Helen: WHAT’S THE STORY, MORNING GLORY? 188
Nancy: WHAT’S THE TALE, NIGHTINGALE? 189
TELL ME QUICK ABOUT HUGO AND KIM. 190
191 Alice: HI MARGIE! 192
Margie: HI ALICE! WHAT’S THE STORY, MORNING GLORY? 193
Alice: WHAT’S THE WORD, HUMMINGBIRD 194
HAVE YOU HEARD ABOUT HUGO AND KIM? 195
196
Helen, Nancy, Alice, Margie: 197 DID THEY REALLY GET PINNED? 198
DID SHE KISS HIM AND CRY? DID HE PIN THE PIN ON? 199
OR WAS HE TOO SHY? 200
WELL I HEARD THEY GOT PINNED… 201
202
Dwight, Fred, Karl, Jerry: YEAH, YEAH. 203
Helen, Nancy, Alice, Margie: I WAS HOPING THEY WOULD… 204
Dwight, Fred, Karl, Jerry: UH, HUH. 205
Helen, Nancy, Alice, Margie: NOW THEY’RE LIVING AT LAST… 206
Dwight, Fred, Karl, Jerry: HE’S GONE! 207
Helen, Nancy, Alice, Margie: GOING STEADY FOR GOOD! 208
209
Harvey: 210 HELLO MR. HENKEL, THIS IS HARVEY JOHNSON, 211
CAN I SPEAK TO PENELOPE ANN? 212
Penelope: IS IT TRUE ABOUT KIM? 213
Harvey: Penelope? 214
Penelope: I JUST KNEW IT SOMEHOW. 215
Harvey: About the prom. 216
Penelope: I MUST CALL HER RIGHT UP! 217
Harvey: Saturday? 218
Penelope: I CAN’T TALK TO YOU NOW. 219
220 Girls: GOING STEADY Boys: YOU KNOW IT MAN 221
Girls: GOING STEADY Boys: IT’S CRAZY MAN 222
Girls: GOING STEADY Boys: YOU KNOW IT 223
224
Suzie: IT WON’T LAST 225
April: NOT AT ALL 226
Betty: HE’S TOO THIN* 227
Clara: SHE’S TOO TALL* *we might alter these lines 228
Bye Bye Birdie: Working Script for Carlisle Musical, March 2010 6
Harvey: HELLO MRS. MILLER, THIS IS HARVEY JOHNSON 229
CAN I SPEAK TO DEBRA SUE? 230
231
Boys: HIYA HUGO, HIYA STUPID, WHATCHA WANNA GO GET PINNED FOR? 232
Girls: WELL I HEARD THEY GOT PINNED Boys: HEY YA MEATHEAD 233
Girls: I WAS HOPING THEY WOULD Boys: LOST YOUR MARBLES 234
Girls: NOW THEY’RE LIVING AT LAST Boys: ARE YOU NUTTY 235
Girls: GOING STEADY FOR… 236
237 Harvey: HELLO MRS. GARFEIN, 238
IS CHARITY HOME FROM SCHOOL YET? (Light on Charity, who talks to him) 239
240
NHAMP: DID THEY REALLY GET PINNED 241
SABC+: GOING STEADY 242
Boys: SHE SAW HIM 243
NHAMP: I WAS HOPING THEY WOULD 244
SABC+: GOING STEADY 245
Boys: SHE DUG HIM 246
NHAMP: NOW THEY’RE LIVING AT LAST 247
SABC+: GOING STEADY 248
Boys: SHE NAILED HIM 249
Girls: GOING STEADY FOR GOOD 250
251
Boys: IF YOU GOTTA GO, THAT’S THE WAY TO GO 252
WHEN THEY GOT YA HOOKED, Boys: THEN YOU’RE REALLY COOKED! 253
WHATCHA GONNA DO, WHACHA GONNA DO? 254
255
Girls: OOOOOH! 256
Girls: WELL I HEARD THEY GOT PINNED, Boys: OH, MAN! 257
Girls: I WAS THINKING THEY WOULD. Boys: OH, MAN! 258
Girls: NOW THEY’RE LIVIN’ AT LAST, Boys: OH… 259
All: GOING STEADY FOR GOOD! 260
GOING STEADY…STEADY FOR GOOD! 261
Charity: HE’S IN LOVE WITH KIM, KIM’S IN LOVE WITH HIM 262
263 Boys (girls in parentheses): GOING STEADY (WE-ELL) 264
GOING STEADY (WELL), GOING STEADY (DOO-OO-OO) 265
STEADY FOR GOOD (TELL), GOING STEADY (WE-ELL) 266
GOING STEADY (WELL), GOING STEADY (DOO-OO-OO) 267
STEADY FOR GOOD (TELL) 268
269
Low voices (high voices in parentheses): 270 THAT’S THE WAY IT SHOULD BE (OH YEAH) 271
THEY’LL BE HAPPY I KNOW (OH YEAH) 272
GOING STEADY’S FOR ME (OH YEAH), THAT’S THE WAY IT SHOULD GO. 273
All: GOING STEADY, GOING STEADY, STEADY FOR GOOD, OH…YEAH! 274
Bye Bye Birdie: Working Script for Carlisle Musical, March 2010 7
ACT 1, Scene 3 – Ursula on phone & MacAfee House 275
276 Ursula: (on phone) Kim MacAfee, what do you mean you’re resigning from the Fan Club? I 277
mean just because Hugo Peabody gave you his pin doesn’t mean you have to retire from all 278
social life! (Mrs. MacAfee picks up the phone as well) 279
280
Kim: (on phone) I’m sorry, Ursula, but my mind’s made up. Of course, I’ll still play his 281
records, but things like the Conrad Birdie Scream are past me now. 282
283
Ursula: You’re giving up the scream? You mean when Conrad Birdie sings on 284
television, you’re not going to go “AAHHHH!!!!!!!!!” (tragically) Oh, Kim! 285
286
Mrs. MacAfee: (hangs up and calls to her daughter) Kim dear, would you please get off the 287
phone? I’ve got some calls to make. 288
289
Kim: (calls to her) All right, Mother! (then back into phone) 290
Sorry Ursula, I’ve got to hang up. You’ll explain everything to the other kids, won’t you? 291
(Mrs. MacAfee picks up phone) 292
293
Ursula: I suppose I’ll have to. Bye, Kim… wait! Kim, are you sure? I mean after all! I mean 294
really, Kim, are you absolutely sure? 295
296
Kim: After all, I’m fifteen years old and it’s time I settled down. Goodbye, Urs! (hangs up) 297
298
No. 6: How Lovely to be a Woman 299 HOW LOVELY TO BE A WOMAN, THE WAIT WAS WELL WORTHWHILE. 300
HOW LOVELY TO WEAR MASCARA AND SMILE A WOMAN’S SMILE 301
HOW LOVELY TO HAVE A FIGURE, THAT’S ROUND INSTEAD OF FLAT. 302
WHENEVER YOU HEAR BOYS WHISTLE, 303
YOU’RE WHAT THEY’RE WHISTLING AT! 304
305
IT’S WONDERFUL TO FEEL THE WAY A WOMAN FEELS 306
IT GIVES YOU SUCH A GLOW JUST TO KNOW 307
YOU’RE WEARING LIPSTICK AND HEELS. 308
309
HOW LOVELY TO BE A WOMAN AND HAVE ONE JOB TO DO: 310
TO PICK OUT A BOY AND TRAIN HIM AND THEN WHEN YOU ARE THROUGH 311
YOU’VE MADE HIM THE MAN YOU WANT HIM TO BE. 312
LIFE’S LOVELY WHEN YOU’RE A WOMAN LIKE ME! 313
314
HOW WONDERFUL TO KNOW THE THINGS A WOMAN KNOWS. 315
HOW MARVELOUS TO WAIT FOR A DATE IN SIMPLY BEAUTIFUL CLOTHES. 316
HOW LOVELY TO BE A WOMAN AND CHANGE FROM BOYS TO MEN, 317
AND GO TO A FANCY NIGHT CLUB AND STAY OUT AFTER TEN. 318
HOW LOVELY TO BE SO GROWN UP AND FREE. 319
LIFE’S LOVELY WHEN YOU’RE A WOMAN LIKE ME! 320
Bye Bye Birdie: Working Script for Carlisle Musical, March 2010 8
Mrs. MacAfee: (hangs up, phone rings immediately) Hello? Kim, there’s a call for you. The 321
operator said she’s been trying to get through for nearly three quarters of an hour! 322
(she shrugs at Mr. MacAfee, who is reading the paper.) 323
324
Kim: Thank you, Doris. I’ll get it. 325
326
Mrs. MacAfee: She said it was long distance and I can’t imagine who… What did you say? 327
328
Kim: I said thank you, Doris. There’s no need to look so upset. It’s modern to call your 329
mother by her first name. It makes the mother and daughter more like pals. 330
331
Mrs. MacAfee: And your father? (still holding out phone, looking shocked) 332
333
Kim: I’ll call him Harry, naturally. (she walks around the room, patting her father on the 334
shoulder: he looks up from the paper, mutters “yeah,” and laughs mirthlessly) By the way, I 335
think Harry took the news about Hugo and I awfully well, don’t you, Doris? 336
(Mrs. Macafee has to sit down. Kim takes the phone.) This is she. Yes, I’ll wait. 337
338
Mrs. MacAfee: Yesterday I was a mother. Today I’m a pal. (gets up, stands behind Harry) 339
Are you sure you wouldn’t like to call me Mom? That’s modern. 340
341
Kim: I’m sorry, but times are changing. (then casually) Doris, dear, you’ve got to go along 342
with them or be left behind with the old folks! (parents exit, shaking heads) 343
344
Kim: (she has been listening on the phone, transforming from a poised woman into a dazed 345
child: she speaks to the phone receiver in a very small voice) Yes. Yes. Yes. Thank you. 346
(hangs up – then realizes…) 347
Conrad Birdie… is coming here… to kiss me? 348
(weakly) Doris. (a bit louder) Mother. (a shout) MOMMY!!!! 349
350
Mrs. MacAfee: (runs in and embraces her) BABY!!! What is it? What’s wrong? 351
352
Kim: (gasping) Birdie… Conrad… here coming kiss to me! 353
354
Mrs. MacAfee: That’s nice, dear. Now you just put your head on Mommy’ shoulder… 355
356
Kim: You don’t understand! Conrad Birdie is coming here to Sweet Apple to kiss me 357
goodbye! Oh, Mommy, Mommy! 358
359
Mrs. MacAfee: I never thought I’d say it… but God bless Conrad Birdie! (Kim screams…) 360
361
Bye Bye Birdie: Working Script for Carlisle Musical, March 2010 9
ACT 1, Scene 4 – Penn Station, New York City 362
363
No. 7: We Love You, Conrad 364 NYC Girls, led by Daisy: WE LOVE YOU CONRAD, OH YES WE DO. 365
WE LOVE YOU CONRAD, AND WE’LL BE TRUE. 366
WHEN YOU’RE NOT NEAR US, WE’RE BLUE! OH, CONRAD, WE LOVE YOU! 367
368
Albert: Hello, ladies! Sorry I’m late. Now let’s go over the “Birdie Song” once more before 369
we go down to the train. One, two, three… (he starts conducting, nothing happens) 370
371
Daisy: Yes, sir, Mr. Peterson! Ah right girls, pep up! One two three… 372
373
Girls: WE LOVE YOU CONRAD, OH YES WE DO. WE LOVE YOU CONRAD… 374
375
Albert: (sees sad girl - Joanie) Oh, young lady, you can sing with us if you want. 376
377
Joanie: No, thank you. 378
379
Albert: What’s the matter with her? 380
381
Daisy: Oh, she’s just sad because Conrad Birdie’s going into the army, and she’ll be too old 382
for him when he gets out. 383
384
Joanie: (sighs) What’s the point? 385
386
Lucy: Mr. Peterson, Joanie’s been like this for three days! 387
388
Cathy: We’ve done everything to try to make her feel better! 389
390
Albert: Let me see what I can do. (Albert approaches Joanie.) 391
Hi! I’m Albert Peterson, Conrad’s manager. Come on now, that’s not way to be. 392
Things can’t be that bad. Smile! 393
Little girl, this is an adult speaking! I order you to smile! Please? (sings) 394
395
No. 8: Put On a Happy Face 396 Albert: GRAY SKIES ARE GONNA CLEAR UP, PUT ON A HAPPY FACE. 397
BRUSH OFF THE CLOUDS AND CHEER UP, PUT ON A HAPPY FACE. 398
TAKE OF THE GLOOMY MASK OF TRAGEDY, IT’S NOT YOUR STYLE. 399
YOU’LL LOOK SO GOOD THAT YOU’LL BE GLAD, YOU DECIDED TO SMILE! 400
401
NYC Policeman: PICK OUT A PLEASANT OUTLOOK, 402
STICK OUT THAT NOBLE CHIN. 403
Albert: WIPE OFF THAT FULL-OF-DOUBT LOOK, SLAP ON A HAPPY GRIN. 404
Both: SPREAD SUNSHINE ALL OVER THE PLACE, JUST PUT ON A HAPPY FACE! 405
406
All: PUT ON A HAPPY FACE, PUT ON A HAPPY FACE. 407
Bye Bye Birdie: Working Script for Carlisle Musical, March 2010 10
Daisy: AND IF YOU’RE FEELING CROSS AND BICKERISH, 408
DON’T SIT AND WHINE. 409
410
Lucy: THINK OF BANANA SPLITS AND LICORICE, 411
AND YOU’LL FEEL FINE 412
413
Cathy: I KNEW A GIRL SO GLOOMY, SHE’D NEVER LAUGH OR SING. 414
SHE WOULDN’T LISTEN TO ME, NOW SHE’S A MEAN OLD THING! 415
416
All: SO SPREAD SUNSHINE ALL OVER THE PLACE 417
JUST PUT ON A HAPPY FACE! {Dance.} 418
419
Albert: Hey, there’s our luggage! You’d better hurry up if you want to see Conrad before he 420
goes! (Joanie runs offstage) (Rosie appears, pushing the luggage cart) 421
422
Rosie: You forgot your briefcase. Plus, I figured I’d better help you coach Conrad before he 423
talks to any reporters. You know what happened the last time! 424
425
Albert: You hang on to it, Rose. I’ve got to wait here for Momma. 426
427
Rosie: Speaking of your mother, Albert… have you told her about dissolving Almaelou? 428
429
Albert: I couldn’t, Rosie. She might faint. 430
431
Mama: (from the back of the Hall) YOO HOOOOOOOO!!!! 432
433
Rosie: (sarcastically) Who could that be? 434
435
Mama: (entering, starting to yell when visible to audience) YOO HOOOOOO! 436
(she shoves her way through the audience and departing NYC folks, ad lib.) 437
SONNY! (they embrace – she staggers) 438
439
Albert: Mama! What’s the matter? 440
441
Mama: Don’t worry about me, Sonny. I’m just a little faint, from the subway… 442
443
Albert: Mama, I told you to take a taxi. 444
445
Mama: Taxi! What do I need with taxis? I’ll leave the taxis for my successful son. 446
A mother can ride crowded in a dirty subway full of disgusting people who wouldn’t 447
give you a seat if your life depended on it, but what’s the difference; 448
nowadays a mother is lower than dirt, anyway! (digs in purse for a coin) 449
Here’s the money I saved from not taking the taxi. Buy some candy with it. 450
(looks at Rosie) What’s that? 451
452
Albert: Mama, you know Miss Alvarez from my office. 453
Bye Bye Birdie: Working Script for Carlisle Musical, March 2010 11
Mama: This is Rose Alvarez? Pretty little Rose Alvarez? (then with an agonized shout) 454
I can’t believe it! Rose, what happened? You had a sudden shock or something? 455
456
Rosie: Excuse me, Albert. I think I’ll go see if Conrad’s here. 457
458 Mama: Goodbye, Rose. 459
460
Rosie: Goodbye, Mae. 461
462
Mama: Call me Mrs. Peterson. (Rose nods, and exits.) 463
464
Albert: Mama, what I wanted to discuss with you is sort of about Rose. Maybe you’d 465
better sit down. 466
467
Mama: Why? I know my sonny. He loves his mama. He isn’t going to say anything that 468
would break her heart. Go ahead, dear, what about Rose? 469
470
Albert: Well, Mama, Rose thinks, and I agree, that I should give up Almaelou. (Mama 471
staggers and grabs her heart.) What’s the matter, Mama? 472
473
Mama: (fainting) Nothing’s the matter. You killed me, that’s all. I’m on my way up! 474
475
Albert: You don’t understand, Mama. It’s just that Rose thought… I mean I thought… Look, 476
Mama. I have to go. Here. Take a cab home. The subways are too crowded. 477
478
Mama: Nothing is too crowded for a mother. Wait a minute… (freezes dramatically) 479
how many blocks is it, after all? Only 107! I’ll walk. (starts to depart through audience) 480
481
Albert: Mama… 482
483
Mama: Excuse me, pardon me, etc. Enjoy yourself, son. Take care. Wear your heavy coat. 484
Be careful crossing the street. Keep your money in your inside pocket. 485
AND EAT A HOT LUNCH…. (exits) 486
487
Rosie: (enters) I thought you were going to break it to her gently. 488
Albert: Well, as a matter of fact, Rosie, I didn’t tell her yet. (music starts) 489
Rosie: You mean you didn’t…? 490
491
Sally: He’s coming! He’s coming! Conrad Birdie is coming!! (girls scream offstage, then 492
citizens enter one at a time) 493
494
Albert: Come on, Rosie! We can’t let him talk to those reporters alone! 495
496
Conrad, reporters, and New York teens enter: “Conrad’s here! He’s coming! etc.) 497
Reporters: How about answering a couple of questions? Hey Conrad! Over here! 498
Globe Reporter: How do you feel about going into the army? (Albert grabs him.) 499
Bye Bye Birdie: Working Script for Carlisle Musical, March 2010 12
No. 9: A Healthy, Normal, American Boy 500 Albert: HOW DOES HE FEEL, YOU ASK HOW HE FEELS? 501
HE’S MUCH TOO SHY TO TELL YOU, SO I’LL TELL YOU HOW HE FEELS: 502
HE FEELS BRAVE AND EAGER, STRANGELY HUMBLE, 503
PROUD TO BE A PLAIN G. I.! 504
505
Rosie: HE WILL GLADLY FACE THOSE BULLETS, 506
FOR HE’S NOT AFRAID TO DIE, 507
508
Girls and Citizens: FOR HE’S A FINE, UPSTANDING, PATRIOTIC, 509
HEALTHY, NORMAL AMERICAN BOY! 510
511
Albert: And that’s why he volunteered for… 512
513
Times Reporter: Volunteered? I thought he was drafted! 514
515
Tribune Reporter: And he appealed – three times! 516
517 Globe Reporter: What about that starlet, Conrad? Are you two engaged? 518
519 Post Reporter: And why was her husband so mad? 520
521 Herald Reporter: Is Conrad still drinking a lot? 522
523
Rosie: Sing! Sing! 524
525
Girls and Citizens (Others in parentheses): 526 WE LOVE YOU CONRAD (OH BEAUTIFUL) 527
OH YES WE DO (FOR SPACIOUS SKIES) 528
WE LOVE YOU CONRAD (FOR AMBER WAVES) 529
AND WE’LL BE TRUE (OF GRAIN) 530
OH, OH, CONRAD (AMERICA) 531
WE LOVE YOU (AMERICA) 532
WE LOVE YOU CONRAD (GOD SHED HIS) 533
WE’LL BE TRUE (GRACE ON THEE) 534
535 Reporters: FOR HE’S A FINE, UPSTANDING, AVERAGE, MODEST, 536
Reporters, Albert, Rosie: PATRIOTIC, HEALTHY, NORMAL, 537
All: AMERICAN, AMERICAN BOY! 538
Train conductor (offstage): All aboard! 539
540
Bye Bye Birdie: Working Script for Carlisle Musical, March 2010 13
ACT 1, Scene 5 – Sweet Apple Station, Ohio 541 542
No. 7 (Reprised): We Love You, Conrad 543 Girls, led by Clara: WE LOVE YOU CONRAD, OH YES WE DO. 544
WE LOVE YOU CONRAD, AND WE’LL BE TRUE. 545
WHEN YOU’RE NOT NEAR US, WE’RE BLUE! OH, CONRAD, WE LOVE YOU! 546
No. 7 (Altered): We Hate You, Conrad 547 Boys, led by Hugo: WE HATE YOU CONRAD, OH YES WE DO. 548
WE HATE YOU CONRAD, AND THAT IS BE TRUE. 549
WHEN YOU ARE NEAR US, WE’RE BLUE! OH, CONRAD, WE HATE YOU! 550
551 Helen and Charity: (Conrad appears, girls scream) 552
Conrad Birdie, welcome to Sweet Apple, Ohio! (girls scream) 553
554
Nancy: (all four lines read as one crescendo) Now before we escort you to the Town Hall… 555
Alice: Where the Mayor himself is waiting… 556
Margie: I would like to introduce to you the girl upon whom you have chosen to bestow your 557
final kiss upon… 558
Ursula: And who will now lead us in reciting the Conrad Birdie pledge! Kim MacAfee! 559
560
Kim and All Sweet Apple Girls: I, (Kim MacAfee), being of sound mind and body, do 561
hereby promise to be loyal, courteous, steadfast and true, to Conrad Birdie and the United 562
States of America – both indivisible, with liberty and justice for all! (Cheers) 563
564
Girls: FOR HE’S A FINE, UPSTANDING, PATRIOTIC, 565
HEALTHY, NORMAL AMERICAN BOY! (Birdie is lifted up and most exit, singing.) 566
567
Hugo: Kim, could I talk to you for a minute? 568
569
Kim: Right now? Couldn’t it wait? 570
571
Hugo: I don’t think so, Kim. It’s important. 572
573
Suzie: Hugo Peabody, what’s so important that you have to talk to her right now? 574
Clara: Yes! What’s the urgently urgent urgency, Hugo?? 575
April: Whatever it is can’t be THAT important, Hugo. 576
577
Hugo: Important? I’ll tell you what’s so important! The day after I give her my pin she 578
goes around kissing someone else, that’s what’s so important! (pauses, gets no reaction) 579
I want you to know I’m quite upset about this. 580
I’ve already had several headaches and a nosebleed! 581
582 Betty: Why Hugo, I believe you’re actually jealous of Conrad Birdie! 583
584
Hugo: Me jealous? I’m the opposite of jealous. I’m VERY jealous! 585
Kim’s my steady! People just don’t ditch their steadies. 586
Bye Bye Birdie: Working Script for Carlisle Musical, March 2010 14
Deborah Sue: Conrad Birdie isn’t “people,” Hugo. 587
Kim: That’s just it, Hugo. I’m your steady! I’m pinned to you, Hugo, and I don’t care how 588
common and ordinary you are, that’s how I’m going to stay! 589
590 Hugo: You’re not just saying that to make me feel better? 591
Kim: I mean every word of it, Hugo. Conrad Birdie is just a fling. A steady is forever… 592
593
No. 12: One Boy 594 Kim: ONE BOY, ONE SPECIAL BOY 595
ONE BOY TO GO WITH, TO TALK WITH, AND WALK WITH, 596
597 HNAUD: ONE BOY, 598
THAT’S THE WAY IT SHOULD BE, THAT’S THE WAY IT SHOULD BE. 599
600
Kim and Ursula: ONE BOY, ONE CERTAIN BOY 601
ONE BOY TO LAUGH WITH, TO JOKE WITH, HAVE COKE WITH. 602
ONE BOY. NOT TWO OR THREE. 603
604
SBCMCh: ONE DAY YOU’LL FIND OUT, THIS IS WHAT LIFE IS ALL ABOUT, 605
YOU NEED SOMEONE WHO IS LIVING JUST FOR YOU 606
Ten Girls: ONE BOY, ONE STEADY BOY, 607
ONE BOY TO BE WITH FOREVER AND EVER, ONE BOY, 608
All Girls: THAT’S THE WAY IT SHOULD BE. THAT’S THE WAY IT SHOULD BE. 609
610
Hugo: Oh Kim, all thoughts of a nosebleed have utterly vanished! 611
612
Kim: You were silly to worry, Hugo. Conrad Birdie doesn’t have half the effect on me 613
that my steady does. Why even when I say his name I don’t feel a thing. Listen. 614
Conrad Birdie. Conrad Birdie. Bonrad Cirdie. (swoons and girls lead her out) 615
616
Hugo: (to Rosie, as she enters) The boy she loves is the boy who makes her dizzy and almost 617
faint… and you heard her, Lady! That boy is me! 618
619
Rosie: ONE DAY YOU’LL FIND OUT: THIS IS WHAT LIFE IS ALL ABOUT, 620
YOU NEED SOMEONE WHO IS LIVING JUST FOR YOU. 621
ONE GUY, ONE SPECIAL GUY, 622
ONE GUY TO LIVE FOR, TO CARE FOR, BE THERE FOR {Dance.} 623
624
Albert: (catching the briefcase as she throws it away) Rosie, what’s the matter? 625
626
Rosie: I was just thinking of you Albert… 627
628
Albert: Good, I need my speech! Where is it? In the briefcase? Bring it along; the Mayor’s 629
almost finished talking. Come on! (dashes out) 630
631 Rosie: THAT’S THE WAY IT SHOULD BE. 632
Bye Bye Birdie: Working Script for Carlisle Musical, March 2010 15
ACT 1, Scene 6 – Sweet Apple Courthouse Steps 633 634
Mayor:….and so it is with great pride and prejudice, as well as the usual pomp and 635
circumstances, that I welcome you to our fair city, Mr. Conrad Birdie… 636
637
Ursula: AHHH!! HE SAID IT!! HE SAID THE NAME!!! (leads the screaming) 638
639
Mayor: What happened? All I said was Conrad Birdie. (scream) I welcome you…uh… sir… 640
to our fair city and present you with this 14-carat solid gold key so generously donated by 641
employees at the Sweet Apple Brass Works. And as I present this key to you, Conrad 642
Birdie… (scream) If you girls don’t stop that, I can’t finish my speech! 643
644
Edna: Uh nobody cares about your speech, dear. I think I speak for the entire population 645
when I say that we’d much rather hear from Mr. Birdie! (turns away from him) Mr. Birdie? 646
647
Helen: Who cares about your speech! We want to hear from Conrad! 648
649 Anna: Speak to us, oh beautiful one! Tell us how you make that glorious sound that 650
even now, in anticipation of it, has reduced me to a snarling, raging, panting jungle beast! 651
652
No. 14: Sincere 653 Conrad: YOU GOTTA BE SINCERE. (Edna utters a weak little scream and swoons) 654
655
Mayor: Edna! What’s the matter? 656
657
Conrad: YOU GOTTA BE SINCERE. 658
659 Mayor: Mr. Birdie, what are you doing? (reviving his wife, who has rubbery legs) 660
661
Conrad: YOU GOTTA FEEL IT HERE, ‘CAUSE IF YOU FEEL IT HERE, 662
WELL THEN YOU’RE GONNA BE HONESTLY SINCERE! 663
664
IF WHAT YOU FEEL IS TRUE, (REALLY FEEL IT) 665
YOU MAKE THEM FEEL IT TOO (WRITE THIS DOWN NOW) 666
YOU GOTTA BE SINCERE, HONESTLY SINCERE, 667
MAN YOU’VE GOTTA BE SINCERE! 668
669
Mayor: (Edna revives, only to faint again) Edna!! 670
671 Conrad: IF YOU’RE REALLY SINCERE, IF YOU’RE REALLY SINCERE, 672
IF YOU FEEL IT IN HERE, THEN IT’S GOTTA BE RIGHT! 673
674
Oh baby! (scream) 675
Oh honey! (scream) 676
Hug me! (scream) 677
Suffer! (scream) 678
Bye Bye Birdie: Working Script for Carlisle Musical, March 2010 16
IN EVERYTHING I DO MY SINCERITY SHOWS THROUGH. 679
I LOOK YOU IN THE EYE, DON’T EVEN HAVE TO TRY: 680
IT’S AUTOMATIC! I’M SINCERE. 681
682
WHEN I SING ABOUT A TREE, I REALLY FEEL THAT TREE 683
WHEN I SING ABOUT A GIRL, I REALLY FEEL THAT GIRL 684
I MEAN I REALLY FEEL SINCERE! 685
686
IF YOU’RE REALLY SINCERE, IF YOU’RE REALLY SINCERE, 687
IF YOU FEEL IT IN HERE, THEN IT’S GOTTA BE RIGHT! 688
689
Oh baby! (scream) 690
Oh honey! (scream) 691
Hug me! (scream) 692
Suffer! (scream) 693
694
YOU GOTTA BE SINCERE, OH OH OH, 695
YOU GOTTA FEEL IT HERE, OH OH OH MY BABY, 696
OH MY BABY OH YEAH, OH MY BABY OH YEAH! 697
698
Mrs. Johnson: Harvey! Harvey Johnson! What are you doing? 699
700
Mrs. Merkle: Ursula! Ursula! Come back here this minute! 701
702
Conrad: WELL YOU GONNA BE SINCERE, WELL YOU GONNA BE SINCERE, 703
704
Teens: Yeah! 705
706
Conrad: WELL YOU GONNA BE SINCERE, WELL YOU GONNA BE SINCERE, 707
708
Teens: Yeah! 709
710
Conrad: WELL YOU GONNA BE SINCERE, WELL YOU GONNA BE SINCERE, 711
712
Teens: Yeah! 713
714
Conrad: OH MY BABY, OH YEAH, 715
OH MY BABY, OH YEAH, (first girl faints) 716
WELL YOU GONNA BE SINCERE, WELL YOU GONNA BE SINCERE. 717
718
OH MY BABY, OH YEAH, (riot begins, some more faint) 719
OH MY BABY, OH YEAH, (some run into the audience and faint)) 720
OH MY BABY, OH YEAH, (some faint) 721
OH MY BABY, OH YEAH, YEAH! YEAH! (some run offstage) 722
723
[Blackout] 724 725
Bye Bye Birdie: Working Script for Carlisle Musical, March 2010 17
ACT 1, Scene 7 – MacAfee House 726 727
Henry: (in audience) Harvey, where are you? 728
729
Edna: (offstage left) Mister Birdie! Is that you? 730
731
Mayor: (offstage left) No, Edna… it’s me. 732
733
James: (offstage right) There’s a lady lying in the gutter. Who does she belong to? 734
735
Thomas: (offstage right) Me. Leave her there. 736
737
Nancy: (back of house) I got a lock of someone’s hair! 738
739
Anna: (back of house) I wonder if it’s his! 740
741
Theodore: (back of house) No it isn’t. And give me my hat! 742
743
Tired Girls Sextet: (USBCMCh singing outside the MacAfee’s house) 744
No. 15: We Love You, Conrad (Wounded Reprise) 745 WE LOVE YOU CONRAD, OH YES WE DO 746
WE LOVE YOU CONRAD, AND WE’LL BE TRUE… 747
748
Margie: I’m tired, Ursula. 749
750
Suzie: We’ve been here all night! 751
752
Ursula: We promised to sing the Birdie song ten thousand times, didn’t we? Well, we’ve 753
got 5,276 to go. So sing! (Singing fades away.) 754
755
Kim: Daddy, I wish you’d hurry. I want to have all this mess cleared away before 756
Conrad comes in. 757
758
Mr. MacA: This mess, as you call it, Kim, happens to be my breakfast. I intend to enjoy it. 759
760
Mrs. MacAfee: Your father has a right to enjoy his eggs, Kim. (turns to him) 761
I know the house is a bit hectic this morning, but Kim’s gone to a lot of trouble to fix a special 762
breakfast for Mr. Birdie. 763
After all he is a national figure and I want to show these New York people we know how to 764
treat a national figure here in Sweet Apple. (waits) Now if you’ll just hurry along… 765
766
Mr. MacAfee: Mrs. MacAfee, I am not budging from this room until I get my coffee and read 767
my paper! 768
Mrs. MacAfee: Oh I’m sorry, dear. I didn’t have time to make your coffee this morning. How 769
about a nice warm Seven-Up? (he sighs) 770
771
Bye Bye Birdie: Working Script for Carlisle Musical, March 2010 18
Randolph: (enters) Morning, Pa. Here’s your paper. I hope you don’t mind but I cut out 772
a few stories about Conrad. (grabs a big fruit off the table and leaves) 773
774
Mr. MacAfee: (paper is full of holes) I have tried to run this house on a democratic basis. 775
There has been no taxation without representation. (waits, no reaction) 776
Last night I gave up my room to a guest who repeatedly referred to me as “Daddy-O.” 777
Telephone calls were made on my phone to New York, Chicago, Fairbanks, Alaska, and Hong 778
Kong. I slept on a camp cot with my feet in the fireplace. Outside my window, a sextet of 779
harpies shrieked We Love You Conrad 4,723 times. Well, the democracy is over! Parliament 780
has been dissolved and Nero is back in town! And he doesn’t drink warm 7-Up! 781
782
Albert: (enters) Oh, Mr. MacAfee! I hope you won’t mind keeping off the phone for a few 783
minutes. We’re expecting a long-distance call from New York. 784
785
Mr. MacAfee: Perfectly all right. I’ll go out and fiddle while Rome burns. (exits, Kim stares) 786
787
Kim: (after he leaves) Mother, what’s wrong? 788
789
Mrs. MacA: Nothing, dear. Your father’s just excited about Conrad’s being here, that’s all. 790
791 Randolph: (runs back in) He’s coming! He’s coming! 792
793 Kim: He’s coming! I’ll get the eggs! Mother, you call the kids! 794
795 Mrs. MacAfee: Girls, he’s coming! You’d better hurry if you want to watch him eat! 796
797 Ursula: (6 girls, Edna, and mothers enter) Mother! What are you doing here? 798
799
Mrs. Merkle: I’m sorry, Doris, but we just had to come! We’ll stand quietly back here. 800
801
Randolph: Here he is! (Conrad enters in bathrobe.) 802
803
Eight girls: (quietly) OOOHHHH! 804
(Conrad Grabs soda from Mrs. MacAfee, opens it, squirting everyone. Chugs it, hands can to 805
Mrs. Merkle, who passes to Mrs. J., Mrs, W., then Mrs. MacAfee.) 806
807
Conrad: Call me for lunch. (Mr. MacAfee enters as Birdie exits) Hey Daddy-O! 808
809
Mr. MacAfee: Now look here, Doris. This cannot… 810
811
Mrs. MacAfee: Please, Harry, he’s just shy… 812
Edna: There’s room at my house, if you’d rather…. 813
Mrs. Johnson: Well, if you ask me… 814
815
Mr. MacAfee: Doris, Kim is only fifteen and I don’t want her… 816
Kim: Please, Daddy. Not in front of everybody! 817
Bye Bye Birdie: Working Script for Carlisle Musical, March 2010 19
Mrs. Merkle: Ursula, we’d better go! (girls and mothers sneak out) 818
Mr. MacAfee: I don’t care who’s here. No lout with bad manners is going to stay here! 819
Randolph: Tell ‘em, Pa! 820
Mr. MacAfee: Zip it, Randolph. 821
822
Mrs. MacAfee: Mr. MacAfee, that young man is our guest and… 823
824 Mr. MacAfee: (to Kim) This is my house, and until you’re eighteen… 825
Randolph: Pa… 826
827
Mr. MacAfee: (stands up) I said enough! Until you’re eighteen… 828
Randolph: But Pa… (Mr. MacAfee cuts him off with a “Dr. Evil” gesture.) 829
830
Albert: Mr. and Mrs. MacAfee! Kim! Randolph! Is this the way you want seventy-five 831
million people Americans to see you? 832
833
Mr. MacAfee: (turns, taken aback) What are you talking about? 834
835
Albert: You’re all going to be on television with Conrad. 836
837
Mr. MacAfee: On television? 838
Albert: I just got the confirmation from New York. From Ed Sullivan himself. 839
840
Mr. MacAfee: You mean we’re going to be on the… (he can’t say it) 841
Albert: Ed Sullivan Show. 842
843
Mr. MacAfee: You mean we’re gonna get to meet… 844
845
Albert: Ed Sullivan! They’re going to cut in on Sweet Apple this Sunday night at 8:05 and 846
you’re all going to be on. That’s why I beg you to put aside your differences. To that great 847
audience out there you’re an American dream come true. And for the free world’s sake, Mr. 848
MacAfee, don’t destroy that dream! 849
850
Mr. MacAfee: Me on the… 851
Mrs. MacAfee: Ed Sullivan Show. 852
853
No. 17: Hymn for a Sunday Evening (Ed Sullivan) 854 Mr. MacAfee: ED SULLIVAN. Me, Harry MacAfee appearing with… 855
Add Mrs. MacAfee: ED SULLIVAN 856
Add Kim: ED SULLIVAN 857
Add Randolph: ED SULLIVAN 858
Macafees & Angel Chorus: ED SULLIVAN, ED SULLIVAN, 859
WE’RE GONNA BE ON ED SULLIVAN. AAHHHH. 860
861
Mr. MacAfee: I’ve got a wonderful wife – two swell kids – a good job, and now this! 862
All: SOMEDAY WE’LL RECALL THE GREATEST DAY OF ALL, ED SULLIVAN. 863
Bye Bye Birdie: Working Script for Carlisle Musical, March 2010 20
ACT 1, Scene 8 – Theatre Curtain 864 865
Rosie: (leading him into the space) Well, this is it, Albert… what do you think? 866
867
Albert: It looks great, Rose! Now there’s something I want to talk to you about… 868
about… about you and I, Rose. 869
870
Rosie: You and ME, English teacher. 871
872
Albert: Being away from New York, Rose… has made me see things in a different light. I 873
want you to know that I wrote Mama and… I’ve decided to give up the music business. 874
875
Rosie: Really?! 876
Albert: Yes, I wrote her days ago, and so far I haven’t heard a word! If you ask me, she’s 877
accepted the whole thing by now. 878
879
Mama (from the back of the auditorium): YOOOOOO HOOOOOOOOOOOOOO! 880
(they freeze and turn slowly, she enters) Three days and three nights on a Trailways 881
Bus…but what’s the difference? I’m only a mother and for a mother a bus is good enough! 882
883
Albert: Mama! What are you doing here? (she mounts the stage) 884
885 Mama: Did you think I wouldn’t come? A woman gets a letter obviously written under 886
the influence of drugs and she should stay at home? (wrings out letter) 887
Pay no attention. It’s only a mother’s tears. (reads letter) 888
“Dear Mama: This is to let you know that Almaelou is dissolved. Your friend, Albert.” 889
Dissolved? Dissolve me! I’m a sick old woman who probably won’t last the night. 890
I just want a simple stone with one word carved on it. “Albert’s mother.” 891
892
Albert: Mama! (sees Gloria entering from the front) Wow! Who is that? 893
Mama: I can see you’re overwrought. And don’t worry about a new secretary. It so happens I 894
met on the bus a perfect secretary. A wonderful, refined girl on her way to Akron only I 895
persuaded her to get off here. Sonny… say hello to Gloria Rasputin. 896
897
Gloria: Hi, Al! Hey, you’re cute! 898
899
Albert: But Mama, I don’t need a secretary; I have Rosie! 900
901
Mama: What does Rosie need a job for? In a year or two she’ll be getting social security. 902
903
Gloria: Well, listen… I don’t just have secretary skills. 904
905
Albert: You do… other things? 906
907
Gloria: I tap dance! I figured I could help you with the secretary stuff and you would 908
help me get into show business. Watch this! (she dances) 909
Bye Bye Birdie: Working Script for Carlisle Musical, March 2010 21
Mama: Bravo! Bravo! 910
911 Gloria: Well, do I get the job? 912
913
Albert: I don’t know. I’m used to working with Rosie. However, we have a lot of extra work 914
relating to the TV production this week… 915
916
Mama: Sonny, why don’t you take Gloria somewhere and see how fast she types? 917
918
Albert: Well, I do have all these releases to get out, and Gloria could do them. 919
920
Gloria: Of course I can! 921
922
Albert: Unless it makes any difference to you, Rosie. 923
924
Rosie: (sarcastically) Why should it make any difference to me? 925
926
Albert: Swell! You just keep working and I’ll go along with Miss Rasputin. (they exit) 927
928
Rosie: I could kill him. I could just kill him. (she becomes upset) 929
930
Hugo: (entering) Excuse me, Miss Alvarez, but I’m looking for Kim MacAfee. I just 931
want to tell her that she is NOT to kiss Conrad Birdie on that Sullivan Show tonight 932
because if she does, I’ll… Miss Alvarez… is anything wrong? Miss Alvarez! It’s me! 933
Hugo Peabody! Can I do anything for you, Miss Alvarez? 934
935
Rosie: Yes, Hugo… I think you can. (she leads him offstage as the lights dim) 936
937
No. 18: TV Theme (The stage transforms into the Ed Sullivan TV Show.) 938
939
Ed Sullivan: So remember: Your surest way to the best in color slides is to insist on the new 940
Kodak! (applause) And now, the young man you’ve all been waiting to see. (screams) 941
942 Mr. MacAfee: (stumbling up through the audience) Ed, I hear you! Where are you??? 943
944
Ed Sullivan: As you know, in just about 14 hours, one of show business’ brightest talents is 945
going off to play a very special engagement. And tonight, before he goes, he wants to leave a 946
lucky young lady with One Last Kiss. Ladies and gentlemen, we take you to Sweet Apple, 947
Ohio where a typical American family, Mr. and Mrs. Harry Mashpee… 948
949
Mr. MacAfee: (reaching the edge, dragging family) It’s MacAfee! Mr. Harry MacAfee! 950
951 Sullivan: And their children, Kim and Rudolph… 952
Randolph: Randolph! 953
954
Sullivan: …are gathered to bid farewell to a typical American soldier… Conrad Birdie! 955
Bye Bye Birdie: Working Script for Carlisle Musical, March 2010 22
No. 19: One Last Kiss (screams) 956
Conrad: OH ONE LAST KISS, OH GIMME ONE LAST KISS 957
IT NEVER FELT LIKE THIS, NO NEVER FELT LIKE THIS 958
YOU KNOW I NEED YOUR LOVE, OH OH OH, GIMME ONE LAST KISS. 959
960
OH ONE MORE TIME, OH BABY ONE MORE TIME, 961
IT REALLY IS SUBLIME, OH HONEY SO SUBLIME, 962
YOU KNOW I NEED YOUR LOVE, OH OH OH, GIMME ONE MORE KISS, BAAAABY, 963
GIMME ONE MORE KISS, BAAAABY, GIVE ME ONE LAST KISS, 964
965
OH ONE LAST KISS, OH GIMME ONE LAST KISS 966
IT NEVER FELT LIKE THIS, NO NEVER FELT LIKE THIS 967
YOU KNOW I NEED YOUR LOVE, OH OH OH, GIMME ONE LAST KISS. 968
(cut mm. 32-72) 969
970
All: ONE LAST KISS, ONE LAST KISS, OH GIVE ME ONE LAST KISS! 971
ONE LAST KISS, ONE LAST KISS, OH GIVE ME ONE LAST… 972
973
Conrad: (to Kim) Brace yourself, kid! 974
975
Hugo: Brace yourself, Conrad Birdie! (he aims for Conrad’s face) 976
977
Conrad: (puts hands up) NOT THE HAIR! 978
(Hugo punches Conrad in the stomach and Gloria catches him.) 979
980
Kim: Hugo! You hit him! 981
Hugo: He deserved it! He was a… thief of love! 982
Kim: Hugo Peabody! I never want to speak to you again! (storms out) 983
984
Albert: I demand to know who’s responsible for this! Who let that kid in here? 985
986
Rosie: I did, Albert. 987
Albert: Rosie! 988
989
Rosie: It’s a sort of farewell present to you and Miss Rasputin. (Gloria and Birdie leave) 990
991 Albert: (chasing her down the stairs) Rosie, come back! You can’t leave me here alone! 992
993
Rosie: You’re not alone, Albert. (pointing at the stage) You’re on television! 994
995
Albert: FOR HE’S A FINE, UPSTANDING, PATRIOTIC, 996
HEALTHY, NORMAL AMERICAN BOY 997
All: FOR HE’S A FINE, UPSTANDING, PATRIOTIC, 998
HEALTHY, NORMAL AMERICAN BOY! 999
1000
[Lights BLACKOUT – End of Act I] 1001
1002
Bye Bye Birdie: Working Script for Carlisle Musical, March 2010 23
ACT 2, Scene 1 – Kim’s Room 1003 1004
Rosie: (looking in the mirror) That’s right! From now on it’s just going to be me, Rosie, on 1005
the town, making up for eight years of being in love with a Mamma-clutching, aspirin- 1006
splitting tower of Jello! Oh, Albert! 1007
1008
Kim: Don’t be upset, Miss Alvarez. All men can’t be like that! 1009
1010
Rosie: Every one of them! They’re all the same. From puberty to senility. 1011
From Benedict Arnold to Mussolini… 1012
1013
Kim: Then what are we poor women to do, Miss Alvarez? 1014
1015
Rosie: We go on! We live! Sip from the cup of life! Mix the potion and drain it to the dregs! 1016
1017
No. 21: Duet (What Did I Ever See in Him) (beginning at m. 53) 1018
Rosie and Kim: DO WE NEED THEM? NO WE DON’T! 1019
DO WE WANT THEM? NO WE DON’T! 1020
1021
Kim: WILL WE LEAVE THEM? 1022
Rosie: NO WE WON’T. TELL ME, WHAT DID I SAY THAT FOR? 1023
1024
Rosie and Kim: WHAT DID WE EVER SEE IN THEM? 1025
HOW COULD WE EVER THINK THAT THEY WERE NICE? 1026
TAKE IT FROM US, WE PAID AN AWFUL PRICE! 1027
IT WAS ROUGH, FROM THE START: 1028
BROKEN DATES, BROKEN NAILS, BROKEN HEART. 1029
WHAT DID WE EVER SEE IN… 1030
1031
Kim: Hugo F. Peabody! 1032
1033
Rosie: What? 1034
1035
Kim: Hugo! What did I ever see in him? Why, he’s as bad as Mr. Peterson if not worse! 1036
Miss Alvarez, I’m coming with you! 1037
1038
Rosie: Kim, don’t be ridiculous! You’re only fifteen! 1039
1040
Kim: Juliet was fourteen when she left home. 1041
1042
Rosie: And look what happened to her! Look, Kim, why don’t you go have some milk 1043
and cookies and go to bed… (starts to walk downstairs to the kitchen and sits) 1044
1045
Kim: It’s too late for cookies, Miss Alvarez! I want to live! We’ll sip the dregs together! 1046
We’ll help each other with our potions! (starts to pack, lights fade out on top) 1047
1048
Bye Bye Birdie: Working Script for Carlisle Musical, March 2010 24
ACT 2, Scene 2 – MacAfee’s House (kitchen) 1049 1050
Conrad: (entering with Albert and Mama) For the last time, Albert, I’m okay and I don’t 1051
feel like sleeping. Now leave me alone. 1052
1053
Mama: Conrad, dear, be reasonable! You’ve had a severe shock. (approaches him, 1054
takes his arm, and leads him to the table to sit down, fussing over him) 1055
1056
Albert: The best thing you can do is get upstairs and… (sees Rosie) 1057
Aha! There she is! The traitor who stabbed me in the heart when my back was turned! 1058
1059
Rosie: (stands to defends herself with her suitcase) Get out of my way, Albert. 1060
1061
Mama: Be careful, Sonny. She may be armed! 1062
1063
Albert: I can handle this, Mama. You go upstairs with Conrad and see he gets into bed. 1064
1065
Mama: Wait for me, Conrad. I’ll make you some Ovaltine. (follows him out) 1066
1067
Rosie: Albert, I’m going tonight and I don’t want to waste another minute! 1068
1069
Albert: Not until I’ve had my say, Rose. (looks defiant and happy) 1070
I just want to let you know that the kiss will take place after all. 1071
Tomorrow morning at the railroad station just before Conrad leaves. 1072
So it looks like you’ve failed, Rose. (stands up very straight and points up) 1073
…As anyone MUST fail who tries to beat Al Peterson, 1074
one of the giants, the titans, one of the King Kongs of the music industry. 1075
(Continues to pantomime his greatness as Rosie sings.) 1076
1077
No. 23: Reprise (What Did I Ever See in Him) 1078 Rosie: WHAT DID I EVER SEE IN HIM? 1079
HOW COULD WE EVER THINK THAT HE WAS NICE? 1080
TAKE IT FROM ME, I’VE PAID AN AWFUL PRICE! 1081
IT WAS ROUGH, FROM THE START: 1082
BROKEN DATES, BROKEN NAILS, BROKEN HEART. 1083
1084
Albert: An Empire builder! A Colossus! King Kong! (growls and beats chest) 1085
1086
Rosie: Out of my way, you ex English-teacher-to-be! (hits him with her bag) 1087
WHAT DID I EVER SEE IN HIM? (Rosie exits) 1088
1089
Albert: (yelling out the door) Rosie, come back! Do you hear me? Rosie! I need you! Rosie, 1090
please come back! Rosie… 1091
1092
Bye Bye Birdie: Working Script for Carlisle Musical, March 2010 25
ACT 2, Scene 3 – MacAfee’s House (kitchen) 1093
1094 Albert: (family enters) And I don’t care how you plead and beg, Miss Alvarez, you’re 1095
through here at Almaelou! You’re fired! Sorry to have to do this in front of you folks, but 1096
I’ve had to let Miss Alvarez go. (phone rings) I’ll get that. 1097
Mr. MacAfee: (a little too loudly. As he sits down) Probably Hong Kong again. 1098
1099
Albert: Hello, this is Albert Peterson speaking. I’m sorry but Miss Rose Alvarez is no 1100
longer with us. That’s right… (stays on the phone and mimes a long phone call) 1101
1102
Kim: (runs downstairs with many bags) Miss Alvarez! Wait for me! I’m coming! 1103
Mr. MacAfee: Where do you think you’re going, young lady? 1104
1105
Kim: With Rosie! To drain deep the dregs and sip full-hearty the brimming cup. To live! 1106
I’m going to start by dying my hair! 1107
Mrs. MacAfee: You will do no such thing! 1108
1109
Kim: It’s my hair! 1110
Mr. MacAfee: Not until you’re twenty-one, it’s not! Upstairs. 1111
1112
Kim: But Daddy… 1113
Mr. MacAfee: Upstairs. Do you hear me? I said… upstairs. 1114
1115
Kim: Miss Alvarez was right! You’re all the same. From puberty to Mussolini. (exits outside) 1116
Mr. MacAfee: What’s that? You dare say “puberty” in front of your own father? Mrs. 1117
MacAfee… we’ve failed as parents! I never asked much from my children. Just respect. A 1118
little respect. But did I get respect? I did not get respect. I get no respect. 1119
1120
Randolph: I respect you, Pa. (Albert increases miming upset gestures on phone) 1121
Mr. MacAfee: I don’t want your respect. You’re a child. Mrs. MacAfee, take me upstairs. I’m 1122
not a well man. Certain words I didn’t want to hear in this house: puberty… (groans, exits) 1123
1124
Albert: (finishing phone call) Now look here! I don’t care what rag you’re from. No small-1125
time reporter can bulldoze me! I happen to be Albert J. Peterson and you can print that in… 1126
what did you say your magazine is called again? Life? (hangs up) Rosie, I need you! (bolts) 1127
1128
Mama: (from offstage) I’m coming Sonny!!! (appears) Albert! Where are you going? 1129
Albert: To look for Rosie, Mama. I love her and I want her back! 1130
1131
Mama: Is that all? I thought it was something serious. By all means, bring her back. When 1132
you get back, be sure to stop in the kitchen, take my head out of the oven and turn off the gas. 1133
Albert: Mama, it’s electric. And I’ve had enough of this! If you really loved me, you’d help! 1134
1135
Mama: Oh, sonny, you’re right! I’ll help you find her. (they go out) Only maybe I better give 1136
you the message from Conrad first: he just says he’s going out tonight and he doesn’t think 1137
he’ll get back in time to kiss Kim tomorrow… 1138
Bye Bye Birdie: Working Script for Carlisle Musical, March 2010 26
ACT 2, Scene 4 – Outside MacAfee’s House 1139 1140
Conrad: (entering) Take it easy! I’m coming… And before you start hollering, Albert, I 1141
just want you to know that I’ve made up my mind. I’m tired of getting up at 9am, having 1142
people watch me when I eat, and letting kids poke me in the eye. I want to have some fun! 1143
Meet a couple of girls! Don’t you understand, Albert. I am tense! 1144
1145
Albert: You can’t go out without my permission! It says so in your contract! Mama, get 1146
the contract. It’s in my… never mind. I’ll get it myself. (goes back in, girls start to walk by) 1147
1148
No. 24: A Lot of Livin’ to Do 1149 Conrad: THERE ARE CHICKS, JUST RIPE FOR SOME KISSING, 1150
AND I MEAN TO KISS ME A FEW! 1151
MAN, THOSE CHICKS DON’T KNOW WHAT THEY’RE MISSING 1152
I GOT A LOT OF LIVING TO DO! 1153
1154
SIZZLING STEAKS ALL READY FOR TASTING, 1155
AND THERE’S CADILLACS ALL SHINY AND NEW. 1156
GOTTA MOVE, CAUSE TIME IS A-WASTING, 1157
THERE’S SUCH A LOT OF LIVING TO DO! 1158
1159
Kim: THERE ARE MEN OF NINETEEN OR TWENTY 1160
WHO ARE SUAVE AND RECKLESS AND TRUE! 1161
OLDER MEN, WHO’LL GIVE A GIRL PLENTY 1162
I’VE GOT A LOT OF LIVING TO DO 1163
1164
Conrad: THERE’S MUSIC TO PLAY, PLACES TO GO 1165
PEOPLE TO SEE, EVERYTHING FOR YOU AND ME… 1166
(stops singing) Hey, you kids live here, don’t you? 1167
1168
Harvey: Yes, Mr. Birdie. 1169
1170
Conrad: What’s the lowdown on this town? 1171
1172
Harvey: Sweet Apple, Ohio was founded in 1852 by Jeremiah S. Apple who… 1173
1174
Conrad: I mean what do you DO here? Where do you go to have fun? 1175
1176
Penelope: Well, there’s the community center, and the Country Store. 1177
1178
Betty: …and the older kids go to the ice house. 1179
1180
Conrad: What’s there? 1181
1182
Betty: I don’t know. Ice, I guess. 1183
1184
Bye Bye Birdie: Working Script for Carlisle Musical, March 2010 27
Kim: It just so happens, Mr. Birdie, that the ice house is where people go when they want 1185
to be alone. 1186
1187
Conrad: Hey, ain’t you the girl I was supposed to kiss? 1188
1189
Kim: I am a fully-grown woman and I insist on being treated as such. 1190
That’s why I’m leaving home. 1191
1192
Conrad: Now you’re talking! Come on, let’s move! We got things to do! 1193
1194
(Special dance at some point for Helen, Nancy, April, Deborah Sue, Anna, Eleanor) 1195 1196 Boys: CRAZY CLOTHES AND MOTOR BOAT RACES 1197
Birdie and Girls: SOMEONE NICE TO CUDDLE UP TO 1198
1199
Kim and Ursula: BROADWAY LIGHTS AND WIDE-OPEN SPACES 1200
1201
All: THERE’S SUCH A LOT OF LIVING TO DO 1202
LOTS OF DATES AND NO ONE TO SCOLD YOU! 1203
LOOP THE LOOP AND LAUGH AT THE VIEW! 1204
MOONLIGHT SWIMS AND SOMEONE TO HOLD YOU, Yeah! 1205
YEAH WE GOT A LOT OF LIVING TO DO WOW! 1206
1207
Conrad: THERE’S MUSIC TO PLAY Kids: YOU KNOW IT 1208
Conrad: PLACES TO GO Kids: YOU KNOW IT! 1209
Conrad: PEOPLE TO SEE! EVERYTHING FOR YOU AND ME! 1210
1211
All: OH LIFE’S A BALL, IF ONLY YOU KNOW IT, 1212
AND IT’S ALL JUST WAITING FOR YOU! 1213
YOU’RE ALIVE! SO COME ON AND SHOW IT! 1214
OH WE’VE GOT A LOT OF LIVING, SUCH A LOT OF LIVING 1215
WHAT A LOT OF LIVING TO 1216
1217
Mayor/Edna: Alice, where are you? You know you were told to go straight to bed! 1218
1219 Mr./Mrs. Johnson: Harvey Johnson, I want you home this minute! Where are you darling? 1220
1221 Mr./Mrs. Merkle: Do you hear me, Ursula? Mother’s calling you! Ursula! 1222
1223 Conrad: THERE’S MUSIC TO PLAY, PLACES TO GO, PEOPLE TO SEE 1224
EVERYTHING (Kids: Yeah!) FOR YOU AND ME. 1225
1226
All: OH LIFE’S A BALL, IF ONLY YOU KNOW IT, 1227
AND IT’S ALL JUST WAITING FOR YOU! 1228
YOU’RE ALIVE! SO COME ON AND SHOW IT! 1229
OH WE’VE GOT A LOT OF LIVING, SUCH A LOT OF LIVING 1230
WHAT A LOT OF LIVING TO DO. OOOOOOOOOOOOO! 1231
Bye Bye Birdie: Working Script for Carlisle Musical, March 2010 28
Suzie: Isn’t this so incredibly exciting? 1232
1233 Daphne: You said it! I can’t wait to Loop the Loop! 1234
1235 Gigi: Neither can I! 1236
1237 Lisa: Exactly what IS Loop the Loop? 1238
1239 Gigi: I have no idea! But I can’t wait! 1240
1241
Hugo: Robert! Have you seen Kim? 1242
1243
Robert: Yeah! She went off with Conrad and a bunch of other kids. 1244
1245
Monty: Hey Robert! Are you going to raise heck with the kids? 1246
1247
Robert: Yeah… but I had to go home first. 1248
If my mom sees me without my sweater, she’ll kill me! 1249
1250 Monty: Yeah… that’s why I’m late, too. Let’s go! 1251
1252
Melanie: Motorboat Races! That sounds like sooooooo much fun! 1253
1254
Nanette: Yeah! And they’ll be even MORE fun if we can find some water! 1255
1256
Mr. MacAfee: Kim! Kim, where are you? Hugo, have you seen Kim? 1257
1258 Hugo: Don’t ask me. Ask Conrad Birdie… 1259
1260 Mr. MacAfee: What are you talking about? 1261
1262 Hugo: They’re out together having moonlight swims and loop the loop! I’m going to do the 1263
only sensible thing, and drink myself to death! (He runs out.) 1264
1265
Bye Bye Birdie: Working Script for Carlisle Musical, March 2010 29
ACT 2, Scene 5 – MacAfee House (outside) 1266 Mr. MacAfee: Moonlight swims… Loop the loop! (yells) Doris, get my gun! 1267
1268
Albert: (runs onstage) Mr. MacAfee, you haven’t seen Conrad, have you? 1269
Mr. MacAfee: No, but I intend seeing him, Mr. Peterson. So if you have a message, 1270
I’ll be glad to deliver it right after I shoot him. 1271
Albert: Shoot him! Rosie! I’ve got to find Rosie! (exits, 4 housewives enter) 1272
1273
Mrs. Ward: Harry MacAfee, what are you talking about? You know you don’t have a gun! 1274
Mr. MacAfee: There’s that Daisy Air Rifle in the garage. 1275
Randolph: (sarcastically, from offstage) That’s Randolph’s, dear. 1276
Mr. MacAfee: Shut up. I wonder where I can buy B-Bs this late at night… 1277
Mrs. MacAfee: Anyway, it’s broken, dear… 1278
1279
Mr. MacAfee: Then get me anything! That bow and arrow I bought you for your birthday 1280
with the suction tips! Don’t just stand there! My daughter has run off to loop the loop with a 1281
fiend! Get me a water gun! Where’s Randolph? 1282
(Randolph enters dressed like Conrad.) 1283
1284
No. 25: Kids 1285 Mr. MacAfee: KIDS, I DON’T KNOW WHAT’S WRONG WITH THESE KIDS TODAY. 1286
KID, WHO CAN UNDERSTAND ANYTHING THEY SAY? 1287
KIDS, THEY ARE DISOBEDIENT DISRESPECTFUL OAFS 1288
NOISY, CRAZY, SLOPPY, LAZY LOAFERS 1289
AND WHILE WE’RE ON THE SUBJECT 1290
1291
KIDS, YOU CAN TALK AND TALK TILL YOUR FACE IS BLUE.. 1292
Mr./Mrs. Johnson: KIDS, BUT THEY STILL DO JUST WHAT THEY WANT TO DO. 1293
Mr/ Mrs. Merkle: WHY CAN’T THEY BE LIKE WE WERE, PERFECT IN EVERY WAY? 1294
Mr./Mrs. J and M: WHAT’S THE MATTER WITH KIDS TODAY? 1295
1296 Ladies quartet singing: KIDS, 1297
(Mr. MacAfee: I don’t mind the moonlight swims; it’s the loop the loop that hurts.) 1298
KIDS, (Why don’t they lower the draft age… to about eleven?) 1299
KIDS, (I didn’t know what puberty was until I was almost past it!) 1300
1301
Mrs. MacAfee: KIDS, THEY ARE JUST IMPOSSIBLE TO CONTROL 1302
Mrs. Ward: KIDS, WITH THEIR AWFUL CLOTHES AND THEIR ROCK AND ROLL 1303
Ladies Quartet: WHY CAN’T THEY DANCE LIKE WE DID? 1304
Mr. MacAfee: WHAT’S WRONG WITH SAMMY KAYE? (music stops) 1305
1306
Randolph: Pop, here’s my pea shooter! 1307
Mr. MacAfee: Perfect! Give it to me! 1308
1309 Men and Housewives of SA: WHAT’S THE MATTER WITH KIDS TODAY? 1310
[Blackout]1311
Bye Bye Birdie: Working Script for Carlisle Musical, March 2010 30
ACT 2, Scene 6 – Outside Fern’s Country Store 1312 1313
Hugo: Miss Alvarez, my whole world is collapsing before me! No one in Fern’s will give me 1314
a drink and Kim’s run off with Conrad to the ice house. 1315
1316 Rosie: Kim and Conrad! I’ve got to call Albert! Hugo, come with me! (exit into Fern’s) 1317
1318
Dwight: (leading Albert, who is leading Mama) Here is it, sir. Fern’s Country Store. 1319
1320 Albert: Here I come, Rosie! I told you I’d be right there! Hurry, Mama! 1321
1322 Mama: I don’t know why we have to go running around all night looking for someone it 1323
would be better not to find in the first place. (Dwight exits) 1324
1325
Albert: Mama, I told you I’m not coming home until I find Rosie! Now if you want to 1326
leave, that’s okay with me. As a matter of fact, why don’t you go home, Mama. 1327
1328 Mama: What did you say, sweetheart? 1329
1330
Albert: I said, “Why don’t you go home, Mama?” 1331
1332 Mama: Would you mind repeating that once more, dear? 1333
1334
Albert: I said, “Go home, Mama.” I don’t need you anymore. 1335
1336 Mama: So it’s here! The day I knew would come at last, has come at last! 1337
My sonnyboy doesn’t need me anymore. Well, what are you waiting for? (waits, no reaction) 1338
Get rid of me! Put me out with the garbage! Never mind putting a lid on. Leave it open so a 1339
hundred thousand pussycats can walk all over a mother. (starts to leave, turns) 1340
1341
And by the way, sweetheart, darling, I got some good news for you. I got the report from 1342
the hospital. It’s absolutely definite. I got a condition. (turns to assess whether he is listening) 1343
1344
And the one thing doctors can’t cure is a condition. I don’t want you to worry, though. 1345
Fancy funerals are for rich people. I don’t want you to spend a cent. Just wail ‘til Mother’s 1346
Day, wrap me in a flag, and dump me in the river! (proceeds out) 1347
1348
Albert: Goodnight, Mama. 1349
1350 Mama: You’re just like your father! You’d marry anything! Goodnight, Sonnyboy! 1351
1352
Albert: My name is not Sonnyboy! 1353
1354 Mama: Goodniiiiiiiiiiiight…. Aaaaaaaaaaaaaalbert! (exits) 1355
1356
No. 31: Instrumental Glory, Hallelujah 1357
Bye Bye Birdie: Working Script for Carlisle Musical, March 2010 31
ACT 2, Scene 7 – Outside Fern’s Country Store 1358 Dwight: (leading Mr. MacAfee) Here he is, sir. Right where I left him. 1359
Mr. MacAfee: (enters) Mr. Peterson! Have you seen Conrad and Kim? (Dwight runs out) 1360
Albert: (a new man) Ah, there, Mr. MacAfee! Unfortunately, I must tell you that Conrad’s 1361
affairs no longer interest me. I’m looking for Miss Alvarez now to tell her that… 1362
(stops suddenly) Did you say “Conrad and Kim”??? 1363
1364 Mrs. MacAfee: They’ve run off together! 1365
Mr. MacAfee: And if we don’t find them soon, Mr. Peterson, I will call the FBI! 1366
Albert: I’m sure there’s nothing to worry about… 1367
1368 Dwight: (running in, out of breath, leading Mrs. Merkle) Here they are, Mrs. Merkle. 1369
Mr. Merkle: Mrs. MacAfee! Mr. MacAfee! Have you seen Ursula? (Dwight staggers out) 1370
All: Ursula? 1371
1372
Mrs. MacAfee: Is she missing, too? 1373
Mrs. Merkle: Since ten o’clock! I’ve looked everywhere! 1374
Mr. MacAfee: Mr. Peterson! 1375
1376
Dwight: (appears, gasping, followed by parents, Mayor, Edna) 1377
Mrs. Johnson: Mrs. MacAfee, you haven’t seen Harvey, have you? 1378
Mothers: (adlib) And Melanie! And Monty! 1379
1380
Albert: They’re probably all down at the library… maybe having one of those gang wars! 1381
(realizes what he said and exits, dragged out by Dwight) 1382
All: Gang wars!! 1383
1384
No. 32: Kids Reprise 1385 All: KIDS! 1386
Mrs. Merkle: I DON’T KNOW WHAT’S WRONG WITH THESE KIDS TODAY 1387
1388
All: KIDS! 1389
Mrs. Johnson: WHO CAN UNDERSTAND ANYTHING THEY SAY 1390
1391
Randolph: KIDS, THEY ARE SO RIDICULOUS AND SO IMMATURE, 1392
I DON’T SEE WHY ANYBODY WANTS ‘EM. 1393
Mrs. MacAfee: JUST YOU WAIT AND SEE 1394
1395 Randolph, Dwight, Jerry: KIDS, THEY ARE JUST IMPOSSIBLE TO CONTROL 1396
Mrs, Ward: SOON YOU’LL BE OLD ENOUGH TO BE 1397
1398
Randolph, Fred, Karl: KIDS, W/ THEIR AWFUL CLOTHES & THEIR ROCK & ROLL 1399
Edna: ANOTHER TEENAGE DELINQUENT, 1400
1401 Randolph: WHY CAN’T THEY BE LIKE YOU WERE, PERFECT IN EVERY WAY 1402
WHAT’S THE MATTER WITH KIDS… TO… 1403
Bye Bye Birdie: Working Script for Carlisle Musical, March 2010 32
All: KIDS, WHAT THE DEVIL’S WRONG WITH THESE KIDS TODAY 1404
KIDS, WHO COULD GUESS THAT THEY WOULD TURN OUT THAT WAY 1405
WHY CAN’T THEY BE LIKE WE WERE, PERFECT IN EVERY WAY 1406
1407 Edna & Mrs. MacAfee: WHAT’S THE MATTER WITH KIDS 1408
Randolph: WHAT’S THE MATTER WITH KIDS 1409
All: WHAT’S THE MATTER WITH KIDS TODAY! 1410
1411
Hugo: (enters drunk from store) Hi, everybody! Good old Hugo here! 1412
Mrs. MacAfee: Hugo Peabody! What have you been drinking? 1413
Hugo: Milk. But it worked! Anyhow, I’ve got a perfect right to be drunk. 1414
My girl’s gone off with Conrad Birdie to… 1415
1416 Rosie: (enters) Albert! 1417
1418 Albert: (enters) Rosie! Where have you been? I’ve been looking for you all night! I have 1419
good news for you, Rosie! I did it! I sent Mama home! I am a new man, Rose! 1420
1421
Rosie: Albert, Conrad and Kim have gone to the ice house! 1422
1423 Parents: (adlib) The ice house! Call the police! 1424
1425
Conrad: (enters) Albert! Thank God you’re here! You gotta protect me! 1426
Albert: Protect you? From what? (screams from all corner of the stage and audience) 1427
1428
Ursula: (entering with kids) Conrad! 1429
Lisa: We’re coming with you, Mr. Birdie! Do you mind if I call you Conrad? 1430
Conrad: Coming with me??? 1431
1432
Fred: Yeah! We’ve got a lot of living to do! 1433
Betty: We’ll follow you to the ends of the earth! 1434
Clara: We’ll never go home again! Except for meals! 1435
1436 Daphne: Nothing ever happened in Sweet Apple until you showed up! 1437
Eleanor: Yeah. It was kind of like The Music Man, but different! 1438
1439 Nanette: We’ll never be bored again!!! 1440
Anna: Moonlight Swims! 1441
1442 Roy: Motorboat races! 1443
Karl: Loop the loop! 1444
Roy: Does ANYONE know what Loop the loop is??? 1445
1446
Vanessa: We’ll go to parties every weekend! 1447
Suzie: Just like in the 7th grade! 1448
Conrad: That stuff really ain’t as much fun as I made out… (Cop enters) 1449
Bye Bye Birdie: Working Script for Carlisle Musical, March 2010 33
Mr. MacAfee: There he is! The depraved brute! Arrest that man! 1450
(Boys all run out, afraid of the Sweet Apple Cop) 1451
(Each parent grabs two girls leaves; remaining few girls and Hugo and Kim stay with Birdie.) 1452
1453 Cop: Well now, what have you got to say, Mr. Birdie? 1454
1455
Conrad: (to cop) Help me. 1456
1457 Cop: I’ll have to place you under arrest until this gets straightened out. 1458
1459 Conrad: Finally, a normal person in this town. 1460
1461 Cop: But first, can I have an autograph? (Cop takes Conrad out, quick change for last scene) 1462
(They are followed by remaining girls except for Kim and Hugo) 1463
1464
Kim: Hugo! 1465
1466 Hugo: Kim! 1467
1468 Kim: Hugo, I still want to live, but not if it’s without my steady. (they exit) 1469
1470
Albert: I’ve got to get Conrad out of jail. 1471
1472 Rosie: Listen to me! You go back to the house and I’ll go down to the courthouse and 1473
try talking to the mayor… 1474
1475
Albert: Rose, did you hear me? This is the new Albert! Now listen to ME. 1476
Pack and meet me and Conrad down at the station by 6:30am tomorrow morning. 1477
And bring the necessary legal papers, because I intend making you Mrs. Peterson by 2400 1478
hours tomorrow! (runs out after Conrad to change for last scene) 1479
1480
Rosie: Oh, Albert! 1481
1482
Mama: YOOOOOO HOOOOOOOOOOOOOO! (enters, stops suddenly) Oh, hello, Rose. 1483
1484 Rosie: Hello, Mae. (shaking hands politely) 1485
It’s so nice to see the woman who by tomorrow evening I’ll be able to call… 1486
1487
Mama: Don’t say it! 1488
1489
Rosie: Mother. 1490
1491
Mama: The cruelest word I ever heard. I’d better go now. Goodbye, Rose. 1492
1493
Rosie: Call me Mrs. Peterson. 1494
[Lights Blackout, 6 chimes]1495
Bye Bye Birdie: Working Script for Carlisle Musical, March 2010 34
ACT 2, Scene 8 – Sweet Apple Railroad station (morning) 1496 1497
Albert: There’s no one here! Come on… 1498
1499
Conrad: (dressed like Rosie, in women’s clothes) Now look, Albert. 1500
1501 Albert: Shut up and get on that train! It took every cent I had to bail you out, and I don’t 1502
want you seen until we’re out of this state! Now get aboard! 1503
1504
Conrad: Wait a minute, buddy boy! You saved my life, and whether you pay me no 1505
guarantee or not… you got a contract with me forever. 1506
1507
Albert: Conrad, what are you saying? 1508
1509
Conrad: Here’s a blank piece of paper I signed my name to, Albert. You just fill in 1510
whatever you want. (Albert reads the paper and gets very excited.) 1511
1512
Mama: (appearing right behind him) Hello, Albert. 1513
1514
Albert: (he freezes) Mama! 1515
1516
Mama: (to Conrad) Rose, you look good for a change! 1517
(to Albert) I know all about you two. Don’t worry. I won’t make a fuss. 1518
(starts to lie down on the train tracks) I’ll do what any intelligent mother has to do. 1519
1520
Albert: Mama, get up and get on that train! I have no time for any nonsense… 1521
1522
Mr. MacAfee: (enters) Just a moment, Mr. Peterson. I demand to know what you’ve done 1523
with Mr. Birdie! He’s not in the jail! 1524
1525
Albert: How should I know where he is? I haven’t seen him all night. I’m just down 1526
here to say goodbye to… Rosie. (Conrad opens soda which spews.) 1527
1528
Conrad: (he sees Mr. MacAfee) Daddy-O! 1529
1530
Mr. MacAfee: (shocked) Mr. Peterson! 1531
1532
Mrs. MacAfee: Now there’s no point getting excited, dear! After all, there’s no real harm 1533
done. Kim and Hugo are back together again. As a matter of fact, the sweetest thing 1534
happened. He proposed to her this morning and she accepted. 1535
1536
Mr. MacAfee: AHHHH!!! 1537
1538
Mrs. MacAfee: Dear, what’s wrong? 1539
1540
Mr. MacAfee: My life is over now. I’ll sell the house and go into a home. (they exit) 1541
Bye Bye Birdie: Working Script for Carlisle Musical, March 2010 35
Conrad: (escorting Mama) Yoo hoo! Albert, the train’s leaving! Get on! 1542
1543
Albert: Bye, Conrad. 1544
1545
Mama: Albert!!! 1546
1547
Conrad: Albert, don’t leave me with your Mother!!!! (train whistles and pulls away) 1548
1549
No. 38: We Love You, Conrad Reprise 1550 Offstage Girls: WE LOVE YOU CONRAD, OH YES WE DO. 1551
WE LOVE YOU, CONRAD, AND WE’LL BE TRUE. 1552
WHEN YOU”RE NOT NEAR US, WE”RE BLUE. 1553
OH, CONRAD, WE LOVE YOU. (train whistle) 1554
1555
Rosie: (enters) Well, here I am, Albert. Six-thirty on the button. Where’s the train? 1556
1557
Albert: Rosie: 1558
It left at six-twenty-five… Albert, you told me to be here at … 1559
…with Conrad. … at six thirty sharp. I know because… 1560
…and Mama. Albert… you wanted to miss that train! 1561
1562
Albert: It stands to reason, Rose. (waits, no reaction) 1563
Why get on a train to New York when we’ve got tickets to Pumpkin Falls, Iowa? 1564
1565
Rosie: What’s in Pumpkin Falls, Iowa? 1566
1567
Albert: An opening in the teaching staff of Pumpkin Falls Middle School. I read about it 1568
in this morning’s paper. And I hope you’ve brought your documents, Rose, because they 1569
prefer the applicant to be married. 1570
1571
Rosie: You’re going to teach middle school! Oh, Albert! (they hug) 1572
No. X: Bye, Bye, Birdie Reprise 1573 All: BYE, BYE, BIRDIE, WE’RE GONNA MISS YOU SO, 1574
BYE, BYE, BIRDIE, WHY’D YOU HAVE TO GO? 1575
1576
Sweet Apple Girls: NO MORE SUNSHINE - IT’S FOLLOWED YOU AWAY, 1577
Adults: THEY’LL CRY BIRDIE ‘TILL YOU’RE HOME TO STAY. 1578
1579
Girls: I’LL MISS THE WAY YOU SMILE, AS THOUGH IT’S JUST FOR ME, 1580
AND EACH AND EVERY NIGHT I’LL WRITE YOU FAITHFULLY. 1581
1582
Adults: BYE, BYE, BIRDIE, THAT TRAIN WILL TAKE YOU THERE, 1583
All: BYE, BYE BIRDIE, GUESS WE’LL ALWAYS CARE… 1584
1585
Bows: 1586 JUST SPREAD SUNSHINE ALL OVER THE PLACE, AND PUT ON A HAPPY FACE! 1587
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