defeatcore issue one

“THERE IS A SENSE IN WHICH AN AUTHOR, BY REVISION, MAY BETTER ACHIEVE HIS ORIGINAL INTENTION. BUT IT IS A VERY ABSTRACT SENSE. HE INTENDED TO WRITE A BETTER WORK, OR A BETTER WORK OF A CERTAIN KIND, AND NOW HAS DONE IT. BUT IT FOLLOWS THAT HIS FORMER CONCRETE INTENTION WAS NOT HIS INTENTION. “HE’S THE MAN WE WERE IN SEARCH OF, THAT’S TRUE,” SAYS HARDY’SRUSTIC CONSTABLE, “AND YET HE’S NOT THE MAN WE WERE IN SEARCH OF. FOR THE MAN WE WERE IN SEARCH OF WAS NOT THE MAN WE WANTED.”

DEFEATCORE RECOGNIZES THATFAILURE EXISTS DUE TO A PRECONCEPTION OF OUTCOME

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DEFEATCORE IS INTERESTED IN SUCCESS AS A SUSPECT

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DEFEATCORE RECOGNIZES THAT ALL CREATIVE OUTPUT IS INHERENTLY THE RESULT OF PREVIOUS CREATIVE OUTPUT

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A COLLECTION OF FRAGMENTS HELD TOGETHER BY INTENT

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DEFEATCORE ACKNOWLEDGES ALL POSSIBLE OUTCOMES IN ANY GIVEN PROCESS AS EQUALLY VALUABLE

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DEFEATCORE RECOGNIZES THAT THERE IS NO DEFINING PROCESS,

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ONLY AN IMMERSION IN A SYSTEM OF COUNTLESS SUBSYSTEMS

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WILLIAM K. WIMSATT AND MONROE C. BEARDSLEY THE INTENTIONAL FALLACY (1946)

TOM JOHNSONFAILING, A VERY DIFFICULT PIECE FOR SOLO STRING BASS (1975)AS PERFORMED BY COREY SCHUTZER (2011)

DAVE MURRAY85% OF THE ART I MADE TURNED INTO A DIAMOND (2010)

JONATHAN LETHAMTHE ECSTASY OF INFLUENCE (2007)

JILL MAGIDBECOMING TARDEN (2009)

ABBAS KIAROSTAMITASTE OF CHERRY (1997)

CASIOTONE FOR THE PAINFULLY ALONE (1997-2010)

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