exhibit by aberson summer 2012 catalog
Post on 22-Mar-2016
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jonathan hils august
kim fonder july
opening recepti
on
august 23
opens july 19th6 til 8 pM
kim fonder
melissa key
Flow is completely focused motivation. It is a single-minded immersion and represents perhaps
the ultimate in harnessing the emotions in the
service of a task. In flow, the emotions are flow, the emotions are not just contained and channeled, but positive,
energized, and aligned. This body of work reflects a
focus on flow as it corresponds to water.
artist statement
mo’ happy 30” x 30” eachspanish
moss 72” x 72”spun gold 48” x 30
”clockw
ise from top lef
t
rain on the water 60
” x 72”
rusty emotions 48” x 68”
unexpected 72 x 72”
spanish moss 72”x 72”
melissa key
clockwise from top left:
jim polanartist statement
I've always enjoyed a good story. I pull text from the
Old Testament, Greek Mythology, a good joke,
personal experience, fantasy, and then embellish it both literally and visually. I try to merge the literal and the to merge the literal and the
abstract into a single composition. In a sense, I
consider many of my paintings to be contemporary
illuminated manuscripts.
48” x 48”
Woman Is A Bowl Filled With Verse
But The Seraphim, The Seraphim Wept Fire And The Room Filled With Smoke
36” x 60”
A Bird Commotion And One Lark 40” x 40”
And When She Dances She Dances Like Nobody's Looking
48” x 36”
from top leftthe sirens become insistent56” x 48”
woman saying no with a gesture48” x 36”
speaking in tongues 30” x 40”as you were 30” x 40”
morgan robinson
Once an intriguing shape Once an intriguing shape captures my attention i record it in a sketch and play with its potential with my imagination to work into a sculpture or furniture piece. Eventually, I
express the shape to be realized with wood and metal realized with wood and metal in such a way that chords a feeling in which words cannot
touch.
artist statement
Leonardo Da Vinci said, “Simplicity is the ultimate sophistication.
Jack Kerouac said, “One day, I will find the right words, and they will
be simple. I love texture and touch. My I love texture and touch. My
paintings and my furniture reflect my infatuation with these two
characteristics. From the materials I select, to the way I
craft each piece; these two remain my focus.
kim fonderartist statement
turchese I-IV
Linne Rosso I -VI
19” x 61” eachnero et crema
24” x 24”
Patrimonio I & II
Rosso I 55” x 55”Crema I & II 40” x 36”each.
from top left
Desegni II & III
36” x 36”bianco III & IV
bianco40”40”
ebano/avorio60” x 18”
tribal I -V 48” x 8”
Bianco
jonathan hilsartist statement
The examination of space and volume through absence and presence are integral to my
work. Through both chaotic systemization and repetitive
elements, my work intertwines the intersection of biological and industrial aesthetics that and industrial aesthetics that form the framework for our understanding of organizing
systems. Other relationships of interior and exterior
spaces, chaos and order, permeable and retentive, and line and light are my primary line and light are my primary
motivations whether abstract or representational in nature.
Shell 2011Welded & coated steel
36” x 16”
DualLaser etched aluminum and wood
68” x 45” x 3”Whirlwind 2011
Welded & painted steel73” x 24” x 24
ThreeThirds 2011Welded & coated steel
37” x 32” x 36”
jonathan hils
Reception
August 23rd
6 until 8 p.m.
Show installs
August 9th.
Emperor’s New Clothes 2012Welded & powder coated steel
52” x 79” x 75”
Prow 2011Welded & coated steel
74” x 17” x 8”
Buoy #2 2011Welded & powder coated steel
72” x 38” x 26”
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