following the star17

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The St Albans Psalter, also known as the Albani Psalter or the Psalter of Christina of Markyate, is an English illuminated manuscript, one of several Psalters known to have been created at or for St Albans Abbey in the 12th century

Alexis Master (active 1121-1146) Nativity

Alexis Master (active 1121-1146) St Albans Psalter Shepherds

Alexis Master (active 1121-1146) St Albans Psalter Magi and Herod

The St. Albans Psalter (c. 1125-1135), is generally regarded as the earliest surviving masterpiece of Anglo-Norman painting. Its extensive picture cycle includes over 200 historiated initials accompanying the psalms and prayers. The original Psalter is kept at the Church of St Godehard in Hildesheim. A copy of an ancient religious book, created in St Albans almost a thousand years ago, has been given to the Si.Albans city's cathedral.

Alexis Master (active 1121-1146) St Albans Psalter Nativity (detail)

Alexis Master (active 1121-1146) St Albans PsalterPsalm 136 Initial S (detail)

Manuscripts in the Library of St John's College, Cambridge

two of a sequence of 46 Biblical illustrations (c.1270-80) inserted at the front of a fourteenth-century Psalter (English).

The Magi and Herod

The Nativity

Manuscripts in the Library of St John's College, Cambridge

Angel and shepherds

The Magi are warned

The journey of the Magi

The Adoration of the Magi

Manuscripts in the Library of St John's College, Cambridge

Hours of the Infante Don Alfonso of Castile for Rome use, Spain, Castile, 1460s-70s Milan, Biblioteca Trivulziana, Cod. 470 is a 15th century Book of

Hours made in a French-Burgundian scriptorium.

Book of Hours for Jean II Le Meingre Boucicaut), Marshal of France, which was created between 1410 and 1415. This Book of Hours is currently in the Musée Jacquemart-André in Paris.

Workshop of the Boucicaut Master, Paris, about 1415 - 1420 Getty museum

Book

of

Hours

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Jean II Le

Mein

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Bouci

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14

10

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Book

of

Hours

for

Jean II Le

Mein

gre

Bouci

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14

10

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Book

of

Hours

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Jean II Le

Mein

gre

Bouci

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Adorazione dei Magi – 1400 Firenze, Biblioteca Nazionale

Hours of Catherine of Cleves (produced in about 1440)

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Win

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, The N

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Stanisław Samostrzelnik (1490–1541)

Stonyhurst Hours for Sarum use, Southern Netherlands, possibly Bruges, c. 1400-15

National Library of the Netherlands

Book of Hours, c.1500 Adoration

of the Magi

Hours

of

Phili

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or

Am

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0The Hours of Jeanne d'Evreux, ca. 1324–28

Bedford Master. VisitationBeginning of XV cent

Unknown Ottonian, Regensburg, about 1030 - 1040 Getty Museum LA

Codex BruchsalGerman illuminated manuscript with two scenes of the Magi,

ca.1220Badische

Landesbibliothek Karlsruhe

Book of Hours, c.1500 German codex 15-501 The adoration of the kings

Simon Bening's Flowers Book of Hours

Books of Hours are among the most striking examples of medieval illuminated manuscripts. Commissioned by wealthy men and women for their private religious devotions, these beautifully decorated books contain prayers for the eight canonical hours of the day.

Francesco Di Giorgio Martini Nativity 1460- Private collection

Victoria and Albert Museum

Book of Hours (Use of Cambrai) In Latin and French, illuminated manuscript on parchment, France, Valenciennes, c. 1475-1480 1 large and 14 small miniatures by the Workshop of Simon Marmion

Simon Marmion (1420-1489) was a French or Burgundian Early Netherlandish painter of panels and illuminated manuscripts. Marmion lived and worked in what is now France but for most of his lifetime was part of the Duchy of Burgundy in the Southern Netherlands. He was patronized by Philip the Good, the Duke of Burgundy from 1454 when he was one of several artists called to Lille to work on the decorations for the Feast of the Pheasant.

Simon Marmion (1420-1489) Book of Hours (Use of Cambrai)

Simon Marmion (1420-1489) Book of Hours (Use of Cambrai)

Simon Marmion (1420-1489) Book of Hours (Use of Cambrai)

Simon Marmion (1420-1489) was employed by several members of the ducal family, including Charles the Bold and Margaret of York.

He was called "the prince of illuminators" by a near contemporary.

Three years after his death his widow, Jeanne de Quaroube, married his pupil, the painter Jan Provoost, who on her death inherited the considerable Marmion estate.

La Flora book of hours, before 1489, with 22 full-pages -miniatures of Simon Marmion: Napoli, Biblioteca Nazionale

Sound: O, holy night - Leontyne Price

Text and pictures: Internet

Copyright: All the images belong to their authors

Presentation: Sanda Foişoreanuwww.slideshare.net/michaelasanda

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