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proprietary and confidential | 1 Live Production in an IP World | July 2016
LIVE PRODUCTION
IP WORLD in an
PRESENTED IN PARTNERSHIP BY
JULY 2016
proprietary and confidential | 2 Live Production in an IP World | July 2016
MEET YOUR PANELISTS
VP Product Marketing Global Business Development Manager
CTO Networking KERRY WHEELES JAMES STELLPFLUG BRYAN BEDFORD
@EVSEquipment @Cisco @ImagineCommunications
proprietary and confidential | 3 Live Production in an IP World | July 2016
AGENDA P U T T I N G I T A L L T O G E T H E R
WHEN WHY
HOW WHAT
benefits of IP
components of live production
architecture & design
timing is everything
proprietary and confidential | 4 Live Production in an IP World | July 2016
WHAT
Live Production in an IP World | July 2016
LIVE PRODUCTION COMPONENTS
What are we talking about for Live Production?
proprietary and confidential | 5 Live Production in an IP World | July 2016
WHAT
L IVE PRODUCTION & SDI TODAY
G R A P H I C S Y S T E M S
R E M O T E S O U R C E S
C O N T E N T P L AY O U T
V I D E O S W I T C H E R
A U D I O M I X E R
M U LT I V I E W E R
V I D E O S E R V E R I N G E S T & P L AY B A C K
C O N T R O L S Y S T E M S W I T H C O N T R O L PA N E L
V I D E O R O U T E R
C A M E R A S A N D M I C R O P H O N E S
proprietary and confidential | 6 Live Production in an IP World | July 2016
WHAT
WHAT IS IP ENABLING?
proprietary and confidential | 7 Live Production in an IP World | July 2016
WHAT
WHAT WILL IP ENABLE NEXT? B
RO
AD
CA
ST
CE
NT
ER
S &
ST
UD
IOS
LIV
E E
VE
NT
VE
NU
ES
& S
TA
DIU
MS
OB
PR
OD
UC
TIO
N T
RU
CK
S
proprietary and confidential | 8 Live Production in an IP World | July 2016
WHY
Live Production in an IP World | July 2016
IP BENEFITS
Why are media companies moving to IP based Live Production workflows?
proprietary and confidential | 9 Live Production in an IP World | July 2016
WHY
TRENDS IN MEDIA & BROADCAST
D i r e c t - to - C o n s u m e r E n ga g e m e n t
C o nv e rg e d I n f ra s t r u c t u r e S c a l i n g
A c c e l e ra te d S e r v i c e Ve l o c i t y
D i v e rs i f i e d M o n e t i za t i o n S t ra te g y
proprietary and confidential | 10 Live Production in an IP World | July 2016
WHY
MEDIA TRANSFORMATION
ACQUISITION DISTRIBUTION CONSUMER EXPERIENCE PRODUCTION
Software-Defined Networking
Personalized Experiences
Orchestrated Workflows
Virtualized Data Center
COMPREHENSIVE SECURITY
proprietary and confidential | 11 Live Production in an IP World | July 2016
WHY
NEW EVOLUTION
Why move to IP for your b r o a d c a s t workflows?
Switching technology has evolved…
• Video, audio, metadata, intercom
• Multiple signals per cable
• Bi-directional signals
Live & file based workflows
Dynamic infrastructure (Flex)
New workflow & business models
Virtualization
OTT
proprietary and confidential | 12 Live Production in an IP World | July 2016
WHY
WHY IP BASED PRODUCTION?
SDI-BASED VIDEO ROUTER
IP NETWORK
P R EC I S I O N T I M E F O R SY N C H R O N I Z AT I O N
D E T E R M I N I S T I C N E T W O R K
N E T W O R K S EC U R I T Y
U N C H A N G E D O P E R ATO R W O R K F LOW
FA S T S W I TC H I N G
SYS T E M AVA I L A B I L I T Y
Zero Packet Loss, Ultra Low Latency and Minimal Jitter
proprietary and confidential | 13 Live Production in an IP World | July 2016
WHY
OLD V S NEW | SDI V S IP
G R A P H I C S Y S T E M S
R E M O T E S O U R C E S
C O N T E N T P L AY O U T
V I D E O S W I T C H E R
A U D I O M I X E R
M U LT I V I E W E R
V I D E O S E R V E R I N G E S T & P L AY B A C K
C O N T R O L S Y S T E M S W I T H C O N T R O L PA N E L
V I D E O R O U T E R
C A M E R A S A N D M I C R O P H O N E S
I P N E T W O R K
R E S T A P I
I N T E R F A C E
N E T W O R K C O N T R O L L E R
S TA N D A R D & O P E N A P I
proprietary and confidential | 14 Live Production in an IP World | July 2016
WHY
BROADCAST + NETWORK CONTROLLER
B R O A D C A S T C O N T R O L L E R
Final authority on all policy decisions and actions.
I P N E T W O R K
Provides connectivity with proven technologies.
N E T W O R K C O N T R O L L E R
Abstracts the Network while providing a flexible interface to the higher layers to Control and orchestrate the Network.
proprietary and confidential | 15 Live Production in an IP World | July 2016
WHAT
Live Production in an IP World | July 2016
IP IN LIVE PRODUCTION
What is available for Live Production, and how is IP changing the game?
proprietary and confidential | 16 Live Production in an IP World | July 2016
WHAT
ENDPOINTS THAT ARE IP READY TODAY
G R A P H I C S Y S T E M S
R E M O T E S O U R C E S
C O N T E N T P L AY O U T
V I D E O S W I T C H E R
A U D I O M I X E R
M U LT I V I E W E R
V I D E O S E R V E R I N G E S T & P L AY B A C K
C O N T R O L S Y S T E M S W I T H C O N T R O L PA N E L C A M E R A S A N D
M I C R O P H O N E S
I P N E T W O R K
R E S T A P I
I N T E R F A C E
N E T W O R K C O N T R O L L E R
S TA N D A R D & O P E N A P I
proprietary and confidential | 17 Live Production in an IP World | July 2016
WHAT
SWITCHERS ARE DIFFERENT B E C A U S E O F I P
NEW SWITCHER DESIGNS USE IP
• Scale through Processing modules
• Processors can stack using an IP fabric
• Inputs and outputs are shared
• Processing Power increases with the stack
...
TRADITIONAL S W I T C H E R S a lw ay s have a physical limit.
proprietary and confidential | 18 Live Production in an IP World | July 2016
WHAT
EASILY MANAGE THE IP P IPEL INE
proprietary and confidential | 19 Live Production in an IP World | July 2016
WHAT
ENABLING A NEW WAY OF THINKING
UNCOMPRESSED VIDEO + MULTIVIEWER
DYVI CONTROL
BRIDGED DATA
Production Servers
Production Servers
proprietary and confidential | 20 Live Production in an IP World | July 2016
HOW
Live Production in an IP World | July 2016
ARCHITECTURE
How do you design an IP-based system?
proprietary and confidential | 21 Live Production in an IP World | July 2016
HOW
MARKET ADOPTION O F C O M M O N P R O T O C O L S
a i m s a l l i a n c e . O R G
To foster the adoption of one set of common, ubiquitous, standards-based protocols for interoperability
over IP in the media and entertainment industry.
proprietary and confidential | 22 Live Production in an IP World | July 2016
HOW
AIMS ROADMAP
Baseline for Interoperability
Enable IP Streaming of Audio
Support Split Video and Audio Routing
Add Video Bandwidth
Efficiency to Split Video, Audio and ANC Data Routing
Enable Discovery and Registration of Compliant Streams
SMPTE 2022-6
AES67
VSF TR-04
SMPTE 2022-6 AES67
SMPTE 2059
VSF TR-03 IETC RFC 4175
AES67 SMPTE 291
SMPTE 2059
IS-04
SMPTE 2022-6
AES67 IS-04 SMPTE 2110 SMPTE 2110 (in drafting)
TR04 TR03
proprietary and confidential | 23 Live Production in an IP World | July 2016
HOW
REQUIREMENTS FOR ADOPTION
TECHNICAL ROBUSTNESS
MARKET AWARENESS
GLOBAL ADOPTION
JT-NM
proprietary and confidential | 25 Live Production in an IP World | July 2016
HOW
SDI <> IP HIGH DENSITY GATEWAY
S E L - U C I P • Quad SDIIP + Quad IPSDI • Uses SMPTE 2022-5/6/7 • Frame Synchronizer on IPSDI path • Clean/Quiet Switching between IP feeds
L AT E S T R E L E A S E • Implements VSF TR-04 • SMPTE 2059 “PTP” timing support • AES67 Audio Embed / DisEmbed • Production Audio Breakaway under SDNO
AV A I L A B L E S O O N • Implements VSF TR-03 for HD • ST2022-6 < > TR-03 Gateway
UC
IP
4xSDI TX 4xSDI RX
SMPTE 2022-5/6/7 (SDI over IP)
UC
IP+A
ES
4xSDI TX 4xSDI RX
SMPTE 2022-6/7 AES-67 audio SMPTE 2059 PTP VSF TR-04 system
UC
IP+A
ES
4xSDI TX 4xSDI RX
IETF RFC4175 video AES-67 audio SMPTE 2059 PTP VSF TR-03 system
functionality also available as a Platinum IP3 Module
proprietary and confidential | 26 Live Production in an IP World | July 2016
HOW
UHD
QUAD L INK SD I @ 3G BS P ER COAX ( SMP TE 424M) 2SI = TWO SAMPLE INTERLEAVE
• the forward-going STANDARD way (most new equip)
• Low Latency – only 1 line of inherent delay
SQD = SQUARE DIVISION
• most 1st generation equipment did this
• half-frame of inherent delay
SINGLE LINK SDI @12GBS PER COAX (SMPTE 2082)
EXTEND EXISTING SDI INFRASTRUCTURE
• short cable runs so limited apps (Mobile Trucks)
• supports 2160p60
2160p60
proprietary and confidential | 27 Live Production in an IP World | July 2016
HOW
PUT TING UHD OVER IP
SONY NETWORK MED IA INTERFACE ( NMI) • single multi-cast group per signal
• 2 per 10Gbe allows dest-timed switching
• visually lossless & low latency
TICO ALL IANCE ( RD D 35) • separate multi-cast groups for V&A
• 3 per 10Gbe allows dest-timed switching
• visually lossless & low latency
Un co mpressed UH D v ia VSF TR - 03 • separate multi-cast group per essence
• 2 per 25Gbe / 3 per 40Gbe allows dest-timed switching
• not available yet
NMI – SONY NETWORKED MEDIA
3 D I F F E R E N T W AY S
TICO – TICO ALLIANCE
VSF TR-03 UNCOMPRESSED
proprietary and confidential | 28 Live Production in an IP World | July 2016
HOW
GATEWAYS FOR SONY NMI
SONY NETWORK MED IA INTERFACE ( NMI) • single multi-cast group per signal
• 2 per 10Gbe allows dest-timed switching
• visually lossless & low latency
NMI – SONY NETWORKED MEDIA
4C
QS
UHD (4x3G) 2SI or SQD
UHD (4x3G) 2SI or SQD
UH
D1
+SIP
L
SDI (HD/3G) Sony NMI/IP UHD (4x3G) 2SI mode
UH
D1
+ SIP
L
SDI (downconvert)
4x3G (UHD) 2SI mode
Sony NMI/IP
FRAME SYNC FOR EXTERNAL NON-IP FEEDS HD/3G-SDI, UHD QUAD LINK HD/3G-SDI <> SONY NMI UP/DN CONVERTER
UHD QUAD LINK <> SONY NMI
proprietary and confidential | 29 Live Production in an IP World | July 2016
HOW
GATEWAYS FOR T ICO
4C
QS
UHD (4x3G) 2SI or SQD
UHD (4x3G) 2SI or SQD FRAME SYNC FOR EXTERNAL NON-IP FEEDS
HD/3G-SDI, UHD QUAD LINK HD/3G-SDI <> TICO UP/DN CONVERTER
UHD QUAD LINK <> TICO TR-04 / TR-03
TICO ALL IANCE ( RD D 35) • separate multi-cast groups for V&A
• 3 per 10Gbe allows dest-timed switching
• visually lossless & low latency
TICO – TICO ALLIANCE
UH
D1
+TIC
O
SDI (HD/3G) TICO + AES67 UHD (4x3G) 2SI mode
UH
D1
+TIC
O
4x3G (UHD) 2SI format
TICO + AES67
proprietary and confidential | 30 Live Production in an IP World | July 2016
HOW
ARCHITECTING Y O U R I P - B A S E D P R O D U C T I O N
G R A P H I C S Y S T E M S
R E M O T E S O U R C E S
C O N T E N T P L AY O U T
V I D E O S W I T C H E R
A U D I O M I X E R
M U LT I V I E W E R
V I D E O S E R V E R I N G E S T & P L AY B A C K
C O N T R O L S Y S T E M S W I T H C O N T R O L PA N E L C A M E R A S A N D
M I C R O P H O N E S
I P N E T W O R K
R E S T A P I
I N T E R F A C E
N E T W O R K C O N T R O L L E R
S TA N D A R D & O P E N A P I
proprietary and confidential | 31 Live Production in an IP World | July 2016
WHEN
Live Production in an IP World | July 2016
TIMING IS EVERYTHING
When should you move to IP-based Production?
proprietary and confidential | 32 Live Production in an IP World | July 2016
W H E N
WHEN TO MOVE TO IP F O R L I V E P R O D U C T I O N
Any major re-design or expansion or green-field site.
Adding support for UHD.
Now that market has adopted common standards.
When you can use the business advantages provided.
proprietary and confidential | 33 Live Production in an IP World | July 2016
CONCLUSIONS
WHEN WHY
HOW WHAT
benefits of IP
components of live production
architecture & design
timing is everything
proprietary and confidential | 34 Live Production in an IP World | July 2016
KEEP IN TOUCH
VP Product Marketing Global Business Development Manager
JAMES STELLPFLUG BRYAN BEDFORD CTO Networking
KERRY WHEELES
Booth 4.A01
@ImagineCommunications
www.imaginecommunications.com
Booths
@EVSEquipment
www.evs.com
Booth 1.A71
@CISCO
www.cisco.com
VIS IT US AT IBC 2016 CONFERENCE 8-12 SEPT 2016 EXHIBITION 9-13 SEPT 2016 RAI AMSTERDAM
8.B90 8.A96
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