introduction€¦ · · 2015-10-07introduction .:;iihers have their own ways of fingering scaies....
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INTRODUCTION
.:;iihers have their own ways of fingering scaies. . - :bis in mind, 1 have in this book placed my own : Y rnsath the notes so that there is room for an . r~.;iri\e system to be written above the notation.
: - 2 . suggested fingerings in the bottom octave of the - . .::=s uill enable the student to retain familiarity with - --: :<>u.er positions on the instrument. 1 suggest the
. : , ~ ju ing fingering patterns for the second octave of al1 - - A . . . - ¡cales. Note that the position moves are the same,
.:;; hough the fingering patterns within these moves are ~ 5 ~ 1 o u s l y different for the major, melodic and tarmonic minor scales; for scales in the keys of E to G:
E major
E rninor melodic
For arpeggios in the keys of E to A, and for dominant sevenths starting between E and A, the following fingering is suggested:
(3) (3) (3) 1 ' 1
major arpeggio
F minor arpeggio
BL major dominant seventh
and for the keys of Bb to Eb, and for dominant sevenths starting between Bb and Eb, the following:
E minor harmonic
11 1 1 1 B major arpeggio
.ind for scales in the keys of Ab to Eb:
major
A minor melodic
B minor arpeggio
E major dominant seventh
A minor harmonic 1 hope that my suggestions may help in bringing a greater fluency and understanding to the student's technical awareness.
RODNEY STEWART
GRADE 1: Scales & Arpeggios
Scales: separate bows, rhythm as shown. Arpeggios: separate bows, even notes
GROUP I 1 or GROUP 112 at candidate's choice
B b major'
1 . m.... I V L u- I I I r i ni I r n a 1 1 1
harmonic t 1 1 1 I I I I ' L I 1 1
0 2 4 r 2 4 1 2 1 4 F 0 4 2 o u
B minor2 harmonic
GRADE 2: Scales & Arpeggios
Scales: (a) separate bows, rhythm as shown; (b) slurred as shown, two quavers to a bow Arpeggios: separate bows, even notes
F major
Bb major
A minor harmonic
E minor harmonic
A B 2176
GRADE 3: Scales & Arpeggios
Scales: (a) separate bows, rhythm as shown; (b) slurred as shown, two quavers to a bow; (c) pizzicaro Arpeggios: (a) separate bows, even notes; (b) pizzicato
GROUP 1' or GROUP 112 at candidate's choice
' niajor '
I : rninor '
(; minor2 nielodic
o r
C; minorZ harmonic
.A minorI2 rnelodic
.A minor12 harmonic
GRADE 3: Scales & Arpeggios (cont.)
B minor l melodic
B minor ' harmonic
D minor2 melodic
D minor2 harmonic
GRADE 3: Dominant Seventh
(a) separate bows, even notes; (b) pizzicato
GROUPS 1 & 11
Key of D starting on A
GRADE 4: Scales & Arpeggios
Scales: (a) separate bows, rhythm as shown; (b) slurred as shown, two quavers to a bow; (c) pizzicato ,\rpeggios: (a) separate bows, even notes; (b) slurred as shown, three notes to a bow; (c) pizzicato
GROUP 1' or GROUP 112 at candidate's choice
C minorI2 harmonic
major
8
GRADE 4: Scales & Arpeggios (cont.)
C# minorl melodic
C# minor ' harmonic
D minor2 harmonic
E minor2 melodic
E minor2 harmonic
9
GRADE 4: Chromatic Scales
(a) separate bows, even notes; (b) pizzicato
ctarting o n A
starting on E
GRADE 4: Dominant Seventh
(a) separate bows, even notes; (b) pizzicato
Key of F starting on C
1 o GRADE 5: Scales & Arpeggios
Scales: (a) separate bows, rhythm as shown; (b) slurred as shown, two beats to a bow; (c) pizzicato Arpeggios: (a) separate bows, even notes; (b) slurred as shown, three notes to a bow; (c) pizzicato
GROUP 1' or GROUP 112 a t candidate's choice
G # minor2 melodic
G # minor2 harmonic
D major '
D minor' melodic
D minor ' harmonic
major
GRADE 5: Scales & Arpeggios (cont.)
t 7 niinor melodic
1- , m i n ~ r ' ~ harmonic
E minorlZ melodic
E minor12 harmonic
GRADE 5: Chromatic Scales
(a) separate bows, even notes; (b) pizzicato
starting on A
starting -.. n
starting on E
GRADE 5: Dominant Seventh
(a) separate bows, even notes; (b) pizzicato
Key of A starting on E
GRADE 5: Diminished Seventh
(a) separate bows, even notes; (b) pizzicato
starting on A
Printed i n England by Caligraving L imi ted T h e t f o r d Norfolk
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