main source wrien by henry russell hitchcock and philip johnson … · main source wrien by henry...

Post on 09-Aug-2018

227 Views

Category:

Documents

0 Downloads

Preview:

Click to see full reader

TRANSCRIPT

Mainsourcewri-enbyHenryRussellHitchcockandPhilipJohnsonin1932called“TheInternaAonalStyle”BeganwithPeterBehrensinGermanybeforeWorldWar1withhisIndustrialArchitecturelikethe1922AEGIndustrialBuilding.Evenearlierin1913O-oWagnerwasworkingonusesofplanesurfaceswiththeWagnerVilla.AndfinallytheBelgianHenryVandeVeldewaslookingatconAnuoussurfacesandcurveslikeinhismainbauhausuniversitybuildingin1905.ThestylebeganinFrance,HollandandGermanybeforebecomingtrulyinternaAonalwiththehelpofLeCorbusier,PhilipJohnsonandHenryHitchcock.

1

Therearethreemainprinciplesofthestyle.Theseareanemphasisonvolume,regularityoversymmetry,anddependenceonintrinsiceleganceofmaterials,technicalperfecAonandfineproporAons.ThebuildingmenAonedin“TheInternaAonalStyle”tobestexepmlifyall3a-ributesisthePavilionbyEricAsplundatthe1930StockholmExposiAon.

2

TheemphasisonvolumemeansthatmassandstaAcsolidityareremovedandreplaceswithplanesboundingavolume.Flatroofs,largerwindowareasandgreatersimplicityalladdtotheemphasisonvolume.WithnewtechnologiessuchassteelthereisnolongeraneedforsupporAngwallsandthereforcanhavemoreopeningsanduselightermaterialsthataremoreplanelike.Inlinewiththestylethereare3typesofinteriors:theenArevolumeofabuilding,interiorsthatopentooneanotherwithoutdefiniteparAAonsandtheordinaryenclosedroom.IntheInternaAonalstyleinteriorsthatopentooneanotherwithoutdefiniteparAAonsarefrequentlyused.

3

Allbuildingshaveanunderlyingregularrhythmduetotheequallyspacedskeletalsupports.Regularitydoesnotmeansymmetry.TheInternaAonalstyledoesnota-empttoforceirregularfuncAonsintoasymmetricalforms,butitdoesa-empttoraAonallyadjustirregularfuncAonstoregularstructureandtoexpressthatadjustmentinacleardesign.TheoriginalGreekmeaningofsymmetrystatesthatsymmetryisthedueproporAonofseveralpartsisalmostequivalenttotheinternaAonalstyle’smeaningofregularity.TheVanNelletobacco,teaandcoffeefactoryinRoderdambuildbyBrinkmanandVanderVlugtin1930usesthreesecAonseachdevotedtoadifferentfuncAonbutusingthesamestructuralregularity.TheFillingstaAoninClevelandbuiltbyClaussandDaubin1931featuresasymmetricalplacementofthedoorandshopwindowsgivingitwhatHitchcockandJohnsonrefertoas“superiorarrangement.”

4

TheInternaAonalstyledependsonalternateformsofornamentbecauseitisbelievedthatappliedornamentshouldnotbeneededongoodarchitecturewiththeonlyexcepAonbeingforclearandcrisple-eringtonamethebuilding.TheideaofthelackofornamentcarriesovertothesiteinthatmanshouldnottrytocopynatureincreaAngsitelandscapingandgardens.TheinternaAonalstyleavoidsappliedornamentbecausethebuildingsdesignedinthestylehaveanemphasizedspecificfuncAon.TheFinnishpavilionattheAntwerpexposiAonbyErikBryggmanin1930givesgoodexapmlesofmaterialityandle-eringusedasdecoraAon.Thevarnishedplywoodneedsnoextraappliedornamentandthele-eringisusedeffecAvelyinsilhoue-eAnotherexampleofle-eringassimpledecoraAonisintheKunstvereinremodledhousebyKarlSchneiderin1930inGermany.

5

TheInternaAonalstyleprinciplepointssomewhatincorporatethesecondarycomponentshowevertheyarenotspecificallymenAoned.WindowsarethemostconspicuousfeaturesofmodernexteriordesignsandhorizontalityisthemostconspicuouscharacterisAcofthestylethereforeitisfibngthathorizontalwindowsareusedmostcommonly.ThestylealsospecifiesthatthewallplaneshouldnotbebrokenwithawindowattheinneredgesandthatallopeningsareintenAonallyordered.TheTugendhathousebyMiesVanderRoheinCzechoslovakiaexhibitsthehorizontalwindowsandunbrokenwallpanes.TheProfessionalwomen’sresidenceinSwitzerlandbyArtariaandSchmidtarrangedthedoorsandwindowswellsoastouserhythm.

6

ThethreecomponentsoftheinternaAonalstylebestalignwithLaugier’striadofbiensceance,soliditeandconvenience.BiensceancetoLaugiermeanstheappropriatenessofdesignwhichlinesupwiththedependenceonintrinsicelegance.SoliditetoLaugiermeanstheproperuseofandchoiceofmaterialwhichtotheinternaAonalstylemeanstheplanarconstrucAonandunbrokensurfaces.ConveniencetoLaugiermeansthesite,planningandinternatcommunicaAonwhichallignsperfectlywiththeideaofregularity.ItisratherconvenientthattheInternaAonalstylehas3mainpointsallofwhichmatchLaugier’striad.

7

8

top related