minimalism

Yves Klein, "Monochrome IKB 3", 1960

MINIMALISM

Robert Rauschenberg: White Painting [seven panel],

1951

Ad Reinhardt: Abstract Painting, 1960-61

Frank Stella, Tuxedo Junction, 1960

Kazimir Malevich. Black Cross. 1920s

Marcel Duchamp: Readymade, 1915

Barnett Newman

Ad Reinhardt (1907-1967)

Painting, 1954-58, 78 x 78 inches, Oil on canvas , National Gallery of Art, Australia

Lot 4, "Untitled," by Agnes Martin, oil, ink and wash on canvas, 12 inches square, circa 1961

Sol LeWitt.

BRICE MARDEN: D’après la Marquise de la Solana, 1969. Oil and wax on canvas, three panels, 77 5/8 x 117 3/8 inches overall. Solomon R. Guggenheim Museum

ROBERT RYMAN:Surface Veil I, 1970. Oil and blue chalk on linen, 143 15/16 x 144 inches. Solomon R. Guggenheim Museum, Panza Collection

Goya, late 1700s

ROBERT MANGOLD:Circle In and Out of a Polygon 2, 1973. Acrylic and black pencil on canvas, 72 3/16 x 72 7/16 inches. Solomon R. Guggenheim Museum

ELLSWORTH KELLY: Dark Blue Curve, 1995. Oil on

canvas, 46 x 190 inches. Solomon R. Guggenheim

CARL ANDRE: Trabum, 1977. Douglas fir, Nine units, 12 x 12 x 36 inches each; 36 x 36 x 36 inches overall. Solomon R. Guggenheim Museum

DAN FLAVIN: the nominal three (to William of Ockham), 1963. Fluorescent light fixtures with

daylight lamps, each fixture: 6 feet; 72 x 212 1/2 x 5 inches overall. Solomon R. Guggenheim

Sol LeWitt: 49 Three-Part Variations on Three Different Kinds of Cubes 1967-71

Enamel on steel

Tony SmithThe Keys to Given!

1965 bronze, edition 2/6

40.6 x 40.6 x 40.6 cm

“Actual space is intrinsically more

powerful and specific

than paint on a flat surface.”

Donald Judd

DONALD JUDD: untitled, 1969/1982, Anodized aluminum, Walker Art Center

ROBERT MORRIS: Ring with Light, 1965-96 painted wood and fibreglass and fluorescent

light, two units, each 24 inches (61 cm) high, 14 inches (35.6 cm) deep, overall diameter 97

inches (246.4 cm)Dallas Museum of Art

RICHARD ARTSCHWAGER: Book III (Laocoón), 1981, Formica on wood, metallic handles, imitation leather cushion.122 x 71 x 104 cm.

PHILIP KING, English, born

in Tunis in 1934

FRANK STELLA Bandshell (Model), 1999, Fiberglass, 12' x 14'6" x 15'

ANTHONY CARO;Emma Dipper  1977Painted steelobject: 2130 x 1700 x 3200 mmsculpture

DONALD JUDD: Untitled, 1968. Enamel on aluminum, 22 x 50 x 37

inches. Solomon R. Guggenheim Museum, Panza Collection

Robert Morris

[American Minimalist, born in

1931]

CARL ANDRE; Equivalent VIII  1966

'The sensation of these pieces was that they come above your ankles, as if you were wading in bricks. 'It was like stepping from water of one depth to water of another depth.' ANDRE

Sol LeWitt

CUBE STRUCTURES BASED ON FIVE MODULES, 1971-74, Painted wood.

Joseph Kosuth, One & Three Chairs, 1965. sculptural

installation

PRE-MODERN SCULPTURE

Gian Lorenzo Bernini: Constantine,

1663-70

MODERN SCULPTURE

The Cock, 1924 Caryatid II, 1914/26

Adam and Eve,1916–24

Constantin Brâncuşi. Romanian. 1876-1957

LATE MODERN SCULPTURE 1960s

Robert Morris, installation, Green Gallery,New York, Dec. 1964 – Jan. 1965

SITE CONSTRUCTIONS

Robert Smithson:Partially Buried Woodshed,

1970

MARKED SITES

Michael Heizer: Double Negative, 1969-70, Mormon Mesa, Overton Nevada, 50 feet deep; 1,500 feet long. (aerial photograph)

Robert Smithson:Yucatan Mirror Displacements (1–9), 1969. Nine chromogenic-development slides.

Christo & Jeanne-Claude:Running Fence, Sonoma and Marin Counties, California 1972-76

Richard Long

AXIOMATIC STRUCTURES

Robert Irwin (American, born 1928)

1º 2 º 3 º 4º, 1997

apertures cut into existing windows

Bruce Nauman:Green Light Corridor.

1971

Donald Judd.American 1928-1994

Richard Serra. American born 1939

The Matter of Time, Guggenheim Bilbao, June, 2005

Eva Hesse.German-born American. 1936-1970

Anti-Form

Post-Minimalism

Process art

Bruce Nauman:

Hand to Mouth, 1980

Robert Morris, Untitled, (Pink Felt) 1970. Felt, dimensions vary with installation. Solomon R. Guggenheim Museum, Panza Collection

Bruce Nauman, None Sing–Neon Sign, 1970. Ruby-red and cool-white neon, 13 x 24 1/4 x 1 1/2 inches overall. Edition 6/6. Solomon R. Guggenheim Museum,

Bruce Nauman, Green Light Corridor, 1970. Wallboard and

fluorescent light fixtures with green lamps, dimensions variable,

approximately 120 x 12 x 480 inches. Solomon R. Guggenheim

Museum

Dan Flavin. American. 1933-1996

Knotweed Stalks Pushed into Lake Bottom, 1988

Andy Goldsworthy. British, born 1956

Richard Long, British, born 1945

A Line of Circles, site-specific: Milwaukee Art Museum, 2001