music printing brochure - wordpress.comjacqueline wolf, gianmario borio 9.30h "key note chair –...

The international workshop Music Printing and Publishing in Modern Italy – New Approaches has three main objectives:

– to discuss the latest results of recent research in the field of music printing and publishing in Italy before 1800

– to encourage exchange of scholars working in this area and develop new research approaches and perspectives

– to present and discuss some innovative research tools, as the new database Printed Sacred Music in Europe 1500-1800.

Organised byUniversity of Fribourg – Switzerland

Institute of Musicology

Caʼ Foscari University, Venice – ItalyDepartment of Philosophy and Cultural Heritage

Fondazione Giorgio Cini, Venice – ItalyInstitute for Music

Swiss Consulate in Venice – Italy

LocationsSwiss Consulate in VenicePalazzo Trevisan degli UliviCampo SantʼAgnese 810 – 30123 VeniceTel. +39 041 522 59 96eventisvizzeri@palazzotrevisan.it

International WorkshopVenice, 13-14 February 2014

Music Printing and Publishing in Modern ItalyNew Approaches

Fondazione Giorgio Cini, VeniceIsland of San Giorgio Maggiore – 30124 Venice

Institute for MusicTel. + 39 041 271 02 20 – musica@cini.it

www.cini.it

ContactsDr. David Bryant – david.bryant@unive.it Caʼ Foscari University, Venice

Dr. Luigi Collarile – luigi.collarile@unifr.chUniversity of Fribourg – Caʼ Foscari University, Venice

http://www.cini.ithttp://www.cini.it

" Thursday, 13 February 2014" Swiss Consulate in Venice (Palazzo Trevisan) !

9.00h" Opening

David Bryant, Luigi Collarile Jacqueline Wolf, Gianmario Borio

9.30h " Key NoteChair – David Bryant Respondents – Neil Harris, Luca Zoppelli

Luigi Collarile(University of Fribourg – Caʼ Foscari University, Venice)

Edizioni musicali italiane perdute. Nuove prospettive bibliografiche e storiografiche

11.00h " Study Session IRespondents – Patrizio Barbieri, Iain Fenlon

Bianca Maria Antolini (Conservatorio di Perugia)Il «Dizionario degli editori musicali italiani». Bilancio di una ricerca

Rodolfo Baroncini (Conservatorio di Adria)«In Merzaria»: l'officina Gardano e il contestosocio-antropologico delle contrade di San Salvador e San Zulian (Venezia, 1580-1610)

15.00h " Study Session IIChair – Luigi CollarileRespondents – Marco Di Pasquale, Rudolf Rasch

Patrizio Barbieri (Rome)Prime testimonianze sui librai musicali di area veneta a Roma: nuovi documenti, 1567-1569

Rebecca Edwards (St. Martinʼs University, Washington)A Valuable Perspective on the Relationship between Musicians and Printers in 16th-CenturyVenice: the Case of Claudio Merulo

Carrie Churnside (Birmingham City University)Reflections upon Working on Italian Music Printing and Publishing in the Seventeenth- and Eighteenth-Centuries Italy

17.00h " Study Session IIIRespondents – Rodolfo Baroncini, Rebecca Edwards

Iain Fenlon (Kingʼs College, Cambridge)Composers, Dedicatees and Publishers

Marco Di Pasquale (Conservatorio di Vicenza)Intorno alla pratica della dedica. Il caso dellʼAccademia Filarmonica di Verona

" Friday, 14 February 2014" Fondazione Giorgio Cini (Island of S. Giorgio) ! Sala Barbantini

9.00h" Study Session IV

Chair – David Bryant Respondents – Bianca M. Antolini, Carrie Churnside

Constance Frei (University of Geneva)I primi tipografi musicali bolognesi

Giulia Giovani (Istituto Storico Germanico, Rome)Riflessioni sulla stamperia Silvani «all'insegna del violino»

Rudolf Rasch (Utrecht University)Italian Engraved Music Editions before and after Corelliʼs Sonatas Opus 5 (1700)

11.00h" Study Session V

Respondents – Constance Frei, Giulia Giovani

" Paolo Giorgi (Bologna)Maurizio Cazzati (1616-1678) compositore estampatore: un esempio di autoimprenditoriamusicale seicentesca

Daniele Torelli (Libera Università di Bolzano)Lʼimpronta dei piombi: il riconoscimento dei caratteri in edizioni musicali sconosciute

15.00h " Study Session VI

Chair – Luigi Collarile Respondents – Neil Harris, Daniele Torelli

Laurent Pugin (RISM Switzerland)Aruspix – A Software Suite and its Applications

Rodolfo Zitellini (University of Fribourg – RISM Switzerland)Mapping Music Typefaces.Toward a Digital Catalogue

17.00h " Printed Sacred Music in EuropeChair – Gianmario Borio (Fondazione Giorgio Cini)

Key Note

David Bryant, Elena Quaranta (Caʼ Foscari University, Venice)

How does Printing Reflect Patterns of Consumption in the Church Music of Sixteenth-and Seventeenth-Century Italy?

Presentation of the New Database

Luca Zoppelli (University of Fribourg)

with David Bryant, Luigi Collarile, Laurent Pugin, Elena Quaranta, Rodolfo Zitellini