personal portfolio, december 2012

PORTFOLIO

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MONIKA KANOKOVA MA

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STUDIED FASHION COMMUNICATION DESIGNat the HKU /Utrecht / NL

INTERIOR ARCHITECTURE AND 3D at the New Design University/Sankt Pölten / AT

Personal Data

Contact

Higher Education2002 – 2012

Language Ability

Knowledge & References

Work experience

Strategic concepts for startups (Audiofeel, Schnittbogen), event organization, project coordination

Currently working for: Project manager & Concepter, moodley brand identity, since Sept 2012

Trend scout & Junior Planner, LHBS Consulting GmbH, Jun 11 – Sept 2012Junior Designer, Johannes Scherr (Industrial Design), July 10 Internship, BWM Architekten, Feb 11 - Apr 11Project assistant, IB Stria, Kitchen Consultant, Dec 09 – Apr 11Promotion a. Marketing, OEBB Austrian Railways, Dec 08 – Dec 09Catering, Top Lokale Wien, Vienna, Aug 06 – Jul 09Au Pair, Family Beardon, Stanbridge (UK), Sept 07 – March 08Assistant Secretary, Siebdruck Mandl, Vienna, 06 - 07Shop Assistant, Balina Joppich (bride fashion), Vienna, 05Shop Assistant, Benetton Megastore, Vienna, July 04Telephonist, market research, GfK Austria GmbH, Vienna, 03 – 05

Monika Kanokova, MAAddress: Längenfeldgasse 16/8/9; 1120 ViennaDate of birth: 22nd of April, 1986Nationality: Czech

Call number: +4366488751432+436763744047E-Mail: MonikaNicoletta@gmail.comBlog: http://www.kathmography.com http://design-insights.by

2001 – 2012, MA Fashion Communication Design, HKUUtrecht, NL2008 – 2011 BA Interior Architecture, New Design University, St. Pölten, AT2007 – 2008 BTEC Foundation Art & Design, Dunstable College, Dunstable, UK2002 – 2007 Vocational College of Fashion “HLA Mödling”, Mödling, AT

German and Czech (bilingual)English (fluent)

CurriCuluM VitAe

BA PROJECT

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ZWISCHENMEISTEREIAdvisor: Univ. Prof. Mag. arch. Christine Schwaiger6th semester

In this project my main idea was to make the process of making clothes visible, and transparent and also introdu-ce the craft back to the Austrians. I‘ve combined a workshop, a shop (mostly for buyers but also for the endconsumers) and an event center. On only 400 m2 there is enough space to organize a proper fa-shion show, or rent a part of the show room, due to all the furniture can be removed very quickly by pulling them up or turning them into seatings. The changing cabins are easily to be pulled up and down and are on the one hand a space saving solution but also an eyecatcher for the outside as they are slightly moving because of the installed ventilator.The glass facade and also the outside staircase, where you can sit down and read a book is a clear sign that the fashion industry wants to be seen and accepted for the hard work that now vanishes in the distance of thousands and thousands kilometers, somewhere in Asia.

GLASS FACADE

have you ever thought about what you are wearing and where it comes from?

have you ever thought about the people, who are making your clothes?

MAIN ENTRY

bauhaus lighting as shop lightinginspirationclaris II office light leuchtstoffringfluorescent tube minium lite – office

outside conference room office changing cabins shop

LIGTING DESIGN

CHANGING CABINS

GROUNDFLOOR

WORKSHOP

oak coated screed felt tpe cork flag halyard chair

CUT THROUGH THE OFFICE, WINDOW

FIRST FLOOR

CUT THROUGH THE CONFERENCE ROOM

AND LOBBY

OFFICE

STRATEGIC CONCEPT

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AUDIOFEEL

Johannes Scherr Design2010

When I entered the company as a project assistant the-se speakers were only an idea between many others in one of the sketch books.As there are two very important state fundings for de-sign projects in Vienna I took the intiative to write the concepts which in the end got the support from AWS as well as the Departure funding.

http://www.audiofeel.at

STRATEGIC CONCEPT

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SCHNITTBOGEN

Michaela Hudecova Königshofer2011

Within my BA FMP I concentrated on the interior as well as the conceptual sides of the project. After my gradua-tion I showed the project to Michaela who was very inte-rested in my way of thinking.Last summer I wrote the concept for a submission for the AWS founding which got the support. Schnittbogen has its opening on the 19th of April, 2012.

http://www.schnittbogen.at

tag_ / Issue #1 / Winter 2011

EDITORIAL DESIGN

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TAG_ MAGAZINEAdvisors: Jaap van Triest, Elsbeth BrouwerGraphic Designer: Theo VarnavasMA Fashion Communication Design

http://www.issuu.com/kathmography

tag_ is a crowdsourced magazine done by international bloggers and photographers. It‘s a magazine on urban issues exploring current happenings from across Euro-pe.

tag_ / Issue #1 / Winter 2011

PUBLISHED BY VERLAG NEUE ARBEIT

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MODEBLOCK Publisher: Verlag Neue ArbeitCurator: Carmen Rueter

http://bit.ly/Jb6p2Jhttp://mode.gbfestival.at

For the Gemeindebau Festival 2010 I wrote a personal diary about fashion in the context of social living in the Viennese council flats. In 2012 the report got published as a hardcopy by Ver-lag Neue Arbeit, the report can be viewed online on issuu.

EVENT TOOL

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„BATCHER“

COMPETITION WINNERTEAMWORK WITH ALEXANDRA SPITZER

Advisors: Polka designers4th semester

Our idea was based on the thoughts about trash caused by the amount of empty Red Bull cans, as well as the idea of a Red Bull Community and the usual need to take a souvenir home to memorize a great time.The concept is simple; There is a batcher for every Red Bull event; The event logo and the date are being pressed in an empty can so the fan gets a batch as a souvenir.

= satz_stapel_stoß_ladung_charge_auflage_bündel_posten_partie

eventlogo + date

a stamp made exclusively for one event. De-stroyed afterwards to make sure that no one

can ever make a “fake” button.

character of a button

riveted loop

for a creative attachment

ART WORK

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LIFE DRAWINGS

Advisor: Mag. Judith Wagner

There is nothing more inspirational than spending a few hours on life drawings.

These are a few examples from the last 2 years at the New Design University.

LIFE DRAWING // 2009

ART WORK

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ANALYTICAL DRAWINGS

Advisor: Univ.-Doz. Thomas Gronegger4th semester

In 2009 we went to Rome to study the composition of historical buildings.

ANALYTICAL DRAWING ROM // 2009

SAN GIOVANNI IN LATERNO

Romzeichnungen- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

Santa Maria in Testavere

Fotos (c) Lukas Wagner

Interessante Treppenlösung. Dieses

durchdachte Form. Die Treppe er-‐

würde.

Romzeichnungen- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

Titus Bogen

Fotos (c) Lukas Wagner

-‐tem von San Pietro in Vatikan.

SANTA MARIA IN TESTAVERE ARCH OF TITUS

ART WORK

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HYBRIDS

Advisor: Lee BirkettDunstable College

In this series I have drawn four hybrids that were com-bined from elements of scissors, a measuring tape, an iron and a dress form.

HYBRIDS // 2007

PROJECT DOCUMENTATION

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SKETCH BOOKS

Dunstable College // New Design University

WHITE PROJECT // 2009

DUNSTABLE COLLEGE

CLOTHES - THE SECOND SKIN // 2010

NEW DESIGN UNIVERSITY

MOOD BOARD // 2011

CLOTHES - THE SECOND SKIN

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BODY COVERS

Advisors: Patricia Hepp, Martina Küng-Fürlinger 4th Semester

This project was based on the thought of clothes as the second skin - between our skin and architecture, clothes have the inbetween role that connects those two ele-ments. It‘s the kind of skin we choose to show off our personalities and opinions.

In my opinion, this gets much deeper; as the choice of the outside-look of a person is coming from the inside. I think that the first skin is not just about some fabrics, it‘s far more something we build our character on - it‘s the me-mories that we develop our looks from. We also choose our cloths based on the approaches of the society we are involved with.

The final piece has been symbolic for our innerchild caught in the chains of the society and formed as wished.

CLOTHES - THE FIRST SKIN // 2010

NEW DESIGN UNIVERSITY

VAR 7 A VAR 7 B

VAR 7 A

GRAPHIC DESIGN

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YO_CITRUS FRESHFOR JOHANNES SCHERR DESIGN

RENOVATION

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EIN_LEUCHTENTEAMWORK WITH JEANNINE ZÖCHLING

Advisor: MArch. BArch. ARIAS Steuart Harrison3th semester

Lamps with a recycling background.

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TREE HOUSEAdvisor: M.Arch (UCLA) Dipl.Ing. Heimo Schimek4th semester

A treehouse inspired by a gazebo.

RENOVATION

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JEWISH MUSEUM VIENNAAdvisors: Univ. Prof. Mag. arch. Christine Schwaiger MA, Mag.arch. Christian Schwaiger5th semester

The main focus of this project was the renovation and a new subdivision of the building that is partly under pre-servation order. To see the decorative wall stamps in the Max-Berger-Saal by the artist Nancy Spero closer, I‘ve decided to build in a staircase that can also be used as a viewing platform. I‘ve also tried to expand the single parts like the book shop, or the coffee shop and organise the building in a way, the visitors don‘t get lost,like it often happens currently. To get to know the situation and the building‘s own difficulties, I‘ve spend some time walking around the house and observing activities going on in-side this museum. I‘ve tried to create a center of com-munication where people have the possibility to spend some time and get to know the Jewish culture. To gene-rate more interest outside of the buiding, I‘ve decided to make a series of the Josef Frank chairs as benches for the public room, featuring the address in different langu-ages, also blind language.

WC-Behindert

WC-Damen

WC-Herren

Max Berger Saal

Raum 1

Raum 2

Raum 3

Raum 4

Raum 6

Gaderobe

Buchhandlung

+/-0+0,6

+/-0FOK

WC-Damen WC-Herren

0.5m1m 2m 5m 10m

Verbindungstreppe

Fluchttreppe

RH 3,29m

+0,6FOK

70 x 7070 x 70

RENOVATION

EXISTING, planned by KNECHTL oder EICHINGER, 1993

2ND FLOOR1ST FLOOR

STAIRCASE - CUT THROUGHT THE MUSEUM LOBBY

BOOK SHOP - SINGERSTAIRCASE

CAFÉ TEITELBAUMENTRANCE

BAUKUNST

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SYSTEMATICAL

PROPORTIONINGAdvisor: Univ.-Doz. Thomas Gronegger4th semester

A study on proportions and rhytms.

CONTACT

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MONIKANICOLETTA (AT) GMAIL.COM

personal portfolio, december 2012

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