portfolio c cfc
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portfolioChiara Fabbri Colabich
Illustrations & Books Colors Comic Books Artworks Graphic Design
*brandoftoiletpaper,1909
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by hand/traditional techniques illustrations
by watercolors
by watercolors
by mixed tecniques: acrilic colors, crayons, collage
by ink, crayon
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book projectsLA RIVOLUZIONE LETTERALE
Story & Illustrations, Graphic Project(and Artwork-Intervention Site Specific)
LA RIVOLUZIONE
LETTERALE
Chiara Fabbri Colabich
C era una volta uno Spazio-Libero, ma in poco tempo vi si insediarono,con la forza, i Numeri, auto-eleggendosi razza migliore e
nominando re il loro padrone , tanto perfido quantocapace di conferire un valore in pi agli stessi Numeri.Persino agli zero.
Nello Spazio-Non-Pi-Libero vivevano anchele Lettere che, non essendo moltiplicabili,erano in minoranza, e si sa, moltospesso le minoranze non vengonoviste di buon occhio.
StoryBoard
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colors comic books
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colors comic booksDigital Colors by Photoshop
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colors comic booksDigital Colors by Photoshop
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colors comic booksDigital Colors by Photoshop
Mytico! 31, 'Il regno dei morti',Alta Fedelt-BD Edizioni/Corriere delle Sera-RCS, 2012(Script: Monica Manzoni Drawings: Andrea Mutti)
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artworks
Installations
Video-Installations
Interventions Site Specific
Projects
Animations & Co.
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manifestosPOETICA / INTERVENTIONISTS MANIFESTO
As open form, art mustnt be closed into determined spaces, but if must
intervene in open SPACE, in naturalistic-urban-or landscapes,so the their elements take part in it.
As open form, art needs its PUBLIC that has to intervene to make it possible,and to give it life.
Art has different possibility of INTERVENTION:
happening-performance-games-space occupation,
and different way, from a recreational form to a more critical form.
INTERVENTIONISTS MANIFESTO
Art is and wants to be an open form
POETICA
I keep research about the communication, language, and its elements.
Supporting the thesis that language is just a code of letters assembled by rules.
With a consequent criticism by the way the inadequacy, of the expression intensity of feeling.
And anyway,
believing in the need to communicate his inner reality to a reality outside, beyond the words.
I arriving to use and break down sentences into words, letters,
and finally in pure graphic signs them harmless,
taken as a life form in its own right.
At each pice, starting from different issues and problems,
and using different types of expressionsuch as video and / or installations,
drawings, interventions site specific, and suitable for game letters more or less assembled,
putting my attention to the interaction between
places, people and letters.
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video-installationsCOMMUNICATIVE NOURISHIMENT - NOURISHING COMMUNICATION
Expo: BJCEM, Atene, Greece, 2003
the communica(c)tion as nutrition
dish + spoon + pasta in letters
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CANDIESExpo: Arte e Sud, Villa Fortuna, Acitrezza, CT, Italy, 2006, curated by Antonio Arvalo
video-installations
not always is sweet
not always is a game
not always are candies
licorice candy
colored sugar candy
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installationsDECAPITAZIONE
Expo: Parco delle Piscine, Mogliano Veneto, TV, Italy, 2004
in collaboration with Bevilacqua La Masa Foundation, Venezia
one morning / go to work /the radio on / listening to a scream
Report from the tangible reality:translation in letters,
of a sound, a scream,of a head cut,
a voice slaughtered
a word decapitated, too
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interventions site specificPER CHI DANZA SALOME
Expo: Gemine Muse, Museo Civico Eremitani, Padova, Italy, 2003
curated by V.Baradel
re-creating the dance with 7 veils of Salom
creating a sort of path to her portrait-painting
(and to the attainment of her desire)
Saloms portrait-painting
Quotation-words-letters
from Salom of O. Wilde
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projects
FathersIntensity is the difference G.Deleuze
Homage to my fathers and their excellent words,
creating new dialogues, without time-space limits, between us, about fondamental questions
Installation- intervention site specific, with drawing and lettering
Cos se vi pareIs the communicationa comprimise? Is it to be as the otherssee us? L. Pirandello
Question itself about identity and communication ofoneself to others.The impossibility of havingaunique andsure vision of reality, through their appearence,masks and rules
Installation of digitalimages fromown photos,withdrawer intervention, and a mirrow.
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animations & co.
THE SENDER THE RECEIVING
THE ELEMENTS
THE ELEMENTS
THE INTERPRETATION THE FACT
ALPHABET
Tchekchouka Multimedia Workshop of Net Art, Alger/Marseille, 2003
PARABOLA del BONHOMME
Flash Animation
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graphic design
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graphic designUN DINOSAURO NELLA MIA CITTA
Childrens Book, published by Edizioni del Sale, Italy, 2008
Graphic Project, Illustrations & Photos
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chiara fabbri colabichtel. +39 3333731570
e-mail: chiaracfc@gmail.com
cfc-artworks.blogspot.it
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